I’ve joked with friends for many years about Steven Spielberg’s classic film E.T. having a sequel made, that was only released for audiences overseas. I mean of course I’d want a sequel to the movie, but not some pile of shit that’s made today where they fuck everything up with bad “special” overblown fx, a cut and paste recycled plot and a cast of terrible new characters “who are passed the torch” from the beloved but neglected older now sidelined classic ones. Well come to find out that Spielberg was indeed planning a sequel to E.T. back in 1982! He even wrote a story treatment for it that he actually turned in and while it’s not at all what you’d expect, it’s something just weird enough to have been the WTF cult classic E.T. deserved!
While The A.V. Club recently stated we should “be glad the cancelled sequel never got made” I say we should be downright enraged the cancelled sequel never saw the light of the silver screen. Officially titled ‘E.T. 2: Nocturnal Fears’ you can tell this thing would have been right up my damn alley. Yep, think of more of an alien abduction horror tinged adventure for Elliot & fam this time. In Steven’s sweet nine page treatment, he amps up the Amblin “kids in danger” factor to eleven. Elliot, Michael and Gerty are sorely missing life without E.T. by their side, they still long to reunite with him again someday often gazing into the night skies. Well just as their world seems to turn mundane, they once again discover an alien craft at night in the woods nearby. Baffled, they assume it must be E.T’s return to them. However, what’s on board this time around are not so friendly, something far more terrifying: white skinned humanoid extraterrestrial carnivores, sporting huge red eyes and razor sharp fangs.
It’s not by coincidence either they land in the woods nearby, as they’re in search of their old pal E.T. & a few steps behind him in pursuit. It turns out they’re at odd’s with E.T.’s race and have come to Earth for any information on his whereabouts. Oh yeah the creatures also mutilate cattle and raise hell in the suburbs. Elliot, Gerty and Mike are pursued relentlessly by them in a game of cat and mouse and are eventually captured, where they’re tortured for info on their pal E.T.’s whereabouts. Elliot is so traumatized by their wicked methods of interrogation that at one point his blood curdling scream sends a emotional signal deep through the outer reaches of space to his old alien friend. Of course E.T. wastes no time and immediately rushes back on a mission to save his human companions from the clutches of his evil alien rivals. It’s also revealed E.T.’s real name is ‘Zrek’! Yowza COUNT ME SO IN!
The A.V. Club obviously doesn’t know a cult classic 80’s sequel if it punched them in their freakin’ face! Apparently Spielberg decided to back off the sequel because he thought it’d ruin the innocence of the original movie. Deeming it too dark and simply based too much in horror. Take a look at the concept designs for Rick Baker’s evil aliens, for the unmade ‘Night Skies’ that were also rumored to be considered for ‘Nocturnal Fears’:
So this is clearly to me at least an awesome sequel, and in an alternate reality would’ve been a classic, though likely a box office bomb. Spielberg could have had Tobe Hooper direct this thing too! Part of me wishes they’d pull this treatment out of the old dusty file cabinets and just give us THIS sequel today! Keep the same basic story, but have the original cast reunite, older now with their families deal with this identical situation and reunite with E.T. , I mean Zrek, sorry! As much as I’d love this I can only assume some greedy Hollywood execs would step in to trash the story, killing off Elliot, Gerty & Mike in the opening scene or something lame and then throw in a bunch of shitty CGI aliens and have E.T. die before he can see his old friends. There’d also probably be a new “E.T.” in his place that was more in line with current online trends somehow. So for now ‘E.T. 2: Nocturnal Fears’ will just have to get a special place in my mind as the ‘what if’ sequel that should have been. Check out this extensive look at Steven Spielbergs story treatment in this Youtube video, beware though this Youtube channel also seems to think the script sucks(WTF?), clearly this person doesn’t know a sweet sequel when he sees it – c’mon people!!:
Oh and if you’re still craving an E.T. sequel here’s that weird Xfinity commercial they decided to make instead of a real sequel:
Hey horror hounds! I’m willing to bet top dollar that you have probably never heard of or seen 1989’s bonker’s horror comedy ‘The Laughing Dead’?! I reviewed it right here not too long ago but enjoyed this weird wild cinematic journey so much I chose it as the feature presentation to cover for the latest episode of the Movie Melt Podcast!
