Warning do NOT watch ‘Bill & Ted’s Excellent Adventure’ or ‘Bogus Journey’ before viewing ‘Bill & Ted Face the Music’!! I made the mistake of watching them both in a span of a less than a week and witnessing the comedic genius of these retro gems before viewing the latest installment. Both the previous films have just aged so damn well, I was laughing out loud as it’d been so long since I revisited them and they truly hold up. This along with the hype from critics boldly claiming it was just as good as the first two had me excellently PUMPED for the long awaited sequel! Well, I’m sad to say I was most supremely let down by ‘Bill & Ted Face the Music’.
So that’s not to say you shouldn’t check it out, if you’re a fan it’s your obligation dude to see what became of the legendary duo. What I’ll tell you is, the legendary duo isn’t very excellent these days. The two are down on their luck, apparently still trying to write the song that unites the human race. They have their two daughters, who are basically younger versions of them and their struggling with their marriages to the Princesses. Enter two more “excellent adventures” to steal the hit song from their future selves and their daughters to round up legendary musicians to be their back up band ala the first film.
Sounds like a blast huh? Not so fast! It’s not exactly that simple to be truly excellent in 2020 dude! Alex Winter was pretty on point as Bill to be fair, and carries the whole movie almost entirely on his shoulders. The strangest, most perplexing thing about this damn movie is Keanu Reeves as Ted. It feels like he’s trying to do a bad, unpracticed impression of the iconic character, his delivery is flat, uninspiring and just plain not convincing. This is highly problematic for a Bill & Ted flick! I’m certain Keanu was excited to revisit the role and with the original writers on board along with the director of ‘Galaxy Quest’ this should have been an easy slam dunk! I guess Keanu just couldn’t channel the magic, in fact his daughter in the movie is more convincing as Ted than he is.
I also noticed how silent my viewing was in terms of laughs, I chuckled a few times and my friend barely made a damn sound, as we both laughed our way recently through the first two. There were also too many subplots and a flimsy script left for a pretty disjointed rushed adventure. William Sadler however returning as ‘Death’ was the film’s highlight IMO and probably the funniest part of the whole movie. I think Bill & Ted really needed to ham this thing way up, I was certain seeing the older versions of them being as ridiculous as the first two movies would be a real treat of comedic gold. Instead this one felt like some sort of depressing Bill & Ted “drama” that worked hard to undo the major plot points of the first two films. I guess lightning rarely strikes the same place three times. That all being said I’m happy they did it, or at least tried because they certainly didn’t need to but clearly wanted to give it one more spin. I’m still a bit bummed the day after seeing it that my old pals Bill & Ted aren’t quite the same guys I knew and loved, but at least the film tried it’s best to be optimistic in these strange, troubling & uncertain times….
I’ve been looking around for interesting movies during the lockdown and this one definitely looks like it’s got potential if you’re into crazy gooey practical fx and supernatural slashers. ‘Skull: The Mask’ comes from Brazil and the trailer looks pretty damn promising!
We follow the story of an ancient relic in the from of a creepy ass mask that turns it’s wearer into a rampaging maniac that looks like he just had a successful audition for GWAR!
“In the year 1944, an artifact is used in a military experiment. The artifact is the Mask of Anhangá, the executioner of Tahawantinsupay, a Pre-Columbian God. The experience fails. Nowadays, the Mask arrives at Sao Paulo. The Mask possesses a body and starts to commit visceral sacrifices on vengeance for the incarnation of its God, initiating a blood bath. The policewoman Beatriz Obdias is in charge of the crimes, challenging her beliefs”
Check this one out Horror hounds it looks like a ton of fun!
I just checked out VFW, the latest from director Joe Begos (Almost Human, The Mind’s Eye) who returns with, in my opinion his best film yet! This sweet little gritty love letter to John Carpenter, which calls back to his classic ‘Assault on Precinct 13’ in big way, is also a blood soaked love letter to some older actors/action stars of yesteryear. We’ve got icons Fred Williamson, William Sadler, Stephen Lang, Martin Kove & even George Wendt from ‘Cheers’ to make this bar room brawl even more authentic!
