So it’s no secret that the summer blockbusters of 2019 have been underperforming at the box office this year, unless you’re a Marvel movie there’s a good chance you just ain’t makin’ the boatloads of easy cash off of eager hungry consumers like you used to!! So far we’ve had some big flops and under performers in theaters this summer, Hellboy, X-men: Dark Phoenix, Men In Black International, Godzilla: King of The Monsters, Shaft and I’m sure a few more flops to come.
It almost seems that after the extravaganza of ‘Avengers: Endgame’ people just ain’t that impressed with what Hollywood’s a pushin’! So what the heck gives here? I’ve got 5 reasons why I think people just ain’t buyin’ what big ol’ Hollywood’s selling!
Bland, Soulless, Predictable & Safe Storytelling
One thing I’ve noticed over the recent years is that these big ass summer blockbusters don’t bring much new to the table, instead of setting trends they now play off of what’s trending on social media etc to try and ensure they make maximum profit. It’s clear to audiences that they’re being marketed to and a lot of the themes we see in current movies feel a bit forced into the narrative. The plot lines feel predictable & safe, being very careful not to push the boundaries. However, nobody likes to feel pandered to, especially just to make a quick buck. Today Hollywood blockbusters feel a bit too calculated, like a Mcdonald’s happy meal version of a movie. It tastes good for a moment but doesn’t provide much real nourishment. These huge movies need to set trends again and take more risks. Most of these stories being told on the big screen now follow a rigid formula, it’s time to shake things up a bit and develop some compelling content that will blow audiences minds & keep them thinking long after they leave the theater.
Cinematic Politics & Social Media Movie Battles
Sure social media can be a cool way to connect with friends all over the world but it’s also caused a major political rift in movie fans, especially online. Everyone has a damn platform and everyone’s ready to state their opinion for the whole world to hear. The landscape of politics (here in the USA at least) is a gigantic mess, people are more than ready to call each other names and insult each others political beliefs any chance they can and then some. If you’ve noticed now there’re Youtube channels whose main focus is to tear down movies that they feel promote left leaning agendas and vice versa. Now we’ve got boycotts & petitions galore that are raging against movies from angry fans who think they’re promoting a threatening political views. We’ve got Hollywood directors & industry people arguing with angry fans on twitter about their movies and political leanings. When a movie’s released people immediately jump in to examine what side of the political spectrum it falls upon & then get bent out of shape about it on their social media platforms. Most claim they want to go to the movies to escape from the worries of today’s society, but people are so divided (and making good profit off that anger on their platforms) these days and I’m not seeing this trend dying down any time soon. At least until we get a new damn President!
Poorly Planned Franchise Reboots & Sequels
There’s a lot of bad, uninspired franchise sequels and reboots out there these days making their way into theaters. Hollywood is trying their hardest to capitalize off of nostalgia these days. It seems they think that if they simply slap say ‘Star Wars’ brand on a movie that it’s gonna mean butts in seats at the cinema. Not the case, people are clearly smarter these days when it comes to their choice of entertainment. Lots of franchises attempting to reboot with younger “hip” stars and leaving the old actors in the dust. I mean what really is ‘Men in Black’ without Will Smith? How about Star Wars with crusty old grumpy Luke Skywalker that barely lifts a finger in the movie? Or the Ghostbusters without any of the original characters starring in it to properly pass the torch? Hollywood is a bit clueless when it comes to how to execute these sequels, fans want to see a respectful portrayal of classic older characters who’re set to pass the torch to younger generation. Some of these reboots/sequels actually seem downright disrespectful to the original characters, sweeping them under the rug as quickly as possible to usher in the new characters. There needs to be a class taught to all of these clueless Hollywood executives on how to successfully pass the torch in a franchise. If you take a crap on a beloved franchise the fans of it will roast your ass on social media. The fans today have more power than ever and it’s a new angle that’s got Hollywood baffled.
