One of the sweetest, feel good movies in recent memory, ‘Love & Monsters’ came as a totally welcome surprise! And that’s all being said as someone who’s normally pretty tough on newer horror/fantasy/sci fi movies. Love & Monsters which came out last year may not have the most original plot but it more than makes up for any shortcomings with its impressive special effects and it’s truly heartwarming adventure. I guess I’d at first glance describe this as having somewhat of a “Zombieland” type of a thing going on and it might be easily dismissed as just some wimpy copycat. On the contrary, Love and Monsters buries ‘Zombieland’ (and especially the sequel), with what I think are just plain more likable characters who embark a much more compelling and colorful adventure in general.
Roughly seven years after the Earth was subjected to a mysterious monster invasion, the rather cowardly Joel Dawson has been living underground with a small pod of people trying to avoid what lurks above. He spends his time reconnecting over the radio with his high school girlfriend, Aimee, whom he was separated from when the tragedy hit and also cooking his signature soup for his crew. When the feelings of isolation and cabin fever finally get the best him he decides to muster up the courage to head to the world above. Seeking to finally reunite with his lost love who resides 80 miles away at a coastal colony, as he surmises that there’s nothing really left for him underground anymore. As he heads out alone he soon realizes he’s hardly prepared for the dangers all around him in the outside world. Mutant monsters are hungry and lurking around nearly every corner.
One of the high points here is the inclusion of charming canine character named “Boy”. Lifting a bit from ‘A Boy and his Dog’ (minus the weird sex plot) in a much sweeter way, we get the best of both world’s here for this little apocalyptic adventure. ‘Boy’ proves to be the show stealer here imo and his bond with Joel makes dealing with the dangers a bit less frightening, all things considered. The two make an excellent team against the creatures and it’s clear that they both need each other more than they likely ever realized for piece of mind in a crazy world. He also meets a few other interesting characters, a pair of wandering scavengers, Michael Rooker along with the ruff and tumble little girl named ‘Minnow’. Joel soon learns the tricks of the trade from them and has to make a big decision on the outcome of his journey. One of the best scenes involves a strange AI intelligence, who brings even more unexpected meaning to his travels.
The whole thing is a great exercise in escapism during these real life uncertain times we all face at the moment. It also shows just how important real human (and animal) connections will hopefully always be to us here on the planet as we move forward. As we’re feeling isolated to certain degrees currently, Love and Monsters showcases some parallels to the current state of affairs. I guess we can all at least be relieved that big mutant monsters aren’t waiting to chomp us to bit when we head outside at least?
Let me get to the monsters here as well, I was half expecting some sort of chintzy fx work here to spoil the damn party. Not the case, the creatures here though mostly CGI are a treat to behold and for the most part are pretty convincing threats to our heroes. As a HUGE fan of monster movies I think it hits that sweet spot quite nicely. There’s also some cool plot twists and of course some admittedly hokey ones that otherwise might not have worked without such strong characters at the forefront. If you’re looking for “Calgon to take you away” (80’s kids you know the reference) from the worries of the real world, I can’t think of a better new fantasy adventure flick to visit than ‘Love and Monsters’, easily one of my faves of 2020!
It seems like cult movie connoisseurs are finally catching wind of just how awesome some of the 1980’s Mexican horror flicks truly are! Just a couple months ago Vinegar Syndrome released Ruben Galindo jr.’s three nearly forgotten creepy classics, ‘Don’t Panic’, ‘Grave Robbers’ & my personal favorite ‘Cemetery of Terror’. I’ve been yammering on about those same movies right here, years before Vinegar Syndrome got wind of them. Not to toot my own horn too much but hey give me some damn street cred! So I’m here to give you the scoop on yet another 80’s Mexican horror cult classic that I’m certain must get a fancy ass blu-ray release ASAP. 1989’s ‘Trampa Infernal’ AKA ‘Hell’s Trap’, is definitely worth tracking down!
