Damn! I’ve been scoring some excellent VHS tapes lately and even better is the fact that they’re movies I’ve never heard of before. Being a huge fan of 80’s creature features I was delighted to run across this total gem of a flick. Not to be confused with ‘Metamorphosis’ by George Eastman which also came out in 1990, ‘Metamorphosis: The Alien Factor’ is an inspiring special fx laden monster movie for fans of movies like The 80’s ‘Blob’, ‘The Thing’ & of course ‘The Deadly Spawn’. This movie is actually the unofficial sequel to 1983’s ‘The Deadly Spawn’ being produced by Ted Bohus who was responsible for both movies. Turns out he produced two home run horror movies as Metamorphosis is just as good if not in some ways even better than The Deadly Spawn.
The movie’s plot is quite simple, a scientist is researching some strange mutant creatures from another planet in lab and accidentally stabs one of them in the head with a syringe. The pissed off mutant bites his hand, escapes, the scientist quickly begins to metamorphosize into a slimy mass of grotesque flesh & eventually mutates into a huge creature that kills a security guard. Well it’s not long before the security guard’s two daughters and one of their geeky horny boyfriends are all up on the scene to figure out just what happened to their dear ol’ dad. They sneak into the research facility and crazy monster mayhem ensues. This one’s a ton of fun, sure it’s got some pretty bad acting, unintentionally goofy dialogue and may have about 15 minutes too much of bland character development but the whole thing is littered with crazy creatures and plenty o’ gooey gore.
The monsters are the main attraction here and they’re beautifully created via puppetry, animatronics and even a hefty dose of stop motion animation. It really is a great sequel to The Deadly Spawn and the main monster does indeed share an even enough similarity to the creatures of it’s predecessor. These two movies would make a great double feature especially for those who’re looking for an underrated gem of a monster movie and plenty of gross out schlocky gore.
The last 30 minutes of the movie definitely amps up the monster mayhem to eleven and though some of the first two acts can begin to only slightly drag with perhaps trying a bit too hard at crafting a “compelling” story once the shit truly hits the fan it’s totally worth the wait. Like ‘The Deadly Spawn’ this also one has quite a gigantic closing sequence that firmly cements ‘Metamorphosis: The Alien Factor’ into the list of the the best monster movies of the late 80’s/90s. Check it out!
I recently stumbled upon a beautiful big box VHS version of the 1983 gem ‘Raiders of Atlantis’ and it’s easily one of the most entertaining 80’s action/sci-fi genre mash up’s I’ve ever seen. Even more interesting is that we’ve got cult director Ruggero Deodato, most well known for his extreme gore flick ‘Cannibal Holocaust’ at the helm. Well, while ‘Raiders’ doesn’t feature the offensive gross-out gore of ‘Holocaust’ it does have it’s fare share of unexpectedly crazy bloody good moments and then some to spare.
As for the plot, there’s not much to it, basically two hot shot war vets (Mike, who’s a slightly past his prime playboy and his buddy, recently converted to islam, Washington, who desperately wants people to call him Mohammed) and their crew head off by boat to investigate the strange suddenly rising continent of Atlantis that emerges from the depths of the ocean covered in a transparent dome. Well pretty much as soon as our crew of trusty adventurers set foot on Atlantis’ shore they discover a creepy, fully ravaged city with dead people scattered about, leading to a particularly excellently executed chilling scene involving a skipping record. Deodato immediately sets the stage for a full on genre sandwich that’s part action/sci-fi/horror & post apocalyptic adventure.
