I heard recently that John Carpenter is co-writing an official sequel comic book series to his classic “Big Trouble in Little China” called “Old Man Jack”. It’s set in 2020 and follows the further adventures of the now 60 year old Jack Burton as he once again does battle with evil forces looking to conquer the Earth. Coming this September, this new series from Boom! Studios is getting the internet talking about getting Carpenter to adapt the comic to the big screen by long time fans. Sounds like a god damn bonafide slam dunk huh?!
Well not so fast movie maniacs! What a lot of people have forgotten is that 20th Century Fox has been threatening all of us fans of the original movie with a remake starring Duane “The Rock” Johnson as the new Jack Burton. Now don’t get me wrong, I actually like The Rock, but when it comes to the choice of a sequel to ‘Big Trouble’ with Kurt Russell at the very least written by Carpenter, it’s a no brainer. At the very least, give us the damn sequel first!! You can always reboot that shit later. I’d hope at this point Hollywood gets the very simple fact that people want sequels (done with integrity mind you) for their favorite movies rather than another throw away, cookie cutter, “here today gone tomorrow” remakes of a cult classic they keep servin’ us up. It should be proof enough with sequels to Star Wars, Blade Runner & tv shows like Ash vs Evil Dead that prove people don’t really want a full on remake. They want the story to continue. The solution to the problem at hand is simple, just add Duane Johnson to the damn cast of the sequel, have him team up with Kurt Russell! DUH!
Also Kurt Russell isn’t too old to kick ass either, hell the sequel comic series sounds a bit like it’s pulling from Ash vs Evil Dead & Old Man Logan bit for inspiration. They’ve got consider the reasons why people love these movies and build upon that. But what if they gave John Carpenter a big budget to make the sequel? Could he deliver the goods still? What’s Carpenter’s last good flick? Has he lost his touch? His last decent movie was “Ghosts of Mars” which a lot of people aren’t big fans of and that was way back in 2001 and he hasn’t even directed a feature film since 2010. That one was ‘The Ward’ and wasn’t exactly a shining moment in his illustrious career.
Perhaps a project like this would bring back some of the old magic? I’m going to make up my mind when this new series drops, I’ll look at the miniseries more like a storyboard and see if it’s got real potential. In the meantime let’s raise some noise about this series getting a proper sequel with Kurt Russell! I’d love one more ride with the OG Jack Burton on the Pork Chop Express wouldn’t you?!!
I’m a total sucker for a cool or super damn cheezy 80’s pop/rock song & I’ve noticed through the years that there are some really awesome soundtracks featuring obscure bands from the era that are almost entirely forgotten. Well NO more! I’m going to start compiling some of my favorite 80’s underground hits that have appeared in some of the more forgotten cult movies of the genre. So let’s get to the first installment!
About a week ago I checked out a cool little obscure australian slasher flick from 1989 called “Blood Moon”. It’s pretty much everything you want from the genre, playing out like a twisted ultra cheez John Hughes wannabe movie done down under. It’s got a ton of crazy horny teens, a ridiculous slasher, cool 80’s style and a total ludicrous plot.
“Something dreadful is happening in the small town of Cooper’s Bay … something more hideous than murder. The victims, usually students, are being strangled with a particularly grisly weapon while making love. They’re then buried … and small-town life goes on.
That is, until Kevin, an outsider, falls for Mary, the daughter of a Hollywood star. Both are on the campus killer’s hit list. They’re also on biology teacher Miles (sic) Sheffield’s hate list. Miles, you see, cannot tolerate his oversexed wife’s embarrassing affairs with the students. Finally, the rage building inside Miles and the insane butchering of young men and women explode in a nightmare of heart-pounding suspense … under a BLOOD MOON.”
Yep pretty much everything that makes a bad 80’s movie a ton of fun. What we also get is some cool obscure 80’s music, more notably a sweet Aussie power pop/glam band called “Vice” who “play live” in the movie during a school dance. I’ve gotta admit the band’s got the chops along with a rad goth glam look (They were forced to sport for the horror movie vibe) and some sweet ass catchy as shit pop gems. If I make a mix of cult horror movie songs this one will probably start it off.
