Yesterday we heard the news of master special effects artist / director John Carl Buechler’s passing & it reminded me once again of just how amazing his work in the industry was and just how many of the movies he was involved with have been a huge part of growing up. From cult classics like Troll, Dolls & The Dungeonmaster to arguably the best installment of Friday The 13th, Part VII: The New Blood to Indiana Jones: The Last Crusade, his work has brought me soooo much joy throughout my life as a movie maniac.
As one of the biggest fans of monster movies, he brought some of the best to the big and small screen. It led me to comb Youtube for some choice clips of his that feature some of my favorite creations of his. They just don’t make em’ like this anymore, Mr. Buechler you will be missed but your incredible creatures will live on forever, that is for sure…
I’m going to make a prediction here, that the upcoming horror drama adventure movie ‘The Man Who Killed Hitler and then the Bigfoot’ is going to be one of my favorite movies of 2019. This one looks like a ton of fun and it stars Sam Elliot in what appears to be one heckuva oddball adventure. Besides I’m willing to give most any movie that’s got the big hairy ape in it a fair shot. First check out this bad ass poster:
Check out the synopsis:
“The story follows a legendary American war veteran named Calvin Barr (Elliott / Turner) who, decades after serving in WWII and assassinating Adolf Hitler, must now hunt down the fabled Bigfoot. Living a peaceful life in New England, the former veteran is contacted by the FBI and the Royal Canadian Mounted Police to lead the charge as the creature is carrying a deadly plague and is hidden deep inside the Canadian wilderness.”
This sounds right up my alley and although we didn’t get a glimpse of Bigfoot himself I’m hoping we get a fair amount of the hairy guy and a decent game of cat and mouse between him and Elliot. After doing a little poking around the rumor is the movie is much more of a character piece than a campy throw down with Sasquatch, that’s good to know ahead of time for me at least. This one comes out on Feb 8th 2019, check out the trailer:
I’m always totally down to see a killer new Sasquatch flick, the trouble is there’s been a LOT of pretty crappy ones made over the years with maybe just a few exceptions like Eduardo Sanchez’s ‘Exists’, ‘Abominable’ from 2006 and of course the classic ‘Harry and The Hendersons’. For some reason people have a tuff time bringing a believable Bigfoot to the big screen. Go figure. That leaves me believe people seem to think all they need is a tall dude to don an ape suit and they’ve got a worthy horror on their hands. The best ones though always put most of their money into their ‘Squatch creature fx and bring something truly believable to screen. Let’s face it, so many out there are faking Bigfoot videos on Youtube with rubber ape suits, believing what you’re seeing on screen is real is the first point of brilliance in a movie like this. Luckily “Primal Rage” is directed by fx wizard Patrick Magee (Jurassic Park 3/Progeny/AVP) and he put some serious effort into the crazed creature’s appearance in this movie. The best thing about this one is clearly the beast and that’s a damn good thing in this case.
Primal Rage’s actors aren’t trying to (or maybe even able to) win awards here and it’s got more in common at it’s core with a 70’s or 80’s killer creature flick than it does with something like Jurassic Park. The script is here might be a bit on the flimsy side but that makes way for tons of crazy Bigfoot action to go down. The premise is simple, an ex-con is just released from prison and picked up there by his girlfriend, as they drive through the mountains of Pacific Northwest (en route back home) they get side tracked when a mangled man stumbles into the road and is hit by their car. When they get out to investigate they almost immediately come under attack from large rocks being hurled at them, ex-con guy gets knocked off a cliff into a river and his lover jumps down to save him from drowning. This begins a fight for their lives in the woods are they’re pursued by “Oh-Mah” a pissed off native american mythical cryptid, AKA Sasquatch.
The interesting thing here is that “Oh-Mah” is actually an intelligent, brutal hunter who wears a bark mask and uses a bevy of handcrafted weapons to attack his prey. He also fucks shit up with his bare hands any chance he gets. He’s brutal as hell in this one, firing arrows and ripping people to shreds who’re dumb enough to hanging around in his stompin’ grounds. Bigfoot’s a calculated cold blooded killer here and there’s plenty of people for him to rip into, especially as there’s conveniently a gang of backwoods weirdos ala Deliverance who’re in desperate need of an ass-kickin shooting the shit in the vicinity. Bigfoot pulls no punches either, Magee pulls out some crazy ass sequences of practical gore a’plenty and his Bigfoot, “Oh-Mah” looks fantastic. He’s huge and it’s clear they put plenty of work into his animatronic face to make him a convincing and memorable movie monster.
There’s also a sweet supernatural sub-plot going on with the local Native American sheriff who’s out for Oh-Mah’s hide (this dude should have been the main character) and a crazy wood witch who looks like she stepped right out of Ridley Scott’s “Legend”. Magee does a fine job here creating a ton of cool action sequences and an explosive ‘final boss’ battle. Bigfoot does have a questionable scene where he forces himself upon a female captive that I could have done without, but luckily it’s a brief, more implied scene. Otherwise this one’s a ton of gory fun that’s not to be taken too seriously. It’s a good mix of Predator, Pumpkinhead & Deliverance with some ‘Squatch making it it one of the best of it’s genre. A must see addition to Bigfoot’s horror legacy!