The story kicks off on a special birthday night for VFW bar owner “Fred” and his tight knit gang of bad ass war veterans. The evening quickly turns into wild all-out battle for their lives when a teen punk rock girl crashes their party with a sack full of ‘hype’. This new drug basically turns people into demented maniacs, with a hunger for more hype at any cost. The evil punk drug dealer, desperate to get his valuable stash back, sends his gang of gnarly addicts on a rampage to get it back. When these mutant punks on a rampage storm the bar looking for the teen, the old vets along with a younger soldier get to relive the gory glory years of war one more time. They unleash their pent of rage and fury using every weapon they can get their hands on to protect the girl and try annihilate the horde of drug addled maniacs. However these messed up punks have hype running through their veins and want more, risking anything to their grimy paws on it.
If you’re a fan of old school action flicks from the 70’s & 80’s you’re going to really get a kick out of VFW. The gore is pretty over the top, done in a such a cartoony way that people literally explode on screen. As a fan of practical fx Begos always delivers the goods with some wild splatter, he also keeps the vibe placed firmly in the golden days of the action era, with not a cell phone in sight. It also feels like an 80’s flick, with stunning neon lit sets within the walls of the cool old dank dive bar.
The real highlight of this is the cast of old codgers who do the majority of the ass kickin’. It’s absolutely delightful to see the likes of Fred Williamson & The Karate Kid’s Martin “Sensei” Kove in full on action mode as well as Stephen Lang, William Sadler and the younger soldier played by Tom Williamson. They’re all great here and give this film the cred it deserves proving age is just a number when it comes to cinematic butt kicking. I really enjoyed VFW, it’s the perfect modern midnite movie and gets so much praise for bringing in some old icons into the mix of onscreen mayhem. Check this out if you’re a fan of 70’s/80’s cult action horror flicks- And here’s to hoping VFW gets a sequel bringing even more of the bar’s patrons into the fold, hand picking some more old nearly forgotten bad asses to do some damage one last time!
It’s always great when you find a movie with cover art from the 1980’s that is just as awesome as the actual movie, it really doesn’t happen all that often. But today I wanted to showcase some vhs box art that’s just as killer as the actual movie. I watched for the first time Dario Argento’s ‘Phenomena’, the 116 minute cut the other night and it still stands as my fave Argento movie. Previously I’d only seen the heavily edited USA cut of the movie called ‘Creepers’ on VHS. One I distinctly remember back in the 80’s oogling at in the video stores as a kid like some forbidden fruit! It’s such a great piece of horror art and it inspired me to post an image of it today! Totally Metal too!!!! Iron Maiden & Motorhead! whoohoo!
I absolutely love seeing lost gems from the 1980’s, which is hands down my favorite era of cinema. So my excitement level upon seeing 1983’s ‘Rock and Rule’ was through the roof. I’m surprised honestly it took this damn long for it to materialize on my tv screen, being a big fan of hand drawn animation, it was a breath of fresh air in the CGI heavy era of today. Rock and Rule feels like the perfect companion piece to the cult classic ‘Heavy Metal’. It’s full of amazing music, the likes of Debbie Harry, Lou Reed, Cheap Trick, Iggy Pop & Earth Wind and Fire provide the soundtrack here, but more so are also the providing the songs that the characters perform in the movie.
