YOWZA!! What the hell did I just watch?! 1990’s ‘Erotic Ghost Story’ is exactly what you’d expect from Hong Kong director Lam Nai-Choi, responsible for the 1991 cult classic ‘Riki-Oh: The Story of Ricky’. If you’ve ever seen that bonafide bonkers gorefest then you’ll likely want to experience his attempt at a sexy softcore! I’m not by any means a seasoned cinematic softcore fanatic, but if I was, I’d like this director to be at the helm of more of it. ‘Erotic Ghost Story’ has got it all, three ultra sexy ghostly babes, a heaping of “steamy” sex and “hunky” dude who turns into a hideous three headed monster of COURSE! It’s also manages to add some sweet action scenes, some wild magic and a solid dose of those charming 80’s fx I love so much.
It tells the story of three beautiful sex obsessed fairies who’s live in solitude out in the forest. They all take an interest in a young, handsome scholar who moves into the woods nearby in a cozy little cabin. Curiosity soon gets the best of them and each one decides to make a visit to meet this sexy studious stud in his messy book infested cottage.
All three of them find themselves oddly fantasizing about him, and each take it upon themselves to seduce him. Each believing they’ve scored the relationship of a lifetime until they discover his wicked dark secret, this seemingly innocent sex machine is actually a hideous horny three headed demon in disguise!
Things get pretty gosh darn sexy and the fairies soon discover that each of them has “gotten down and dirty” with the guy causing some hefty drama between them to go down. But their jealousy is really the least of their worries as soon they all find themselves growing thick hair on their chests! What a bummer! They seek help from a local magic priest to help cure themselves of whatever supernatural STD they managed to all catch from the guy but find that it’s up to them to face him one final time with their own special powers and try to destroy the horny beast.
I really wasn’t sure what to expect going into this one, I’d figured it was just going to be some guy getting it on with three sexy ghosts. But to my delight this one delivered that and THEN some. It’s really no wonder that Lam Nai-Choi couldn’t resist throwing some wild shenanigans and a three headed demon into the mix! There’s clearly an over abundance of sex on display as the guy gets lucky more than anyone has any real right to with three beautiful women, it’s just too bad for all involved that he was literally such a wild and crazy sex freak. I guess this softcore would be sort of a genre mash up, a wuxia (chinese fantasy), sex-filled, horror creature feature.
It gets a lot sexier than most softcore movies I’ve ever seen, but the true charm of it all is that the director took a stab at a odd choice of a genre movie and added his bizarre trademark bonkers touch to the whole damn thing. If you dig his other work like Riki-Oh , The Seventh Curse or The Cat you’re going to want to track this one down as well for sure for the sheer absurd spectacle of it all….
‘Hiruko The Goblin’ from 1990 has got to be one of the best horror movies from Japan I’ve ever seen. It hits all the right beats for me in what I personally love from the late 80’s early 90’s genre movies. Directed by the iconic Shinya Tsukamoto, most well known for his epic, bizarre cyber punk horror oddity ‘Tetsuo: the Iron Man’ he delivers another slam dunk here a couple years after with this. However, this particular movie of his has gotten a lot of criticism for being so totally different from ‘Tetsuo’. Haruko spends more time on character development, humor and over the top monsters, as well as a heavy dose of heart. For me this is a much better formula than the grimy bleak mood of most of this directors other work.
This plays out way more like ‘Evil Dead 2’ meets ‘The Ghostbusters’ then his cyberpunk Cronenbergian/ David Lynch tinged outings. The story is simple yet truly bizarre: a school has literally been built on a gate to Hell behind which hordes of demons await the moment they will be freed to wreak havoc on the physical plane. Hiruko is a powerful and cunning creature sent to Earth on a reconnaissance mission, he decapitates humans in order to assemble their heads on demonic spider like bodies and command them to do his wicked deeds. Eventually this gory predicament falls into the lap of an archaeology professor, who’s dramn to the abandoned school during summer time to investigate the supernatural shenanigans and stop this demonic onslaught.
