So I recently checked out the Wonder Woman movie and to my surprise it was pretty damn good, for a modern day superhero movie. I only really say this because the first time we saw Gal Gadot in the role was in the wretched Batman V Superman. Uggh I tried to erase that horror story from my memory.. BUT It seems to me that DC finally did it right and impressively releasing the, waaaaaay long overdue first fully female fronted superhero movie. Let’s face it, this was a big win and now I’m sure Marvel is thinking even more seriously about the future of the female fronted superhero flick. Sure they have Captain Marvel in the wings for 2019 but I’ve read recently that another female director is hoping she can score a job behind making a She-Hulk movie.
Yep Rachel Talalay who’s directed the likes of Tank Girl, Freddy’s Dead: The Final Nightmare, episodes of Supergirl, The Flash, Sherlock and most recently Doctor Who has expressed major interest in She-Hulk. She stated: “I have such a strong vision of what She-Hulk should be,” Talalay told Vice. “The difference between She-Hulk and Hulk is that she loved being She-Hulk. She was the Tank Girl of earlier days in terms of being able to say what she wanted, and when she became She-Hulk, it was like an opening of the door to freedom, to be the person that you wish you could be. That you’re stopped from being as a woman. And that’s the version of She-Hulk that I would love to embrace.” Continue reading
I’ve been noticing more recently the increased interest in astral projection, sleep paralysis & the shadow people phenomenon (all three that often times go hand in hand) becoming quite popular subjects lately in pop culture. If you’re unsure of what the three of these things are let me briefly explain. First astral projection (also referred to as an out of body experience) is when your consciousness or “soul” separates from the physical body. Sleep paralysis is when someone “wakes” from sleep and finds their body paralyzed for a short period of time. Finally “the shadow people phenomenon” has been reported by countless people while in the state of sleep paralysis and involves coming in contact with shadowy beings who appear near you or around you. These encounters are often described as terrifying, with strange voices and sometimes feelings of being attacked or suffocated by these shadowy beings.
What many people don’t know is that sleep paralysis, despite how modern horror movies depict the phenomenon, is actually a state that people who attempt or practice astral projection strive to get to. So to some who might not understand what’s happening during sleep paralysis this is a frightening experience but to others this is the sweet spot needed to induce an out of body experience. You see, when someone attempts astral projection it involves a certain amount of concentration or meditation, basically you are trying to let your body completely fall asleep while keeping you mind awake. When doing so successfully you body once calmed enough will become paralyzed, we all experience sleep paralysis every night when we go to bed, it’s what keeps us from acting out our dreams physically. In some cases sleep walking occurs when the body isn’t paralyzed completely. If you can successfully keep conscious while the body falls in sleep paralysis you’re actually very close to astral projecting, which is an amazing thing. Sleep paralysis is considered in a way the gateway to another dimension. Most of the movies and such out there today portray the experience in a negative & frightening way when in reality it’s a direct step to an incredible, life changing experience. Continue reading
Damn do I miss me some old school Hulk adventures! The Hulk comics will never quite be the same it seems and I don’t expect them to be I mean it’s goddamn 2017 and we’ve now got “Totally Awesome Hulk” instead. That’s fine, but long gone are the days of the crazy old school sci-fi superhero adventures of the Jade Giant. I just love the look of these old vintage covers and Incredible Hulk #213 from 1977 capture exactly the vibe I’m referring to. I mean, hell, how awesome is The Quintronic Man?! What a classic weirdo Hulk villain. I love this era of Hulk comics where you’d just be super stoked to see the Hulk’s next big brawl as some super powered mad scientists pester him into a total rage. A total classic cover by Rich Buckler and Ernie Chan! Oh those were the days!!
Here’s the second installment of the all time greatest one shot comics, featuring small self contained stories that begin & end all within the span of one single issue! Today we’ve got an excellent story from 2001 in The Incredible Hulk #26 (vol. 2) written by Sean Mckeever and drawn by one of my personal favorites, the amazing Kyle Hotz. I immediately had a soft spot for this issue as it takes place in Wausau, Wisconsin (and even features ‘Eagle River’ on a highway sign, a place where my family’s had a cottage for ages) a state that we don’t normally see superhero adventures taking place. I had a feeling that Mckeever must’ve been a Wisconsin native to include such random small towns in this story and I was right as his Wiki page states he’s from Appleton (I used to live there!).