With a lean runtime of 74 minutes, this one’s never a bore and frankly never skimps on bringing everything you love about the 80’s slasher front and center in a way they can only do south of the border. Director Pedro Galindo III introduces us to a a couple of ultra competitive rival macho men, who make a bet on catching and killing a wild bear that’s been tormenting the countryside. Of course they gather some friends for this sweet camping trip & when they arrive to their destination it’s clear that the forest is housing something much more sinister than a damn bear. We’re introduced to one hell of a slasher villain, he wears the glove of Freddy Krueger, sports a mega creepy emotionless mannequin mask with a wild hairdo and carries an arsenal of firearms with him wherever he damn well pleases.
This asshole’s copletely compelled to kill anyone who steps in his freaky neck of the woods. Yeah the plot is pretty damn flimsy just the way I like it sometimes. We’ve got a pretty sweet gang of colorful characters who go head on into battle with this weirdo, along with some well executed inventive kills mixed with plenty of action and a handful o’ cool explosions to boot. Plus who doesn’t want to spend some action packed time in 1980s Mexico? Sign me up any time! Oh Yeah and the amped up 80’s fashion sense is worth the price of admission alone, this gang of campers can sell me cool vintage clothes for my vintage shop any day of the week. So moving on, this here turns into one deadly game of cat-and-mouse that really benefits from the beautiful setting of Mexico’s woodsy backdrop. It’s fierce villain who appears to be some sort of ex-soldier with an extreme case of PTSD is bound to generates his own cult following here in the US amongst fans of icons like Leatherface and Michael Myers. This guy’s a total badass! See for your damn self:
He’s kinda got an Owen Wilson type o’ thing going on? Well director Pedro Galindo, I can only assume must be related to Ruben Galindo jr. The Galindo’s must have had some sort of stranglehold on the horror genre back then there as they’ve put out some pretty excellent movies. Pedro Galindo III also has a couple other movies on my radar, ‘Panico en la Montana’ and the sequel to ‘Vacations of Terror’. So if you’re longing for something different in the horror genre, take a trip to Mexico in the 1980s and make sure to check out ‘Trampa Infernal’. There’s a whole treasure trove of cool horror films just waiting to be discovered by American audiences from our friendly neighbors. So you heard it here first Vinegar Syndrome, Arrow, whoever! Jump on this one ASAP as it’s another true forgotten cult classic..
I’ve been looking forward to this new Nic Cage horror flick for a long time and the trailer for ‘Willy’s Wonderland’ has finally dropped. Sure like the 2019 ‘Banana Splits’ movie this one is essentially another version of the ‘Five Nights at Freddy’s’, which has been in developmental cinematic hell for years. ‘Banana Splits’ was pretty underwhelming, so I’ve been hoping that this Nic Cage lead film would get it right as I do quite love the idea of the creepy ‘Chuck E. Cheese/Showbiz Pizza’ style animatronic cartoon characters coming to life at night and causing bloody chaos. So yeah, we have Cage here hired as a handy man at a cursed amusement park where the “Five Nights at Freddy’s” scenario busts wide open. Check out this sweet poster!
From the trailer I’ve gotta say I was a teensy bit let down, I know this isn’t academy award fare we’re dealing with, but after starring in the incredible ‘Mandy’ I’ve high hopes for Nic to return with another modern horror classic. This however, from the trailer at least looks kinda chintzy, reminds me of something Cage churns out quickly to pay his mound of back taxes rather than a quality B monster movie. Of course I’m checking it out when drops but I was hoping for a thicker atmosphere of spookiness and the general vibe of it all feels slightly like a flimsy Cage cash grab. Even the cinematography feels a bit cheap at this point. But hey I guess having high hopes for another ‘Five Nights at Freddy’s’ copycat should NOT have been that high! Dammit Cage please prove me wrong here! What do YOU think?!
If you wanna go down the animatronic cartoon character rabbit hole from way back in the day for some real chills check THIS out:
And this for the WHOLE history on the restaurants from yesteryear that inspired ‘Five Nights at Freddy’s’:
I’m all for 80’s throwback nostalgia, it was the decade where I spent most of my damn childhood for cryin’ out loud. That being said HBO’s “home pandemic theater” holiday release ‘Wonder Woman 1984’ should have really been a dream come true for me. Literally tailor made for someone just like me who still often longs for the good old days and full on nostalgia of the 1980s. However ‘Wonder Woman 1984’ somehow completely misses the mark and simply seems to try an make a checklist of what Hollywood thinks we want to see from that era, it’s the DCEU’s version of 2016’s ‘X-Men: Age of Apocalypse’, which in my opinion supremely failed at what should have been a sure-fire nostalgic hit with the awesome source material they had in their hands.