So if you dig 80’s horror flicks like Evil Dead II, Re-animator or Terrorvision and haven’t got the scoop on this one you should check out the podcast for sure. With FX legend John Carl Buechler (A Nightmare on Elm Street 4, Friday the 13th VII, Troll ) bringing the gooey gore & monsters to life along with the offbeat horror story set in Oaxaca, Mexico, it’s a shame this movie never saw an official release here in the USA.
Written & directed by Splatterpunk cult horror novelist/composer S.P. Somtow, makes it a guaranteed treat for 80’s horror fanatics. Check out the episode RIGHT HERE for the scoop on ‘The Laughing Dead’ as well as a whole heap of crazy shenanigans and useless movie info! Here’s the trailer for the movie…
One of the sweetest, feel good movies in recent memory, ‘Love & Monsters’ came as a totally welcome surprise! And that’s all being said as someone who’s normally pretty tough on newer horror/fantasy/sci fi movies. Love & Monsters which came out last year may not have the most original plot but it more than makes up for any shortcomings with its impressive special effects and it’s truly heartwarming adventure. I guess I’d at first glance describe this as having somewhat of a “Zombieland” type of a thing going on and it might be easily dismissed as just some wimpy copycat. On the contrary, Love and Monsters buries ‘Zombieland’ (and especially the sequel), with what I think are just plain more likable characters who embark a much more compelling and colorful adventure in general.
Roughly seven years after the Earth was subjected to a mysterious monster invasion, the rather cowardly Joel Dawson has been living underground with a small pod of people trying to avoid what lurks above. He spends his time reconnecting over the radio with his high school girlfriend, Aimee, whom he was separated from when the tragedy hit and also cooking his signature soup for his crew. When the feelings of isolation and cabin fever finally get the best him he decides to muster up the courage to head to the world above. Seeking to finally reunite with his lost love who resides 80 miles away at a coastal colony, as he surmises that there’s nothing really left for him underground anymore. As he heads out alone he soon realizes he’s hardly prepared for the dangers all around him in the outside world. Mutant monsters are hungry and lurking around nearly every corner.
One of the high points here is the inclusion of charming canine character named “Boy”. Lifting a bit from ‘A Boy and his Dog’ (minus the weird sex plot) in a much sweeter way, we get the best of both world’s here for this little apocalyptic adventure. ‘Boy’ proves to be the show stealer here imo and his bond with Joel makes dealing with the dangers a bit less frightening, all things considered. The two make an excellent team against the creatures and it’s clear that they both need each other more than they likely ever realized for piece of mind in a crazy world. He also meets a few other interesting characters, a pair of wandering scavengers, Michael Rooker along with the ruff and tumble little girl named ‘Minnow’. Joel soon learns the tricks of the trade from them and has to make a big decision on the outcome of his journey. One of the best scenes involves a strange AI intelligence, who brings even more unexpected meaning to his travels.
The whole thing is a great exercise in escapism during these real life uncertain times we all face at the moment. It also shows just how important real human (and animal) connections will hopefully always be to us here on the planet as we move forward. As we’re feeling isolated to certain degrees currently, Love and Monsters showcases some parallels to the current state of affairs. I guess we can all at least be relieved that big mutant monsters aren’t waiting to chomp us to bit when we head outside at least?
Let me get to the monsters here as well, I was half expecting some sort of chintzy fx work here to spoil the damn party. Not the case, the creatures here though mostly CGI are a treat to behold and for the most part are pretty convincing threats to our heroes. As a HUGE fan of monster movies I think it hits that sweet spot quite nicely. There’s also some cool plot twists and of course some admittedly hokey ones that otherwise might not have worked without such strong characters at the forefront. If you’re looking for “Calgon to take you away” (80’s kids you know the reference) from the worries of the real world, I can’t think of a better new fantasy adventure flick to visit than ‘Love and Monsters’, easily one of my faves of 2020!