One of my favorite aspects of this movie are the two protagonists a teenage high school student and his odd demon-lore obsessed archeologist uncle. When the boy’s father goes missing while exploring the caverns beneath the school, his eccentric uncle arrives on the scene to help him search the school armed with some nifty demon busting equiptment. From here it leads them on an epic surreal journey facing off with creatures in the creepy empty corridors of the school. It also explores family dynamics, all with a slightly light-hearted comedic edge to it amidst the mayhem.
The other big star of the show here is most definitely the special-effects showcased, if you’re a fan of 80s monster movies this one will definitely be right up your alley Hiruko and his minions are a true sight to behold and the director uses almost every 80’s style effect in the book to bring them to life. From animatronics to stop motion animation, it’s all here and the creepy aesthetics and setting of the film are the perfect place for this all to unfold. Also the movie’s got a relatively lean run time I’d less than 90 minutes, so it’s not something that’s going to put you to sleep. A true visual treat as well, with a little bit of everything for everyone. It’s ambitious horror film from what I consider the tail end of the golden age of the genre that more audiences in the U.S.A need to view. A cross between Ghostbusters, Evil Dead II, Poltergeist & The Thing done by way of Japanese brilliance. Also a perfect movie for this Halloween season that you might not have seen before! Physical copies of this can be pricey and hard to track down but I’m certain it must be streaming somewhere?! This need a deluxe blu ray release badly!!
This Halloween I’m gonna make a few obscure retro foreign horror movie recommendations that you may have missed out on from that oh so sweet era of the genre: the 1980’s! I just checked out a rad little Hong Kong Horror movie from 1987 called ‘Vampire’s Breakfast’!!
This forgotten little horror gem is a load of fun with a heapin’ dose of spooky settings, comedy, romance and action in the way that only Hong Kong cinema delivered back in the day. I really enjoyed how for the most part this one plays the horror pretty straight, keeping the all too usual Hong Kong “slapstick potty humor” out of the equation entirely. For me some of the 80’s Hong Kong stuff can be completely ruined by crappy potty humor and comedy that just plain hasn’t aged well (and keep in mind I’m not normally easily offended either). Nope, here we have a cool cast of characters and genuinely nasty “American/European” style vamp on the loose rather than the traditional Chinese hopping kind. We’ve got some funky footage of Hong Kong in the 80’s here and totally sweet fashion of the era in full swing.
The iconic Kent Cheng stars as a newspaper reporter who’s hot on the trail of a serial killer and after poking around a police crime scene begins to suspect that the killer might actually be a living breathing vampire. No one takes him seriously except a boozed up car stereo thief, who he reluctantly teams up with to track down the suspected bloodsucker. Along the way though he interviews one of the killer’s victims who barely escaped with her life, the oh soooo cute Emily Chu looking as stylee as ever.
Of course it’s love at first sight and we’re then treated to a full on 80’s style Hong Kong “John Hughs” cheezy romance, which is a total charm amidst the horror. The thing I really dig about this is movie, are the horror elements, unafraid to get nasty when it needs to as well as some action sequences that can be pretty exciting as well. No kung fu here though, which is kind of nice actually as it plants this one in a more believable horror setting, but that’s not to say the portly Kent Cheng can’t deliver the kicks, check out 1989’s ‘Vampire Buster’ to see his skills.
There’s a lot to love here if you’re looking for something different this Halloween, the vampire here is plenty fierce as well. He’s got a pretty sinister look and raises plenty of Hell on the foggy streets of Hong Kong. There’s also some unexpected moments of gore as well that ramp things up nicely in the finale. I’d say this one definitely deserves more love and most definitely a cleaned up blu ray release with more fleshed out subtitles. A colorful, creepy tale full of endearing characters and a brisk pace make this one standout viewing this Halloween for those who love uncovering hidden gems from horror’s sweet spot era of the 1980’s.
