Here’s a pretty interesting little tale of midieval monster revenge, 2019’s ‘The Head Hunter’, a short & sweet little film that clocks in just a hair over 70 minutes in length. We follow a lonely barbarian who’s daughter is snatched up and killed by a monster that roams the nearby wilderness. We see clearly from the inside of his crude living quarters that he revels in killing monsters by his collection of their heads and this time it appears that the conflict is deeply personal. What’s most intriguing is just how simple the plot here is, there’s really only one actor in the whole film if I remember correctly, aside from a brief appearance of his daughter (and maybe a monster or two).
It gives it’s majority of run time featuring the barbarian all by his lonesome and really for the most part ignores his beast hunting almost entirely, only to reveal the aftermath prize of monster heads he brings home every now and again. Though light on the action, it still remains quite an effective slow burn. It takes a brief moment to reveal a world that’s much more fantastic and magical than what we’re mostly shown in a great scene where the barbarian quietly observes a giant troll (who looks pulled straight out of ‘Trollhunter’) towering past a mountain range.
Luckily the film wisely chose a short run time, as it does indeed skimp a bit on showing us any real action at least for most of it’s duration. It instead focuses more on a depressed warrior in solitude, who’s haunted by his daughters death and then late at night, creatures who lurk near his secluded forest home. Whatever budget the movie did have was used wisely with great locations, costuming and effective but subtle monster fx. We really feel the depression, heartbreak and loneliness of the barbarian and all of that set up makes the film’s simple but stunning finale all the more worth the wait. Add to that, a great twist to the whole story that wraps this tale up in a nice nasty bow. When the final confrontation occurs it goes some truly dark places with a creature that at first glance appears as if it’s barely a match for rough and tumble “Conan” style brawler.
For such a short and simple movie it was a real treat, as I’ve never seen a sword and sorcery style flick take this approach to monster slaying. Pretty impressive coming from the guy who directed “Thankskilling & Thankskilling 3” as well as the short film “Critters: Bounty Hunter” from 2014, none of which I’ve seen. After seeing The Head Hunter though I just might give ’em a shot. Check this one out if you dig stuff like Conan the Barbarian, don’t expect a grand spectacle and you’re probably going to enjoy this sweet little tale of revenge quite a bit.
We all know that H.P. Lovecraft stories can be hard to translate to the big screen, but when I heard Richard Stanley was making his cinematic return with ‘Color Out of Space’ I was pretty damn excited to say the least. Stanley may not have the longest resume when it come to feature film but what he has done is pretty damn amazing. Both Hardware (1990) & DustDevil (1992) are lesser known horror gems & with ‘Color Out of Space’ it’s a complete and total return to form. Stanley also brings Nicolas Cage along for the ride, which after his fan fave performance in ‘Mandy’ has kinda given Cage his second coming as an even more beloved cinematic presence. Much like ‘Mandy’ there’s plenty of bizarre psychedelic imagery here to go around and a ton of visceral horror sequences that I guarantee will shock you.
Stanley seems to love a slow burn horror story and brings that approach once again, leaving us all with a twisted but beautiful spectacle to behold by the film’s final act. The story here is simple, one quiet evening an eerie glowing meteorite lands in the front yard of Nathan Gardner and his family’s Alpaca farm. They soon find themselves baffled by it’s effect on the plants & wildlife on property as well as their own suddenly strange behaviors. Soon it’s clear, a mutant extraterrestrial organism that infects their minds and bodies is roaming the woods at night & transforms their quiet rural life into the ultimate technicolor nightmare. Continue reading
Last nite I picked up quite an interesting new VHS release at Portland Oregon’s Tanker Tape Swap, a great event where you can have drinks a’ plenty while doing some serious rare retro movie shopping! Black Wideo, a new Portland based VHS label was there with their first release, the 1989 oddball, no budget, shot on video, long lost horror comedy ‘Executioner: The Musical’.