This Canadian post apocalyptic tale of rock and roll adventure, follows the exploits of an evil & powerful rockstar named “Mok” who’s looking to unleash a demonic force from another dimension to aid him in ruling the entire planet. In order to do so though he needs to find the perfect voice that can hit the that special pitch, to enable the magical portal to open. The heroes of the movie are a band of human/animal hybrid mutants who perform in struggling rock band at dive bars all over the city. When Mok is out on the town one evening he witnesses a performance by them and sets his sights on the female vocalist of the band named “Angel”. Her jealous bandmate/co-vocalist Omar feels betrayed when the evil rocker invites her to his mansion on the outskirts of town. Soon it’s evident Mok has sinister plans for Angel, which sends Omar, along with the rest of his band on a fantastic journey to try and rescue her from his evil clutches. However it may be Omar & the band who actually end up needing to be saved.
This one’s just a ton of dazzling fun to watch, the story might be a bit flimsy but the musical numbers & the spectacular animated sequences more than provide enough enticing eye candy to keep the pace swiftly moving. The songs are a treat as well and were crafted especially for the movie, in fact some of the lyrics written actually influenced it’s plot. It’s quite interesting to see the passion some of the people like Lou Reed & Iggy Pop had going into this project as well as how much work different animators put into the different characters giving them their own unique look and movement. The color bursts off the screen with that iconic 80’s neon and the action sequences and animated band performances are truly epic to behold. The movie ignites a true nostalgia for simpler times bringing the tail end of the 1970’s on a collision course with classic 80’s movie magic. I can only dream of how much fun this must have been to see in a theater in 1983. Continue reading
Hello everyone out there, I hope you’re all doing your best during these unprecedented times, staying inside and staying SAFE! Being essentially trapped indoors leaves plenty of time to watch movies, well the other evening I’d found myself thinking about the colossal failure of the Disney Star Wars “Sequel Trilogy”. If only they’d have given us fans what they’d always dreamed of, a cohesive compelling story that gave us a truly unforgettable send off to the characters we’d been waiting 30 plus years to see again AND brand new fleshed out characters who we could continue to follow on cosmic adventures for years to come. In many hardcore fan’s opinions we got neither and I was thinking of how awesome it would have been to watch this “sequel trilogy” over and over if it’d had been done with care and not flat out wasted classic characters like Leia & Luke Skywalker.
Mark Hamill in particular really got the short end of the stick and many fans of arguably the most iconic pop culture character, Luke Skywalker left ‘Episode 8’ feeling incredibly underwhelmed. Well many fans might appreciate an alternative to ‘The Last Jedi’ in the form of a largely forgotten sequel to ‘The Watchers’ (the totally 80’s super fun Corey Haim Creature Feature), ‘Watchers Reborn’. The star of the whole show? You guessed it Mark Hamill! Technically the 4th film in The Watchers franchise, it’s the only sequel that’s really worth tracking down and technically more of a sequel to the first movie anyway. Keep in mind this one’s a fully b-level monster flick, it’s cheezy, it’s low budget but it’s got a lot more heart than The Last Jedi! You’ll get a great does of 90’s Hamill front and center in a pretty damn fun little horror thriller. Another plus is that it’s directed by John Carl Buechler (RIP), practical fx wizard behind New World Pictures, who’s done some stellar work right up until his death in 2019 (Hatchet, Nightmare on Elm St 4, Troll, Friday the 13th part 7) .
You like classic alien abduction flicks as much as I do? Well the recently released ‘Dark Encounter’ brings to mind movies like ‘Communion’, ‘Fire in the Sky’, ‘Close Encounters’ but also brings some new dramatic plot points to the traditional alien abduction story. Basically we’ve got a small town scenario here where a family’s 8 year old daughter suddenly goes missing one sunny afternoon while home alone. A year passes, with no clues of her whereabouts and the family, along with some close friends gather at their home for a memorial, still trying to come to terms with what happened to her. As the night descends upon their gathering so does a seemingly sinister alien force. Mysterious lights in the sky are seen and soon members of the family begin to go missing in the woods that surrounds the house. It’s not long before the strange lights fill the home and the remaining must try to survive the night while piecing together the very mystery for which they gathered.
