It’s come to my attention that Wilfred Brimley has sadly passed away, many knew him as simply the man telling us all to check our blood sugar in those vintage diabetes awareness commercials. However the truth is he starred in the fourth greatest Star Wars movie, ‘Ewoks: The Battle for Endor’. That is not a joke either and many others have also agreed when it actually comes to the Star Wars movies recently after much deliberation. It turns out that in reality, after the original trilogy, 1985’s ‘The Battle for Endor’ is indeed not only better than the Prequel Trilogy but also superior as well to all of the Disney “Star Wars” films.
Wilfred co-starred in the movie along with Warwick Davis (Wicket) for the George Lucas penned epic adventure, which I hope some day gets a blu ray release. Again, I am not kidding, ‘The Battle for Endor’ has aged extremely well, so much so that John Favreau even put a nod to the movie in The Mandalorian. Wilfred starred as Noa Briqualon and aided the Ewoks in an epic battle against evil forces. Wilfred also had an iconic role in 1982’s epic monster movie ‘The Thing’ & also another of my favorite 80’s films ‘Cocoon’. Wilfred had been sick for two months with a kidney ailment and his fight finally ended today. He was an icon in his own right and even appeared in a cool 90’s alien horror movie I just watched for the first time a few nights ago, ‘Progeny’. Rest in peace Wilfred and thanks again for your role in the 4th BEST Star Wars film of all time…..
Well the quarantine rages one! So naturally I’m taking advantage of the situation by watching as many cool movies as I can get my hands on! I checked out some pretty excellent Japanese movies from the late 80’s/early 90’s the other night and I won the jackpot as somehow BOTH movies delivered the damn goods! I mean that rarely ever happens when blindly grabbing two oddball movies I’ve never heard anything about.
First up was was 1988’s “Cyber Ninja”, which obviously by the title showed some true promise! This wild sci-fi action film tells the story of a cyborg ninja who’s battling an evil empire that uses giant dinosaur like robots along with a gang of robotic ninja’s of their own to wreak havoc upon a kingdom of samurai warriors. Yeah basically that’s the story, nothing fancy here just a bunch of wild action and robot ass kicking for a lean 80 minutes. There’s some cool martial arts as well and really sweet robot designs at play here that mix feudal japanese elements into their look. There’s these giants mechs in particular that have a sort of Japanese tree house melded as the control center, kinda of like a play on a Star Wars ATST walker. There’s also a ton of that ultra colorful hand painted laser/electricity/energy blasts fx that accompany the martial arts mayhem. It’s a ton of fun and it seems this was perhaps an inspiration for the Mighty Morphin Power Rangers? The movie was release by Namco, which later merged with Bandai, both famous for their video games. Cyber Ninja is must watch if you dig weird, 80’s action and fantasy stuff & was great little viewing surprise that doesn’t require your attention span to be in full swing either.
Next was 1991’s Mikadroid, also known as “Mikadroid: Robokill Beneath Disoclub Layla”. With a title like that you know you’re at the least in for something quite unusual and yeah it brings quite an intriguing little tale of terror to the screen. It’s super lean run time of 73 minutes also makes it much less of a commitment and the perfect companion to Cyber Ninja in more than one way. I’d say at it’s core, it’s really more of a horror movie, and go as far to even call it a “proto-slasher”. It follows a World War II soldier who was experimented on along with two others for a super soldier program.
However they went a step further in a secret underground bunker to transform him into a cyborg/droid and ends up looking like something straight out of a Hellboy comic. We flash forward to 1991 to a discoclub that was built on top the hidden bunker where some electrical issues awaken the WWII super solder robot from his long slumber (I guess a real Captain America kind of thing going on here more than I originally realized). The droid heads up into the parking garage where he conducts his killing spree on the oh so stylin’ Japanese party animals after their wild nights of drinkin’ and dancing the night away.
This movie’s certainly a unique slice early 90’s cinema. It’s quite beautifully shot as well as having a pretty kick ass looking robot and some really stunning underground locations. I was hoping for a bit more from some of the kills but the strange story is the true highlight. Enough so that this little oddity by it’s end unfolds into something truly unique for it’s time and relative obscurity. Released by Toho, it was originally intended to be a full on horror film for the straight to video Japanese Market. Originally set to be a a zombie horror film having the WWII soldier an undead killer instead of a robot . The day before filming began a child murderer was arrested, who had an open passion for horror films, and it resulted in almost all horror movies being essentially blacklisted from production at the time. The film’s plot was frantically reworked into a “sci-fi” film while still keeping the basic premise intact. That all being said, the changes made I think likely added to the movie’s bizarre but ambitious plot. If you go into the movie with few expectations you’ll find a truly charming little feature that firmly lands it in a league of it’s own for the time.