Of course none of this can really be taken too seriously as the movie opens with Washington & Mike displaying their innate ability to kick major ass and then some within the first few minutes. However the movie shifts gears when it’s revealed that the natives of Atlantis are actually psychotic punk rock post apocalyptic warriors who’re out to kill anyone and everything in sight. Their leader even wears a ridiculous see through plastic skull mask and they all drive around freaky jacked up killer cars and motorcycles like total maniacs. The rest of the movie is really one fucking awesome action sequence after another, ridiculous hi-octane shit that never slows. Continue reading
Most of the big cinema Hollywood horror movies churned out these days are pretty damn forgettable but every so often we get a shiny gem thrown in our direction, this is most certainly the case with “A Quiet Place”. Yep, this one delivers on all levels, it’s an awesome tale of survival, a freaky creature feature and a totally tense original thriller all wrapped into one sweet package. John Krasinski, Emily Blunt, Noah Jupe & Millicent Simmonds are a family trying to survive in total isolation in a house in countryside. In the surrounding forest the wrath of big blind alien creatures that hunt by sound look for their next meal. Get ready for the extremes between complete silence and jarring monster attacks to jolt you right the fuck out of your theater seat. Most of the movie is completely serene except for some of the score that creeps in and out from time to time and that’s what will keep you on your toes. I’d love to see a version of the movie that takes out the score completely as that’d certainly add even more tension to the sonic experiment at play here.
It’s really quite a great concept for a big cinema flick and if you’re chomping on popcorn and candy during the movie you’re likely to be heard by all around, the movie’s so quiet at times it can be a bit unsettling in a large theater full of people. This of course brings the audience directly into the tension and it’s done quite well cuz when the shit hits the fan from time to time it makes the tense action sequences that much more powerful. It also features the most awkward sequence of being stalked by a monster, one where Emily Blunt tries to escape being killed by one of these creatures while simultaneously going into labor! Damn-could it get an worse-yes it surely does..
The small cast also adds to the feeling of dread and isolation as danger lurks behind every noise presented on screen. The setting as well is lush and beautiful as most of it takes place on and around the old farm and a creepy ass cornfield, the perfect place for monsters to creep all about. Speaking of the monsters, we don’t really get any solid explanation about where they came from or why they’re here, maybe upon a second viewing it’d be easier to piece it all together from various newspaper clippings that are shown here and there. It’s been said this movie was also, in it’s early stages given the possibility to have a connection to Cloverfield, which also would have worked quite nicely. Continue reading
Hey there I’m back for a whole NEW year in 2018!! Yeeehaw!! I’m starting off with a little review from a recent batch of VHS I bought while thrifting around Portland, Oregon. In my huge stack of weird movies I’ve been burning through, was a movie called ‘Evolver’ from 1994. From the cover of this one I was more than certain this was gonna be some total bull shit show that I’d likely not be able to make it all the way through. HOWEVER I was pleasantly surprised by how much I actually dug Evolver!
Let me be clear though, this movie is totally stupid, but in the best way imaginable. It starts off with some shitty virtual reality video game being played in an arcade by our lead character, hot shot video gamer Kyle played by “teen heart throb” Ethan Embry. He’s basically on stage in the arcade and of course there’s a big crowd there cheering him on, becuz in the 90’s that’s what people did dammit! Anyway he’s a computer hacker as well and uses his skills to make himself the prize winner of a new real life robot called “Evolver” a prototype game system that plays laser tag with you in your own house. Evolver kinda looks like the baby of the robots in “Chopping Mall” as he’s only about 3 feet tall, oh yeah and he’s voiced by none other than William. H Macy! At first Evolver is easy to beat but at each new level of household combat that he’s defeated he gets better and even transforms a bit so he can be “more menacing” to his foes. Continue reading
Well, well, well, it seems that us Star Trek fans may really finally be boldly going where no one has gone before. The apparent news is that Quentin Tarantino has got an interesting story to pitch for the U.S.S. Enterprise and if all things work out the way he’d like them to he’ll be sitting in the director’s chair. Also interesting is that he’s demanding the movie be rated R. Just what the hell would a Star Trek movie of this caliber actually look like? I’ve never even considered a Star Trek movie would ever be able trek into the ‘R’ rated zones of the galaxy!
To me this is an exciting step in possibly the right direction for Star Trek, sure the last theatrical movie was a decent enough time for what it was, but it also just felt a little too “typical bloated cranked out for the masses Hollywood action” to really feel like an authentic Trek adventure. So with Tarantino involved we just might get a cerebral science fiction adventure a bit more akin to the original series and then some. We might also be getting a darker vision of the crew’s space exploration. An ‘R’ rating opens up the possibilities for the crew to face some truly horrifying aliens and sinister villains as well as some creepy as fuck planets to check out. This is something I really hopes comes to fruition, I’d like a different direction for the Star Trek movie universe and different is exactly what we’re likely to get here if it happens.