It all takes place in the 1980’s and much of it’s imagery is clearly influenced by those classics like ‘E.T’. & ‘Close Encounters’ but it still manages to set those similarities apart by going in unexpected directions. It starts off as the classic extraterrestrial abduction story but ends up with revelations far more disturbing to the family dynamic set up earlier. It looks great too, beautifully shot with plenty of tense scenes set out in the woods while strange colors shine through the trees. They capture a sense of a looming alien presence that’s purely unsettling and mysterious creating some great scenes of raw tension. There’s some great acting here as well, everyone’s quite convincing in their roles which lends tremendously to the mystery of it. As far as those little green men though, people waiting for alien mayhem might walk away a bit disappointed from Dark Encounter. While I ultimately appreciated the movie at it’s end for different reasons I was of course hoping things were going to climax with some human vs E.T. action. I still think someone needs to churn out a bonkers gray alien vs human abduction flick, I know it was attempted by ‘The Vicious Brothers’ with their 2014 film ‘Extraterrestrial’ and again with “Dark Skies” but somehow in my opinion just missed the mark.
That all being said I think Dark Encounter is most definitely worth watching for fans of the “Alien Abduction” film genre. It’s got an intriguing mystery at it’s core and goes in some surprising directions that also land it firmly into the family drama category as well. Hey if I’m going to watch a family drama this is the kind of move I want to do so with. It will leave you with a bittersweet feeling but it’s definitely an interesting encounter with visitors not of this Earth.
Here’s a pretty interesting little tale of midieval monster revenge, 2019’s ‘The Head Hunter’, a short & sweet little film that clocks in just a hair over 70 minutes in length. We follow a lonely barbarian who’s daughter is snatched up and killed by a monster that roams the nearby wilderness. We see clearly from the inside of his crude living quarters that he revels in killing monsters by his collection of their heads and this time it appears that the conflict is deeply personal. What’s most intriguing is just how simple the plot here is, there’s really only one actor in the whole film if I remember correctly, aside from a brief appearance of his daughter (and maybe a monster or two).
It gives it’s majority of run time featuring the barbarian all by his lonesome and really for the most part ignores his beast hunting almost entirely, only to reveal the aftermath prize of monster heads he brings home every now and again. Though light on the action, it still remains quite an effective slow burn. It takes a brief moment to reveal a world that’s much more fantastic and magical than what we’re mostly shown in a great scene where the barbarian quietly observes a giant troll (who looks pulled straight out of ‘Trollhunter’) towering past a mountain range.
Luckily the film wisely chose a short run time, as it does indeed skimp a bit on showing us any real action at least for most of it’s duration. It instead focuses more on a depressed warrior in solitude, who’s haunted by his daughters death and then late at night, creatures who lurk near his secluded forest home. Whatever budget the movie did have was used wisely with great locations, costuming and effective but subtle monster fx. We really feel the depression, heartbreak and loneliness of the barbarian and all of that set up makes the film’s simple but stunning finale all the more worth the wait. Add to that, a great twist to the whole story that wraps this tale up in a nice nasty bow. When the final confrontation occurs it goes some truly dark places with a creature that at first glance appears as if it’s barely a match for rough and tumble “Conan” style brawler.
For such a short and simple movie it was a real treat, as I’ve never seen a sword and sorcery style flick take this approach to monster slaying. Pretty impressive coming from the guy who directed “Thankskilling & Thankskilling 3” as well as the short film “Critters: Bounty Hunter” from 2014, none of which I’ve seen. After seeing The Head Hunter though I just might give ’em a shot. Check this one out if you dig stuff like Conan the Barbarian, don’t expect a grand spectacle and you’re probably going to enjoy this sweet little tale of revenge quite a bit.