I’m not real familiar with with Indonesian cinema, but last night I watched a dvd (yeah a DVD folks!!!!) I got in the mail from Netflix that’s been in my queue for well over a year. The 1984 Swords and Sorcery fantasy martial arts adventure, ‘The Devil’s Sword’ from director Ratno Timoer. I really didn’t have any expectations, in fact I was fully prepared to turn this one off after 10 minutes, however that was most definitely not the case. Nope! Instead The Devil’s Sword immediately won me over with some impressive joyfully bad choreographed magical martial arts battles taking place in a truly stunning exotic jungle location. If you’re a fan of cheezy fantasy movies from the 1980’s then this one’s gonna be right up your damn alley. It’s also alerted me to the Indonesian action star Barry Prima, maybe I’m late to the Prima party, but a quick look on Letterboxd at his filmography revealed what appears to be an overload of action, fantasy, horror hybrid gems just waiting to be leaped into.
This one has pretty much got it all, wildly stupid martial arts, sword battles, magic, monsters, babes & hunks galore! All of it 100% ridiculous, macho man Barry Prima stars as “Mandola”, basically “Rambo the barbarian” looking remarkably similar to Sly Stallone (with a smooth fully stupid dub track that seems like it might even enhance viewing pleasures). He’s also got a radical bad ass female co star, who right out of the gates lays a smackdown on a gang o’ goons & who aids the mighty Mandola in his epic quest to destroy a wicked witch, the sultry and seductive Crocodile queen! She’s indeed quite a woman and has tons of male sex servants one of them the kidnapped husband of Mandola’s female ally! She’s also got a gang of some of the worst, most idiotic looking, crocodile/human minions that really just have to be seen to be believed. Some of these fights too go on for way, way too long but in that sort of “They Live” sorta way. I mean check this out if you think I’m full of shit!
Mandola ends up on this epic quest when some of The Crocodile Queen’s assassins injure his master’s legs and he himself is forced to saw them off! The Devil’s Sword definitely doesn’t skimp on some wild gore either, limbs and heads are chopped off, accompanied by sprays of blood. There’s also a dab of indiana Jones thrown in as Mandola explores caverns filled with hordes of bats and one supremely stupid looking giant cyclops! I guess they were lucky that Indonesia is such a beautiful place, because some of the locales add a solid a layer of legitimacy to the whole experience, suddenly I’m eyeing Indonesia as a future dream vacation.
The Devil’s Sword has really energized an interest in not only the country but also in some of the wild cinema it had to offer back in the 70’s & 80’s as well as a strong curiosity in it’s main man, Barry Prima! Check this flick out, it’s the perfect watch with a case of beer and some friends to enjoy all the unintentional wackiness strewn about the screen. There’s a dvd out there that Mondo Macabro put out years ago I think you can still snatch, or hey if you’re like me just put it on the dvd by mail list from Netflix!
Here’s a pretty interesting little tale of midieval monster revenge, 2019’s ‘The Head Hunter’, a short & sweet little film that clocks in just a hair over 70 minutes in length. We follow a lonely barbarian who’s daughter is snatched up and killed by a monster that roams the nearby wilderness. We see clearly from the inside of his crude living quarters that he revels in killing monsters by his collection of their heads and this time it appears that the conflict is deeply personal. What’s most intriguing is just how simple the plot here is, there’s really only one actor in the whole film if I remember correctly, aside from a brief appearance of his daughter (and maybe a monster or two).
It gives it’s majority of run time featuring the barbarian all by his lonesome and really for the most part ignores his beast hunting almost entirely, only to reveal the aftermath prize of monster heads he brings home every now and again. Though light on the action, it still remains quite an effective slow burn. It takes a brief moment to reveal a world that’s much more fantastic and magical than what we’re mostly shown in a great scene where the barbarian quietly observes a giant troll (who looks pulled straight out of ‘Trollhunter’) towering past a mountain range.
