I’m super duper pumped about the recent addition to the “Phase 4” of Marvel’s cinematic universe, they’ll indeed be introducing none other than Shang Chi: The Master of Kung Fu to audiences around the globe! This really did kinda catch me by surprise, I mean who’d have ever thought Shang-Chi would get his own blockbuster film? I understand the Black Panther, as he’s easily in my opinion, one of Marvel’s most iconic, at least to any real collector of superhero comics. He’s a legend. However Shang-Chi (who as a kid I was a collector of his titles) is a pretty obscure character whom I never thought got enough credit. He’s been around though since the early 70’s and was Marvel’s direct reaction to the popularity of Bruce Lee.
Now in 2018 Shang-Chi once again has an advantage, as Marvel searches for it’s next big hit, cashing in at the box office on diversity in their movies, they’re aiming at lightning striking again with a movie that features an all Asian cast & director in a similar fashion as the Black Panther. I’d have been more impressed honestly if Marvel had introduced The Black Panther movie years before it’s release in 2018, but it seemed like they waited until the right time though to make as much money as possible with diversity being a hot topic. That being said better late than never for The Black Panther and now Shang-Chi I guess.
So being a fan of the greatest martial artist in the MCU I’m hoping they do indeed pull this one off and pull the character into the A-List category! What do we want from a “Master of Kung Fu” movie? Well how about the exact opposite of what we got from the Iron Fist series? This movie needs to bring on a superhuman kung fu spectacle unlike anything we’ve ever seen before. Iron Fist was a giant disappointment, it’s terrible fight sequences/choreography, mixed with it’s ultra bland plot & unappealing lead character made for a truly tough series to sit that many hours through. Shang-Chi should be a full on action adventure movie, something like a mix up of Indiana Jones & Enter The Dragon but with the most insane martial arts battles put to screen, To pull this off they need someone who’s a true veteran to do the choreography/directing duties like Wilson Yip of the ‘Ip Man’ franchise or the legendary Sammo Hung. Continue reading
So yesterday I checked out the new Halloween (H40, I’ll call it) movie everyone has been ranting and raving about, as a long time fan of the franchise I can say it was a pretty damn well done sequel. It did in a way bring back memories of eagerly heading into the theater 20 years ago for basically the same event, Jamie Lee Curtis as Laurie Strode facing off against her long time nemesis Michael Myers for ‘Halloween H20: Twenty Years Later’. I remember how excited I was back in 1998 seeing this legendary face off happen on the big screen and it left me pondering yesterday, which was a better film?
So first off Jamie Lee Curtis coming back AGAIN was a very special treat! Hell yeah, she did a great job as Laurie Strode and the nostalgia was super high once again seeing her as the iconic final girl. She truly brought firey emotion to film and completely sold her desperation and paranoia in awaiting the return of the Michael Myers. She also was essentially a total Sarah Connors type character, a full on badass waiting for the chance now to finally destroy her nemesis, equipped with guns galore and a crazy ass fortress filled with traps as her home. ‘Halloween: T2’. You could really feel the final battle brewing and the thick tension in the air from the get go. Quite a different character than in H20, here she’s eagerly awaiting the chance to kill Myers rather than hide from him.
Rather than a son this time around she had her daughter, who’d she spent most of her childhood training to use guns and survive an inevitable confrontation with Michael she was certain would someday occur. Her daughter now resentful of her intense upbringing has a daughter of her own, Laurie’s granddaughter, whom she’d really like to distance from her supposedly wacko overreacting final girl of a mom. Meanwhile Michael who’s been locked up for 40 years escapes and goes on a killing rampage. So there you have it in a nutshell story wise at least..
It also had a stunning new score from the master who started it all, John Carpenter. That definitely gave it the feel of nostalgia and set the mood quite well for the most part. It did however make me wonder a few times though, why not just have Carpenter get in the director’s chair as well? David Gordon Green did a decent job directing but his resume is a bit perplexing, ‘Pineapple Express’ being his most notable amongst a trove of weird unpopular rom coms. H20’s director Steve Miner directed genre favorites ‘Friday The 13th’ Parts 2&3, ‘House’ from 1986, Warlock (1989) and was even second unit director on the cult classic ‘Night of the Creeps’. Though H40 was a pretty solid effort overall there’s still a part of me that thinks just maybe H20 may have been a better end to the saga? Am I crazy?! I thought the 2018 version was darker in tone, for the most part, except when there’s Danny Mcbride comedy oddly inserted throughout which seemed a little off most of the time. I do remember H20 had some of odd comedy as well with LL COOL J wisecrackin’ and a general sort of a Scream-esque style to the whole experience. I thought the kill scenes here were pretty decent, most being done off screen, only seeing the end result mostly and one cgi knife kill that did indeed kinda bother me. I’d say in the inventive kill department though Halloween 2018 didn’t bring a lot new to the table. Continue reading
Here’s something that’s truly perfect for the Halloween season at hand and any fan of the Child’s Play franchise alike. Studio ADI who are known most for their amazing practical & animatronic monster FX through out the years presents this new short web series about a creepy doll actor who plays a killer doll named “Billy” and stars in a “Child’s Play” like 80’s movie franchise.
