Ohhhhhhh yeah! Ewoks haters take note-The 4th best Star Wars movie, after the Original Trilogy (or if you’re a prequel fan it might be the 7th best Star Wars movie), has arrived on Disney Plus! Yes 1985’s almost forever lost and forgotten ‘Ewoks: Battle for Endor’ is now on the streaming service along with it’s much inferior prequel ‘Caravan of Courage’. Many OT fans have been severely disappointed by the the “Sequel Trilogy” and have only recently found solace in The Mandalorian, but ‘Battle for Endor’ is OG Star Wars all the way. To give it even more street cred than the “Sequel Trilogy” it was actually written by Star Wars creator himself George Lucas. The whole vibe of the movie screams of the Original Trilogy.
There’s a surprisingly dark little story at the heart of ‘The Battle for Endor’ and whether you like it or not, OT character Wicket is iconic, played by Warwick Davis once again, is back for a feature length adventure. It’s filled with all the cool creatures, special effects, weird settings and even some of the heart of OT Star Wars that was largely missing in the “Sequel Trilogy”. We’re also treated to some very colorful villains and FYI the creatures in which Nick Nolte’s brilliant character Kuiil rides around in the desert (called Blurrgs), make their first appearance in this Ewok Adventure.
Yeah, thanks John Favreau, I know you too are a fan of Battle for Endor! This also features the late great Wilfred Brimley in a surprisingly spry action packed role. So if you’ve been craving 80’s Star Wars and have never seen this sweet little gem of a movie, by all means now’s the time to check it out! I’m personally hoping that maybe this will inspire a Disney Plus Ewoks series, we can see what the hell the older wiser Wicket has been up to and of course get Warwick in the role!
One of the sweetest, feel good movies in recent memory, ‘Love & Monsters’ came as a totally welcome surprise! And that’s all being said as someone who’s normally pretty tough on newer horror/fantasy/sci fi movies. Love & Monsters which came out last year may not have the most original plot but it more than makes up for any shortcomings with its impressive special effects and it’s truly heartwarming adventure. I guess I’d at first glance describe this as having somewhat of a “Zombieland” type of a thing going on and it might be easily dismissed as just some wimpy copycat. On the contrary, Love and Monsters buries ‘Zombieland’ (and especially the sequel), with what I think are just plain more likable characters who embark a much more compelling and colorful adventure in general.
Roughly seven years after the Earth was subjected to a mysterious monster invasion, the rather cowardly Joel Dawson has been living underground with a small pod of people trying to avoid what lurks above. He spends his time reconnecting over the radio with his high school girlfriend, Aimee, whom he was separated from when the tragedy hit and also cooking his signature soup for his crew. When the feelings of isolation and cabin fever finally get the best him he decides to muster up the courage to head to the world above. Seeking to finally reunite with his lost love who resides 80 miles away at a coastal colony, as he surmises that there’s nothing really left for him underground anymore. As he heads out alone he soon realizes he’s hardly prepared for the dangers all around him in the outside world. Mutant monsters are hungry and lurking around nearly every corner.
One of the high points here is the inclusion of charming canine character named “Boy”. Lifting a bit from ‘A Boy and his Dog’ (minus the weird sex plot) in a much sweeter way, we get the best of both world’s here for this little apocalyptic adventure. ‘Boy’ proves to be the show stealer here imo and his bond with Joel makes dealing with the dangers a bit less frightening, all things considered. The two make an excellent team against the creatures and it’s clear that they both need each other more than they likely ever realized for piece of mind in a crazy world. He also meets a few other interesting characters, a pair of wandering scavengers, Michael Rooker along with the ruff and tumble little girl named ‘Minnow’. Joel soon learns the tricks of the trade from them and has to make a big decision on the outcome of his journey. One of the best scenes involves a strange AI intelligence, who brings even more unexpected meaning to his travels.
The whole thing is a great exercise in escapism during these real life uncertain times we all face at the moment. It also shows just how important real human (and animal) connections will hopefully always be to us here on the planet as we move forward. As we’re feeling isolated to certain degrees currently, Love and Monsters showcases some parallels to the current state of affairs. I guess we can all at least be relieved that big mutant monsters aren’t waiting to chomp us to bit when we head outside at least?