Who knew that 1988’s Canadian cult creature feature ‘The Brain’ was actually a hidden holiday horror gem? Yep this monster movie from the opening scene has got Christmas decorations strewn all over the place and keeps up this trend for the full duration of the film. Christmas lights, trees, tinsel and Santa decorations are carefully placed in view. People every year search for those lost holiday horror gems and I’d say we can put ‘The Brain’ firmly in the “Takes place during the Christmas season” movies & if ‘Die Hard’ qualifies as a holiday film then this one certainly does as well!
Well is it worth the trouble to track down and check out this 2020 holiday season? YES! The Brain has everything I love in an 80’s horror flick. Cool likable characters, a wild giant rubbery monster, plenty of action and a ridiculous plot reminiscent of those classic 1950’s sci-fi creature features. Creepy ass Dr. Blakely (the dude from Re-Animator who loses his head-and does in The Brain too!) runs a seemingly normal TV show called “Independent Thinkers”, a popular weekly “self-help” program. However he’s not making his audience any wiser, he secretly serves an alien organism called The Brain, that brainwashes (duh!) the viewers using it’s other-worldy mind control techniques. It’s also got a hunger for human flesh & as it consumes it’s victims it also increases in size. The only one who stands to save the city and possibly the Earth is a wise crackin’ teenage practical joker and his super cute stylin’ girlfriend.
The Brain is a fun filled totally 80’s horror romp with plenty of action, cool villains and a rad slightly idiotic looking monster that’s brought to life via puppetry and animatronics. He’s kind of like giant hulking “Madball” toy from the 1980s. He attacks his victims with limited mobility as he “cruises” around on his snake-y bod. There’s also some cool kills that are unexpectedly sprinkled about the holiday landscape and rarely a dull moment to behold.
Most of the movie features our two main characters on the run and some of the settings are pretty sweet. I’m always a sucker for hiding out inside of an empty closed school all night! Easily one of my favorite places for mayhem to ensue. As I mentioned before, there’s enough holiday decor strewn about to warrant this one a watch during the Christmas season if you’re looking for something different this year. Besides that The Brain is a solid, entertaining, charming little monster movie that’s got a sweet release on blu ray from Scream Factory that looks great and has some cool little extras to give you tons of useless information on the the movies origins!
‘Hiruko The Goblin’ from 1990 has got to be one of the best horror movies from Japan I’ve ever seen. It hits all the right beats for me in what I personally love from the late 80’s early 90’s genre movies. Directed by the iconic Shinya Tsukamoto, most well known for his epic, bizarre cyber punk horror oddity ‘Tetsuo: the Iron Man’ he delivers another slam dunk here a couple years after with this. However, this particular movie of his has gotten a lot of criticism for being so totally different from ‘Tetsuo’. Haruko spends more time on character development, humor and over the top monsters, as well as a heavy dose of heart. For me this is a much better formula than the grimy bleak mood of most of this directors other work.
This plays out way more like ‘Evil Dead 2’ meets ‘The Ghostbusters’ then his cyberpunk Cronenbergian/ David Lynch tinged outings. The story is simple yet truly bizarre: a school has literally been built on a gate to Hell behind which hordes of demons await the moment they will be freed to wreak havoc on the physical plane. Hiruko is a powerful and cunning creature sent to Earth on a reconnaissance mission, he decapitates humans in order to assemble their heads on demonic spider like bodies and command them to do his wicked deeds. Eventually this gory predicament falls into the lap of an archaeology professor, who’s dramn to the abandoned school during summer time to investigate the supernatural shenanigans and stop this demonic onslaught.
One of my favorite aspects of this movie are the two protagonists a teenage high school student and his odd demon-lore obsessed archeologist uncle. When the boy’s father goes missing while exploring the caverns beneath the school, his eccentric uncle arrives on the scene to help him search the school armed with some nifty demon busting equiptment. From here it leads them on an epic surreal journey facing off with creatures in the creepy empty corridors of the school. It also explores family dynamics, all with a slightly light-hearted comedic edge to it amidst the mayhem.