The funny thing is I’m not quite sure how to pin point just exactly what doesn’t work for me with Wonder Woman 1984. On paper it sounded like a wonder-ful idea to have Diana Prince hangin’ out in that particularly colorful fun filled era of cinema. It just made sense. There seems like so many totally radical scenarios to put her and the supporting characters in, but as the movie slogged by with it’s flimsy plot it was quite clear to me: This was not the 1980s I remember sooooo fondly. I guess the main problem is the plot’s pointlessly random approach to almost everything that occurs in it 2 hour and 30 minute run time. Dressing it all up in wild neon 80s fashion and the whole “fish out of water” approach just doesn’t save this one from being a bit of a stinker. I know Patty Jenkins was attempting to recreate the magic of Richard Donner’s Superman and and in the first 20 minutes it seemed like she was on track. It was soon apparent though it had more in common with say, George Lucas’ ‘Howard the Duck’ than ‘Superman II’.
Something this time around about Gal Gadot’s Wonder Woman just didn’t resonate with me in the way it did in the charming first installment. Sure we got the ‘Mandalorian’ himself Pedro Pascal as the greedy “Lex Luthor” type villain who apparently has spent his entire life searching for some ancient magic crystal that grants wishes-why? Who knows and I guess who really cares right? Then you have Kristen Wiig playing the frumpy coworker of Diana’s at the Smithsonian Institute, who’s also set on becoming the next Iconic villain for Wonder Woman. Far from it. Of course Pedro Pascal or ‘Max Lord’ conveniently figures out that the two of them are in possession of and studying his most coveted crystal treasure. Things from there increase to get incredibly uninteresting, the pace slows way down and lets you enjoy the most boring aspects of the 1980s. Oh but wait, we just cannot forget Diana’s ex-lover, Chris Pine shows up, resurrected from the dead and randomly in the body of another man for some reason that I guess is connected to the magic crystal’s wish granting power.
The action scenes are decent, the acting isn’t half-bad and the 80s backdrop was for the most part handled fairly well. But this movie’s bland overly random plot points combined with it’s stereotypically boring supporting characters (mainly two uninteresting villains with ridiculous motivations) had me checking the time counting down the minutes tell it’d finally be over.
We do of course get to see Wonder Woman in a fully CGI final battle against a (for some reason fully CG) generated Kristin Wiig “Cheetah” that harkens back to that terrible final fight underground train sequence in the Black Panther! Yeeehaw! Trust me as someone who grew up in the 80s I can assure you they were much more totally radical than this. As a fan of the first outing this one, as we said in the 80’s this one gagged me with a spoon….I’ll gladly take THIS instead any day!
Who knew that 1988’s Canadian cult creature feature ‘The Brain’ was actually a hidden holiday horror gem? Yep this monster movie from the opening scene has got Christmas decorations strewn all over the place and keeps up this trend for the full duration of the film. Christmas lights, trees, tinsel and Santa decorations are carefully placed in view. People every year search for those lost holiday horror gems and I’d say we can put ‘The Brain’ firmly in the “Takes place during the Christmas season” movies & if ‘Die Hard’ qualifies as a holiday film then this one certainly does as well!
Well is it worth the trouble to track down and check out this 2020 holiday season? YES! The Brain has everything I love in an 80’s horror flick. Cool likable characters, a wild giant rubbery monster, plenty of action and a ridiculous plot reminiscent of those classic 1950’s sci-fi creature features. Creepy ass Dr. Blakely (the dude from Re-Animator who loses his head-and does in The Brain too!) runs a seemingly normal TV show called “Independent Thinkers”, a popular weekly “self-help” program. However he’s not making his audience any wiser, he secretly serves an alien organism called The Brain, that brainwashes (duh!) the viewers using it’s other-worldy mind control techniques. It’s also got a hunger for human flesh & as it consumes it’s victims it also increases in size. The only one who stands to save the city and possibly the Earth is a wise crackin’ teenage practical joker and his super cute stylin’ girlfriend.