Luckily the film wisely chose a short run time, as it does indeed skimp a bit on showing us any real action at least for most of it’s duration. It instead focuses more on a depressed warrior in solitude, who’s haunted by his daughters death and then late at night, creatures who lurk near his secluded forest home. Whatever budget the movie did have was used wisely with great locations, costuming and effective but subtle monster fx. We really feel the depression, heartbreak and loneliness of the barbarian and all of that set up makes the film’s simple but stunning finale all the more worth the wait. Add to that, a great twist to the whole story that wraps this tale up in a nice nasty bow. When the final confrontation occurs it goes some truly dark places with a creature that at first glance appears as if it’s barely a match for rough and tumble “Conan” style brawler.
For such a short and simple movie it was a real treat, as I’ve never seen a sword and sorcery style flick take this approach to monster slaying. Pretty impressive coming from the guy who directed “Thankskilling & Thankskilling 3” as well as the short film “Critters: Bounty Hunter” from 2014, none of which I’ve seen. After seeing The Head Hunter though I just might give ’em a shot. Check this one out if you dig stuff like Conan the Barbarian, don’t expect a grand spectacle and you’re probably going to enjoy this sweet little tale of revenge quite a bit.
It’s been quite a wild one for Disney “Star Wars” over the past couple years, that’s for sure. It seems ‘The Last Jedi’ ignited some serious controversy that many people blame for ‘Solo’ underperforming massively at the box office. Me personally? I’d be a liar to say I wasn’t legitimately let down by The Last Jedi (and the Force Awakens to a certain degree) but then over the last couple years it became very clear: Disney Star Wars is really just high budget fan fiction, at least the sequel trilogy. It’s really no more legit than the ‘Expanded Universe’ stuff at this point, especially upon learning that Disney had the option to use George Lucas’ original treatment for Episodes 7-9. We all know now that they opted for a lesser original JJ Abrams & Rian Johnson helmed retelling of the original trilogy with ‘The Force Awakens’ and ‘The Last Jedi’ which both follow the similar beats to the original trilogy. So in my eyes, not at least lightly following George’s treatment for the sequel trilogy is somewhat blasphemous and inauthentic. That all being said, I just don’t care as much knowing we’re not getting the creators true vision for the finale of the Skywalker saga.
My excitement level for the next Star Wars film couldn’t be any lower honestly. I’ll still go and see it, but I’m not rushing out opening weekend anymore for them. Over the years I’ve come to realize that Star Wars (for me) isn’t the cinematic “event” it once was after stepping out of The Last Jedi. It’s become a level of Hollywood sequel on par with ‘The Predator’ franchise, recent ‘Alien’ movies or ‘Terminator: Dark Fate’. Just bloated big budget remakes disguised as modern day “sequels” to beloved nostalgic franchises. Movies that end up quickly forgotten after leaving the theater. The more I’ve read and seen of ‘The Rise of Skywalker’, the less excited I’ve become. One of the biggest problems facing the movie are the “Jedi Paxis” leaks, which dropped a couple months ago and now appear to be perfectly matching what’s been shown in trailers and tv spots for the movie. I checked the leaks out and I’ll admit, I’m not incredibly excited to see it all unfold on the big screen. In fact the inclusion of Palpatine furthers the fact that these sequels are not much more than disguised remakes of the OT. I’m fully open to the leaks being false and perhaps Disney has pulled the wool over everyone’s eyes with some new form of marketing, but it’s really starting to all look pretty legit. But the ‘Game of Thrones’ leaks ended up true, ‘The Predator’ leaks, ‘Terminator: Dark Fate’ leaks ALL ended up true as well. This presents a pretty damn big problem for Star Wars and JJ’s “mystery boxes” he seems to love so much.
Now I’m sure Episode IX will make a billion dollars, but I’m not sure what effect this movie will have on the cinematic future of the franchise if it further divides fans. If it fails to provide a proper story for the beloved original trilogy characters then it’s truly failed the fans. So far my gut feeling is ‘The Rise of Skywalker’ might end up being more divisive than The Last Jedi. On a positive note, ‘The Mandalorian’ seems to have fans all on the same page somehow? I’ve loved the first 5 episodes and I really wish that THIS would have been the movie we got instead of the sequel trilogy. At this point I think they should’ve just left the old characters alone and let the story rest with Return of the Jedi. None of what we’ve been served up in my eyes has been compelling or innovative storytelling and if you’re unable to pass the torch in a way that’s truly rewarding for fans, then it probably should have all just been left as was.
