With all the excitement over the latest movie sensation that is Wonder Woman I thought it’d be cool to show off a couple of my favorite covers by the master himself Brian Bolland. It’s no secret that Bolland is easily one of the best comic book cover artists of all time and of course after his classic artwork in The Killing Joke it’s apparent no one can capture the clown prince of crime quite like he can. I dig these two Wonder Woman covers as well because it’s not every day that you see Diana facing off against The Joker.
The first one Wonder Woman #97 is from 1995
….and the second a bit more recent #41 from 2015.
A couple of my favorites!
I heard recently that John Carpenter is co-writing an official sequel comic book series to his classic “Big Trouble in Little China” called “Old Man Jack”. It’s set in 2020 and follows the further adventures of the now 60 year old Jack Burton as he once again does battle with evil forces looking to conquer the Earth. Coming this September, this new series from Boom! Studios is getting the internet talking about getting Carpenter to adapt the comic to the big screen by long time fans. Sounds like a god damn bonafide slam dunk huh?!
Well not so fast movie maniacs! What a lot of people have forgotten is that 20th Century Fox has been threatening all of us fans of the original movie with a remake starring Duane “The Rock” Johnson as the new Jack Burton. Now don’t get me wrong, I actually like The Rock, but when it comes to the choice of a sequel to ‘Big Trouble’ with Kurt Russell at the very least written by Carpenter, it’s a no brainer. At the very least, give us the damn sequel first!! You can always reboot that shit later. I’d hope at this point Hollywood gets the very simple fact that people want sequels (done with integrity mind you) for their favorite movies rather than another throw away, cookie cutter, “here today gone tomorrow” remakes of a cult classic they keep servin’ us up. It should be proof enough with sequels to Star Wars, Blade Runner & tv shows like Ash vs Evil Dead that prove people don’t really want a full on remake. They want the story to continue. The solution to the problem at hand is simple, just add Duane Johnson to the damn cast of the sequel, have him team up with Kurt Russell! DUH! Continue reading
So I recently checked out the Wonder Woman movie and to my surprise it was pretty damn good, for a modern day superhero movie. I only really say this because the first time we saw Gal Gadot in the role was in the wretched Batman V Superman. Uggh I tried to erase that horror story from my memory.. BUT It seems to me that DC finally did it right and impressively releasing the, waaaaaay long overdue first fully female fronted superhero movie. Let’s face it, this was a big win and now I’m sure Marvel is thinking even more seriously about the future of the female fronted superhero flick. Sure they have Captain Marvel in the wings for 2019 but I’ve read recently that another female director is hoping she can score a job behind making a She-Hulk movie.
Yep Rachel Talalay who’s directed the likes of Tank Girl, Freddy’s Dead: The Final Nightmare, episodes of Supergirl, The Flash, Sherlock and most recently Doctor Who has expressed major interest in She-Hulk. She stated: “I have such a strong vision of what She-Hulk should be,” Talalay told Vice. “The difference between She-Hulk and Hulk is that she loved being She-Hulk. She was the Tank Girl of earlier days in terms of being able to say what she wanted, and when she became She-Hulk, it was like an opening of the door to freedom, to be the person that you wish you could be. That you’re stopped from being as a woman. And that’s the version of She-Hulk that I would love to embrace.” Continue reading
I’m a total sucker for a cool or super damn cheezy 80’s pop/rock song & I’ve noticed through the years that there are some really awesome soundtracks featuring obscure bands from the era that are almost entirely forgotten. Well NO more! I’m going to start compiling some of my favorite 80’s underground hits that have appeared in some of the more forgotten cult movies of the genre. So let’s get to the first installment!
About a week ago I checked out a cool little obscure australian slasher flick from 1989 called “Blood Moon”. It’s pretty much everything you want from the genre, playing out like a twisted ultra cheez John Hughes wannabe movie done down under. It’s got a ton of crazy horny teens, a ridiculous slasher, cool 80’s style and a total ludicrous plot.
“Something dreadful is happening in the small town of Cooper’s Bay … something more hideous than murder. The victims, usually students, are being strangled with a particularly grisly weapon while making love. They’re then buried … and small-town life goes on.
That is, until Kevin, an outsider, falls for Mary, the daughter of a Hollywood star. Both are on the campus killer’s hit list. They’re also on biology teacher Miles (sic) Sheffield’s hate list. Miles, you see, cannot tolerate his oversexed wife’s embarrassing affairs with the students. Finally, the rage building inside Miles and the insane butchering of young men and women explode in a nightmare of heart-pounding suspense … under a BLOOD MOON.”
Yep pretty much everything that makes a bad 80’s movie a ton of fun. What we also get is some cool obscure 80’s music, more notably a sweet Aussie power pop/glam band called “Vice” who “play live” in the movie during a school dance. I’ve gotta admit the band’s got the chops along with a rad goth glam look (They were forced to sport for the horror movie vibe) and some sweet ass catchy as shit pop gems. If I make a mix of cult horror movie songs this one will probably start it off.
