One of the things I really enjoyed about ‘Avengers: Endgame’ was the “Professor” Hulk finally making his big screen appearance. I’ve gotta admit I was a bit disappointed that this version of the Hulk really didn’t do any smashing and even more of a let down was that we never got to see Hulk and Thanos get a rematch. Just because the Hulk’s got Banner in the brain doesn’t mean he still can’t kick some major ass! Regardless it brought back memories of the character as a kid when “Banner Hulk” was introduced and for me it was shocking to see the character this way. Incredible Hulk #285 was always a favorite of mine, where we really see Banner Hulk in full effect.
I mean the cover and the first page feature Hulk with his classic Banner attire and even some sweet ass combed hair!! Back in 1983 I was in awe that this could even ever be a thing for Hulk, the character during this period feels a lot like the ‘Endgame’ Banner Hulk, where he was a lot more reserved about doing any serious ass kickin’. Later in the 90’s we got Professor Hulk yet again, though he was much more of a bad ass often using guns instead of fists to fight his enemies. Still this great cover is a total classic from artist Ron Wilson and inker Joe Sinnot and of course who doesn’t love a classic showdown with one of his greatest villains-ZZZAX!!! Check out the first page of this issue, it’s one of my all time favorite depictions of the Professor Banner Hulk! He never looked so damn smart and sophisticated!!
I’d never seen a Roberta Findlay movie before up until a few days ago, but I’m pretty damn stoked to check out more of her work in the horror genre for sure! ‘The Oracle’ is a sweet yet nasty little horror film from 1985 that took me pleasantly by surprise. It really looks more like it was filmed in the late 70’s, even the clothing styles and general quality of the film has a gritty and dirty grindhouse vibe to it that certainly amplifies the charm. Taking place in the seedy areas of NYC during Christmas time (yeah a new holiday horror flick for the books) Jennifer & her asinine hubby move to a new apartment once occupied by an elderly psychic woman and soon stumble upon her creepy ass ouija board ‘The Oracle’ that she often used to communicate with the spirit world.
Jennifer, hyped on her new place, throws a swingin’ housewarming bash and with everyone witnessing, uses “the oracle” to contact a angry spirit of murdered man who demands bloody revenge upon his killers. From that point on the ghostly presence relentlessly terrorizes her & tries to manipulate her into avenging his death. Eventually she complies, but soon the murderers (the dead dude’s ex-wife & greedy biz partner) become suspicious of her snooping, and they re-hire the psycho who’d carried out the vicious killing before to try and track down Jennifer.
There’s a lot to love here with this mean ass supernatural horror romp. it’s got some truly unique characters, a cool female heroine & the killer is equally interesting being a trans/lesbian villain who’s as nasty as they come for horror movie standard of the day back then. The movie doesn’t go out of it’s way to get the point across, but in today’s landscape I doubt that you could present the character at all in the light portrayed in The Oracle. Still it was interesting deviation from the evil traditionally male killers of the 70’s & 80’s. For the obviously low budget it has it makes great use of it’s big city locales & it’s charming, ambitious special fx work. Interestingly enough this film came out a full year before 80’s cult classic ‘WITCHBOARD’.
These two actually have very similar plots and while Witchboard remains the winner here as far as quality horror there’s definitely something awesome about Findlay’s attempt. It’s nastier and carries a sort of sleezy quality that genre fans of B-movies might actually appreciate more when all is said and done. There’s plenty of subpar acting going on here and decent amount of fairly impressive gore to be found. The end of course tries to go the distance with it’s limited FX budget and in my opinion delivers the goods via a sweet little supernatural encounter.
I’m quite curious to check out more of Findlay’s movies, from what I’ve read it seems she dabbled in directing “X-rated” stuff in the 1960’s, 70’s & 80’s before tackling the horror genre with this movie in ’85. I’m curious about her string of movies through the 80’s, her most popular being Tenement. If you’re a fan of trashy 80’s horror you just might dig The Oracle & now you’ve got an excuse to give this underrated gem a whirl during the holiday season too!
Hey! I’ve been watching a TON a movies this last week, some old and some new some good, some great, some well…anyway here’s my reviews of some of my most recent gambles! Have you seen any of these?