So my guess here is that this last installment from JJ is going to problematic for Star Wars cinematically. I think the Disney+ platform is where Star Wars will rule for the next few years or so. I mean how exciting will it be to see ‘Baby Yoda’ grow up?! So it’s sad that so far the return of Star Wars wasn’t at all what I’d hoped for and I really don’t think it’d have been all that difficult to send the old characters on an incredible adventure along with a set of new ones who could carry the torch into their very own trilogy. As far as fan fiction goes I’ll stick with the expanded universe stuff for the moment, but also happy that these new movies don’t bother me anymore. I’m fine with accepting them for what they are, big budget fan fiction from JJ & Rian…..
Ok folks, in just under two months we’ll be getting the final installment of “The Skywalker Saga”. Yep, ‘The Rise of Skywalker’ is going to wrap up the whole damn story whether you like it or not. Many people (as I’m sure you know by now) have huge problems with the “Disney Star Wars” stuff, for quite a while I was pretty damn perturbed about it all too. Especially with The Last Jedi. Then I’d read about how Disney bought the rights to the franchise and also got the drafts for George Lucas’ version of Episodes 7-9. Instead of fulfilling the iconic creators vision for his saga they decided to go with a more familiar plot, JJ and Rian Johnson delivered movies that are essentially soft remakes of the ‘Original Trilogy’.
When I’d heard this news something just clicked and I suddenly wasn’t upset with these new Disney Star Wars films. I realized they’re all essentially just high budget fan fiction films and that I’ll always have the real movies to watch. These new Star Wars flicks actually aren’t any different than the (much more superior in many ways IMO) Star Wars EU (Expanded Universe) material, or what they’re referred to as now, ‘Star Wars Legends’. Essentially all the non movie fiction stuff. I realized whatever Disney comes up with next really doesn’t matter much at least to me, in any real way anymore. Star Wars IS George Lucas, at the very least the sequel trilogy, 100% should have utilized his story for the final installment of The Skywalker Saga. Otherwise it really is just fan fiction with some big bucks behind it.
That all being said, I’ve still been wondering for a while just what this last installment has in store for Luke Skywalker, if anything at all. I then remembered JJ Abrams, a fan of Star Wars was co-writing the movie and it got me thinking, is he really going to sideline Luke? He’s got the chance to play with Luke Skywalker in his sandbox, one of the most iconic characters in pop culture. One last real chance to utilize the original actor as the character, c’mon is he really going to just have him show up as force ghost in a cameo?! Even though people swear up and down Luke is dead I really cannot fathom Abrams not giving Luke the excting moments, likely he himself and the rest of the OT fan base had been waiting for 30 plus years to witness on the big screen. How could a guy like JJ resist?
I’ve been checking out a lot of 1980’s and 90’s foreign horror movies lately and the ones from Hong Kong are most definitely the most outrageous of them all. 1992’s ‘Wizard’s Curse’ is certainly proof of that, a mix of raunchy sex comedy, horror, fantasy and action all rolled into one big weird ball. A pair of “on the run” criminal lovers rumored to be practitioners of dark magic are hunted down by local police lead by a taoist priest. Using his own unique supernatural abilities he aids the cops, managing to personally slay them both. Soon after, a local cult leader resurrects their spirits into a one shared physical body, granting them superhuman powers & leaving them thirsting for human brains. They set out on a mission, to track down the priest for revenge and seeking to eat the brains of a virgin to gain ultimate powers of evil. This sets into motion a chase as the priest battles them to protect his daughter and the life of a tuff guy virgin cop who becomes entangled in the case.
Yeah it’s a weird one. It features Ching-Ying Lam better known for his role in the iconic ‘Mr. Vampire’ movies of the 1980’s as the even tempered ass kickin’ priest. The bad guy & girl share one body, change sexes at random & wear a totally 80’s leather clad outfit that’d make ‘The Terminator’ jealous. They rip though Hong Kong eating brains and murdering people with a huge glowing phallus, that’s used most of the time like a super powered snake like battering ram. There’s some really great 80’s style fx work going here, creepy moments and some frenetic action sequences keep Wizard’s curse moving at a brisk pace. Together (literally) they make a unique villain and the camera tricks utilized to make inhabit the same body are a lot of fun as well.