It looks like Vice was a band formed in Brisbane in 1984 and throughout the years supported bands like ‘The Sweet’ & ‘Stryper’ on tours. I guess they started out as more of thrash band and also had some kinda offensive album covers too. In the later 80’s the band put out more polished power pop type of stuff. I checked out the album from ’89 called “Take Me home” that their “hit” song from the movie appeared in and it’s a ton of fun. Anyway here’s the theme song from Blood Moon “Keep Holding On” in all it’s 80’s keyboard kickin’ glory:
‘Alien: Covenant’ finally dropped at theaters yesterday, and after all the hype the smoke finally cleared as I sat back for a late night viewing of the “prequel” for the legendary horror franchise. Ridley Scott returns again after the lackluster ‘Prometheus’ for purely passable installment that is Alien: Covenant. I wasn’t a huge fan of Prometheus, it’s one of those movies I can’t say I ever care about seeing again and same is the case also with ‘Covenant’. It does though fit quite nicely alongside the current trend of forgettable sequels to once amazing movie franchises of the 80’s that are cranked out these days. It’s like the ‘Indiana Jones and the Crystal Skull’ of the Alien series, making the third and fourth installments of the Alien franchise suddenly feel more legit.
This doesn’t mean I hated the movie, it just means that I’m quickly growing tired of the trend of sequels that I once endlessly pined for. It pains me to see Ridley Scott now for a second time bringing us such uninspired pieces of cinema. The movies large cast of characters hasn’t got anyone in it you’re likely to give a damn about and spends it’s time focusing on the android “twin btother” characters played by Michael Fassbender instead. ‘Covenant’ simply feels like Ridley has run out of ideas and decided to start lifting major plot points from ‘Bladerunner’ simultaneously trying to re-create a “best of” compilation of scary scenarios from his first Alien movie.
So while no one from the cast gets much time to develop into much more than alien prey you might think that at the very least we’d get quite possibly the best most bad ass version of the legendary ‘Alien’ creature now that it’s 2017 and they’ve more than got the budget to do so. Quite the contrary, ‘Alien: Covenant’ can’t even get that right for fans. For a movie that’s been boasting impressive practical fx work from day one you’re likely to be disappointed by it’s incredibly cartoony looking aliens littered about the movie frantically. Heck the fx work in this movie makes the two ‘AVP’ flicks suddenly feel kinda legit as well and that’s a damn hard thing to do. Long gone is the suspense & stylized horror of the old movies, instead you’ll be treated to the same old CGI schlock you’re used to from all the huge summer blockbusters. The Alien franchise officially lost it’s heart & soul quite a long time ago and even bringing Scott aboard hasn’t resulted in finding it. Right down to final battle, this movie simply fails, proving that we ALL really miss Sigourney Weaver in a BIG way. Ridley has now truly mastered mediocrity as I honestly may’ve actually enjoyed Prometheus more than this, because at least with that one I wasn’t expecting much there from the start.
At least one thing Ridley got right were the locations & sets he used in filming this movie. It’s visually stunning in that respect. However I’m realizing I was actually quite fine with NOT knowing the backstory of the Alien and honestly liked it when we knew nothing about it’s origins when it was little more than a monstrous stow away. The mystery is gone and instead what we end up with plot wise begins to feel a bit absurd and a tad cliche. This is a classic case of “they just don’t make em’ like they used to”. It’s a bit sad but I realize not everyone can make a ‘Mad Max: Fury Road’ and sometimes attaching the original directors to these sequels clearly doesn’t always equal movie magic. That being said, after seeing this last night my excitement level for the upcoming sequels to Bladerunner & Predator has severely lowered. I’d say if you’re a casual fan of the Alien franchise you’ll likely have a good time at the movies with this one but if you’re looking for the magic of the first two (or heck even the third & fourth) you’re bound to feel a bit empty as you exit the theater. At least now I’ve developed a new urge to revisit the ‘AVP’ movies, I mean damn, I was way too hard on those I think…
Wow! So yesterday Mike Mignola made a stunning announcement that Hellboy will be returning to the big screen! BUT and there’s a big BUT here, without Ron Perlman & Guillermo del Toro’s involvement. This is a bit shocking to many as we’ve been waiting the third and final installment that’s been teased for years. I wish they’d have done it and I feel a bit bad for Ron Perlman as he gave the role his all and has been fighting for the fans for so long to complete the trilogy. With that being said, David Harbour, the cop from ‘Stranger Things’ will be stepping into the role of the big devil himself and he seems like an amazing choice for the role. I can already easily picture him as Hellboy just on his looks alone and the guy is a decent actor as well. So I think they’re off to a great start in terms of casting. I’m hoping that they’ll create Hellboy in the same way they did with Ron Perlman. His and the rest of the BPRD’s make up was incredible in del Toro’s movies and I’m hoping that they’re not going to simply CG Hellboy and the gang. One thing Guillermo did extremely well was the creation of incredible monsters using mainly practical fx and incorporating CGI only when truly necessary.
