With all the excitement over the latest movie sensation that is Wonder Woman I thought it’d be cool to show off a couple of my favorite covers by the master himself Brian Bolland. It’s no secret that Bolland is easily one of the best comic book cover artists of all time and of course after his classic artwork in The Killing Joke it’s apparent no one can capture the clown prince of crime quite like he can. I dig these two Wonder Woman covers as well because it’s not every day that you see Diana facing off against The Joker.
The first one Wonder Woman #97 is from 1995
….and the second a bit more recent #41 from 2015.
A couple of my favorites!
I heard recently that John Carpenter is co-writing an official sequel comic book series to his classic “Big Trouble in Little China” called “Old Man Jack”. It’s set in 2020 and follows the further adventures of the now 60 year old Jack Burton as he once again does battle with evil forces looking to conquer the Earth. Coming this September, this new series from Boom! Studios is getting the internet talking about getting Carpenter to adapt the comic to the big screen by long time fans. Sounds like a god damn bonafide slam dunk huh?!
Well not so fast movie maniacs! What a lot of people have forgotten is that 20th Century Fox has been threatening all of us fans of the original movie with a remake starring Duane “The Rock” Johnson as the new Jack Burton. Now don’t get me wrong, I actually like The Rock, but when it comes to the choice of a sequel to ‘Big Trouble’ with Kurt Russell at the very least written by Carpenter, it’s a no brainer. At the very least, give us the damn sequel first!! You can always reboot that shit later. I’d hope at this point Hollywood gets the very simple fact that people want sequels (done with integrity mind you) for their favorite movies rather than another throw away, cookie cutter, “here today gone tomorrow” remakes of a cult classic they keep servin’ us up. It should be proof enough with sequels to Star Wars, Blade Runner & tv shows like Ash vs Evil Dead that prove people don’t really want a full on remake. They want the story to continue. The solution to the problem at hand is simple, just add Duane Johnson to the damn cast of the sequel, have him team up with Kurt Russell! DUH! Continue reading
I’ve expressed my interest in lucid dreaming here at Universal Dork a couple times in the past and today I thought I’d take a moment to talk about ‘astral projection’. First though, if you’re not quite sure what lucid dreaming is let me make it simple, it’s when you have a very vivid dream and something within the dream triggers you to become aware that you are dreaming (movies like Inception & Dreamscape are good examples). In many of these cases often with a little practice and focus you can learn to have them quite regularly. To be honest it makes movies like ‘Inception’ feel pretty boring. It’s one of the most incredible things I’ve experienced and anyone can do it with a little effort.
There’s another practice that’s linked to lucid dreaming called ‘astral projection‘, also known as an ‘out of body experience’ or OBE. I’ve worked a ton on different methods to experience this phenomenon with various degrees of success. I can tell you with honesty that it’s lead to the most bizarre & unexplainable experiences of my existence. I’m to this day a bit uncertain exactly what astral projection really is at it’s core, some believe it’s just an elaborate lucid dream while others believe it’s the complete separation of consciousness from the physical body. I intend to find out for myself what the truth really is behind it. Thus far I’ve had several unexplainable experiences that have lead me to believe that perhaps there’s abilities humans have that involve being able to enter into different dimensions of existence that are not of our physical material world. It’s also made me question heavily my beliefs on life after death. Perhaps there’s more to us than just our bodies of flesh and bone? Continue reading
Wow! So yesterday Mike Mignola made a stunning announcement that Hellboy will be returning to the big screen! BUT and there’s a big BUT here, without Ron Perlman & Guillermo del Toro’s involvement. This is a bit shocking to many as we’ve been waiting the third and final installment that’s been teased for years. I wish they’d have done it and I feel a bit bad for Ron Perlman as he gave the role his all and has been fighting for the fans for so long to complete the trilogy. With that being said, David Harbour, the cop from ‘Stranger Things’ will be stepping into the role of the big devil himself and he seems like an amazing choice for the role. I can already easily picture him as Hellboy just on his looks alone and the guy is a decent actor as well. So I think they’re off to a great start in terms of casting. I’m hoping that they’ll create Hellboy in the same way they did with Ron Perlman. His and the rest of the BPRD’s make up was incredible in del Toro’s movies and I’m hoping that they’re not going to simply CG Hellboy and the gang. One thing Guillermo did extremely well was the creation of incredible monsters using mainly practical fx and incorporating CGI only when truly necessary.