Let me get to the monsters here as well, I was half expecting some sort of chintzy fx work here to spoil the damn party. Not the case, the creatures here though mostly CGI are a treat to behold and for the most part are pretty convincing threats to our heroes. As a HUGE fan of monster movies I think it hits that sweet spot quite nicely. There’s also some cool plot twists and of course some admittedly hokey ones that otherwise might not have worked without such strong characters at the forefront. If you’re looking for “Calgon to take you away” (80’s kids you know the reference) from the worries of the real world, I can’t think of a better new fantasy adventure flick to visit than ‘Love and Monsters’, easily one of my faves of 2020!
YOWZA!! What the hell did I just watch?! 1990’s ‘Erotic Ghost Story’ is exactly what you’d expect from Hong Kong director Lam Nai-Choi, responsible for the 1991 cult classic ‘Riki-Oh: The Story of Ricky’. If you’ve ever seen that bonafide bonkers gorefest then you’ll likely want to experience his attempt at a sexy softcore! I’m not by any means a seasoned cinematic softcore fanatic, but if I was, I’d like this director to be at the helm of more of it. ‘Erotic Ghost Story’ has got it all, three ultra sexy ghostly babes, a heaping of “steamy” sex and “hunky” dude who turns into a hideous three headed monster of COURSE! It’s also manages to add some sweet action scenes, some wild magic and a solid dose of those charming 80’s fx I love so much.
It tells the story of three beautiful sex obsessed fairies who’s live in solitude out in the forest. They all take an interest in a young, handsome scholar who moves into the woods nearby in a cozy little cabin. Curiosity soon gets the best of them and each one decides to make a visit to meet this sexy studious stud in his messy book infested cottage.
All three of them find themselves oddly fantasizing about him, and each take it upon themselves to seduce him. Each believing they’ve scored the relationship of a lifetime until they discover his wicked dark secret, this seemingly innocent sex machine is actually a hideous horny three headed demon in disguise!
Things get pretty gosh darn sexy and the fairies soon discover that each of them has “gotten down and dirty” with the guy causing some hefty drama between them to go down. But their jealousy is really the least of their worries as soon they all find themselves growing thick hair on their chests! What a bummer! They seek help from a local magic priest to help cure themselves of whatever supernatural STD they managed to all catch from the guy but find that it’s up to them to face him one final time with their own special powers and try to destroy the horny beast.
I really wasn’t sure what to expect going into this one, I’d figured it was just going to be some guy getting it on with three sexy ghosts. But to my delight this one delivered that and THEN some. It’s really no wonder that Lam Nai-Choi couldn’t resist throwing some wild shenanigans and a three headed demon into the mix! There’s clearly an over abundance of sex on display as the guy gets lucky more than anyone has any real right to with three beautiful women, it’s just too bad for all involved that he was literally such a wild and crazy sex freak. I guess this softcore would be sort of a genre mash up, a wuxia (chinese fantasy), sex-filled, horror creature feature.
It gets a lot sexier than most softcore movies I’ve ever seen, but the true charm of it all is that the director took a stab at a odd choice of a genre movie and added his bizarre trademark bonkers touch to the whole damn thing. If you dig his other work like Riki-Oh , The Seventh Curse or The Cat you’re going to want to track this one down as well for sure for the sheer absurd spectacle of it all….
It’s come to my attention that Wilfred Brimley has sadly passed away, many knew him as simply the man telling us all to check our blood sugar in those vintage diabetes awareness commercials. However the truth is he starred in the fourth greatest Star Wars movie, ‘Ewoks: The Battle for Endor’. That is not a joke either and many others have also agreed when it actually comes to the Star Wars movies recently after much deliberation. It turns out that in reality, after the original trilogy, 1985’s ‘The Battle for Endor’ is indeed not only better than the Prequel Trilogy but also superior as well to all of the Disney “Star Wars” films.
Wilfred co-starred in the movie along with Warwick Davis (Wicket) for the George Lucas penned epic adventure, which I hope some day gets a blu ray release. Again, I am not kidding, ‘The Battle for Endor’ has aged extremely well, so much so that John Favreau even put a nod to the movie in The Mandalorian. Wilfred starred as Noa Briqualon and aided the Ewoks in an epic battle against evil forces. Wilfred also had an iconic role in 1982’s epic monster movie ‘The Thing’ & also another of my favorite 80’s films ‘Cocoon’. Wilfred had been sick for two months with a kidney ailment and his fight finally ended today. He was an icon in his own right and even appeared in a cool 90’s alien horror movie I just watched for the first time a few nights ago, ‘Progeny’. Rest in peace Wilfred and thanks again for your role in the 4th BEST Star Wars film of all time…..