Anyway the story features The Hulk as he wanders aimlessly through the night on a lonely highway being drawn to a nearby city’s lights in the distance. The Hulk appears to be at peace in the quiet night, but hey we all know for the jade giant tranquility never lasts long. The cool thing about this particular issue is that Hulk kinda takes a back seat as the story really follows the exploits of b-lister down on his luck supervillain ‘The Killer Shrike’ and his wife Nadine who’re traveling the country aimlessly in his beat up van. I love what this one brings to the table as we’re able to see Simon Maddicks (The Killer Shrike) life as a real person. We witness the struggle of a woman who’s stuck by her mate as he’s chosen a life as a superhuman criminal constantly on the run from the law. She’s tired and ready to live a normal boring life. Shrike’s promising her soon he’ll be ready and willing to give up the life of crime and pulls into Wausau claiming that it could be the city for both of them to settle down in.
It doesn’t take long for her to realize Simon’s lying through his teeth as he eyes up a convenience store and tells her he’s got a new plan. Rather than looking for the big score like he has for years he’s gonna hit small towns hard where there’s no superhuman resistance. We get a real glimpse in to what life might really be like for a supervillain who at his core is just a regular small time crook. There haven’t been too many comics that have covered this topic so intimately and really given us a look at the starving supervillain’s daily life. It’s too bad The Killer Shrike doesn’t realize this small city’s also harboring the most powerful brute force on the planet-The Hulk. We get a compelling introspective into just what makes The Hulk tick and where his thoughts wander to when he’s in a state of peace with his surroundings. There’s a lot of great dialogue packed into this little story and Hotz’s unique artwork really brings this tale to life
The Killer Shrike suits up in his van and hit’s the convenience store with an easy small time score, or so he thinks. On his way out with the cash he nearly runs head on into you guessed it…good ol’ green jeans himself. The Shrike in sheer panic attacks The Hulk, who really just wants to be left alone. He’s doesn’t let up either as he’s convinced he can take down The Hulk himself, he keeps on striking until he levels an entire building upon the jade giant. The Killer Shrike however quickly realizes that very building also crushed his getaway van with his lover, Nadine inside. As things often go wrong when puny humans decide to pester the Hulk, this issue delivers a heartfelt punch to the gut as we witness one fateful night in the life of Simon Maddicks. I wish Marvel could capture this type of depth in their characters and villains more often as The Incredible Hulk #26 would be great issue to present to Marvel executives today as they ponder upon why their comic book sales have declined so much recently. Check this issue out next time you’re at the comic shop roaming through the back issue boxes, it’s a damn fine little slice of storytelling! P.S. here’s an old Marvel Universe profile for the Killer Shrike!
Over the years we all have enjoyed and sometimes hated the giant “epic” multi title crossovers and mini-series that are so damn popular these days. However some of my personal favorite comic book stories are short and sweet. They often times have nothing to do with the major story arc you’re currently reading in that title and especially back in the 70’s & 80’s these self contained stories that had a beginning and end to them all in one book were sometimes more heavy hitting than any crossover could ever be. So I’ll be showcasing some of my favorites and the first one that came to mind might be my favorite of them all.
Flash back to 1986 when X-Men #205 hit the shelves. This issue is easily one of the best Wolverine stories of all time, and it’s all in just one issue. A brilliant epic crafted by Chris Claremont and Barry Windsor Smith remains one of the darkest and most brutal issues of X-men to date. Let me clarify that this was during a time when Wolverine was rarely seen in solo adventures and the character was still deeply mysterious.
The story was called “Wounded Wolf” and featured Lady Deathstrike’s first appearance as a super freaky ass cyborg as well as her three Reaver mercenary minions. It also featured Katie Powers from the mutant kid team ‘Power Pack’ who during a snow storm encounters Wolverine who’s beaten to a pulp, covered in blood and nearly naked. Soon the two of them are both on the run from Lady Deathstrike and her cyborgs who’re out for bloody revenge. It reminds of a Wolverine movie storyboard Ridley Scott might have anticipated directing in the 80’s. Continue reading
I’ve been seeing an increase of stories recently online & on social media about Marvel Comics and it’s continuing sales slump. Most of the articles bring up the hot topic of diversity, some say that Marvel’s record low sales of their comics books are simply because of rising cover prices & lack of fresh new ideas for their characters. Others say that it’s directly due to it’s attempt at diversifying it’s star characters by changing their race, gender & sexual orientation. Most of their popular character’s titles have had a bit of a revamp lately, for instance Wolverine is now female, so is Thor, so is Iron Man, Cap is black, the Hulk is now Korean-American etc. etc. You get the point. Could these changes really be the reason why sales are down? Do people just simply hate diversity in the Marvel Comics titles?