It looks like Vice was a band formed in Brisbane in 1984 and throughout the years supported bands like ‘The Sweet’ & ‘Stryper’ on tours. I guess they started out as more of thrash band and also had some kinda offensive album covers too. In the later 80’s the band put out more polished power pop type of stuff. I checked out the album from ’89 called “Take Me home” that their “hit” song from the movie appeared in and it’s a ton of fun. Anyway here’s the theme song from Blood Moon “Keep Holding On” in all it’s 80’s keyboard kickin’ glory:
‘Alien: Covenant’ finally dropped at theaters yesterday, and after all the hype the smoke finally cleared as I sat back for a late night viewing of the “prequel” for the legendary horror franchise. Ridley Scott returns again after the lackluster ‘Prometheus’ for purely passable installment that is Alien: Covenant. I wasn’t a huge fan of Prometheus, it’s one of those movies I can’t say I ever care about seeing again and same is the case also with ‘Covenant’. It does though fit quite nicely alongside the current trend of forgettable sequels to once amazing movie franchises of the 80’s that are cranked out these days. It’s like the ‘Indiana Jones and the Crystal Skull’ of the Alien series, making the third and fourth installments of the Alien franchise suddenly feel more legit.
This doesn’t mean I hated the movie, it just means that I’m quickly growing tired of the trend of sequels that I once endlessly pined for. It pains me to see Ridley Scott now for a second time bringing us such uninspired pieces of cinema. The movies large cast of characters hasn’t got anyone in it you’re likely to give a damn about and spends it’s time focusing on the android “twin btother” characters played by Michael Fassbender instead. ‘Covenant’ simply feels like Ridley has run out of ideas and decided to start lifting major plot points from ‘Bladerunner’ simultaneously trying to re-create a “best of” compilation of scary scenarios from his first Alien movie.
So while no one from the cast gets much time to develop into much more than alien prey you might think that at the very least we’d get quite possibly the best most bad ass version of the legendary ‘Alien’ creature now that it’s 2017 and they’ve more than got the budget to do so. Quite the contrary, ‘Alien: Covenant’ can’t even get that right for fans. For a movie that’s been boasting impressive practical fx work from day one you’re likely to be disappointed by it’s incredibly cartoony looking aliens littered about the movie frantically. Heck the fx work in this movie makes the two ‘AVP’ flicks suddenly feel kinda legit as well and that’s a damn hard thing to do. Long gone is the suspense & stylized horror of the old movies, instead you’ll be treated to the same old CGI schlock you’re used to from all the huge summer blockbusters. The Alien franchise officially lost it’s heart & soul quite a long time ago and even bringing Scott aboard hasn’t resulted in finding it. Right down to final battle, this movie simply fails, proving that we ALL really miss Sigourney Weaver in a BIG way. Ridley has now truly mastered mediocrity as I honestly may’ve actually enjoyed Prometheus more than this, because at least with that one I wasn’t expecting much there from the start.