Well the quarantine rages one! So naturally I’m taking advantage of the situation by watching as many cool movies as I can get my hands on! I checked out some pretty excellent Japanese movies from the late 80’s/early 90’s the other night and I won the jackpot as somehow BOTH movies delivered the damn goods! I mean that rarely ever happens when blindly grabbing two oddball movies I’ve never heard anything about.
First up was was 1988’s “Cyber Ninja”, which obviously by the title showed some true promise! This wild sci-fi action film tells the story of a cyborg ninja who’s battling an evil empire that uses giant dinosaur like robots along with a gang of robotic ninja’s of their own to wreak havoc upon a kingdom of samurai warriors. Yeah basically that’s the story, nothing fancy here just a bunch of wild action and robot ass kicking for a lean 80 minutes. There’s some cool martial arts as well and really sweet robot designs at play here that mix feudal japanese elements into their look. There’s these giants mechs in particular that have a sort of Japanese tree house melded as the control center, kinda of like a play on a Star Wars ATST walker. There’s also a ton of that ultra colorful hand painted laser/electricity/energy blasts fx that accompany the martial arts mayhem. It’s a ton of fun and it seems this was perhaps an inspiration for the Mighty Morphin Power Rangers? The movie was release by Namco, which later merged with Bandai, both famous for their video games. Cyber Ninja is must watch if you dig weird, 80’s action and fantasy stuff & was great little viewing surprise that doesn’t require your attention span to be in full swing either.
Next was 1991’s Mikadroid, also known as “Mikadroid: Robokill Beneath Disoclub Layla”. With a title like that you know you’re at the least in for something quite unusual and yeah it brings quite an intriguing little tale of terror to the screen. It’s super lean run time of 73 minutes also makes it much less of a commitment and the perfect companion to Cyber Ninja in more than one way. I’d say at it’s core, it’s really more of a horror movie, and go as far to even call it a “proto-slasher”. It follows a World War II soldier who was experimented on along with two others for a super soldier program.
However they went a step further in a secret underground bunker to transform him into a cyborg/droid and ends up looking like something straight out of a Hellboy comic. We flash forward to 1991 to a discoclub that was built on top the hidden bunker where some electrical issues awaken the WWII super solder robot from his long slumber (I guess a real Captain America kind of thing going on here more than I originally realized). The droid heads up into the parking garage where he conducts his killing spree on the oh so stylin’ Japanese party animals after their wild nights of drinkin’ and dancing the night away.
This movie’s certainly a unique slice early 90’s cinema. It’s quite beautifully shot as well as having a pretty kick ass looking robot and some really stunning underground locations. I was hoping for a bit more from some of the kills but the strange story is the true highlight. Enough so that this little oddity by it’s end unfolds into something truly unique for it’s time and relative obscurity. Released by Toho, it was originally intended to be a full on horror film for the straight to video Japanese Market. Originally set to be a a zombie horror film having the WWII soldier an undead killer instead of a robot . The day before filming began a child murderer was arrested, who had an open passion for horror films, and it resulted in almost all horror movies being essentially blacklisted from production at the time. The film’s plot was frantically reworked into a “sci-fi” film while still keeping the basic premise intact. That all being said, the changes made I think likely added to the movie’s bizarre but ambitious plot. If you go into the movie with few expectations you’ll find a truly charming little feature that firmly lands it in a league of it’s own for the time.
I’m not real familiar with with Indonesian cinema, but last night I watched a dvd (yeah a DVD folks!!!!) I got in the mail from Netflix that’s been in my queue for well over a year. The 1984 Swords and Sorcery fantasy martial arts adventure, ‘The Devil’s Sword’ from director Ratno Timoer. I really didn’t have any expectations, in fact I was fully prepared to turn this one off after 10 minutes, however that was most definitely not the case. Nope! Instead The Devil’s Sword immediately won me over with some impressive joyfully bad choreographed magical martial arts battles taking place in a truly stunning exotic jungle location. If you’re a fan of cheezy fantasy movies from the 1980’s then this one’s gonna be right up your damn alley. It’s also alerted me to the Indonesian action star Barry Prima, maybe I’m late to the Prima party, but a quick look on Letterboxd at his filmography revealed what appears to be an overload of action, fantasy, horror hybrid gems just waiting to be leaped into.