Down on his luck doll actor Billy has seen better days during the 80’s and when he today finds out that his franchise is getting a reboot without he’s determined to make things right! Much like what’s actually going on currently with the Child’s Play franchise which itself is indeed getting a full fledged reboot, ditching the original look of Chucky and basically wiping the slate clean of everything that came before it, including Brad Dourif & Don Mancini. Each episode is only a few minutes long but it’s definitely worth it, as it indeed features some truly stunning practical fx work and an intriguing, meta look at the killer doll/hollywood reboot treatment of some of our most beloved and cherished franchises!! There’s now three mini (no puns intended) episodes out now-Check it!!
So Friday afternoon I checked out ‘The Predator’, the latest comedy from director Shane Black, the 5th installment to the movie franchise if you include those AVP films. I’d been pumped for this thing to drop as a big fan of the original, which back in 1987 was the first R-rated movie I saw in the theaters. It was also the first movie I’d ever snuck into. I can still remember my friend and I’s reaction to witnessing ‘Predator’ on the big screen after sneaking in, which itself was pretty exciting actually, it was a truly epic cinematic event I’ll never forget and one of those moments growing up that shaped my obsession of movies to current day. I love Predator and the best thing about the movie is that it STILL holds up as one of the best action/horror/scifi flicks of all time. So yeah, naturally when I’d heard Shane Black, who’d actually starred in the original film and Fred Dekker (Monster Squad, Night of the Creeps) was writing it, my hopes for a truly iconic return to form for the Predator franchise was indeed very high.
Well the verdict is in folks, and as a longtime fan, I’m sorry to say the movie blows. After seeing the trailers, I was certainly cautious going into this one, but still was quite certain if anyone was going to deliver the goddamn goods this time around it’d have be Shane Black. That however was certainly not the case. ‘The Predator’ is a full blown comedy and not a good one, in fact it was a bit awkward in the theater as their attempts at jokes fell quite flat most of the time to a rather quiet and unenthusiastic audience. I guess the best way to describe it is it’s attempting to be a Marvel movie version of the Predator. This seems to be the trend these days in these bloated blockbusters, interrupting any potentially serious moments in a movie with some sort of “witty” Marvel-esque attempt at a joke. I’ve gotta say I’m over it. Long gone is the horror/slasher, suspense of the original films instead we’ve got utterly bland characters entrenched in one truly moronic adventure.
I could care less about this movie’s characters, in fact at one point I was hoping for the Predator to destroy them all just so they’d stop cracking unfunny jokes. All of them are totally generic, even the little kid is just a total bore and probably had no place even being in a Predator movie, especially this one which I found out has some weird ass controversy surrounding it. I’m not going to give a play by play either, as so many people out there have already reviewed this stinker. I’ll get down to the real meat and potatoes here, the Predator at least looked good, that is until the bigger CGI Predator and his lame ass CG dogs shows up to take a big dump on that aspect of things as well. Let’s not even discuss how dumb the Predator dog subplot is here, it’s just not worth the time, lets just say it’s another example of The Predator’s piss poor writing. There’s also tons of “call back” joke lines thrown around here from previous movies in the franchise, apparently Shane thinks that shit is still really a big treat for the fans, as a fan I can truly say it’s not.
The movie is just one big dumb, poorly edited, poorly paced, boring mess of a movie. For the longest time I was hoping that Arnold would return in this film as Dutch from the 1987 classic. I wanted it so bad. After seeing 2018’s ‘The Predator’ I’m actually fully relieved that he declined the cameo Shane Black had offered him. This movie didn’t deserve to have Dutch to make an appearance. As far as ranking the films, this one just might be the worst of the batch, I actually would rather watch the two AVP movies before trudging through this thing again. I’d say after this it just might be time to retire the franchise for good. I’m still amazed Shane Black and Fred Dekker could drop the ball this badly, but alas they served us all a bonafide shit sandwich. Good riddance Predator, I’m sad to say it but I’m not gonna miss you….
Most of the big cinema Hollywood horror movies churned out these days are pretty damn forgettable but every so often we get a shiny gem thrown in our direction, this is most certainly the case with “A Quiet Place”. Yep, this one delivers on all levels, it’s an awesome tale of survival, a freaky creature feature and a totally tense original thriller all wrapped into one sweet package. John Krasinski, Emily Blunt, Noah Jupe & Millicent Simmonds are a family trying to survive in total isolation in a house in countryside. In the surrounding forest the wrath of big blind alien creatures that hunt by sound look for their next meal. Get ready for the extremes between complete silence and jarring monster attacks to jolt you right the fuck out of your theater seat. Most of the movie is completely serene except for some of the score that creeps in and out from time to time and that’s what will keep you on your toes. I’d love to see a version of the movie that takes out the score completely as that’d certainly add even more tension to the sonic experiment at play here.