I’ve been looking around for interesting movies during the lockdown and this one definitely looks like it’s got potential if you’re into crazy gooey practical fx and supernatural slashers. ‘Skull: The Mask’ comes from Brazil and the trailer looks pretty damn promising!
We follow the story of an ancient relic in the from of a creepy ass mask that turns it’s wearer into a rampaging maniac that looks like he just had a successful audition for GWAR!
“In the year 1944, an artifact is used in a military experiment. The artifact is the Mask of Anhangá, the executioner of Tahawantinsupay, a Pre-Columbian God. The experience fails. Nowadays, the Mask arrives at Sao Paulo. The Mask possesses a body and starts to commit visceral sacrifices on vengeance for the incarnation of its God, initiating a blood bath. The policewoman Beatriz Obdias is in charge of the crimes, challenging her beliefs”
Check this one out Horror hounds it looks like a ton of fun!
I’m not real familiar with with Indonesian cinema, but last night I watched a dvd (yeah a DVD folks!!!!) I got in the mail from Netflix that’s been in my queue for well over a year. The 1984 Swords and Sorcery fantasy martial arts adventure, ‘The Devil’s Sword’ from director Ratno Timoer. I really didn’t have any expectations, in fact I was fully prepared to turn this one off after 10 minutes, however that was most definitely not the case. Nope! Instead The Devil’s Sword immediately won me over with some impressive joyfully bad choreographed magical martial arts battles taking place in a truly stunning exotic jungle location. If you’re a fan of cheezy fantasy movies from the 1980’s then this one’s gonna be right up your damn alley. It’s also alerted me to the Indonesian action star Barry Prima, maybe I’m late to the Prima party, but a quick look on Letterboxd at his filmography revealed what appears to be an overload of action, fantasy, horror hybrid gems just waiting to be leaped into.
This one has pretty much got it all, wildly stupid martial arts, sword battles, magic, monsters, babes & hunks galore! All of it 100% ridiculous, macho man Barry Prima stars as “Mandola”, basically “Rambo the barbarian” looking remarkably similar to Sly Stallone (with a smooth fully stupid dub track that seems like it might even enhance viewing pleasures). He’s also got a radical bad ass female co star, who right out of the gates lays a smackdown on a gang o’ goons & who aids the mighty Mandola in his epic quest to destroy a wicked witch, the sultry and seductive Crocodile queen! She’s indeed quite a woman and has tons of male sex servants one of them the kidnapped husband of Mandola’s female ally! She’s also got a gang of some of the worst, most idiotic looking, crocodile/human minions that really just have to be seen to be believed. Some of these fights too go on for way, way too long but in that sort of “They Live” sorta way. I mean check this out if you think I’m full of shit!
Mandola ends up on this epic quest when some of The Crocodile Queen’s assassins injure his master’s legs and he himself is forced to saw them off! The Devil’s Sword definitely doesn’t skimp on some wild gore either, limbs and heads are chopped off, accompanied by sprays of blood. There’s also a dab of indiana Jones thrown in as Mandola explores caverns filled with hordes of bats and one supremely stupid looking giant cyclops! I guess they were lucky that Indonesia is such a beautiful place, because some of the locales add a solid a layer of legitimacy to the whole experience, suddenly I’m eyeing Indonesia as a future dream vacation.
The Devil’s Sword has really energized an interest in not only the country but also in some of the wild cinema it had to offer back in the 70’s & 80’s as well as a strong curiosity in it’s main man, Barry Prima! Check this flick out, it’s the perfect watch with a case of beer and some friends to enjoy all the unintentional wackiness strewn about the screen. There’s a dvd out there that Mondo Macabro put out years ago I think you can still snatch, or hey if you’re like me just put it on the dvd by mail list from Netflix!
