So I recently checked out the Wonder Woman movie and to my surprise it was pretty damn good, for a modern day superhero movie. I only really say this because the first time we saw Gal Gadot in the role was in the wretched Batman V Superman. Uggh I tried to erase that horror story from my memory.. BUT It seems to me that DC finally did it right and impressively releasing the, waaaaaay long overdue first fully female fronted superhero movie. Let’s face it, this was a big win and now I’m sure Marvel is thinking even more seriously about the future of the female fronted superhero flick. Sure they have Captain Marvel in the wings for 2019 but I’ve read recently that another female director is hoping she can score a job behind making a She-Hulk movie.
Yep Rachel Talalay who’s directed the likes of Tank Girl, Freddy’s Dead: The Final Nightmare, episodes of Supergirl, The Flash, Sherlock and most recently Doctor Who has expressed major interest in She-Hulk. She stated: “I have such a strong vision of what She-Hulk should be,” Talalay told Vice. “The difference between She-Hulk and Hulk is that she loved being She-Hulk. She was the Tank Girl of earlier days in terms of being able to say what she wanted, and when she became She-Hulk, it was like an opening of the door to freedom, to be the person that you wish you could be. That you’re stopped from being as a woman. And that’s the version of She-Hulk that I would love to embrace.” Continue reading
I’ve been noticing more recently the increased interest in astral projection, sleep paralysis & the shadow people phenomenon (all three that often times go hand in hand) becoming quite popular subjects lately in pop culture. If you’re unsure of what the three of these things are let me briefly explain. First astral projection (also referred to as an out of body experience) is when your consciousness or “soul” separates from the physical body. Sleep paralysis is when someone “wakes” from sleep and finds their body paralyzed for a short period of time. Finally “the shadow people phenomenon” has been reported by countless people while in the state of sleep paralysis and involves coming in contact with shadowy beings who appear near you or around you. These encounters are often described as terrifying, with strange voices and sometimes feelings of being attacked or suffocated by these shadowy beings.
What many people don’t know is that sleep paralysis, despite how modern horror movies depict the phenomenon, is actually a state that people who attempt or practice astral projection strive to get to. So to some who might not understand what’s happening during sleep paralysis this is a frightening experience but to others this is the sweet spot needed to induce an out of body experience. You see, when someone attempts astral projection it involves a certain amount of concentration or meditation, basically you are trying to let your body completely fall asleep while keeping you mind awake. When doing so successfully you body once calmed enough will become paralyzed, we all experience sleep paralysis every night when we go to bed, it’s what keeps us from acting out our dreams physically. In some cases sleep walking occurs when the body isn’t paralyzed completely. If you can successfully keep conscious while the body falls in sleep paralysis you’re actually very close to astral projecting, which is an amazing thing. Sleep paralysis is considered in a way the gateway to another dimension. Most of the movies and such out there today portray the experience in a negative & frightening way when in reality it’s a direct step to an incredible, life changing experience. Continue reading
‘Alien: Covenant’ finally dropped at theaters yesterday, and after all the hype the smoke finally cleared as I sat back for a late night viewing of the “prequel” for the legendary horror franchise. Ridley Scott returns again after the lackluster ‘Prometheus’ for purely passable installment that is Alien: Covenant. I wasn’t a huge fan of Prometheus, it’s one of those movies I can’t say I ever care about seeing again and same is the case also with ‘Covenant’. It does though fit quite nicely alongside the current trend of forgettable sequels to once amazing movie franchises of the 80’s that are cranked out these days. It’s like the ‘Indiana Jones and the Crystal Skull’ of the Alien series, making the third and fourth installments of the Alien franchise suddenly feel more legit.
This doesn’t mean I hated the movie, it just means that I’m quickly growing tired of the trend of sequels that I once endlessly pined for. It pains me to see Ridley Scott now for a second time bringing us such uninspired pieces of cinema. The movies large cast of characters hasn’t got anyone in it you’re likely to give a damn about and spends it’s time focusing on the android “twin btother” characters played by Michael Fassbender instead. ‘Covenant’ simply feels like Ridley has run out of ideas and decided to start lifting major plot points from ‘Bladerunner’ simultaneously trying to re-create a “best of” compilation of scary scenarios from his first Alien movie.