One thing I’ve always adored is the amazing cover art from vhs tapes of the 80’s and ‘Executioner: The Musical’ surely delivers that tradition with it’s stunning cover, bbq’d burgers and grilled eyeballs anyone? If I didn’t know better I’d have assumed this tape was released in the 80’s and someone just unearthed a big box of deadstock vhs. Anyway this morning before work I popped this sucker into my vcr (the movie’s only 25 minutes long and perfect for breakfast viewing) and now I’ve got it’s theme song stuck firmly in my brain still, hours later. What we’ve got here is a charming little slice of lost 80’s video nostalgia. The simple plot for this: there’s a weird singing hooded executioner dude on the loose and his presence in the city’s got the suburban teens undie’s in a total bundle. It’s NOT safe anymore to walk the streets and even worse the teenagers aren’t able to ‘party hardy’ like they used to. It seems the killer’s favorite time to strike, when a ‘killer’ party is going down!
One of the my favorite parts of this one is the bad boy greaser teen character, who’s down right P.O.’d that he can’t party. I mean he’s reeeeally upset about it, so damn much so that he leads the rest of his pals (who’re a bit like rejects from a ‘Breakfast Club’ audition) into a full on ridiculously awesome numbskull “pop song” about how bad they wanna throw a damn party, immediately. Even though the music here’s pretty much a guy and his acoustic guitar (with some help from his friends at times), the songs are oddly catchy, albeit 100% idiotic. I mean that in a good way and being that the short film is from the late 80’s you get some sweet nostalgic fashion choices and fully over the top teen stereotypes on display (and for some reason spotting vintage Doritos bags in movies always seem to get me quite excited-YUM!) . Like the rich kid with his boat shoes, no socks, short shorts & English accent, the stoner druggie dude & the classic nerd with the taped glasses are all on display and ready to get sliced up and even “sing” some songs.
‘Executioner: The Musical’ may not be for everyone, but if you dig weird stuff from the 80’s and low budget oddities you’re likely to find something quite endearing about it. For horror fans there’s enough red kool-aid and corn syrupy blood to go around & a syringe to the skull as well! With such a short run time it’s hardly a commitment & it’s the perfect opener for a night of trashy retro horror movies. Check out Black Wideo for a copy, it seems they’ve got plans to release more from the director, Scott Grenke’s archive of lost films! Beware though, the film’s theme song “Friendly Killer” just might get stuck in your head for far longer than you ever thought possible!
I had a little double feature “party by myself” last night consisting of me, a bottle of wine, my cat, some weed and two horror flicks from the late early 90s. Always in hopes of discovering a lost and forgotten gem! This can result in one helluva fun evening alone or an early night drifting off on the couch to some boring cinematic trash. Luckily for the most part it was the first. I started my first glass of wine off with a movie from 1990 called ‘Pledge Night’.
I’ve been wanting to check this one forever, mostly because I’d heard that Joey Belladonna from legendary thrash metal band ‘Anthrax’ had a role as the supernatural slasher ‘Acid Sid’ and his band even provided the film’s soundtrack. Unfortunately the measly minute and a half he actually appears and the bad ass metal soundtrack his band drummed up doesn’t make this a lost 80s horror gem. Pledge Night instead spends most of it’s run time being a dumb frat boy comedy. Basically putting it’s characters through ‘Hell Week’ in a series of gross out initiations for the first hour. By the time the horror aspect kicks in it’s a bit too late in the game and “Acid Sid”, the evil supernatural hippie frat boy fails to deliver the scares despite being a pretty cool looking villain. Instead he cracks lame one liners after each of his kills and we come to find Joey Belladonna doesn’t even actually play the character in his hideous slasher form but rather in a short flashback. There’s a few neat gore scenes sprinkled amidst the potty humor but overall Pledge Night fails to deliver much of anything entertaining to the table. It merely left me wondering what connection Anthrax actually had to this damn movie? If this’d been the second feature I’d have probably tapped out early on the couch for some zzz’s.
Next up was a 1993 horror flick called ‘Little Devils: The Birth’ from the director of 80’s cult film ‘Rawhead Rex’, starring Marc Price who played ‘Skippy” on ‘Family Ties’ and also starred in the awesome ‘Trick R’ Treat’.