The next question is what version of ‘Star Trek’ is Tarantino looking to helm? Would he be using the all of the actors from the more recent movie trilogy? Will he go Next Generation? Interesting is that today I saw that Patrick Stewart has opened the doors to Quentin, stating he’s open to reprising his role of Picard. Who knows we might even get some William Shatner action in Tarantino’s version, at this point I think anything is possible.
I think it’d be cool to keep it simple and continue the current rebooted crew putting them into a more complex, dangerous, mind bending sci-fi epic. I think Quentin really understands Star Trek and more importantly truly understands the characters of TOS. I’d love to hear some of his classic banter infused with the Star Trek crew, it could really work in ways we haven’t seen since the TOS movies of the late 1970’s-90’s. I think this could be the throwback style we’ve been waiting for mixed with a totally new vision. It’s an experiment I hope comes to light, I’ve got my fingers crossed…How about you?
I checked out a perplexing VHS tape last night, ‘The Caller’, a “thriller” from 1987 starring Malcolm Mcdowell & Madolyn Smith. Now even though I’d been told this flick had a twist ending and even on the cover it boasts “a surprise ending”, somehow I’d just had no way of predicting what was gonna go down no matter how hard I tried during. That’s a pretty difficult task especially in this day and age. M Night Shyamalan eat your heart out. Warning, this one’s got a ton o’ dialogue and then some, oh boy and then some. At it’s beginning something is most definitely off with our two main characters and immediately my mind began racing to try to figure out just what the hell it could be. Basically it’s just two actors the entire movie and is a simple story about a woman who resides in an cabin out in the woods, who one dark night has a strange creeping man, Mcdowell, appear at her front door, claiming his car broke down and needs to use a phone.
From that point on both of these characters act in truly bizarre ways, they talk to each other about how they’d get away with murdering one another and at times actually get quite physical while doing so. There’s a ton of tense talk here and overacting a ‘plenty to behold from them both. The premise though startlingly simplistic and a bit absurd does a decent enough job of keeping you curious about where the fuck this one’s going to end up. It’s not the average “stalker” movie that the cover makes it out to be either, think more of an extended episode of The Twilight Zone instead. I’ve gotta admit the interesting thing about this one is that about an hour in I was getting a bit frustrated and had some serious doubts that things were going anywhere remotely interesting. There’s a lot of weird motive flip flopping amongst the two leads & at one point it almost seemed as if it might sharply go the erotic thriller route.
The odd banter at times can become quite tiresome but as the movie ended, I appreciated it and actually consider the lengthy chatty-ness of it all to make the finale that much more effective. Being a bit of a sleuth at the movie’s beginning I’d noticed a couple things that reinforced my will to stick it through to the end the first being the legendary horror b-movie bandit Charles Band was an executive producer, Richard Band did the music and also fx wizard John Carl Beuchler who’s know for his work on Friday The 13th Part 7: The New Blood (which is one of my faves), Nightmare on Elm St. 4: The Dream Master & Re-Animator was behind the fx work. These three things should give you enough of a reason to check this one out, if in fact the names mean anything to you. Definitely a hidden gem, that most definitely worth one solid viewing!! It also may deserve a quick re-watch to see if there perhaps are some clues amidst all the dialogue that may have really foreshadowed the movies bizarre ending. A neat-o 80’s low budget mind bender~
I couldn’t find a trailer for this one but here’s the whole damn movie if you’re feeling frisky!
Damn do I miss me some old school Hulk adventures! The Hulk comics will never quite be the same it seems and I don’t expect them to be I mean it’s goddamn 2017 and we’ve now got “Totally Awesome Hulk” instead. That’s fine, but long gone are the days of the crazy old school sci-fi superhero adventures of the Jade Giant. I just love the look of these old vintage covers and Incredible Hulk #213 from 1977 capture exactly the vibe I’m referring to. I mean, hell, how awesome is The Quintronic Man?! What a classic weirdo Hulk villain. I love this era of Hulk comics where you’d just be super stoked to see the Hulk’s next big brawl as some super powered mad scientists pester him into a total rage. A total classic cover by Rich Buckler and Ernie Chan! Oh those were the days!!