The Brain is a fun filled totally 80’s horror romp with plenty of action, cool villains and a rad slightly idiotic looking monster that’s brought to life via puppetry and animatronics. He’s kind of like giant hulking “Madball” toy from the 1980s. He attacks his victims with limited mobility as he “cruises” around on his snake-y bod. There’s also some cool kills that are unexpectedly sprinkled about the holiday landscape and rarely a dull moment to behold.
Most of the movie features our two main characters on the run and some of the settings are pretty sweet. I’m always a sucker for hiding out inside of an empty closed school all night! Easily one of my favorite places for mayhem to ensue. As I mentioned before, there’s enough holiday decor strewn about to warrant this one a watch during the Christmas season if you’re looking for something different this year. Besides that The Brain is a solid, entertaining, charming little monster movie that’s got a sweet release on blu ray from Scream Factory that looks great and has some cool little extras to give you tons of useless information on the the movies origins!
YOWZA!! What the hell did I just watch?! 1990’s ‘Erotic Ghost Story’ is exactly what you’d expect from Hong Kong director Lam Nai-Choi, responsible for the 1991 cult classic ‘Riki-Oh: The Story of Ricky’. If you’ve ever seen that bonafide bonkers gorefest then you’ll likely want to experience his attempt at a sexy softcore! I’m not by any means a seasoned cinematic softcore fanatic, but if I was, I’d like this director to be at the helm of more of it. ‘Erotic Ghost Story’ has got it all, three ultra sexy ghostly babes, a heaping of “steamy” sex and “hunky” dude who turns into a hideous three headed monster of COURSE! It’s also manages to add some sweet action scenes, some wild magic and a solid dose of those charming 80’s fx I love so much.
It tells the story of three beautiful sex obsessed fairies who’s live in solitude out in the forest. They all take an interest in a young, handsome scholar who moves into the woods nearby in a cozy little cabin. Curiosity soon gets the best of them and each one decides to make a visit to meet this sexy studious stud in his messy book infested cottage.
All three of them find themselves oddly fantasizing about him, and each take it upon themselves to seduce him. Each believing they’ve scored the relationship of a lifetime until they discover his wicked dark secret, this seemingly innocent sex machine is actually a hideous horny three headed demon in disguise!
Things get pretty gosh darn sexy and the fairies soon discover that each of them has “gotten down and dirty” with the guy causing some hefty drama between them to go down. But their jealousy is really the least of their worries as soon they all find themselves growing thick hair on their chests! What a bummer! They seek help from a local magic priest to help cure themselves of whatever supernatural STD they managed to all catch from the guy but find that it’s up to them to face him one final time with their own special powers and try to destroy the horny beast.
I really wasn’t sure what to expect going into this one, I’d figured it was just going to be some guy getting it on with three sexy ghosts. But to my delight this one delivered that and THEN some. It’s really no wonder that Lam Nai-Choi couldn’t resist throwing some wild shenanigans and a three headed demon into the mix! There’s clearly an over abundance of sex on display as the guy gets lucky more than anyone has any real right to with three beautiful women, it’s just too bad for all involved that he was literally such a wild and crazy sex freak. I guess this softcore would be sort of a genre mash up, a wuxia (chinese fantasy), sex-filled, horror creature feature.
It gets a lot sexier than most softcore movies I’ve ever seen, but the true charm of it all is that the director took a stab at a odd choice of a genre movie and added his bizarre trademark bonkers touch to the whole damn thing. If you dig his other work like Riki-Oh , The Seventh Curse or The Cat you’re going to want to track this one down as well for sure for the sheer absurd spectacle of it all….
‘Hiruko The Goblin’ from 1990 has got to be one of the best horror movies from Japan I’ve ever seen. It hits all the right beats for me in what I personally love from the late 80’s early 90’s genre movies. Directed by the iconic Shinya Tsukamoto, most well known for his epic, bizarre cyber punk horror oddity ‘Tetsuo: the Iron Man’ he delivers another slam dunk here a couple years after with this. However, this particular movie of his has gotten a lot of criticism for being so totally different from ‘Tetsuo’. Haruko spends more time on character development, humor and over the top monsters, as well as a heavy dose of heart. For me this is a much better formula than the grimy bleak mood of most of this directors other work.