The Man Who Killed Hitler and Then The Bigfoot (2019)
This movie has all the ingredients sprinkled just within it’s title alone to be possibly the greatest movie of all time! Add in the awesome Sam Elliot as “the man” who does the killing and you pretty much can’t lose right?! Well going into this you just might think it’s supposed to be some sorta’ over the top exploitation style action flick, luckily I watched the trailer and did a bit of poking around beforehand, cuz’ this one is pretty much the opposite of what you’d be lead to believe from it’s wild and crazy title. Knowing this already, I felt prepared for a good heartfelt drama, but instead was delivered a jumbled mess of a movie. A mash up of flashbacks to WW2, romanctic interludes from the past and back to the modern times of Sam Elliot’s now lonely existence should have held more much more weight. I was left wondering why even have these insane all too brief plot lines with Hitler and Bigfoot at all? None of them are very memorable and neither have much real time dedicated to them. In fact I’d have preferred the movie more if they’d have skipped all the ‘Bigfoot and Hitler’ stuff altogether. It’s well acted and looks great but it’s weak meandering storyline for a movie with a title like this leaves me quite perplexed. I was really looking forward to this one, but man towards the middle I was starting to feel like nodding off, while my mind began wandering, finding myself checking the clock and runtime. It fails a drama & an adventure flick and it leaves me pretty disappointed with what it could have been ultimately.
The Final Terror (1983)
This little largely forgotten slasher flick is officially my first blu ray disc I’ve ever purchased. It’s 20 steps up in film quality from it’s previous VHS release, much of what was shrouded in darkness by the terrible transfer, making many of the scenes so damn hard to watch. Well this cleaned up version is truly stunning, being a horror movie that takes place in the forests of the Pacific NW most of it’s appeal comes from the lush vast foliage captured here. It’s a sweet little survival flick that features both Daryl Hannah and Rachel Ward in early roles as part of a camping crew that heads off into the woods only to be pursued by an evil psycho backwoods stalker. The problem for some may be the extremely low body count and high survivor rate of the group of twenty somethings. I think it’s a pretty cool different take on the genre, the whole movie has a genuinely spooky atmosphere, creepy foreshadowing campfire tales, cool raft scenes and a pretty likable cast. We even get an over the top super duper young Joe Pantoliano. It’s also got a great slasher villain, who unfortunately gets far too little screen time. But If you’re looking for a beautiful looking 80’s survival flick with some slasher elements sprinkled about, The Final Terror will likely quench your thirst! Continue reading
Ok so by now everyone has probably seen the new ‘Star Wars Episode IX’ trailer, but I’ve yet to hear anyone talking about the possible return of one of the missing legacy characters from the original trilogy….WICKET and the Ewoks!!
So in the trailer it’s highly theorized that Rey & Co are returning to the forest moon of Endor, where we’re shown the old decayed wreckage of the second Death Star had likely crashed down upon. As a HUGE fan of ‘Return of the Jedi’ and an unashamed fan of the damn Ewoks I’ll admit my mind immediately went to the possibility of their return when I saw the debut trailer for ‘The Rise of Skywalker’. Who in 2019 can’t admit that the Ewoks were actually kinda bad asses? Come on now folks, people have shown a new love for the prequels lately, so I assume by this point in time we can admit that the Ewoks weren’t that bad and just maybe that in reality they were actually pretty awesome! Some things age really well with time and Ewoks are definitely one of em’ in my opinion. I’ll go on record here to state that the two ‘Ewok Adventure’ movies 1985’s Caravan of Courage & 1984’s ‘The Battle for Endor’ are two movies that I personally enjoy more than the prequels AND this Disney Star Wars stuff.
Go ahead, re-watch those movies and tell me they aren’t a ton of cheezy fun, filled with awesome creatures and even a little bit of that classic vibe of the originals. Whether you like it or not Wicket is a bonafide legacy character, that if you think about it got more screen time within The Return of the Jedi and the two feature length ‘Ewok Adventure’ movies than most of our favorite OG classic trilogy characters. Let’s not forget too that BOTH of the Ewok movies were written by Star Wars creator George Lucas and if we can give a god damn Porg real screen time in these new Star Wars movies then we certainly should be able to see the return of at the very least, Warwick Davis as Wicket.
I’ve got my fingers crossed that if Rey & Co. are indeed on the moon of Endor they’ll be escorted through the dangers of the forest to the wreckage of the Death Star by the Ewoks. I’m at this point not yet overly excited by ‘Episode IX’ even after the first trailer. That being said, I do admit that my level of interest has certainly been raised and I’m pretty open to whatever’s gonna happen next as I’ve got no real expectations for this last installment. ‘The Last Jedi’ all but sunk my Star Wars ship and I’ve no real investment in what ultimately comes to be for the new characters. So for me seeing the Ewoks return would be at least a ton of fun (as long as they can resist the urge to kill off Wicket). I think this time around they could even improve upon their look and maybe even make them a bit more badass (have you seen them in the Star Wars Battlefront II: Ewok Hunt?).
No matter what you think about the furry little devils you’ve at least gotta admit they’re a big part of Star Wars history and unlike the Porgs they were real characters that helped defeat the Empire in an epic battle. If we’re not going to get any more real action from Luke or Han at this point why the hell not revisit our furry friends from the moon of Endor. They must still be out there and likely are gigantic legends in the lore that today inspires Rey, Finn & Poe. Like it or NOT!!