This one has pretty much got it all, wildly stupid martial arts, sword battles, magic, monsters, babes & hunks galore! All of it 100% ridiculous, macho man Barry Prima stars as “Mandola”, basically “Rambo the barbarian” looking remarkably similar to Sly Stallone (with a smooth fully stupid dub track that seems like it might even enhance viewing pleasures). He’s also got a radical bad ass female co star, who right out of the gates lays a smackdown on a gang o’ goons & who aids the mighty Mandola in his epic quest to destroy a wicked witch, the sultry and seductive Crocodile queen! She’s indeed quite a woman and has tons of male sex servants one of them the kidnapped husband of Mandola’s female ally! She’s also got a gang of some of the worst, most idiotic looking, crocodile/human minions that really just have to be seen to be believed. Some of these fights too go on for way, way too long but in that sort of “They Live” sorta way. I mean check this out if you think I’m full of shit!
Mandola ends up on this epic quest when some of The Crocodile Queen’s assassins injure his master’s legs and he himself is forced to saw them off! The Devil’s Sword definitely doesn’t skimp on some wild gore either, limbs and heads are chopped off, accompanied by sprays of blood. There’s also a dab of indiana Jones thrown in as Mandola explores caverns filled with hordes of bats and one supremely stupid looking giant cyclops! I guess they were lucky that Indonesia is such a beautiful place, because some of the locales add a solid a layer of legitimacy to the whole experience, suddenly I’m eyeing Indonesia as a future dream vacation.
The Devil’s Sword has really energized an interest in not only the country but also in some of the wild cinema it had to offer back in the 70’s & 80’s as well as a strong curiosity in it’s main man, Barry Prima! Check this flick out, it’s the perfect watch with a case of beer and some friends to enjoy all the unintentional wackiness strewn about the screen. There’s a dvd out there that Mondo Macabro put out years ago I think you can still snatch, or hey if you’re like me just put it on the dvd by mail list from Netflix!
Here’s a pretty interesting little tale of midieval monster revenge, 2019’s ‘The Head Hunter’, a short & sweet little film that clocks in just a hair over 70 minutes in length. We follow a lonely barbarian who’s daughter is snatched up and killed by a monster that roams the nearby wilderness. We see clearly from the inside of his crude living quarters that he revels in killing monsters by his collection of their heads and this time it appears that the conflict is deeply personal. What’s most intriguing is just how simple the plot here is, there’s really only one actor in the whole film if I remember correctly, aside from a brief appearance of his daughter (and maybe a monster or two).
It gives it’s majority of run time featuring the barbarian all by his lonesome and really for the most part ignores his beast hunting almost entirely, only to reveal the aftermath prize of monster heads he brings home every now and again. Though light on the action, it still remains quite an effective slow burn. It takes a brief moment to reveal a world that’s much more fantastic and magical than what we’re mostly shown in a great scene where the barbarian quietly observes a giant troll (who looks pulled straight out of ‘Trollhunter’) towering past a mountain range.
Luckily the film wisely chose a short run time, as it does indeed skimp a bit on showing us any real action at least for most of it’s duration. It instead focuses more on a depressed warrior in solitude, who’s haunted by his daughters death and then late at night, creatures who lurk near his secluded forest home. Whatever budget the movie did have was used wisely with great locations, costuming and effective but subtle monster fx. We really feel the depression, heartbreak and loneliness of the barbarian and all of that set up makes the film’s simple but stunning finale all the more worth the wait. Add to that, a great twist to the whole story that wraps this tale up in a nice nasty bow. When the final confrontation occurs it goes some truly dark places with a creature that at first glance appears as if it’s barely a match for rough and tumble “Conan” style brawler.
For such a short and simple movie it was a real treat, as I’ve never seen a sword and sorcery style flick take this approach to monster slaying. Pretty impressive coming from the guy who directed “Thankskilling & Thankskilling 3” as well as the short film “Critters: Bounty Hunter” from 2014, none of which I’ve seen. After seeing The Head Hunter though I just might give ’em a shot. Check this one out if you dig stuff like Conan the Barbarian, don’t expect a grand spectacle and you’re probably going to enjoy this sweet little tale of revenge quite a bit.