This plays out way more like ‘Evil Dead 2’ meets ‘The Ghostbusters’ then his cyberpunk Cronenbergian/ David Lynch tinged outings. The story is simple yet truly bizarre: a school has literally been built on a gate to Hell behind which hordes of demons await the moment they will be freed to wreak havoc on the physical plane. Hiruko is a powerful and cunning creature sent to Earth on a reconnaissance mission, he decapitates humans in order to assemble their heads on demonic spider like bodies and command them to do his wicked deeds. Eventually this gory predicament falls into the lap of an archaeology professor, who’s dramn to the abandoned school during summer time to investigate the supernatural shenanigans and stop this demonic onslaught.
One of my favorite aspects of this movie are the two protagonists a teenage high school student and his odd demon-lore obsessed archeologist uncle. When the boy’s father goes missing while exploring the caverns beneath the school, his eccentric uncle arrives on the scene to help him search the school armed with some nifty demon busting equiptment. From here it leads them on an epic surreal journey facing off with creatures in the creepy empty corridors of the school. It also explores family dynamics, all with a slightly light-hearted comedic edge to it amidst the mayhem.
The other big star of the show here is most definitely the special-effects showcased, if you’re a fan of 80s monster movies this one will definitely be right up your alley Hiruko and his minions are a true sight to behold and the director uses almost every 80’s style effect in the book to bring them to life. From animatronics to stop motion animation, it’s all here and the creepy aesthetics and setting of the film are the perfect place for this all to unfold. Also the movie’s got a relatively lean run time I’d less than 90 minutes, so it’s not something that’s going to put you to sleep. A true visual treat as well, with a little bit of everything for everyone. It’s ambitious horror film from what I consider the tail end of the golden age of the genre that more audiences in the U.S.A need to view. A cross between Ghostbusters, Evil Dead II, Poltergeist & The Thing done by way of Japanese brilliance. Also a perfect movie for this Halloween season that you might not have seen before! Physical copies of this can be pricey and hard to track down but I’m certain it must be streaming somewhere?! This need a deluxe blu ray release badly!!
Ok so WTF did I just watch? Well ‘Butt Boy’ is a 2020 horror/thriller/mystery with a truly bizarre plot. It’s a genre melder that’s 110% absurd yet played straight & somehow for the most part actually kinda works. Now that’s not to say I really give this one my stamp of approval, but at the same time I’m not going to NOT recommend it either. I’d say the less you know about the plot the better, as going in completely blind for me at least felt like the best way to view this thing.
I guess if I had to describe it briefly I’d say it’s basic story might have been concocted during a heavy drinking session by a couple adults with a severe case of juvenile humor. Then the next morning they decided to pitch the idea to someone who’s a big fan of ‘Stranger Things’ looking to produce a serious gritty supernatural thriller. I don’t know why someone would spend serious time and money on a movie with a plot this damn ridiculous but hey it’s 2020 and yes anything at this point seems possible. I suppose the allure here is just that, a film with a premise so absurd that’s for the most part pretty well acted, atmospheric, mysterious and taken quite seriously most of the time. If you wanna check this out blindly, STOP reading here! I won’t spoil the whole thing but I will mention the plot synopsis and a few details I took away from my viewing.
Detective Fox, a ruff and tumble guy loves his work and also is a bonafide alcoholic. After finally deciding to check himself into AA, he meets mild mannered Chip, who becomes his sponsor. However there’s been someone out there on a child abduction spree and Detective Fox begins to suspect Chip could somehow be responsible. More so he begin’s to think Chip has something sinister helping him cover his tracks and his suspicions lead him down a dark hole of terror no one could ever imagine or believe possible.