So today we finally got the first trailer to Star Wars Episode IX: The Rise of Skywalker, yeah…that’s seriously the name of it. Has anyone else noticed that the “Rise of” phrase in big Hollywood blockbusters franchises is just maybe a TAD overused these days?!! Terminator: ‘Rise of the Machines’, Gi Joe: ‘Rise of Corbra’, ‘Rise of the Guardians’, ‘Rise of the Planet of the Apes’, Terminator Genisys: Rise of the Resistance, Fantastic Four: ‘Rise of the Silver Surfer’, 300: ‘Rise of an Empire’, Underworld: ‘Rise of the Lycans”, Transformers: ‘Rise of the Dark Spark’, ‘The Dark Knight Rises’…..need I go on?! I mean I guess everything in Hollywood is fucking “rising” these days huh?! Good for them I suppose! So aside from Episode IX’s embarrassing title, check out this trailer if for some reason you haven’t already:
So after, what to me was the most disappointing sequel in movie history, ‘The Last Jedi’, we are now eagerly(?) awaiting the conclusion to this messy trilogy. JJ Abrams is back again folks, finishing what he started and as much of a fan as I was of ‘The Force Awakens’ when it debuted, I’m gonna admit, it was by no means great, inspiring story telling. Instead it was yet another rather bland Hollywood reboot/remake disguised as a sequel that managed to tug my nostalgic heart strings at all the right moments. So in that aspect story wise at least, it fits perfectly with it’s even messier, more uninspired story telling of it’s sequel. So this latest ‘Rise of Skywalker’ trailer seems to be trying it’s best to rope fans wallet’s back into the franchise, who after the last movie, found themselves a bit underwhelmed with the direction of things. Overall I think the trailer does a decent job at accomplishing it’s goal, I’m not going to sit this one out at the theater like some have threatened to do, but I still won’t be rushing out to stand in line for it opening night either. At least not yet. At the very least I’m intrigued at how this trilogy is going to try and find some sort of originality in the third and final chapter. AAfter two movies I’m not very invested in any of the new characters, but at least they throw us some Lando, Chewy, Leia and C3P0 in this. I’m not being an old grumpy original trilogy purist either, I was fully down and ready to fall in love with the new characters.
However, these new Star Wars movies are now feeling less like an epic event and more like another attempted cash grab reboot of a once beloved 80’s franchise we’re continuously spoon fed by Hollywood. I do I think that the laugh of Palpatine at the end of the trailer is a good sign that JJ devised a plan that he thinks will rope in any straying disgruntled Star Wars fan. I’m admitting I’m curious what’s going on here, I hope it somehow feels cohesive with what came before, as it’s started talk of Palpatine’s possible return in the flesh for the final installment. I’m giving this trailer a solid ‘B’. It didn’t blow my mind but it has gotten the wheels turning in my brain again pondering how this Star Wars “Saga” will end and more so if they can unite divided fans. As long as it NOT mirroring ‘Return of the Jedi’ I think it’s got a chance because at this point literally anything in my opinion will be better than the last installment….
Ok, so I’m not going to go into full deep detail here on Jordan Peele’s latest horror outing ‘US’, as there’s easily enough online analyzing with the buzz and huge hype surrounding it. I’m gonna just give a few quick thoughts on it now that I’ve had a couple days to let it sink into my brain and let you know an unbiased opinion, the good and the bad, as a huge horror hound and a big fan of his first film ‘Get Out’. Most already know the plot of this one but if not here’s a quick refresher:
Married Couple Gabe and Adelaide Wilson take their two children to their long time family beach home expecting to relax and hang with with friends at the beach. But as night falls upon them, their vacation quickly turns to terror and utter chaos when dopplegangers of themselves violently raid their home. It turns into a evening of terror as they play a deadly game of cat & mouse with insane mirror images of themselves.
So Jordan Peele has undeniably crafted a damn good mainstream horror movie once again that feels like a high budget, more violent episode of The Twilight Zone. That’s a great thing, as I’m always down for an intelligent, thought provoking horror flick and this one leaves you with a lot to think about. ‘Us’ fully delivers the frantic action, legit scares as well as some stunning violence and grooves along at near perfect pace never losing a beat. Right from the start Peele gives us a clue as to what influences he’s drawing from here, I liked the 1980’s opening with the ‘C.H.U.D.’ vhs in plain sight as well as ‘The Man With Two Brains’ and ‘Goonies’ next to the old TV which also is broadcasting something that should be paid close attention to. There’s a lot of clues sprinkled about here throughout and it’s a fun thrill ride.