So while no one from the cast gets much time to develop into much more than alien prey you might think that at the very least we’d get quite possibly the best most bad ass version of the legendary ‘Alien’ creature now that it’s 2017 and they’ve more than got the budget to do so. Quite the contrary, ‘Alien: Covenant’ can’t even get that right for fans. For a movie that’s been boasting impressive practical fx work from day one you’re likely to be disappointed by it’s incredibly cartoony looking aliens littered about the movie frantically. Heck the fx work in this movie makes the two ‘AVP’ flicks suddenly feel kinda legit as well and that’s a damn hard thing to do. Long gone is the suspense & stylized horror of the old movies, instead you’ll be treated to the same old CGI schlock you’re used to from all the huge summer blockbusters. The Alien franchise officially lost it’s heart & soul quite a long time ago and even bringing Scott aboard hasn’t resulted in finding it. Right down to final battle, this movie simply fails, proving that we ALL really miss Sigourney Weaver in a BIG way. Ridley has now truly mastered mediocrity as I honestly may’ve actually enjoyed Prometheus more than this, because at least with that one I wasn’t expecting much there from the start.
At least one thing Ridley got right were the locations & sets he used in filming this movie. It’s visually stunning in that respect. However I’m realizing I was actually quite fine with NOT knowing the backstory of the Alien and honestly liked it when we knew nothing about it’s origins when it was little more than a monstrous stow away. The mystery is gone and instead what we end up with plot wise begins to feel a bit absurd and a tad cliche. This is a classic case of “they just don’t make em’ like they used to”. It’s a bit sad but I realize not everyone can make a ‘Mad Max: Fury Road’ and sometimes attaching the original directors to these sequels clearly doesn’t always equal movie magic. That being said, after seeing this last night my excitement level for the upcoming sequels to Bladerunner & Predator has severely lowered. I’d say if you’re a casual fan of the Alien franchise you’ll likely have a good time at the movies with this one but if you’re looking for the magic of the first two (or heck even the third & fourth) you’re bound to feel a bit empty as you exit the theater. At least now I’ve developed a new urge to revisit the ‘AVP’ movies, I mean damn, I was way too hard on those I think…
Do you miss amazing werewolf movies like ‘An American Werewolf in London’, ‘The Howling’ and ‘Dog Soldiers’? I sure as hell do! Well luckily there’s someone out there right now who’s funding a brand new 80’s style throwback werewolf flick that boasts no CGI at all and even additionally release it on VHS! Yep ‘Bonehill Road’ has been getting some attention lately in the horror community with it’s Indiegogo fundraising page. The project only has five short days left and has already exceeded it’s goal, but the more money they can raise the better it’s gonna be. Here’s one of the early werewolf designs below!
Director Todd Sheets has been making movies since 1985, many of which were shot on video and have an ultra low budget. However he’s got quite a unique indie style of his own and his movies definitely bring on the crazy gore while remaining a ton o’ fun. You can check out some of his crazy ass stuff on youtube. This project seems to be a bit of a labor of love and it seems Sheets is really going for a higher quality of story, effects work and full on scares this time around. Any money made from the Indiegogo page will go into one thing…the creature fx!! He’s going to really need the funds if he really wants to match the likes of movies like ‘The Howling’. I’m really looking forward to seeing how this project shapes up in the end, he’s going to release it on VHS as well which is a cool little novelty for all of us collectors of the dead media. Things get even better though, to perfectly match the vibe of the 1980’s the movie has just recently cast horror scream queen icon Linnea Quigley! how cool is that?!
This is a great way to support indie film makers with a dream who’re not cranking out the norm of PG-13 throwaway horror blockbusters for the masses. If you’re a fan of old school horror check out the Indiegogo page. We need more hand on horror like this, I really enjoyed more recent ventures like ‘Dog Soldiers’ & ‘Late Phases’ (which was a pretty brilliant old school style werewolf movie) but the fact remains that we just don’t get enough film that’s made by people who’re really truly have a passion for their projects. If you got some extra cash or have some experience in fx work check it out, Todd Sheets is looking to make his dream project into a modern monster masterpiece!
Here’s the second installment of the all time greatest one shot comics, featuring small self contained stories that begin & end all within the span of one single issue! Today we’ve got an excellent story from 2001 in The Incredible Hulk #26 (vol. 2) written by Sean Mckeever and drawn by one of my personal favorites, the amazing Kyle Hotz. I immediately had a soft spot for this issue as it takes place in Wausau, Wisconsin (and even features ‘Eagle River’ on a highway sign, a place where my family’s had a cottage for ages) a state that we don’t normally see superhero adventures taking place. I had a feeling that Mckeever must’ve been a Wisconsin native to include such random small towns in this story and I was right as his Wiki page states he’s from Appleton (I used to live there!).