Spectacle over Story
It’s kinda crazy now, almost every blockbuster movie franchise has been trying to set up a cinematic universe because they think they can reap the same benefits as the MCU does. However what most of these franchises get wrong is that they simply haven’t spent the time worldbuilding building the way Marvel has over the the last 10 plus years. Most of these failing franchises spend their movie’s runtime trying to set up the next sequels rather than telling a compelling story with top notch character development. Instead they simply litter the movie with a bunch of shiny, glossy CGI & flashy explosions convinced that lone is enough to entice movie goers to get all amped up for their planned spinoffs. Well listen up Hollywood, going to the theaters is expensive and people just aren’t as dumb as you seem to think they are, yeah we got options these days with all the streaming content out there. Movies better step it with their storytelling otherwise we’re gonna stay home! So many of these franchise are dumbed down to a level that just won’t entice the masses like they used to. We want original stories, not rehashed plots from previous movies in the franchise. Sure the spectacle can be fun, but there’s a certain over saturation of mind numbing movies out there now and yours better be more than just fluff. Stop trying to predict what the masses are going to eat up and spend some time writing stories we haven’t already heard. Most of the movies feel like they’ve been looking at what’s trending on twitter and writing a story around that. I’ll say it again, Hollywood needs to set the trends again rather than blindly trying to follow them.
Star Power Ain’t What it Used to Be
Back in the 1980’s blockbusters were a just as big a deal but they usually had one thing going for them that’s missing today-star power. People would rush to the movies just to see Stallone or Schwarzennegar do their thing. It was an event. Not so much today, the days of larger than life celebs has somehow died, putting one of the stars of say the Avengers franchise in one doesn’t automatically equally box office gold. I’m not sure what changed over the years but people are far less starstruck than ever before. This means Hollywood has got try even harder to put something out that feels fresh and original, a good cast is still important but it’s clearly NOT a deal breaker anymore.
So people seem quite up in arms about the latest season of Game of Thrones to put it lightly, it’s been pretty much everywhere online, more drama online than this season of the show could churn out! I’ve been thinking about it all for a few days now since watching Episode 5 and I think there’s really is something to all the anger towards the show writers David Benioff and D.B. Weiss. Now that they’ve got no more writing from George R. R. Martin’s final book (which he still hasn’t finished) to base this season on, we get to finally see the writing chops of these two dudes in action. I’ve got a few major problems with what went down so far in the final season, most it being the execution of plot points by these guys, but some it of it indeed revolves around some shoddy ass writing.
One thing that now makes perfect sense is that David Benioff was actually a writer of easily one of the WORST movies in recent Hollywood history, 2009’s ‘X-men Origins: Wolverine’. If you’ve seen it, most unanimously agree, it’s one of the most pathetic movies to reach the major cinemas in recent times. Single handedly ruining Hugh Jackman’s Wolverine, Deadpool and Sabretooth all in one horribly executed, terribly written mess of a movie. It makes ‘X-Men 3’ feel like a god damn cinematic masterpiece. His buddy D.B. Weiss hasn’t written or directed much outside of GOT either. So it’s not all that surprising that this season feels a bit like a shit-storm to many today. SPOILERS AHEAD!
So I wanna point out a few things I think totally sucked about this final season so far, I realize that the internet is filled with GOT opinions right now so I’ll keep it all short. One of the BIGGEST problems for me is the handling the The Night King & the whitewalkers, seven damn seasons of fantastic mystery brewing around this incredibly intriguing and terrifying villain, then in one episode mid season it’s all over and nearly forgotten by the next episode. One of the things so many were most invested in was his true motivations. Would we see things from their perspective? Learn what fuels their rage towards the living? Find out what they really wanted from Bran? Actually hear The Night King speak his case with some real dialogue? Nope! The major supernatural threat of seven seasons was wiped from the plot in one murky battle and by the next episode everyone was back to acting like a bunch of spoiled babies after just surviving a possibly world ending event. Cersei wasn’t even affected by them in the least, but how awesome would it have been if The Night King and the Whitewalkers had shown up on her doorstep first and she had to flee to Jon Snow & Daenerys for help? Imagine the drama…Whatever the case the whitewalkers turned out to be a big ass nothing burger to say the least, a huge missed opportunity in my opinion. It actually felt as if the writers just wanted to quickly erase them from the last season for some reason.