Hello everyone out there, I hope you’re all doing your best during these unprecedented times, staying inside and staying SAFE! Being essentially trapped indoors leaves plenty of time to watch movies, well the other evening I’d found myself thinking about the colossal failure of the Disney Star Wars “Sequel Trilogy”. If only they’d have given us fans what they’d always dreamed of, a cohesive compelling story that gave us a truly unforgettable send off to the characters we’d been waiting 30 plus years to see again AND brand new fleshed out characters who we could continue to follow on cosmic adventures for years to come. In many hardcore fan’s opinions we got neither and I was thinking of how awesome it would have been to watch this “sequel trilogy” over and over if it’d had been done with care and not flat out wasted classic characters like Leia & Luke Skywalker.
Mark Hamill in particular really got the short end of the stick and many fans of arguably the most iconic pop culture character, Luke Skywalker left ‘Episode 8’ feeling incredibly underwhelmed. Well many fans might appreciate an alternative to ‘The Last Jedi’ in the form of a largely forgotten sequel to ‘The Watchers’ (the totally 80’s super fun Corey Haim Creature Feature), ‘Watchers Reborn’. The star of the whole show? You guessed it Mark Hamill! Technically the 4th film in The Watchers franchise, it’s the only sequel that’s really worth tracking down and technically more of a sequel to the first movie anyway. Keep in mind this one’s a fully b-level monster flick, it’s cheezy, it’s low budget but it’s got a lot more heart than The Last Jedi! You’ll get a great does of 90’s Hamill front and center in a pretty damn fun little horror thriller. Another plus is that it’s directed by John Carl Buechler (RIP), practical fx wizard behind New World Pictures, who’s done some stellar work right up until his death in 2019 (Hatchet, Nightmare on Elm St 4, Troll, Friday the 13th part 7) .
I finally got a round to checking out 1989’s ‘Saga of the Phoenix’, the wildly entertaining sequel to ‘The Peacock King’ from cult classic Hong Kong director Lam Ngai Kai (Riki-Oh). If you’re a fan of ‘Riki-Oh’ I highly recommend checking out the director’s other work and while ‘Saga of the Phoenix’ isn’t as shockingly violent, it’s easily just as wild and crazy as anything he’s ever done. In the sequel we follow once again, the exploits of the two magical monks Lucky Fruit and Peacock but more so this time the “Hell Virgin” Ashura who in the last movie caused some major problems, almost destroying mankind as we know it while under the enchantment of the devil. Ashura though still loves the mortal world and eventually is granted permission to live there for 7 days, only if she makes a promise to stay out of any mischief that might interfere with the human world. She gladly accepts and quickly hunts down a weird gremlin creature named “Genie” when arriving on Earth. Peacock, Lucky Fruit and 3 bad ass nuns are also then sent down to chaperone her visit, but of course the wicked “Hell Concubine” has other plans, to send her evil minions there as well to try and corrupt her once again.
Though I’ve heard many seem to think this one is more “kid friendly”, probably because the gremlin character “Genie”is focused on quite a bit. Though we follow Ashura and him running around Hong Kong in the 80’s having fun (which I totally dug), it’s still got plenty of downright bizarre scenarios to behold that I think places it in a league all of it’s own and quite a worthy sequel. There’s also the inclusion of a brother and sister human duo that befriend the main characters and the brother just happens to be a madcap inventor of an inter dimensional time machine. Go figure! There’s a few hints of romance and of course the three nun protectors all decide to go for a dip in the human’s swimming pool after their outfits get shredded in battle, donning swimsuits for the first time in their rather “sheltered” life. There’s also some pretty perplexing plot choices surrounding the character of Genie that just kind of have to be seen to be believed. The character which is a mix of puppet and stop-motion animation has got plenty to do here and is given more than his fair share of moments to shine and even scare.