Ching-Ying Lam never disappoints with his kung fu either, he’s one of the best and there’s some incredibly fun supernatural kung fu battles to behold. However the movie is also entirely unsure of what it wants to be as it’s littered with sex & dick jokes when you least expect it. A lot of these Hong Kong horror movies of that era go lots of different directions and while it certainly makes things interesting this one could have really benefitted by keeping the raunchy comedy to a bare minimum. Also watching the movie with it’s rudimentary english subtitles leads me to believe the comedy may have played better if I’d have actually understood the language they’re speaking. My bad.
At the end of the day though, I definitely do recommend ‘Wizard’s Curse’, if even just for it’s sheer absurdity alone. Though it was released in 1992 it feels one hundred percent 80’s. Lots of neon, cool clothing, real stunts and a ton of 80’s FX work make it a unique little movie that never gets sleepy. It’s also filled with plenty of non PC “comedy” mostly revolving around sex yet never ends up being overly offensive some how. I liked the role of the virgin too being the wise crackin’ cop instead of the priests daughter, who regularly spends her time dodging super creepy advance & ploys from mega douchey men. The movie’s finale is pretty fun too as the Taoist Priest is forced to team up with his hilarious ex-wife who’s also a bad ass magician. And of course the movie’s final moment gag hinges on an over the top sex joke. If you’re looking for an utterly odd hybrid horror movie check this one out, it’s got a lot of weird ass shit going for it, if that’s your cup of tea!
1988’s ‘Magic of the Universe’ (Originally released as ‘Salamamgkero’ in 1986) is one HELL of a bizarre horror adventure! Shot in the Philippines and chock full of dark creepy tropical locations, you surely get a lot more than you bargained for with an odd film that clearly must have had a pretty decent budget to work with. The plot itself is pretty sweet & simple, a talented circus magician named Jamir while doing his seemingly routine disappearing act to an eager crowd, accidentally makes his assistant/daughter disappear not only into thin air but from our reality entirely.
Perplexed, Jamir decides to search for answers, heads off in search of a creepy, mysterious shaman whom he’s heard rumor of residing deep in a nearby forest. The Shaman mixes him up a concoction of some sort from the severed head of a monkey (some serious ‘Temple of Doom’ tones here) and then ventures into a danger filled alternate dimension, to try and rescue his lover & kid sidekick who also go missing shortly after his daughter does. I’m guessing the monkey brain drink (some sort of DMT type concentration) opened some sort of portal, enabling Jamir to cross over. Once on the “other side” he discovers his loved one are captives of a powerful witch named “Mikula” who’s got a huge, sweaty pulsating head and commands a grotesque army of freakish animal people minions, swamp monsters and a plethora of gooey, gross things that go bump in the night.
The whole romp is a giant, cheezy ass fever dream, full of fog, colorful yet dark sets draped in blue & pink lighting and of course some unsettling puppet creatures. One in particular is “Globo”, a weird ass gremlin type puppet with a tv screen for a stomach. Globo’s even featured in the opening credits as “himself” as they decided to show every actor in their role, with their characters names in the opening credits of the movie, something you’d expect normally at the very end. There’s so much weird shit going on here once Jamir heads off into the alternate dimension that whatever story it’s supposedly trying to tell becomes utterly lost, making the whole thing seem even more dreamlike with every minute that passes. There’s even a weird ass party / dance scene with a full band that curiously resembles GWAR in all their monster glory. I guess I’d say this flick also brings to mind a more demented & confusing version of ‘Labyrinth’ and I mean that in the best way possible. Also at a lean running time of 84 minutes the pace rarely lags, there’s easily enough eye candy to go around here to keep horror fans guessing what oddities will present themselves next onscreen. It’s main villain, (the witch Mikula) is pretty damn entertaining too, I never got tired at looking at her fleshy bulbous head bubbling and come the end of the movie you get some great gooey, 80’s style neon action in the final battle.
If you’re a fan of weird ass cinema ‘Magic of the Universe’ definitely won’t disappoint, it’s tropical, humid nightmarish sets are worth the price of admission alone. Director Tata Esteban is fully ambitious here with his grand horror fantasy vision, perhaps not the most easy to comprehend but hey, this is a perfect movie to check out with a few too many drinks & a gang of trashy cinefiles on a Saturday nite! No one will need to pay too much attention to plot either! It’s available to watch on Youtube or you can also hunt down the dvd version of the movie on a horror double feature! I’m certain there’s a VHS copy of this one out there somewhere still but it’s probably a challenge to track down. I watched this one from my Netflix DVD service (yeah, I still do that! For movies like this!) Check it out if you’re feelin’ crazy..