So that’s it in a nutshell, the flick from the get go starts off pretty odd and will likely leave you doing some serious head scratching as things quickly unfold. And yeah soon you’ll probably begin to think of the stupid ways this film could all go and likely you’re dumbest scenario will probably be correct! That all being said ‘Butt Boy’ somehow manages to be pretty entertaining and even somewhat…engaging? Forget the absurd plot, the real interesting thing here is the execution of of the whole damn thing. Sure there’s humor, but there’s also a degree of tension that at times actually make this feel like a pretty decent thriller. The supernatural aspect of it all never gets any explanation and at times it make it feel a bit like some dumb dream you might have had as a teenager. ‘Butt Boy’ is worth a viewing if you’re up for something different and it’s unlike anything I’ve ever seen before, does that make this one good? I honestly don’t know still what to make of it all, butt I guess I’m going to have to keep pondering it for maybe I’ve just somehow missed some powerful deeper meaning……
Warning do NOT watch ‘Bill & Ted’s Excellent Adventure’ or ‘Bogus Journey’ before viewing ‘Bill & Ted Face the Music’!! I made the mistake of watching them both in a span of a less than a week and witnessing the comedic genius of these retro gems before viewing the latest installment. Both the previous films have just aged so damn well, I was laughing out loud as it’d been so long since I revisited them and they truly hold up. This along with the hype from critics boldly claiming it was just as good as the first two had me excellently PUMPED for the long awaited sequel! Well, I’m sad to say I was most supremely let down by ‘Bill & Ted Face the Music’.
So that’s not to say you shouldn’t check it out, if you’re a fan it’s your obligation dude to see what became of the legendary duo. What I’ll tell you is, the legendary duo isn’t very excellent these days. The two are down on their luck, apparently still trying to write the song that unites the human race. They have their two daughters, who are basically younger versions of them and their struggling with their marriages to the Princesses. Enter two more “excellent adventures” to steal the hit song from their future selves and their daughters to round up legendary musicians to be their back up band ala the first film.
Sounds like a blast huh? Not so fast! It’s not exactly that simple to be truly excellent in 2020 dude! Alex Winter was pretty on point as Bill to be fair, and carries the whole movie almost entirely on his shoulders. The strangest, most perplexing thing about this damn movie is Keanu Reeves as Ted. It feels like he’s trying to do a bad, unpracticed impression of the iconic character, his delivery is flat, uninspiring and just plain not convincing. This is highly problematic for a Bill & Ted flick! I’m certain Keanu was excited to revisit the role and with the original writers on board along with the director of ‘Galaxy Quest’ this should have been an easy slam dunk! I guess Keanu just couldn’t channel the magic, in fact his daughter in the movie is more convincing as Ted than he is.
I also noticed how silent my viewing was in terms of laughs, I chuckled a few times and my friend barely made a damn sound, as we both laughed our way recently through the first two. There were also too many subplots and a flimsy script left for a pretty disjointed rushed adventure. William Sadler however returning as ‘Death’ was the film’s highlight IMO and probably the funniest part of the whole movie. I think Bill & Ted really needed to ham this thing way up, I was certain seeing the older versions of them being as ridiculous as the first two movies would be a real treat of comedic gold. Instead this one felt like some sort of depressing Bill & Ted “drama” that worked hard to undo the major plot points of the first two films. I guess lightning rarely strikes the same place three times. That all being said I’m happy they did it, or at least tried because they certainly didn’t need to but clearly wanted to give it one more spin. I’m still a bit bummed the day after seeing it that my old pals Bill & Ted aren’t quite the same guys I knew and loved, but at least the film tried it’s best to be optimistic in these strange, troubling & uncertain times….
I’ve been looking around for interesting movies during the lockdown and this one definitely looks like it’s got potential if you’re into crazy gooey practical fx and supernatural slashers. ‘Skull: The Mask’ comes from Brazil and the trailer looks pretty damn promising!
We follow the story of an ancient relic in the from of a creepy ass mask that turns it’s wearer into a rampaging maniac that looks like he just had a successful audition for GWAR!
“In the year 1944, an artifact is used in a military experiment. The artifact is the Mask of Anhangá, the executioner of Tahawantinsupay, a Pre-Columbian God. The experience fails. Nowadays, the Mask arrives at Sao Paulo. The Mask possesses a body and starts to commit visceral sacrifices on vengeance for the incarnation of its God, initiating a blood bath. The policewoman Beatriz Obdias is in charge of the crimes, challenging her beliefs”
Check this one out Horror hounds it looks like a ton of fun!