The other big star of the show here is most definitely the special-effects showcased, if you’re a fan of 80s monster movies this one will definitely be right up your alley Hiruko and his minions are a true sight to behold and the director uses almost every 80’s style effect in the book to bring them to life. From animatronics to stop motion animation, it’s all here and the creepy aesthetics and setting of the film are the perfect place for this all to unfold. Also the movie’s got a relatively lean run time I’d less than 90 minutes, so it’s not something that’s going to put you to sleep. A true visual treat as well, with a little bit of everything for everyone. It’s ambitious horror film from what I consider the tail end of the golden age of the genre that more audiences in the U.S.A need to view. A cross between Ghostbusters, Evil Dead II, Poltergeist & The Thing done by way of Japanese brilliance. Also a perfect movie for this Halloween season that you might not have seen before! Physical copies of this can be pricey and hard to track down but I’m certain it must be streaming somewhere?! This need a deluxe blu ray release badly!!
This Halloween I’m gonna make a few obscure retro foreign horror movie recommendations that you may have missed out on from that oh so sweet era of the genre: the 1980’s! I just checked out a rad little Hong Kong Horror movie from 1987 called ‘Vampire’s Breakfast’!!
This forgotten little horror gem is a load of fun with a heapin’ dose of spooky settings, comedy, romance and action in the way that only Hong Kong cinema delivered back in the day. I really enjoyed how for the most part this one plays the horror pretty straight, keeping the all too usual Hong Kong “slapstick potty humor” out of the equation entirely. For me some of the 80’s Hong Kong stuff can be completely ruined by crappy potty humor and comedy that just plain hasn’t aged well (and keep in mind I’m not normally easily offended either). Nope, here we have a cool cast of characters and genuinely nasty “American/European” style vamp on the loose rather than the traditional Chinese hopping kind. We’ve got some funky footage of Hong Kong in the 80’s here and totally sweet fashion of the era in full swing.
The iconic Kent Cheng stars as a newspaper reporter who’s hot on the trail of a serial killer and after poking around a police crime scene begins to suspect that the killer might actually be a living breathing vampire. No one takes him seriously except a boozed up car stereo thief, who he reluctantly teams up with to track down the suspected bloodsucker. Along the way though he interviews one of the killer’s victims who barely escaped with her life, the oh soooo cute Emily Chu looking as stylee as ever.
Of course it’s love at first sight and we’re then treated to a full on 80’s style Hong Kong “John Hughs” cheezy romance, which is a total charm amidst the horror. The thing I really dig about this is movie, are the horror elements, unafraid to get nasty when it needs to as well as some action sequences that can be pretty exciting as well. No kung fu here though, which is kind of nice actually as it plants this one in a more believable horror setting, but that’s not to say the portly Kent Cheng can’t deliver the kicks, check out 1989’s ‘Vampire Buster’ to see his skills.
There’s a lot to love here if you’re looking for something different this Halloween, the vampire here is plenty fierce as well. He’s got a pretty sinister look and raises plenty of Hell on the foggy streets of Hong Kong. There’s also some unexpected moments of gore as well that ramp things up nicely in the finale. I’d say this one definitely deserves more love and most definitely a cleaned up blu ray release with more fleshed out subtitles. A colorful, creepy tale full of endearing characters and a brisk pace make this one standout viewing this Halloween for those who love uncovering hidden gems from horror’s sweet spot era of the 1980’s.
I’ve been looking around for interesting movies during the lockdown and this one definitely looks like it’s got potential if you’re into crazy gooey practical fx and supernatural slashers. ‘Skull: The Mask’ comes from Brazil and the trailer looks pretty damn promising!
We follow the story of an ancient relic in the from of a creepy ass mask that turns it’s wearer into a rampaging maniac that looks like he just had a successful audition for GWAR!