The largely controversial Daenerys “mad queen” plot would have been fine with me, but the execution of it was seriously lacking the character development needed to add any real believability to her actions. She was majorly bummed off that most people seemed to love Jon Snow so much, but she’d just arrived on the scene, so I don’t know, maybe try and socialize a bit with everyone after the damn battle against the walkers?!! Geezus!! I’m sure this all must have been what George R. R. Martin had in mind ultimately (?) but if the writers expect me to believe Daenerys is then gonna go completely bonkers, exterminating a whole population of innocent, poor villagers, many of them children (who’ve already suffered under the rule of Sersei) you better have a lot more character development to occur to sell it. It all felt rushed & carelessly forced. I think it’d made a hell of a lot more sense if she’d went for Sersei directly in the battle with her rage, killed her personally or even better, captured her and viciously tortured her among the rest of her current crew. Reigning dragon’s fire upon the poor villagers who’ve already been punished for most of their existence was just not believable at this point. It felt like shock for pure shock value. The end of Sersei also felt anti-climactic, she never even shared any real dialogue with Daenerys & it felt for the most part like she was trying to commit certain suicide by her horrific slaying of Missandei. Whatever the case, this whole debacle mades perfect sense when I discovered that one tidbit of info that’d slipped through the cracks for me, David Benioff wrote the cinematic turd, ‘X-Men Origins: Wolverine’…nuff said.
So one reason it’s fun to be a blogger is because there’s always that slight chance something you write about could ignite a spark on a certain topic, and one thing I’ve been hoping forever is that we’ll some day get an ‘Alpha Flight’ movie! Some of you all might be asking who the hell is Alpha Flight? Well let me just start off by saying they at one time had much more notoriety in the Marvel universe than The Guardians of the Galaxy! So as far as Marvel movies go anything is possible, I mean I never thought we’d get TWO damn Ant-man movies either! For those who may not know, Alpha Flight is a Canada’s answer to the X-men & The Avengers, who made their first appearance 40 years ago in X-men #120.
Wolverine was originally set to be the team’s leader, which led to them having a heavy presence in the X-universe & throughout the years they’ve had their own Marvel comic book series several times throughout the last 4 decades with varying degrees of success. Well I think now’s the time to tell the team’s story on the big screen & I’m certain if they did it right it’d be next the big thing in the MCU, not convinced? Well here are 6 reasons why Marvel’s gotta jump on the chance sooner than later!!
1. Diversity of the Team
Ok so it’s clear that diversity in comic book movies is a topic that’s endlessly being discussed today. It just so happens that they have always been one of the most naturally diverse in the Marvel universe. From native American characters like Shaman and his daughter Talisman, to Eugene ‘Puck’ Judd being a ‘little’ person, to Marrina being a bizarre race of fish creature and Northstar being a gay man, the team undeniably has a lot of interesting characters within it’s ranks. Half have been made up of women and Heather Hudson also known as ‘Vindicator’ stepped in as the team’s leader for over half of the teams comic book existence. They’d easilytranslate to the big screen in a unique way and I think they’ve got a lot to offer up in a way audiences haven’t seen before on the big screen!
2. First Gay Superhero
This leads me to my second point as recently I’ve seen that Marvel was looking to introduce the first openly gay superhero. Well good thing for Alpha Flight, they had the very first mainstream gay superhero, Jean-Paul Beaubier aka ‘Northstar’. Though it wasn’t openly stated in the team’s first series from 1983 it was clear to see the angle of the character presented there. Nearly ten years later in 1992 Northstar officially came out as gay to the public making mainstream headlines and then in 2012 again when the first gay superhero wedding took place prominently in ‘Astonishing X-men’ #51. His husband being Kyle Jinadu, a black male was also notable in featuring a natural diversity within the now iconic superhero storyline.