Also announced was director Neil Marshall, who I was immediately thrilled about, for the simple fact that he’s made easily two of the best horror movies of the last twenty years, Dog Soldiers & The Descent. Both of these movies are mind blowing-ly awesome and they’re 100% rock solid proof that this director just might bring us the best Hellboy movie possible. Heck, I go as far to put ‘Dog Soldiers’ right up there with ‘An American Werewolf in London’ and ‘The Howling’. As excited as I am at the possibility here I realized that ‘The Descent’ was released all the way back in 2005 and it got me thinking just what the hell has Neil Marshall really been up to the last twelve years? Lets find out as it may give us a better idea of exactly what we’re in store for with this new Hellboy flick.
After ‘The Descent’ Marshall went on to direct the lackluster ‘Mad Max’ influenced movie ‘Doomsday’ in 2008. The movie was a bit of a box office bomb and to me didn’t bring anything new or exciting to the table honestly in the post apocalyptic adventure genre. I guess I give him an ‘A’ for effort for giving it an honest shot but the movie was just too bland to make any real waves and has been largely forgotten for the most part.
After that he did ‘Centurion’ in 2010, with Michael Fassbender starring. It was a an ok attempt at a historical hack and slash war movie about the disappearance of the Roman empire’s ninth legion. This was also a bit of a bomb at the box office and largely went under the radar of movie goers. Once again this movie didn’t bring anything to the table that hadn’t really already been done before. One thing though I’ll say are that his movies look great and even Doomsday visually was at least effective in that area. Still ‘Centurion’ is one time viewing and it doesn’t have much to differentiate it from anything else that was being cranked out in the genre at the time.
After that Marshall disappeared from the movie scene directing 2 excellent episodes of ‘Game of Thrones’ as well as episodes of ‘Black Sails’, ‘Constantine’, ‘Hannibal’, ‘Timeless’ & ‘Westworld’. In 2015 he was one of the directors in the horror anthology movie ‘Tales of Halloween’ and directed the excellent installment “Bad Seed” about the killer GMO pumpkin! Loved it…
So what we’ve got here for Marshall is a big return to the silver screen on a big budget flick. I don’t have any reason to believe that he’s going to fuck it up, in fact with a great script which I’m certain Mignola will be part of and the supposed “R” rating the movie’s rumored to get we just might see a more true to the comic version of the character. I think it’ll be much darker, bloody and quite possibly a much bigger hit this time around. I’ve always thought cinematic Hellboy was ahead of it’s time and that the strange Mignola-verse would fare far better in today’s landscape than that of 2008 to movie goers. Hellboy & The BPRD are easily my favorites of the current comic book franchises out there, so this next movie means a lot to me.
If they lift the amazing feel of the del Toro movies and add a bit darker tone (don’t lose all the comedy though) we’ll be in for one helluva Hellboy flick. I’m also hoping that the movie might make a role for Ron Perlman, Doug Jones & Selma Blair (perhaps as villains?) because we all know how badly they wanted a third film. How cool would Ron & Doug be starring as some crazy creatures? Let’s let Neil Marshall return to his true roots and give the Hellboy movies the lethal does of horror they need today. The guy is super talented and his two incredible horror movies he made are proof that Marshall is exactly where he needs to be. I’m hoping this will begin many more Mignola-verse based movies or a BPRD tv series dammit!! So don’t fret I think Hellboy’s indeed in good hands…
There was a time when zombies were fucking awesome & not like how they are “awesome” today. That time was way back in the 70’s & 80’s before everyone and their mom and dad were watching ‘The Walking Dead’. Today the zombie craze has brought us countless shitty zombie movies, comic books & merch but back in the 80’s all of the zombie mayhem was quite a bit more underground. I was watching Frank Henenlotter’s ‘Brain Damage’ last night with a group of people and noticed someone in the movie was reading ‘Deadworld’. I was surprised that no one in the group had ever even heard of the comic book. I’ve blogged several times in the past about the book which still remains my favorite zombie comic of all time (at least the first 12 issues or so). Deadworld is punk as fuck and featured some truly stunning undead art from the gore master Vincent Locke who’s done artwork for bands like Cannibal Corpse. The 1986 book featured a prominent villain simply referred to as ‘King Zombie’ and his gang of undead who’ve developed intelligence while still lusting for flesh. He was a total badass who cruised around on his motorcycle and terrorized a gang of teens who’s bus broke down on a desolate highway. The books a treasure trove of totally amazing, legit zombie tattoo designs by the way. There’s been a collection done pretty recently of all of the old issues and they even tried to reboot it a some years back. I suggest hunting those down, they’re a unique read and embody the dirty grit of grindhouse 80’s style zombie flick to perfection. This was the issue featured in ‘Brain Damage’ it remains today one of my favorite pieces of zombie art to date!
And of course here’s ‘King Zombie’…..