Anyway the story features The Hulk as he wanders aimlessly through the night on a lonely highway being drawn to a nearby city’s lights in the distance. The Hulk appears to be at peace in the quiet night, but hey we all know for the jade giant tranquility never lasts long. The cool thing about this particular issue is that Hulk kinda takes a back seat as the story really follows the exploits of b-lister down on his luck supervillain ‘The Killer Shrike’ and his wife Nadine who’re traveling the country aimlessly in his beat up van. I love what this one brings to the table as we’re able to see Simon Maddicks (The Killer Shrike) life as a real person. We witness the struggle of a woman who’s stuck by her mate as he’s chosen a life as a superhuman criminal constantly on the run from the law. She’s tired and ready to live a normal boring life. Shrike’s promising her soon he’ll be ready and willing to give up the life of crime and pulls into Wausau claiming that it could be the city for both of them to settle down in.
It doesn’t take long for her to realize Simon’s lying through his teeth as he eyes up a convenience store and tells her he’s got a new plan. Rather than looking for the big score like he has for years he’s gonna hit small towns hard where there’s no superhuman resistance. We get a real glimpse in to what life might really be like for a supervillain who at his core is just a regular small time crook. There haven’t been too many comics that have covered this topic so intimately and really given us a look at the starving supervillain’s daily life. It’s too bad The Killer Shrike doesn’t realize this small city’s also harboring the most powerful brute force on the planet-The Hulk. We get a compelling introspective into just what makes The Hulk tick and where his thoughts wander to when he’s in a state of peace with his surroundings. There’s a lot of great dialogue packed into this little story and Hotz’s unique artwork really brings this tale to life
The Killer Shrike suits up in his van and hit’s the convenience store with an easy small time score, or so he thinks. On his way out with the cash he nearly runs head on into you guessed it…good ol’ green jeans himself. The Shrike in sheer panic attacks The Hulk, who really just wants to be left alone. He’s doesn’t let up either as he’s convinced he can take down The Hulk himself, he keeps on striking until he levels an entire building upon the jade giant. The Killer Shrike however quickly realizes that very building also crushed his getaway van with his lover, Nadine inside. As things often go wrong when puny humans decide to pester the Hulk, this issue delivers a heartfelt punch to the gut as we witness one fateful night in the life of Simon Maddicks. I wish Marvel could capture this type of depth in their characters and villains more often as The Incredible Hulk #26 would be great issue to present to Marvel executives today as they ponder upon why their comic book sales have declined so much recently. Check this issue out next time you’re at the comic shop roaming through the back issue boxes, it’s a damn fine little slice of storytelling! P.S. here’s an old Marvel Universe profile for the Killer Shrike!
It’s been “revealed” recently that Shane Black’s ‘The Predator’ set for a 2018 release will NOT feature the return of Arnold Schwarzengger’s iconic character ‘Dutch’ from the original (and by far best Predator flick of them all). Apparently Mr. Black who actually starred along side Arnold in the 1987 movie met with him and the two couldn’t agree on the right role for his character Dutch to play in the upcoming blockbuster. This what Arnie recently had to say about it:
“They asked me, and I read it, and I didn’t like it — whatever they offered, So I’m not going to do that, no. Except if there’s a chance that they rewrite it, or make it a more significant role. But the way it is now, no, I won’t do that.”
So Predator fans all over seem a bit bummed about the news. Black had basically gone on record saying this installment of the franchise was going to feel like a big mysterious event for all the fans rather than just another throwaway Predator installment to make a few bucks. He’s stated: It would be an”inventive sequel” to the 1987 movie and not a remake. “Why start over, when you’ve all this rich mythology yet to mine? I like the idea of expanding and exploring the existing Predator mythology, rather than hitting the restart button.” He’s also said he was resisting the urges to use CGI and keep it in line with the original’s spectacular practical effects. From what I understand he’s kinda going for a “Force Awakens” of the franchise and I just don’t see how you can really do that with Arnold involved.