Sure there’s a lot going on here in a movie with an admittedly flimsy plot, the good thing is that the majority of it all is one helluva good time. Bleeding sweet 80’s fashion & locations, outrageous characters, wild sets, puppets, stop motion animation, giant monsters and plenty of neon lasers to behold, it’s hard not to at least be enamored by all of the eye candy. There’s also a splash of martial arts action thrown in the mix to keep the action going at a steady pace from Lucky Fruit and Peacock. Sure there’s lot’s of logic issues with the plot & the dialogue (translations likely) can be a bit incoherent at times but there’s more than enough outrageous charm throughout to easily satisfy fans of directors like Steven Speilberg, Sam Raimi & Peter Jackson’s 80’s and early 90’s work.
If you’re a fan of weird 80’s fantasy, action & horror you definitely need track down The Peacock King & The Saga of the Phoenix. It’s jam packed with all the things I love so much about that era of film making. Lam Ngai Kai (aka Ngai Choi Lam) is easily the best cult director out of Hong Kong for the time, it’s a shame he completely disappeared from film making after 1992. Perhaps he decided his body work couldn’t be topped? Thankfully he’s left behind a truly unique legacy of outrageous films that have yet to be explored by a huge portion of American cinemaniacs.
Here’s a pretty interesting little tale of midieval monster revenge, 2019’s ‘The Head Hunter’, a short & sweet little film that clocks in just a hair over 70 minutes in length. We follow a lonely barbarian who’s daughter is snatched up and killed by a monster that roams the nearby wilderness. We see clearly from the inside of his crude living quarters that he revels in killing monsters by his collection of their heads and this time it appears that the conflict is deeply personal. What’s most intriguing is just how simple the plot here is, there’s really only one actor in the whole film if I remember correctly, aside from a brief appearance of his daughter (and maybe a monster or two).
It gives it’s majority of run time featuring the barbarian all by his lonesome and really for the most part ignores his beast hunting almost entirely, only to reveal the aftermath prize of monster heads he brings home every now and again. Though light on the action, it still remains quite an effective slow burn. It takes a brief moment to reveal a world that’s much more fantastic and magical than what we’re mostly shown in a great scene where the barbarian quietly observes a giant troll (who looks pulled straight out of ‘Trollhunter’) towering past a mountain range.
Luckily the film wisely chose a short run time, as it does indeed skimp a bit on showing us any real action at least for most of it’s duration. It instead focuses more on a depressed warrior in solitude, who’s haunted by his daughters death and then late at night, creatures who lurk near his secluded forest home. Whatever budget the movie did have was used wisely with great locations, costuming and effective but subtle monster fx. We really feel the depression, heartbreak and loneliness of the barbarian and all of that set up makes the film’s simple but stunning finale all the more worth the wait. Add to that, a great twist to the whole story that wraps this tale up in a nice nasty bow. When the final confrontation occurs it goes some truly dark places with a creature that at first glance appears as if it’s barely a match for rough and tumble “Conan” style brawler.
For such a short and simple movie it was a real treat, as I’ve never seen a sword and sorcery style flick take this approach to monster slaying. Pretty impressive coming from the guy who directed “Thankskilling & Thankskilling 3” as well as the short film “Critters: Bounty Hunter” from 2014, none of which I’ve seen. After seeing The Head Hunter though I just might give ’em a shot. Check this one out if you dig stuff like Conan the Barbarian, don’t expect a grand spectacle and you’re probably going to enjoy this sweet little tale of revenge quite a bit.
We all know that H.P. Lovecraft stories can be hard to translate to the big screen, but when I heard Richard Stanley was making his cinematic return with ‘Color Out of Space’ I was pretty damn excited to say the least. Stanley may not have the longest resume when it come to feature film but what he has done is pretty damn amazing. Both Hardware (1990) & DustDevil (1992) are lesser known horror gems & with ‘Color Out of Space’ it’s a complete and total return to form. Stanley also brings Nicolas Cage along for the ride, which after his fan fave performance in ‘Mandy’ has kinda given Cage his second coming as an even more beloved cinematic presence. Much like ‘Mandy’ there’s plenty of bizarre psychedelic imagery here to go around and a ton of visceral horror sequences that I guarantee will shock you.