“In the year 1944, an artifact is used in a military experiment. The artifact is the Mask of Anhangá, the executioner of Tahawantinsupay, a Pre-Columbian God. The experience fails. Nowadays, the Mask arrives at Sao Paulo. The Mask possesses a body and starts to commit visceral sacrifices on vengeance for the incarnation of its God, initiating a blood bath. The policewoman Beatriz Obdias is in charge of the crimes, challenging her beliefs”
Check this one out Horror hounds it looks like a ton of fun!
‘Mystics in Bali’ from 1981 is truly one one wild and crazy Indonesian horror flick and just what I was craving during lockdown! My first viewing of this gem would have admittedly been better had I not known a damn thing about the plot, so if you’re reading this and are interested, I’d suggest checking it out blindly to get maximum enjoyment! So you’ve been warned…
Anyway I’m kinda new to the whole Indonesian cult cinema scene, but I can say so far everything I’ve checked out has been pretty top notch. Mystics in Bali is 100% weird and wild. It follows an American named Cathy who travels to Bali to do extensive research for her book on the mystic ways of the mysterious black magic cult of the Leyak. She meets the handsome Mahendra a local man with knowledge of the dark local magic who also happens to have connections to a woodland witch. He takes her out to the forest to her lair and the bizarre woman vows to expose the secrets of the dark arts and their rituals to Cathy. Excited to get this exclusive info for her book she continues to meet the witch, who in turn tricks her into becoming her evil minion, transforming her into a Penanggalan, a horrific flying head with internal organs hanging from her neck!! GAAAHHHH!
Things go from bad to worse, as Mahendra has fallen in love with Cathy by this point and has no other choice than to ask his uncle Machessea practitioner of magic himself, to help him stop the witch and save Cathy from the curse of the sinister Leyak. This leads to a pretty epic battle towards the end making the whole thing a such a bizarre slice of foreign 80’s horror, it’s most definitely essential viewing for genre fans! There’s a pretty intriguing story here to fuel the horror as well along with the sets and general locale of the film make this a special treat by just that alone. There’s also some low budget but fully ambitious special effects at play here that really amp up the general madness of this movie. Also prevalent are a few relatively shocking moments here that are unlike anything I’ve personally ever seen before in a horror flick.
Some “must see” sequences that will stick with fans of the genre and leave you scratching your head in disbelief! The creature Cathy becomes is clearly the main attraction here and surely is one of the freakiest movie monsters I’ve seen in some time. The final showdown is a pretty great time as well, sure it’s a clunky battle, but it’s a ton of fun to behold. It’s no wonder that this movie was done by the same director, H. Tjut Djalil who also brought us the mega bonkers ‘Lady terminator’ which is def worth tracking down! I’ve also heard that his movie ‘Dangerous Seductress’ is quite a wild gem as well. So..Mystics in Bali is a true oddball, one of a kind horror flick and leads me further down the path of an era of movies other countries were producing during the 80’s that rival some of the best the USA had to offer-Check it out!
I’m not real familiar with with Indonesian cinema, but last night I watched a dvd (yeah a DVD folks!!!!) I got in the mail from Netflix that’s been in my queue for well over a year. The 1984 Swords and Sorcery fantasy martial arts adventure, ‘The Devil’s Sword’ from director Ratno Timoer. I really didn’t have any expectations, in fact I was fully prepared to turn this one off after 10 minutes, however that was most definitely not the case. Nope! Instead The Devil’s Sword immediately won me over with some impressive joyfully bad choreographed magical martial arts battles taking place in a truly stunning exotic jungle location. If you’re a fan of cheezy fantasy movies from the 1980’s then this one’s gonna be right up your damn alley. It’s also alerted me to the Indonesian action star Barry Prima, maybe I’m late to the Prima party, but a quick look on Letterboxd at his filmography revealed what appears to be an overload of action, fantasy, horror hybrid gems just waiting to be leaped into.