The character has broken down barriers time and time again in comic book history and if any gay superhero makes it to the silver screen it surely should be Northstar. With all of his sexual identity to the side, the character has always been an interesting one, with one of the biggest attitudes in Marvel comics ranks he’s also got a twin sister “Aurora” whom he’s incredibly protective of. Their relationship has gone through a lot of intriguing states of turmoil as well, especially when it comes to her choices of people she chooses to date. Northstar in general is just a super badass character, possessing the ability to travel at superhuman speeds, fly, and project photon energy blasts. His twin sister, Aurora also possesses similar abilities. He automatically makes the team that much more interesting without even trying. Continue reading
Over the years we all have enjoyed and sometimes hated the giant “epic” multi title crossovers and mini-series that are so damn popular these days. However some of my personal favorite comic book stories are short and sweet. They often times have nothing to do with the major story arc you’re currently reading in that title and especially back in the 70’s & 80’s these self contained stories that had a beginning and end to them all in one book were sometimes more heavy hitting than any crossover could ever be. So I’ll be showcasing some of my favorites and the first one that came to mind might be my favorite of them all.
Flash back to 1986 when X-Men #205 hit the shelves. This issue is easily one of the best Wolverine stories of all time, and it’s all in just one issue. A brilliant epic crafted by Chris Claremont and Barry Windsor Smith remains one of the darkest and most brutal issues of X-men to date. Let me clarify that this was during a time when Wolverine was rarely seen in solo adventures and the character was still deeply mysterious.
The story was called “Wounded Wolf” and featured Lady Deathstrike’s first appearance as a super freaky ass cyborg as well as her three Reaver mercenary minions. It also featured Katie Powers from the mutant kid team ‘Power Pack’ who during a snow storm encounters Wolverine who’s beaten to a pulp, covered in blood and nearly naked. Soon the two of them are both on the run from Lady Deathstrike and her cyborgs who’re out for bloody revenge. It reminds of a Wolverine movie storyboard Ridley Scott might have anticipated directing in the 80’s. Continue reading
Damn was The New Mutants was an awesome comic book of the 80’s and one of the things that adds immensely to it’s street cred were the amazing covers that Bill Sienkiewicz produced. Here picture is one of many stunning pieces of artwork that graced the series covers. Most of his artwork on The New Mutants was pretty intense, dreamlike and often frightening. New Mutants #18 is a prime example of how hard Bill was killing it back in the day. If you want a real treat check out his run on the series in 1983 starting with issue #18 and ending with #31. Perhaps I’ll compile all of the covers here in one post. They just don’t make ’em like this anymore…
So yesterday I did a post on Rob Liefeld, this time celebrating the times when he actually did a cool piece of artwork. I had a some people who challenged it and STILL claimed Rob’s work was filled with flaws. Well here’s “round 2” a more recent cover of Rob’s – a variant cover for Deadpool #13. I’m right now thinking this is cover is actually pretty good. In fact I almost didn’t believe he actually created it! I’ll admit yesterday’s Liefeld cover being one of his more solid pieces really wasn’t that incredibly impressive. So to all those out there that STILL think Rob can’t rise to the occasion and do some decent doodling what do you think of this?!
Rob Liefeld has gotten a TON of shit over the years for his highly critiqued artwork filled with bad perspective, highly exaggerated body parts, weird looking feet ect. etc. etc. Yeah we all have seen the criticisms of the guy, who at one point was basically a “rockstar” comic book artist in the 1990’s. I’ve never been a fan of his artwork, in fact a lot of his 90’s stuff (and many other artists from that era) has always made me cringe. Putting all of that aside, the guy had and still does have a ton of people who are big fans of his style. The dude is legendary whether you like it or not, so that leads me to do a little digging and give Liefeld some credit when he does some good work. All of his artwork isn’t all bad right? Well I’m going to use my ‘Comic Book Cover of the Week’ posts to showcase some of, in my opinion, Liefeld’s “hits”. Here’s a cover by him that I always thought was actually pretty good. I especially like the way Liefeld drew Sabretooth, nice and evil looking in New Mutants #91. Liefeld doesn’t do anything too outrageous here (there may be a missing chin), I think on this one he actually did a pretty decent job. He keeps everyone’s feet nice and hidden as well….What do you think?