It’s been quite a wild one for Disney “Star Wars” over the past couple years, that’s for sure. It seems ‘The Last Jedi’ ignited some serious controversy that many people blame for ‘Solo’ underperforming massively at the box office. Me personally? I’d be a liar to say I wasn’t legitimately let down by The Last Jedi (and the Force Awakens to a certain degree) but then over the last couple years it became very clear: Disney Star Wars is really just high budget fan fiction, at least the sequel trilogy. It’s really no more legit than the ‘Expanded Universe’ stuff at this point, especially upon learning that Disney had the option to use George Lucas’ original treatment for Episodes 7-9. We all know now that they opted for a lesser original JJ Abrams & Rian Johnson helmed retelling of the original trilogy with ‘The Force Awakens’ and ‘The Last Jedi’ which both follow the similar beats to the original trilogy. So in my eyes, not at least lightly following George’s treatment for the sequel trilogy is somewhat blasphemous and inauthentic. That all being said, I just don’t care as much knowing we’re not getting the creators true vision for the finale of the Skywalker saga.
My excitement level for the next Star Wars film couldn’t be any lower honestly. I’ll still go and see it, but I’m not rushing out opening weekend anymore for them. Over the years I’ve come to realize that Star Wars (for me) isn’t the cinematic “event” it once was after stepping out of The Last Jedi. It’s become a level of Hollywood sequel on par with ‘The Predator’ franchise, recent ‘Alien’ movies or ‘Terminator: Dark Fate’. Just bloated big budget remakes disguised as modern day “sequels” to beloved nostalgic franchises. Movies that end up quickly forgotten after leaving the theater. The more I’ve read and seen of ‘The Rise of Skywalker’, the less excited I’ve become. One of the biggest problems facing the movie are the “Jedi Paxis” leaks, which dropped a couple months ago and now appear to be perfectly matching what’s been shown in trailers and tv spots for the movie. I checked the leaks out and I’ll admit, I’m not incredibly excited to see it all unfold on the big screen. In fact the inclusion of Palpatine furthers the fact that these sequels are not much more than disguised remakes of the OT. I’m fully open to the leaks being false and perhaps Disney has pulled the wool over everyone’s eyes with some new form of marketing, but it’s really starting to all look pretty legit. But the ‘Game of Thrones’ leaks ended up true, ‘The Predator’ leaks, ‘Terminator: Dark Fate’ leaks ALL ended up true as well. This presents a pretty damn big problem for Star Wars and JJ’s “mystery boxes” he seems to love so much.
Now I’m sure Episode IX will make a billion dollars, but I’m not sure what effect this movie will have on the cinematic future of the franchise if it further divides fans. If it fails to provide a proper story for the beloved original trilogy characters then it’s truly failed the fans. So far my gut feeling is ‘The Rise of Skywalker’ might end up being more divisive than The Last Jedi. On a positive note, ‘The Mandalorian’ seems to have fans all on the same page somehow? I’ve loved the first 5 episodes and I really wish that THIS would have been the movie we got instead of the sequel trilogy. At this point I think they should’ve just left the old characters alone and let the story rest with Return of the Jedi. None of what we’ve been served up in my eyes has been compelling or innovative storytelling and if you’re unable to pass the torch in a way that’s truly rewarding for fans, then it probably should have all just been left as was.
So my guess here is that this last installment from JJ is going to problematic for Star Wars cinematically. I think the Disney+ platform is where Star Wars will rule for the next few years or so. I mean how exciting will it be to see ‘Baby Yoda’ grow up?! So it’s sad that so far the return of Star Wars wasn’t at all what I’d hoped for and I really don’t think it’d have been all that difficult to send the old characters on an incredible adventure along with a set of new ones who could carry the torch into their very own trilogy. As far as fan fiction goes I’ll stick with the expanded universe stuff for the moment, but also happy that these new movies don’t bother me anymore. I’m fine with accepting them for what they are, big budget fan fiction from JJ & Rian…..
Ok folks, in just under two months we’ll be getting the final installment of “The Skywalker Saga”. Yep, ‘The Rise of Skywalker’ is going to wrap up the whole damn story whether you like it or not. Many people (as I’m sure you know by now) have huge problems with the “Disney Star Wars” stuff, for quite a while I was pretty damn perturbed about it all too. Especially with The Last Jedi. Then I’d read about how Disney bought the rights to the franchise and also got the drafts for George Lucas’ version of Episodes 7-9. Instead of fulfilling the iconic creators vision for his saga they decided to go with a more familiar plot, JJ and Rian Johnson delivered movies that are essentially soft remakes of the ‘Original Trilogy’.