So I’m throwing it out there that I think Arnold’s statement is pure BS to throw the fans off. I bet he’ll indeed be included to the cast, but as it stood it sounded like Shane wanted Dutch to appear at the end of the movie in a way similar to how Luke Skywalker appeared in the Force Awakens. So let’s consider this though, Arnold is 69 years old, though he still looks great, if he’s gonna appear in a Predator movie it better be fucking soon! To make a great sequel to the ORIGINAL movie you absolutely need Dutch, one of the only people on earth to survive an actual confrontation with the alien killing machine. I’m sure Black knows this and I just can’t imagine he wouldn’t include the character in this next movie. Arnold be the ideal addition to a team of mercenaries who try and fail to kill the creature, who then seek him out to lead the mission. Wouldn’t the cast seen in the picture below be 100 times more epic if Arnold was included?
He certainly can’t go hand to hand against a Predator when he’s nearly 70 years old but he could still get in on the action with a big ass gun and help the team in their fight, employing his knowledge & some tricks he used against them back in ’87. It’d be amazing and the only thing that’d make this sequel even better was if they also added Danny Glover from ‘Predator 2’ to the cast as well. The two of them could lead the team in their final confrontation in this installment. Again, Shane Black must know that the rich mythology and classic characters returning in “The Force Awakens” was a huge part of what made the movie a bonafide blockbuster for all ages. I realize neither Glover or Arnold have the box office draw that they did back in the 80’s, hey neither did Mark Hamill until you linked him to the Star Wars franchise. What better surprise for fans for Dutch to appear in the movie mid way through?
So now I’ve recently heard that ‘The Predator’ has been pushed back from a Feb 2018 release all the way to August 2018. Hmmm…perhaps Shane is actually reworking the script to include Arnold in a bigger role? I’m completely willing to bet this is the case. I don’t have much faith in the idea that we’ll be seeing Danny Glover appear, though it’d be absolutely amazing for the die hard fans. However I just don’t believe Shane’s gonna let a direct sequel to Predator hit the theaters without Dutch. It’d be a huge mistake. He wants this one to be epic for all Predator fans and you simply can’t do it without Arnold. The Terminator franchise more recently rammed Arnold in as a Terminator and it felt forced as fuck. Arnie again as ‘Dutch’ however feels completely natural and essential for a true Predator sequel. What do you think? You think we’ll be seeing Arnold in the next Predator or has my fanboy fantasy warped my mind?
Here’s a cool solid debut comic book from Black Mask Studios called ‘There’s Nothing There’ from the co-creator Patrick Kindlon of the awesome series “We Can Never Go Home”. This issue starts off instantly with a cool but familiar feeling set up as we follow a woman named Reno who attends a mysterious elite costume party with one of her friends. Think a little ‘Eyes Wide Shut’ here as soon it’s revealed that things are set to get kinky real quick.
We’re not entirely sure who’s party this is or what’s at stake as we’re introduced to some mega richie rich ‘Bill Clinton’ looking dude who emerges and delivers an odd slightly religious sexually charged speech to the party goers that seems to signify they’ll be creating something important together. The place quickly erupts in a full on orgy, and Reno fully partakes in the festivities as we’re given a fairly detailed look at the sexual endeavors that ensue over a few pages. During it all Reno sees something strange appear outside in the sky that at first appear almost like some sort of UFO’s floating in a pink cloud shrouding the sky.
The next morning Reno’s mind is clearly in a bit of a haze and as she meets a friend for breakfast we discover she’s some sort of star who’s worried about the paparazzi following her and not following her at the same time. She soon begins to have hallucinations of odd people appearing on the streets and we’re not quite sure if she’s suffering from the effects of drugs from the night before or if perhaps she’s developed some sort of sixth sense to see dead people. Is this the result of an elite ritual from night before? Likely, but things continue on this way even after she returns home to get some rest.
There’s some great potential here and has set up a mysterious plot that could easily go in any number of directions and I hope it pushes the envelope as the story progresses into some unfamiliar terrifying territory. We’re treated as well to some pretty sweet stylized artwork here from Maria LLovet that works perfectly with the story’s tone & mysterious set up. I’m not always these days drawn to stories about rich sexy elites as it seems that most characters in comics somehow come from this sort of classist privileged environment. However, I’m getting the feeling that this might deliver a lot of twists and turns that will likely place our main characters into some unfamiliar territory.
Black Mask is putting out cool books and is quickly becoming one of my favorite publishers. ‘There’s Nothing There’ #1 is a solid debut (that’s new on the shelves this week) and it’ll be interesting to see if this one can craft an unpredictable mystery as the series continues. Check it out!