Stanley seems to love a slow burn horror story and brings that approach once again, leaving us all with a twisted but beautiful spectacle to behold by the film’s final act. The story here is simple, one quiet evening an eerie glowing meteorite lands in the front yard of Nathan Gardner and his family’s Alpaca farm. They soon find themselves baffled by it’s effect on the plants & wildlife on property as well as their own suddenly strange behaviors. Soon it’s clear, a mutant extraterrestrial organism that infects their minds and bodies is roaming the woods at night & transforms their quiet rural life into the ultimate technicolor nightmare. Continue reading
I had a little double feature “party by myself” last night consisting of me, a bottle of wine, my cat, some weed and two horror flicks from the late early 90s. Always in hopes of discovering a lost and forgotten gem! This can result in one helluva fun evening alone or an early night drifting off on the couch to some boring cinematic trash. Luckily for the most part it was the first. I started my first glass of wine off with a movie from 1990 called ‘Pledge Night’.
I’ve been wanting to check this one forever, mostly because I’d heard that Joey Belladonna from legendary thrash metal band ‘Anthrax’ had a role as the supernatural slasher ‘Acid Sid’ and his band even provided the film’s soundtrack. Unfortunately the measly minute and a half he actually appears and the bad ass metal soundtrack his band drummed up doesn’t make this a lost 80s horror gem. Pledge Night instead spends most of it’s run time being a dumb frat boy comedy. Basically putting it’s characters through ‘Hell Week’ in a series of gross out initiations for the first hour. By the time the horror aspect kicks in it’s a bit too late in the game and “Acid Sid”, the evil supernatural hippie frat boy fails to deliver the scares despite being a pretty cool looking villain. Instead he cracks lame one liners after each of his kills and we come to find Joey Belladonna doesn’t even actually play the character in his hideous slasher form but rather in a short flashback. There’s a few neat gore scenes sprinkled amidst the potty humor but overall Pledge Night fails to deliver much of anything entertaining to the table. It merely left me wondering what connection Anthrax actually had to this damn movie? If this’d been the second feature I’d have probably tapped out early on the couch for some zzz’s.
Next up was a 1993 horror flick called ‘Little Devils: The Birth’ from the director of 80’s cult film ‘Rawhead Rex’, starring Marc Price who played ‘Skippy” on ‘Family Ties’ and also starred in the awesome ‘Trick R’ Treat’.
Luckily this one had a better cast & some pretty likable characters to at least keep me invested in the ridiculous plot. It basically plays out as a second rate ‘Ghoulies’ knock off but fortunately had enough charm to justify staying up well past midnight to polish off the rest of the bottle of wine. We follow Price’s character,a struggling writer who rents a room from his crazy sex-obsessed older landlady and shares the house with his weird ass neighbor who’s up all night creating demon dolls from some glowing sludge from the local mausoleum. He also meets a beautiful exotic dancer and the two of them fall “madly” in love while simultaneously discovering that evil “little devils” are running rampant, killing people around his rental unit. This by no means is a good movie, it appears to have been shot on video, the special effects are pretty atrocious & it’s run time is about 20 minutes too long.
All that being said it somehow managed to keep me entertained for it’s entire damn duration. The comedy works here quite well and there’s definitely some decent chemistry amongst it’s cast. The little devil’s themselves are nothing to write home about and are probably the least exciting thing about this movie. They for some reason run around killing people with miniature flame throwers and in comparison make the puppets in the ‘Ghoulies’ look like academy award winning works of special fx wizardry. However despite it’s flaws this ‘Little Devils: The Birth’ had enough going for it to recommend for at least one solid viewing. At the end of the day Marc Price makes it worth an hour and forty minutes of any fan a trashy cinema’s time.