At least one thing Ridley got right were the locations & sets he used in filming this movie. It’s visually stunning in that respect. However I’m realizing I was actually quite fine with NOT knowing the backstory of the Alien and honestly liked it when we knew nothing about it’s origins when it was little more than a monstrous stow away. The mystery is gone and instead what we end up with plot wise begins to feel a bit absurd and a tad cliche. This is a classic case of “they just don’t make em’ like they used to”. It’s a bit sad but I realize not everyone can make a ‘Mad Max: Fury Road’ and sometimes attaching the original directors to these sequels clearly doesn’t always equal movie magic. That being said, after seeing this last night my excitement level for the upcoming sequels to Bladerunner & Predator has severely lowered. I’d say if you’re a casual fan of the Alien franchise you’ll likely have a good time at the movies with this one but if you’re looking for the magic of the first two (or heck even the third & fourth) you’re bound to feel a bit empty as you exit the theater. At least now I’ve developed a new urge to revisit the ‘AVP’ movies, I mean damn, I was way too hard on those I think…
There was a time when zombies were fucking awesome & not like how they are “awesome” today. That time was way back in the 70’s & 80’s before everyone and their mom and dad were watching ‘The Walking Dead’. Today the zombie craze has brought us countless shitty zombie movies, comic books & merch but back in the 80’s all of the zombie mayhem was quite a bit more underground. I was watching Frank Henenlotter’s ‘Brain Damage’ last night with a group of people and noticed someone in the movie was reading ‘Deadworld’. I was surprised that no one in the group had ever even heard of the comic book. I’ve blogged several times in the past about the book which still remains my favorite zombie comic of all time (at least the first 12 issues or so). Deadworld is punk as fuck and featured some truly stunning undead art from the gore master Vincent Locke who’s done artwork for bands like Cannibal Corpse. The 1986 book featured a prominent villain simply referred to as ‘King Zombie’ and his gang of undead who’ve developed intelligence while still lusting for flesh. He was a total badass who cruised around on his motorcycle and terrorized a gang of teens who’s bus broke down on a desolate highway. The books a treasure trove of totally amazing, legit zombie tattoo designs by the way. There’s been a collection done pretty recently of all of the old issues and they even tried to reboot it a some years back. I suggest hunting those down, they’re a unique read and embody the dirty grit of grindhouse 80’s style zombie flick to perfection. This was the issue featured in ‘Brain Damage’ it remains today one of my favorite pieces of zombie art to date!
And of course here’s ‘King Zombie’…..
It’s been “revealed” recently that Shane Black’s ‘The Predator’ set for a 2018 release will NOT feature the return of Arnold Schwarzengger’s iconic character ‘Dutch’ from the original (and by far best Predator flick of them all). Apparently Mr. Black who actually starred along side Arnold in the 1987 movie met with him and the two couldn’t agree on the right role for his character Dutch to play in the upcoming blockbuster. This what Arnie recently had to say about it:
“They asked me, and I read it, and I didn’t like it — whatever they offered, So I’m not going to do that, no. Except if there’s a chance that they rewrite it, or make it a more significant role. But the way it is now, no, I won’t do that.”
So Predator fans all over seem a bit bummed about the news. Black had basically gone on record saying this installment of the franchise was going to feel like a big mysterious event for all the fans rather than just another throwaway Predator installment to make a few bucks. He’s stated: It would be an”inventive sequel” to the 1987 movie and not a remake. “Why start over, when you’ve all this rich mythology yet to mine? I like the idea of expanding and exploring the existing Predator mythology, rather than hitting the restart button.” He’s also said he was resisting the urges to use CGI and keep it in line with the original’s spectacular practical effects. From what I understand he’s kinda going for a “Force Awakens” of the franchise and I just don’t see how you can really do that with Arnold involved.
So I’m throwing it out there that I think Arnold’s statement is pure BS to throw the fans off. I bet he’ll indeed be included to the cast, but as it stood it sounded like Shane wanted Dutch to appear at the end of the movie in a way similar to how Luke Skywalker appeared in the Force Awakens. So let’s consider this though, Arnold is 69 years old, though he still looks great, if he’s gonna appear in a Predator movie it better be fucking soon! To make a great sequel to the ORIGINAL movie you absolutely need Dutch, one of the only people on earth to survive an actual confrontation with the alien killing machine. I’m sure Black knows this and I just can’t imagine he wouldn’t include the character in this next movie. Arnold be the ideal addition to a team of mercenaries who try and fail to kill the creature, who then seek him out to lead the mission. Wouldn’t the cast seen in the picture below be 100 times more epic if Arnold was included?
He certainly can’t go hand to hand against a Predator when he’s nearly 70 years old but he could still get in on the action with a big ass gun and help the team in their fight, employing his knowledge & some tricks he used against them back in ’87. It’d be amazing and the only thing that’d make this sequel even better was if they also added Danny Glover from ‘Predator 2’ to the cast as well. The two of them could lead the team in their final confrontation in this installment. Again, Shane Black must know that the rich mythology and classic characters returning in “The Force Awakens” was a huge part of what made the movie a bonafide blockbuster for all ages. I realize neither Glover or Arnold have the box office draw that they did back in the 80’s, hey neither did Mark Hamill until you linked him to the Star Wars franchise. What better surprise for fans for Dutch to appear in the movie mid way through?