I really doubt that it’s really that simple, though rising cover prices and lack of fresh ideas definitely doesn’t help their low sales. What I see personally happening is a bit of a trend within Marvel Comics that feels a bit insincere. I honestly don’t really mind that the traditional characters have been replaced but I do feel Marvel’s move to make all these changes to their most popular titles feels as if they’ve been exploiting diversity to make a quick buck. What I’m saying is that it feels like Marvel is just trying way too hard to be current on these topics rather than crafting interesting stories. I don’t believe you can simply take all of your money maker superhero titles, simply change their identities and expect them all to suddenly bring you boatloads of cash because you finally decided to make them more diverse. It’s just not that simple folks. Continue reading
Ok so I wanted to take a minute to briefly comment on Netflix’s ‘Iron Fist’ as I FINALLY finished the whole damn thing. So at first I admit I thought the series wasn’t too bad but as I completed the finale it was clear that this show just didn’t deliver much of anything interesting. Now I’m not saying it deserves a 19% rating on Rotten Tomatoes but hey let’s be honest it kinda sucked. The show was pretty damn boring and I admit EVERY one of the Marvel Netflix shows reach a point where this becomes the case. There’s simply way too many episodes, way too much exposition and it just gets to be a bit of a LOOOONG ass process trying to get to the end of these shows. Some of these Iron Fist episodes felt like they were hours long. Combine that with the terrible meandering plot of ‘villains’ Harold and The Hand and the corporate board room BS and it just drags on and on.
I really wanted to like this one but god damn am I glad it’s just over with. One thing this series excelled at was being totally consistently mediocre. Even the finale was a bonafide snoozefest. He barely ever even used the ‘iron fist’ at all throughout this damn show but damn was he hyped on telling everyone he was “the Iron Fist” every damn chance he could. I even kinda liked Finn Jones as the clueless, largely directionless, tantrum throwing rich brat superhero. And to be clear Danny Rand was most definitely not a “white savior” in any respect in this series. He actually was more of a “white screwup” – so to all of the people who had their undies in a bundle I suggest watching the show before you throw your online tantrums. Iron Fist could and should have have been great, pushing the kung fu action to crazy new levels, sadly I give this one a solid D+. Oh well let’s hope they get it right in The Defenders!
On the brighter and more exciting side of things I did start a relatively new series on Netflix last night called “Hap & Leonard” it hooked me right away and I ended up watching three of the six episodes last night. SIX episodes thankfully NOT thirteen!!! I had to mention this one because it’s got some damn good things going for it & here’s a few reasons why you should check it out. First it’s based on the Joe R. Lansdale book series based on these characters. He’s responsible for writing some incredibly cool stories that have been adapted to film like ‘Bubba Ho-tep’, ‘Incident On and Off a Mountain Road’, ‘Cold in July’ & ‘Christmas with the Dead’ to name a few.
Next the directors Jim Mickle & Nick Damici have done some cool flicks like ‘Stakeland’, ‘Mulberry Street’ & ‘We are What We Are’. There’s a big horror connection to this series but so far it really doesn’t quite fit into any genre really. Instead I see aspects of horror, mystery & adventure all crammed nicely into this series. Another plus for me is that it takes place in 1988 and damn do I love the eighties. It’s got some real interesting characters as well, Hap’s a poor rugged private investigator and his best friend Leonard is a gay, black, conservative cowboy who finds more in common with Elvis than Martin Luther King. Both guys are also martial artists and into getting into all sorts of mayhem in the backwoods of east Texas.
It also stars Mad Men’s Christina Hendricks (who’s a total babe and a great actor) as Hap’s ex wife who’s sent them on a wild goose chase to find a sunken getaway car supposedly filled with a million bucks somewhere on the bottom of a alligator infested river. There’s also a weird ass serial killer duo on the loose, one of them is Pollyanna MacIntosh who’s known for her intense role in Lucky McKee’s horror flick “The Woman”. She’s just as wild n’ crazy in ‘Hap & Leonard’.
Yeah it’s a breath of fresh air after Iron Fist that’s for sure. Check it out, it’s a thrill so far and full of surprises!! I’m thrilled this one’s got a second season as it appears there’s plenty o’ crazy source material for out there already from Mr. Lansdale!