It’s really quite a great concept for a big cinema flick and if you’re chomping on popcorn and candy during the movie you’re likely to be heard by all around, the movie’s so quiet at times it can be a bit unsettling in a large theater full of people. This of course brings the audience directly into the tension and it’s done quite well cuz when the shit hits the fan from time to time it makes the tense action sequences that much more powerful. It also features the most awkward sequence of being stalked by a monster, one where Emily Blunt tries to escape being killed by one of these creatures while simultaneously going into labor! Damn-could it get an worse-yes it surely does..
The small cast also adds to the feeling of dread and isolation as danger lurks behind every noise presented on screen. The setting as well is lush and beautiful as most of it takes place on and around the old farm and a creepy ass cornfield, the perfect place for monsters to creep all about. Speaking of the monsters, we don’t really get any solid explanation about where they came from or why they’re here, maybe upon a second viewing it’d be easier to piece it all together from various newspaper clippings that are shown here and there. It’s been said this movie was also, in it’s early stages given the possibility to have a connection to Cloverfield, which also would have worked quite nicely. Continue reading
I’ve been burning through a stack of late 80’s/90’s VHS tapes lately I scored and while there’ve been a lot of stinkers in the lot there’ve been a few I’ve been quite pleasantly surprised about! I found the first five of the ‘Children of the Corn’ movies and I’d never actually watched any of the sequels so I thought what the fuck? Well the second movie was pretty much a total bore and I’d figured they’d likely just get more dull with each installment. Boy was I wrong!
Yep! ‘Children of the Corn Part 3: Urban Harvest’ is now one of my favorite sequel horror flicks! This movie’s a ton of seriously fun horror schlock. It’s premise is awesome too, we’ve got a couple weird-ass ‘Children of the Corn’ who get adopted and move from the bloody cornfields of Nebraska to the urban streets of Chicago. Their new parents are a couple of yuppies who’re stoked to have two new amish kids of their own. But little do they know one of them has some weird ass supernatural abilities and a one track mind for planting a new crop of corn right there in the city. Things quickly get awesome as their sent off on their ‘first day’ of class at a diverse inner city school and have to fend for themselves as everyone makes fun of their weird clothes and equally odd mannerisms.
Well the new setting seems to be a good one for one of the ‘Corn kids’, soon the older of the two is dressing like he’s the coolest new dude on the block and quickly discovering he’s got a fav new interest that quickly replaces corn: girls!! This new style doesn’t sit well with the younger ‘corn obsessed’ brother and soon he goes on a mission to find a vacant lot to plant some new evil corn, hell his yuppie stepdad even tries to get in on the corn action too. He find’s his stepson’s new utterly incredibly delicious crop of corn flourishing in some shitty soil in a vacant lot between two crumbling warehouses and immediately sees dollar signs! Yeah, he eagerly talks to his new kid about selling out his new breed of corn to a big corporation so it can be eaten all over the world. Naturally the evil kid’s elated and then moves on to convince the local gang bangers and school bullies to start listening to his crazy corn sermons! Soon their all hooked on his schtick and it’s up to his older, newly hipper, formerly amish brother to put and end to his evil plan.
This one never lags, it’s pretty much non stop fun and is chock full of stupid dialogue and some seriously awesome old school horror. I was totally surprised to at how bad ass the special effects are here too, come to find out Screaming Mad George (Predator/The Abyss/Curse II: The Bite) is responsible for the onscreen awesomeness. There’s a bunch of super unique kills, living killer corn, evil scarecrows, corn zombies & even an awesome giant monster at the end!! I was certain being it was ’95 we’d likely have some shitty ass CGI in the mix but instead we get George’s incredible practical fx work. Even the giant monster is a blend of animatronics and stop motion animation and the movie never stops charming the pants off of an old school horror hound. I love these surprisingly well done sequels that are many times completely overlooked by most. The ‘Urban Harvest’ is super action packed, fun filled horror flick, the kind most these days continuously try and replicate. I like how this one appears to be totally trying to play it’s ridiculous plot totally straight, It’s a true gem that’s been lost in the corn field for far too long!! Check this shit out!!
If you love puppets as much as I do then this is most definitely for YOU! Have you ever imagined what horror movie would look like if everyone one in it was a puppet? Well imagine no more because someone is indeed wrapping up an ALL puppet horror flick called ‘Frank & Zed’! Holy Moly!!
Yeah this one looks like a total blast and it was recently fully funded off of a Kickstarter. It’s also comes straight outta my base of operations here in Portland, Oregon from mastermind Jesse Blanchard. Damn! It looks like a demented version of the muppet show, but with even better looking puppets. It’s gonna be a full on puppet slaughter by the looks of the footage out there. We’ll see if a puppet themed movie can really dish out the goods check this shit out! I’m stoked to see this thing is a go and is a full on feature film!
Frank & Zed is the 100% puppet horror monster movie that lives up to that premise. Done with the attention to detail and world building of the Dark Crystal and the mad mayhem and glee of Meet the Feebles (the only other two features done with this method).
It stars two classic monsters, Frank & Zed whose powerful master is long defeated. Since his death, they have survived the wrath of the mob by hiding in the ruins of an old castle. But they are soon discovered and their fates, along with those of the village below, will be decided in the prophesied ‘Orgy of Blood.’