This one has pretty much got it all, wildly stupid martial arts, sword battles, magic, monsters, babes & hunks galore! All of it 100% ridiculous, macho man Barry Prima stars as “Mandola”, basically “Rambo the barbarian” looking remarkably similar to Sly Stallone (with a smooth fully stupid dub track that seems like it might even enhance viewing pleasures). He’s also got a radical bad ass female co star, who right out of the gates lays a smackdown on a gang o’ goons & who aids the mighty Mandola in his epic quest to destroy a wicked witch, the sultry and seductive Crocodile queen! She’s indeed quite a woman and has tons of male sex servants one of them the kidnapped husband of Mandola’s female ally! She’s also got a gang of some of the worst, most idiotic looking, crocodile/human minions that really just have to be seen to be believed. Some of these fights too go on for way, way too long but in that sort of “They Live” sorta way. I mean check this out if you think I’m full of shit!
Mandola ends up on this epic quest when some of The Crocodile Queen’s assassins injure his master’s legs and he himself is forced to saw them off! The Devil’s Sword definitely doesn’t skimp on some wild gore either, limbs and heads are chopped off, accompanied by sprays of blood. There’s also a dab of indiana Jones thrown in as Mandola explores caverns filled with hordes of bats and one supremely stupid looking giant cyclops! I guess they were lucky that Indonesia is such a beautiful place, because some of the locales add a solid a layer of legitimacy to the whole experience, suddenly I’m eyeing Indonesia as a future dream vacation.
The Devil’s Sword has really energized an interest in not only the country but also in some of the wild cinema it had to offer back in the 70’s & 80’s as well as a strong curiosity in it’s main man, Barry Prima! Check this flick out, it’s the perfect watch with a case of beer and some friends to enjoy all the unintentional wackiness strewn about the screen. There’s a dvd out there that Mondo Macabro put out years ago I think you can still snatch, or hey if you’re like me just put it on the dvd by mail list from Netflix!
Here’s a pretty interesting little tale of midieval monster revenge, 2019’s ‘The Head Hunter’, a short & sweet little film that clocks in just a hair over 70 minutes in length. We follow a lonely barbarian who’s daughter is snatched up and killed by a monster that roams the nearby wilderness. We see clearly from the inside of his crude living quarters that he revels in killing monsters by his collection of their heads and this time it appears that the conflict is deeply personal. What’s most intriguing is just how simple the plot here is, there’s really only one actor in the whole film if I remember correctly, aside from a brief appearance of his daughter (and maybe a monster or two).
It gives it’s majority of run time featuring the barbarian all by his lonesome and really for the most part ignores his beast hunting almost entirely, only to reveal the aftermath prize of monster heads he brings home every now and again. Though light on the action, it still remains quite an effective slow burn. It takes a brief moment to reveal a world that’s much more fantastic and magical than what we’re mostly shown in a great scene where the barbarian quietly observes a giant troll (who looks pulled straight out of ‘Trollhunter’) towering past a mountain range.
Luckily the film wisely chose a short run time, as it does indeed skimp a bit on showing us any real action at least for most of it’s duration. It instead focuses more on a depressed warrior in solitude, who’s haunted by his daughters death and then late at night, creatures who lurk near his secluded forest home. Whatever budget the movie did have was used wisely with great locations, costuming and effective but subtle monster fx. We really feel the depression, heartbreak and loneliness of the barbarian and all of that set up makes the film’s simple but stunning finale all the more worth the wait. Add to that, a great twist to the whole story that wraps this tale up in a nice nasty bow. When the final confrontation occurs it goes some truly dark places with a creature that at first glance appears as if it’s barely a match for rough and tumble “Conan” style brawler.
For such a short and simple movie it was a real treat, as I’ve never seen a sword and sorcery style flick take this approach to monster slaying. Pretty impressive coming from the guy who directed “Thankskilling & Thankskilling 3” as well as the short film “Critters: Bounty Hunter” from 2014, none of which I’ve seen. After seeing The Head Hunter though I just might give ’em a shot. Check this one out if you dig stuff like Conan the Barbarian, don’t expect a grand spectacle and you’re probably going to enjoy this sweet little tale of revenge quite a bit.