Also announced was director Neil Marshall, who I was immediately thrilled about, for the simple fact that he’s made easily two of the best horror movies of the last twenty years, Dog Soldiers & The Descent. Both of these movies are mind blowing-ly awesome and they’re 100% rock solid proof that this director just might bring us the best Hellboy movie possible. Heck, I go as far to put ‘Dog Soldiers’ right up there with ‘An American Werewolf in London’ and ‘The Howling’. As excited as I am at the possibility here I realized that ‘The Descent’ was released all the way back in 2005 and it got me thinking just what the hell has Neil Marshall really been up to the last twelve years? Lets find out as it may give us a better idea of exactly what we’re in store for with this new Hellboy flick.
After ‘The Descent’ Marshall went on to direct the lackluster ‘Mad Max’ influenced movie ‘Doomsday’ in 2008. The movie was a bit of a box office bomb and to me didn’t bring anything new or exciting to the table honestly in the post apocalyptic adventure genre. I guess I give him an ‘A’ for effort for giving it an honest shot but the movie was just too bland to make any real waves and has been largely forgotten for the most part.
After that he did ‘Centurion’ in 2010, with Michael Fassbender starring. It was a an ok attempt at a historical hack and slash war movie about the disappearance of the Roman empire’s ninth legion. This was also a bit of a bomb at the box office and largely went under the radar of movie goers. Once again this movie didn’t bring anything to the table that hadn’t really already been done before. One thing though I’ll say are that his movies look great and even Doomsday visually was at least effective in that area. Still ‘Centurion’ is one time viewing and it doesn’t have much to differentiate it from anything else that was being cranked out in the genre at the time.
After that Marshall disappeared from the movie scene directing 2 excellent episodes of ‘Game of Thrones’ as well as episodes of ‘Black Sails’, ‘Constantine’, ‘Hannibal’, ‘Timeless’ & ‘Westworld’. In 2015 he was one of the directors in the horror anthology movie ‘Tales of Halloween’ and directed the excellent installment “Bad Seed” about the killer GMO pumpkin! Loved it…
So what we’ve got here for Marshall is a big return to the silver screen on a big budget flick. I don’t have any reason to believe that he’s going to fuck it up, in fact with a great script which I’m certain Mignola will be part of and the supposed “R” rating the movie’s rumored to get we just might see a more true to the comic version of the character. I think it’ll be much darker, bloody and quite possibly a much bigger hit this time around. I’ve always thought cinematic Hellboy was ahead of it’s time and that the strange Mignola-verse would fare far better in today’s landscape than that of 2008 to movie goers. Hellboy & The BPRD are easily my favorites of the current comic book franchises out there, so this next movie means a lot to me.
If they lift the amazing feel of the del Toro movies and add a bit darker tone (don’t lose all the comedy though) we’ll be in for one helluva Hellboy flick. I’m also hoping that the movie might make a role for Ron Perlman, Doug Jones & Selma Blair (perhaps as villains?) because we all know how badly they wanted a third film. How cool would Ron & Doug be starring as some crazy creatures? Let’s let Neil Marshall return to his true roots and give the Hellboy movies the lethal does of horror they need today. The guy is super talented and his two incredible horror movies he made are proof that Marshall is exactly where he needs to be. I’m hoping this will begin many more Mignola-verse based movies or a BPRD tv series dammit!! So don’t fret I think Hellboy’s indeed in good hands…
Here’s a cool solid debut comic book from Black Mask Studios called ‘There’s Nothing There’ from the co-creator Patrick Kindlon of the awesome series “We Can Never Go Home”. This issue starts off instantly with a cool but familiar feeling set up as we follow a woman named Reno who attends a mysterious elite costume party with one of her friends. Think a little ‘Eyes Wide Shut’ here as soon it’s revealed that things are set to get kinky real quick.
We’re not entirely sure who’s party this is or what’s at stake as we’re introduced to some mega richie rich ‘Bill Clinton’ looking dude who emerges and delivers an odd slightly religious sexually charged speech to the party goers that seems to signify they’ll be creating something important together. The place quickly erupts in a full on orgy, and Reno fully partakes in the festivities as we’re given a fairly detailed look at the sexual endeavors that ensue over a few pages. During it all Reno sees something strange appear outside in the sky that at first appear almost like some sort of UFO’s floating in a pink cloud shrouding the sky.