I’m gonna say it again, Game of Thrones: Season 8 was the worst final season in television history. Even somehow more unsatisfying than ‘Lost’! It’s clear that I’m NOT alone as the ‘Petition to Remake Game of Thrones‘ is already over one and a half million signatures!
There are so many problems with how this season went down, and it all really revolves around the terrible writing and pathetic execution of these last six episodes. The other day I saw an awesome video that quite perfectly explains just why it sucked so bad in the funniest way. Check out this “pitch meeting” from Screen Rant’s Ryan George as he completely nails it!!
So people seem quite up in arms about the latest season of Game of Thrones to put it lightly, it’s been pretty much everywhere online, more drama online than this season of the show could churn out! I’ve been thinking about it all for a few days now since watching Episode 5 and I think there’s really is something to all the anger towards the show writers David Benioff and D.B. Weiss. Now that they’ve got no more writing from George R. R. Martin’s final book (which he still hasn’t finished) to base this season on, we get to finally see the writing chops of these two dudes in action. I’ve got a few major problems with what went down so far in the final season, most it being the execution of plot points by these guys, but some it of it indeed revolves around some shoddy ass writing.
One thing that now makes perfect sense is that David Benioff was actually a writer of easily one of the WORST movies in recent Hollywood history, 2009’s ‘X-men Origins: Wolverine’. If you’ve seen it, most unanimously agree, it’s one of the most pathetic movies to reach the major cinemas in recent times. Single handedly ruining Hugh Jackman’s Wolverine, Deadpool and Sabretooth all in one horribly executed, terribly written mess of a movie. It makes ‘X-Men 3’ feel like a god damn cinematic masterpiece. His buddy D.B. Weiss hasn’t written or directed much outside of GOT either. So it’s not all that surprising that this season feels a bit like a shit-storm to many today. SPOILERS AHEAD!
So I wanna point out a few things I think totally sucked about this final season so far, I realize that the internet is filled with GOT opinions right now so I’ll keep it all short. One of the BIGGEST problems for me is the handling the The Night King & the whitewalkers, seven damn seasons of fantastic mystery brewing around this incredibly intriguing and terrifying villain, then in one episode mid season it’s all over and nearly forgotten by the next episode. One of the things so many were most invested in was his true motivations. Would we see things from their perspective? Learn what fuels their rage towards the living? Find out what they really wanted from Bran? Actually hear The Night King speak his case with some real dialogue? Nope! The major supernatural threat of seven seasons was wiped from the plot in one murky battle and by the next episode everyone was back to acting like a bunch of spoiled babies after just surviving a possibly world ending event. Cersei wasn’t even affected by them in the least, but how awesome would it have been if The Night King and the Whitewalkers had shown up on her doorstep first and she had to flee to Jon Snow & Daenerys for help? Imagine the drama…Whatever the case the whitewalkers turned out to be a big ass nothing burger to say the least, a huge missed opportunity in my opinion. It actually felt as if the writers just wanted to quickly erase them from the last season for some reason.
The largely controversial Daenerys “mad queen” plot would have been fine with me, but the execution of it was seriously lacking the character development needed to add any real believability to her actions. She was majorly bummed off that most people seemed to love Jon Snow so much, but she’d just arrived on the scene, so I don’t know, maybe try and socialize a bit with everyone after the damn battle against the walkers?!! Geezus!! I’m sure this all must have been what George R. R. Martin had in mind ultimately (?) but if the writers expect me to believe Daenerys is then gonna go completely bonkers, exterminating a whole population of innocent, poor villagers, many of them children (who’ve already suffered under the rule of Sersei) you better have a lot more character development to occur to sell it. It all felt rushed & carelessly forced. I think it’d made a hell of a lot more sense if she’d went for Sersei directly in the battle with her rage, killed her personally or even better, captured her and viciously tortured her among the rest of her current crew. Reigning dragon’s fire upon the poor villagers who’ve already been punished for most of their existence was just not believable at this point. It felt like shock for pure shock value. The end of Sersei also felt anti-climactic, she never even shared any real dialogue with Daenerys & it felt for the most part like she was trying to commit certain suicide by her horrific slaying of Missandei. Whatever the case, this whole debacle mades perfect sense when I discovered that one tidbit of info that’d slipped through the cracks for me, David Benioff wrote the cinematic turd, ‘X-Men Origins: Wolverine’…nuff said.