So now I’ve recently heard that ‘The Predator’ has been pushed back from a Feb 2018 release all the way to August 2018. Hmmm…perhaps Shane is actually reworking the script to include Arnold in a bigger role? I’m completely willing to bet this is the case. I don’t have much faith in the idea that we’ll be seeing Danny Glover appear, though it’d be absolutely amazing for the die hard fans. However I just don’t believe Shane’s gonna let a direct sequel to Predator hit the theaters without Dutch. It’d be a huge mistake. He wants this one to be epic for all Predator fans and you simply can’t do it without Arnold. The Terminator franchise more recently rammed Arnold in as a Terminator and it felt forced as fuck. Arnie again as ‘Dutch’ however feels completely natural and essential for a true Predator sequel. What do you think? You think we’ll be seeing Arnold in the next Predator or has my fanboy fantasy warped my mind?
Over the years we all have enjoyed and sometimes hated the giant “epic” multi title crossovers and mini-series that are so damn popular these days. However some of my personal favorite comic book stories are short and sweet. They often times have nothing to do with the major story arc you’re currently reading in that title and especially back in the 70’s & 80’s these self contained stories that had a beginning and end to them all in one book were sometimes more heavy hitting than any crossover could ever be. So I’ll be showcasing some of my favorites and the first one that came to mind might be my favorite of them all.
Flash back to 1986 when X-Men #205 hit the shelves. This issue is easily one of the best Wolverine stories of all time, and it’s all in just one issue. A brilliant epic crafted by Chris Claremont and Barry Windsor Smith remains one of the darkest and most brutal issues of X-men to date. Let me clarify that this was during a time when Wolverine was rarely seen in solo adventures and the character was still deeply mysterious.
The story was called “Wounded Wolf” and featured Lady Deathstrike’s first appearance as a super freaky ass cyborg as well as her three Reaver mercenary minions. It also featured Katie Powers from the mutant kid team ‘Power Pack’ who during a snow storm encounters Wolverine who’s beaten to a pulp, covered in blood and nearly naked. Soon the two of them are both on the run from Lady Deathstrike and her cyborgs who’re out for bloody revenge. It reminds of a Wolverine movie storyboard Ridley Scott might have anticipated directing in the 80’s. Continue reading
I finally got a chance last night to check out the latest Mike Mendez (Big Ass Spider, The Gravedancers) ) horror movie starring none other than one of my fave 80’s action icons Mr. Dolph Lundgren! What we’ve got here is a pretty sweet lil’ horror / action hybrid that’s likely to please any fan of good ol’ Dolph. This one puts Jebidiah Woodley (Lundgren) front and center as grizzled demon hunter who strolls into a small town where a recent string of murders has got the folks in a panic. He tries to convince the local cops that something supernatural is afoot but of course they all just think he’s some crazy ass dude and end up locking him away for a night in jail. They soon figure out though Jebidiah ain’t all that crazy after all as they come face to face with a creepy possessed killer while he’s locked up. Lundgren is quickly freed and leads the police on a bit of a wild goose chase to find the pesky demonic killer.
It’s a nice simple plot, short and sweet. The movie’s barely 80 minutes long but packs a fair amount of excitingly gruesome scenes into it’s short run time. ‘Don’t kill It’ is a damn good time, it’s an old fashioned 80’s style movie that borrows a bit from the Denzel Washington/John Goodman horror thriller ‘Fallen’. Heck this one could almost be considered some sort of sequel despite the tonal differences of the two. Lundgren totally shines here and is utilized in exactly the way I hoped he’d be, more like an Ash type anti-hero who cracks his fair share of one liners while thoroughly kicking evil ass. He’s easily the best thing about this one and I’m already hoping that we see him return for a sequel that brings him into the fold of even more insane mayhem. The only real problem is that the movie maybe peaks a little to soon as it’s shining moment takes place about one third of the way through. A town hall meeting gone incredibly wrong becomes an insanely grotesque show of over the top action, comedy & gore. Continue reading