When I’d heard this news something just clicked and I suddenly wasn’t upset with these new Disney Star Wars films. I realized they’re all essentially just high budget fan fiction films and that I’ll always have the real movies to watch. These new Star Wars flicks actually aren’t any different than the (much more superior in many ways IMO) Star Wars EU (Expanded Universe) material, or what they’re referred to as now, ‘Star Wars Legends’. Essentially all the non movie fiction stuff. I realized whatever Disney comes up with next really doesn’t matter much at least to me, in any real way anymore. Star Wars IS George Lucas, at the very least the sequel trilogy, 100% should have utilized his story for the final installment of The Skywalker Saga. Otherwise it really is just fan fiction with some big bucks behind it.
That all being said, I’ve still been wondering for a while just what this last installment has in store for Luke Skywalker, if anything at all. I then remembered JJ Abrams, a fan of Star Wars was co-writing the movie and it got me thinking, is he really going to sideline Luke? He’s got the chance to play with Luke Skywalker in his sandbox, one of the most iconic characters in pop culture. One last real chance to utilize the original actor as the character, c’mon is he really going to just have him show up as force ghost in a cameo?! Even though people swear up and down Luke is dead I really cannot fathom Abrams not giving Luke the excting moments, likely he himself and the rest of the OT fan base had been waiting for 30 plus years to witness on the big screen. How could a guy like JJ resist?
I’ve been checking out a lot of 1980’s and 90’s foreign horror movies lately and the ones from Hong Kong are most definitely the most outrageous of them all. 1992’s ‘Wizard’s Curse’ is certainly proof of that, a mix of raunchy sex comedy, horror, fantasy and action all rolled into one big weird ball. A pair of “on the run” criminal lovers rumored to be practitioners of dark magic are hunted down by local police lead by a taoist priest. Using his own unique supernatural abilities he aids the cops, managing to personally slay them both. Soon after, a local cult leader resurrects their spirits into a one shared physical body, granting them superhuman powers & leaving them thirsting for human brains. They set out on a mission, to track down the priest for revenge and seeking to eat the brains of a virgin to gain ultimate powers of evil. This sets into motion a chase as the priest battles them to protect his daughter and the life of a tuff guy virgin cop who becomes entangled in the case.
Yeah it’s a weird one. It features Ching-Ying Lam better known for his role in the iconic ‘Mr. Vampire’ movies of the 1980’s as the even tempered ass kickin’ priest. The bad guy & girl share one body, change sexes at random & wear a totally 80’s leather clad outfit that’d make ‘The Terminator’ jealous. They rip though Hong Kong eating brains and murdering people with a huge glowing phallus, that’s used most of the time like a super powered snake like battering ram. There’s some really great 80’s style fx work going here, creepy moments and some frenetic action sequences keep Wizard’s curse moving at a brisk pace. Together (literally) they make a unique villain and the camera tricks utilized to make inhabit the same body are a lot of fun as well.
Ching-Ying Lam never disappoints with his kung fu either, he’s one of the best and there’s some incredibly fun supernatural kung fu battles to behold. However the movie is also entirely unsure of what it wants to be as it’s littered with sex & dick jokes when you least expect it. A lot of these Hong Kong horror movies of that era go lots of different directions and while it certainly makes things interesting this one could have really benefitted by keeping the raunchy comedy to a bare minimum. Also watching the movie with it’s rudimentary english subtitles leads me to believe the comedy may have played better if I’d have actually understood the language they’re speaking. My bad.
At the end of the day though, I definitely do recommend ‘Wizard’s Curse’, if even just for it’s sheer absurdity alone. Though it was released in 1992 it feels one hundred percent 80’s. Lots of neon, cool clothing, real stunts and a ton of 80’s FX work make it a unique little movie that never gets sleepy. It’s also filled with plenty of non PC “comedy” mostly revolving around sex yet never ends up being overly offensive some how. I liked the role of the virgin too being the wise crackin’ cop instead of the priests daughter, who regularly spends her time dodging super creepy advance & ploys from mega douchey men. The movie’s finale is pretty fun too as the Taoist Priest is forced to team up with his hilarious ex-wife who’s also a bad ass magician. And of course the movie’s final moment gag hinges on an over the top sex joke. If you’re looking for an utterly odd hybrid horror movie check this one out, it’s got a lot of weird ass shit going for it, if that’s your cup of tea!