The next morning Reno’s mind is clearly in a bit of a haze and as she meets a friend for breakfast we discover she’s some sort of star who’s worried about the paparazzi following her and not following her at the same time. She soon begins to have hallucinations of odd people appearing on the streets and we’re not quite sure if she’s suffering from the effects of drugs from the night before or if perhaps she’s developed some sort of sixth sense to see dead people. Is this the result of an elite ritual from night before? Likely, but things continue on this way even after she returns home to get some rest.
There’s some great potential here and has set up a mysterious plot that could easily go in any number of directions and I hope it pushes the envelope as the story progresses into some unfamiliar terrifying territory. We’re treated as well to some pretty sweet stylized artwork here from Maria LLovet that works perfectly with the story’s tone & mysterious set up. I’m not always these days drawn to stories about rich sexy elites as it seems that most characters in comics somehow come from this sort of classist privileged environment. However, I’m getting the feeling that this might deliver a lot of twists and turns that will likely place our main characters into some unfamiliar territory.
Black Mask is putting out cool books and is quickly becoming one of my favorite publishers. ‘There’s Nothing There’ #1 is a solid debut (that’s new on the shelves this week) and it’ll be interesting to see if this one can craft an unpredictable mystery as the series continues. Check it out!
Over the years we all have enjoyed and sometimes hated the giant “epic” multi title crossovers and mini-series that are so damn popular these days. However some of my personal favorite comic book stories are short and sweet. They often times have nothing to do with the major story arc you’re currently reading in that title and especially back in the 70’s & 80’s these self contained stories that had a beginning and end to them all in one book were sometimes more heavy hitting than any crossover could ever be. So I’ll be showcasing some of my favorites and the first one that came to mind might be my favorite of them all.
Flash back to 1986 when X-Men #205 hit the shelves. This issue is easily one of the best Wolverine stories of all time, and it’s all in just one issue. A brilliant epic crafted by Chris Claremont and Barry Windsor Smith remains one of the darkest and most brutal issues of X-men to date. Let me clarify that this was during a time when Wolverine was rarely seen in solo adventures and the character was still deeply mysterious.
The story was called “Wounded Wolf” and featured Lady Deathstrike’s first appearance as a super freaky ass cyborg as well as her three Reaver mercenary minions. It also featured Katie Powers from the mutant kid team ‘Power Pack’ who during a snow storm encounters Wolverine who’s beaten to a pulp, covered in blood and nearly naked. Soon the two of them are both on the run from Lady Deathstrike and her cyborgs who’re out for bloody revenge. It reminds of a Wolverine movie storyboard Ridley Scott might have anticipated directing in the 80’s. Continue reading
I’ve been seeing an increase of stories recently online & on social media about Marvel Comics and it’s continuing sales slump. Most of the articles bring up the hot topic of diversity, some say that Marvel’s record low sales of their comics books are simply because of rising cover prices & lack of fresh new ideas for their characters. Others say that it’s directly due to it’s attempt at diversifying it’s star characters by changing their race, gender & sexual orientation. Most of their popular character’s titles have had a bit of a revamp lately, for instance Wolverine is now female, so is Thor, so is Iron Man, Cap is black, the Hulk is now Korean-American etc. etc. You get the point. Could these changes really be the reason why sales are down? Do people just simply hate diversity in the Marvel Comics titles?
I really doubt that it’s really that simple, though rising cover prices and lack of fresh ideas definitely doesn’t help their low sales. What I see personally happening is a bit of a trend within Marvel Comics that feels a bit insincere. I honestly don’t really mind that the traditional characters have been replaced but I do feel Marvel’s move to make all these changes to their most popular titles feels as if they’ve been exploiting diversity to make a quick buck. What I’m saying is that it feels like Marvel is just trying way too hard to be current on these topics rather than crafting interesting stories. I don’t believe you can simply take all of your money maker superhero titles, simply change their identities and expect them all to suddenly bring you boatloads of cash because you finally decided to make them more diverse. It’s just not that simple folks. Continue reading