The acting of course by everyone on board was pitch perfect and the sense of dread and despair Peele drums up shows he fully understands the genre in all the best ways. The evil family that arrives upon the scene are likely to become modern horror icons, scary as ever and their perplexing motives for even being there at all is easily one of the best parts of the entire movie. I’ve always thought the doppleganger concept was a frightening one, meeting an “off” version of yourself in a dark alley is something of nightmares. Peele take this concept, puts it on steroids and leaves you thinking just how you might really react being put in a similar situation.
Now with all that being said, as a big horror fan, I found many of the brilliant tense scenes a bit undermined by attempts at comedy, much of which admittedly landed pretty well but felt out of place. For me though as funny as Peele makes the dialogue at these moments, (I feel) perhaps this trend of following scenes of tension with a joke a bit tired at this point. It takes me out of the movie in a big way, I understand the masses dig that type of thing, but it’s kinda something I feel so many try to replicate due to the success of the Marvel movies. It felt tonally off & I personally can do without, unless I’m watching something like ‘Ash vs Evil Dead’. I also found that within the first 20 minutes or so the major twist was so blatantly obvious I’d actually put it to the back of my mind as being not a likely possibility. However when the end roared forward it was indeed revealed to be exactly what I’d expected. Maybe I’ve seen too many of these horror flicks? So possibly a minor spoiler to some, I’d actually wondered if Jordan Peele had seen the 2015 movie ‘A Christmas Horror Story’ as there’s a story in the X-mas horror anthology that features a black family that well, let’s just say experience the same thing basically. Coincidence? Maybe.
By the very end it was clear that there’s a social commentary going on again here as in ‘Get Out’, perhaps a good one but the insertion of it this time around I think kinda derailed the horror mystery that came before it. It feels more like a fable by the time the end credits hit, one that introduces new plot info to seemingly prove some kind of lesson. The explanation for the madness that erupted before feels slightly forced, just doesn’t make much sense and ultimately in my opinion changes the dynamic of the whole movie altogether. I’d actually rather be given no real explanation for what occurred than be given some sort of societal lesson at the end of the movie. It all comes pretty much out of left field, reaching a more sci fi inspired explanation that requires some serious suspension of disbelief and a much more surreal dream like approach that feels a bit out of place here ultimately. I guess it’s much more of a symbolic presentation, at least towards the end and perhaps I just wasn’t expecting it to move fully into that mode.
In a way I guess I can compare it to M. Knight Shyamalan’s movies, where sometimes his twist ending undoes some of the brilliantly crafted terror that came before it by trying to prove some deeper “meaningful” point. However, that’s just my opinion as I know many love those movies that tie into real world issues. That all being said, I highly recommend ‘Us’ as it’s still a shit load of fun and miles above the crappy ass normal Hollywood B.S. that you’re likely to see at a big cinema. Surely one of the best horror movies of 2019, Check it out and let me know if you think I’m way off here with some of my criticisms?
I for some damn reason checked out this shoddy sequel to the 1990 horror flick ‘Mirror Mirror’ the other night & the one surprise greater than anything this film could muster up was Mark “Incredible Hulk” Ruffalo in his first “real” movie appearance! So ‘Mirror Mirror 2: Raven Dance’ came out in 1994, though it really feels much more like a mid 80’s movie with it’s special fx work/plot. It starts off pretty strong actually, showing a lot of cheezy promise, that is if you’re a fan of low budget 80’s horror stuff. We’ve got creepy nuns in a convent along with a “terrifying” giant vintage mirror that’s some sort of portal to another dimension of evil. It emits that 80’s style energy electricity fx I love so much, all over the damn place turning a bunch of nuns into piles of burnt ash, it’s admittedly a pretty sweet opening making me for a second think I’d unearthed some sort of forgotten gem of a horror flick!
Well we then switch to “present day” 1994 where we meet a bad ass alternative rock band on tour, who seem to be channeling the Red Hot Chili Peppers and for some reason they’re rehearsing for a gig in town at the old church. There’s a random teenage girl there hanging out with them, who ends up being the main focus of the movie and of course the douchey band members can’t resist uncovering the giant haunted mirror & are sadly destroyed all too soon by the evil mirror’s supernatural energy blasts. I was hoping these idiots would be present most of the movie but alas…Anyway Roddy Mcdowell also stars in one of his most boring roles and the movie slogs along at a snail’s pace until Mark Rufflo emerges as some sort of “mysterious” character who might be evil but it also some sort of “sexy” love interest. That actually was pretty unexpected!
Throw in a weird crazed handyman, a useless subplot with a greedy stepsister trying to extort some big money from the main character and eventually about 30 seconds of a pretty cool monster, more energy bursts from the mirror and well….ah…ok…who gives a shit, let’s not waste anymore time trying to explain this crappy ass mess, so here’s Mark Ruffalo’s first movie appearance in this boring pile of shit waste of time horror flick!!