Luckily this one had a better cast & some pretty likable characters to at least keep me invested in the ridiculous plot. It basically plays out as a second rate ‘Ghoulies’ knock off but fortunately had enough charm to justify staying up well past midnight to polish off the rest of the bottle of wine. We follow Price’s character,a struggling writer who rents a room from his crazy sex-obsessed older landlady and shares the house with his weird ass neighbor who’s up all night creating demon dolls from some glowing sludge from the local mausoleum. He also meets a beautiful exotic dancer and the two of them fall “madly” in love while simultaneously discovering that evil “little devils” are running rampant, killing people around his rental unit. This by no means is a good movie, it appears to have been shot on video, the special effects are pretty atrocious & it’s run time is about 20 minutes too long.
All that being said it somehow managed to keep me entertained for it’s entire damn duration. The comedy works here quite well and there’s definitely some decent chemistry amongst it’s cast. The little devil’s themselves are nothing to write home about and are probably the least exciting thing about this movie. They for some reason run around killing people with miniature flame throwers and in comparison make the puppets in the ‘Ghoulies’ look like academy award winning works of special fx wizardry. However despite it’s flaws this ‘Little Devils: The Birth’ had enough going for it to recommend for at least one solid viewing. At the end of the day Marc Price makes it worth an hour and forty minutes of any fan a trashy cinema’s time.
I headed out to the local video store the other night (yeah in Portland we still got an amazing one called Movie Madness) to rent some movies, just like we used to do back in the good ol’ days. Let’s face it folks, sometimes it’s nice to take a break from the bland streaming services like Netflix and physically roam around a video store in hopes of stumbling across something entertaining. I decided this time I’d check out some new stuff I haven’t seen streaming out there.
First up was ‘Gags The Clown’ a movie I’d wanted to check out for quite some time now, being a Wisconsin native for much of my life & knowing this horror flick takes place in Green Bay (a place I’d personally hung out so many times in my teens & twenties) made this a no brainer rental. The cover art alone is pretty awesome and would look lovely gracing an old VHS.
Anyway I’ll be the first to admit, I’m not a giant fan of “found footage” horror movies and it’s been pretty played out these days in my opinion at least. But in this case I was lured in mainly because I’m just downright intrigued by movies made in ‘The Dairy state’. So the idea of ‘Gags’ was inspired by the whole creepy clown roaming the streets in real life viral video phenomenon a few years or so back. The interesting thing here is that creator of ‘Gags’ actually took advantage of this using his character to supposedly fool local Green Bay residents and the local news to report on it, eventually gathering up some worldwide interest in the creepy clown. A pretty brilliant marketing move to say the least. Continue reading
I’m pretty damn excited about the upcoming horror survival flick VFW from Joe Begos, who’s already got some pretty sweet modern horror movies under his belt like ‘Almost Human’ & ‘The Mind’s Eye’. VFW shows the same promise but this time with a stellar cast, the likes of Martin Kove, Fred Williamson, Stephen Lang & Cheer’s own barstool regular George Wendt. A lazy crew of old codger war veterans have their usual evening of drinkin’ abruptly interrupted when their beloved VFW hall comes under attack by a vicious gang of punks, who’re fully jacked up on a powerful new drug called ‘the hype’.
So far this looks like a modern cult classic and it’s so cool when a newer director showcases some of the genre’s older largely forgotten heros in inventive new ways. VFW also features Bego’s regular Graham Skipper who always does a stellar job. It looks like it’s going for a John Carpenter ‘Assault on Precinct 13’ type of vibe here, except with more over the top gore and with each movie this director does, his chops improve greatly, I’ve still yet to see his 2019 release ‘Bliss” but it’s definitely on my radar as well. VFW is set for release on Feb 14th 2020, can’t wait to check this out as it’s definitely one of my most anticipated!
Here’s a super sweet old school comic book cover from waaaay back in 1973! This super spooky Christmas horror issue of ‘The Witching Hour’ urges us to “never kill a Santa Claus” a truly classic cover filled to the brim with holiday horror. This largely forgotten horror anthology comic series ran for nearly 10 years from 1969-1978. Clearly inspired by the legendary EC comics ‘Tales from the Crypt’ this issue features some truly frightening Christmas horror imagery, particularly impressive for the era it appeared in…