We all know that H.P. Lovecraft stories can be hard to translate to the big screen, but when I heard Richard Stanley was making his cinematic return with ‘Color Out of Space’ I was pretty damn excited to say the least. Stanley may not have the longest resume when it come to feature film but what he has done is pretty damn amazing. Both Hardware (1990) & DustDevil (1992) are lesser known horror gems & with ‘Color Out of Space’ it’s a complete and total return to form. Stanley also brings Nicolas Cage along for the ride, which after his fan fave performance in ‘Mandy’ has kinda given Cage his second coming as an even more beloved cinematic presence. Much like ‘Mandy’ there’s plenty of bizarre psychedelic imagery here to go around and a ton of visceral horror sequences that I guarantee will shock you.
Stanley seems to love a slow burn horror story and brings that approach once again, leaving us all with a twisted but beautiful spectacle to behold by the film’s final act. The story here is simple, one quiet evening an eerie glowing meteorite lands in the front yard of Nathan Gardner and his family’s Alpaca farm. They soon find themselves baffled by it’s effect on the plants & wildlife on property as well as their own suddenly strange behaviors. Soon it’s clear, a mutant extraterrestrial organism that infects their minds and bodies is roaming the woods at night & transforms their quiet rural life into the ultimate technicolor nightmare. Continue reading
Last nite I picked up quite an interesting new VHS release at Portland Oregon’s Tanker Tape Swap, a great event where you can have drinks a’ plenty while doing some serious rare retro movie shopping! Black Wideo, a new Portland based VHS label was there with their first release, the 1989 oddball, no budget, shot on video, long lost horror comedy ‘Executioner: The Musical’.
One thing I’ve always adored is the amazing cover art from vhs tapes of the 80’s and ‘Executioner: The Musical’ surely delivers that tradition with it’s stunning cover, bbq’d burgers and grilled eyeballs anyone? If I didn’t know better I’d have assumed this tape was released in the 80’s and someone just unearthed a big box of deadstock vhs. Anyway this morning before work I popped this sucker into my vcr (the movie’s only 25 minutes long and perfect for breakfast viewing) and now I’ve got it’s theme song stuck firmly in my brain still, hours later. What we’ve got here is a charming little slice of lost 80’s video nostalgia. The simple plot for this: there’s a weird singing hooded executioner dude on the loose and his presence in the city’s got the suburban teens undie’s in a total bundle. It’s NOT safe anymore to walk the streets and even worse the teenagers aren’t able to ‘party hardy’ like they used to. It seems the killer’s favorite time to strike, when a ‘killer’ party is going down!
One of the my favorite parts of this one is the bad boy greaser teen character, who’s down right P.O.’d that he can’t party. I mean he’s reeeeally upset about it, so damn much so that he leads the rest of his pals (who’re a bit like rejects from a ‘Breakfast Club’ audition) into a full on ridiculously awesome numbskull “pop song” about how bad they wanna throw a damn party, immediately. Even though the music here’s pretty much a guy and his acoustic guitar (with some help from his friends at times), the songs are oddly catchy, albeit 100% idiotic. I mean that in a good way and being that the short film is from the late 80’s you get some sweet nostalgic fashion choices and fully over the top teen stereotypes on display (and for some reason spotting vintage Doritos bags in movies always seem to get me quite excited-YUM!) . Like the rich kid with his boat shoes, no socks, short shorts & English accent, the stoner druggie dude & the classic nerd with the taped glasses are all on display and ready to get sliced up and even “sing” some songs.
‘Executioner: The Musical’ may not be for everyone, but if you dig weird stuff from the 80’s and low budget oddities you’re likely to find something quite endearing about it. For horror fans there’s enough red kool-aid and corn syrupy blood to go around & a syringe to the skull as well! With such a short run time it’s hardly a commitment & it’s the perfect opener for a night of trashy retro horror movies. Check out Black Wideo for a copy, it seems they’ve got plans to release more from the director, Scott Grenke’s archive of lost films! Beware though, the film’s theme song “Friendly Killer” just might get stuck in your head for far longer than you ever thought possible!