One of the most wild & unpredictable filmmakers of all time hands down has got to be Hong Kong’s Lam Ngai Kai aka Lam Nai-choi, Most well known for his mega cult classic ‘RIKI-OH/The Story of Riki’ it’s clear this guy is, in my opinion one of the most underrated directors in the horror genre. Imagine if Sam Raimi made movies as consistently awesome as the Evil Dead trilogy, well that’s a good way to sum up this guy’s catalogue of crazy ass films. I’ve been fully surprised at how many people love ‘Riki-Oh’ yet aren’t familiar with anything else this guy’s done.
It probably doesn’t help that he completely disappeared off the movie map in 1992 for unknown reasons. Perhaps he realized he’d unlikely ever be able to top the craziness of his back catalogue of bizarre flicks. I’d love to know what he’s up to today and what I’d love even more would be his return to filmmaking. There’s however, literally zero info on why he stopped his film career and what the dude’s been up to these days. That being said let’s take a quick look at some of his coolest flicks you may not have even known existed! First if you’ve never seen Riki-Oh from 1991 it’s easily one of the wildest action/horror hybrid movies out there and totally on par with the awesomeness of Evil Dead 2. It features some of the most over the top action/gore of all time:
Next is another equally crazy ass flick from 1986 called ‘The Seventh Curse‘ which is like Indiana Jones on acid fighting monsters and exploring some truly epic locations. It features Chow Young Fat in a small role and continues with totally frantic action sequences that never slows it’s pace right to the very end. A true hidden gem of a movie that many 80’s horror fans have completely missed out on over the years. Seek this out asap as it’s more proof this guy’s got chops on par with the likes of early Peter Jackson, Sam Raimi & Don Coscarelli.
Kai’s got more under his belt too if you want another horror adventure that’s a true spectacle to behold check out ‘The Peacock King‘ from 1988. A totally unique movie that’s also a full on FX extravaganza. This one literally utilizes nearly every 80’s special fx in the book, from stop motion monsters, to animatronic creatures etc. etc. etc. you name it, this movie will take you on tour of the bizarre set to a super fun, dark yet equally light hearted adventure. Check it out: Continue reading
Most of the big cinema Hollywood horror movies churned out these days are pretty damn forgettable but every so often we get a shiny gem thrown in our direction, this is most certainly the case with “A Quiet Place”. Yep, this one delivers on all levels, it’s an awesome tale of survival, a freaky creature feature and a totally tense original thriller all wrapped into one sweet package. John Krasinski, Emily Blunt, Noah Jupe & Millicent Simmonds are a family trying to survive in total isolation in a house in countryside. In the surrounding forest the wrath of big blind alien creatures that hunt by sound look for their next meal. Get ready for the extremes between complete silence and jarring monster attacks to jolt you right the fuck out of your theater seat. Most of the movie is completely serene except for some of the score that creeps in and out from time to time and that’s what will keep you on your toes. I’d love to see a version of the movie that takes out the score completely as that’d certainly add even more tension to the sonic experiment at play here.
It’s really quite a great concept for a big cinema flick and if you’re chomping on popcorn and candy during the movie you’re likely to be heard by all around, the movie’s so quiet at times it can be a bit unsettling in a large theater full of people. This of course brings the audience directly into the tension and it’s done quite well cuz when the shit hits the fan from time to time it makes the tense action sequences that much more powerful. It also features the most awkward sequence of being stalked by a monster, one where Emily Blunt tries to escape being killed by one of these creatures while simultaneously going into labor! Damn-could it get an worse-yes it surely does..
The small cast also adds to the feeling of dread and isolation as danger lurks behind every noise presented on screen. The setting as well is lush and beautiful as most of it takes place on and around the old farm and a creepy ass cornfield, the perfect place for monsters to creep all about. Speaking of the monsters, we don’t really get any solid explanation about where they came from or why they’re here, maybe upon a second viewing it’d be easier to piece it all together from various newspaper clippings that are shown here and there. It’s been said this movie was also, in it’s early stages given the possibility to have a connection to Cloverfield, which also would have worked quite nicely. Continue reading
I’ve been burning through a stack of late 80’s/90’s VHS tapes lately I scored and while there’ve been a lot of stinkers in the lot there’ve been a few I’ve been quite pleasantly surprised about! I found the first five of the ‘Children of the Corn’ movies and I’d never actually watched any of the sequels so I thought what the fuck? Well the second movie was pretty much a total bore and I’d figured they’d likely just get more dull with each installment. Boy was I wrong!
Yep! ‘Children of the Corn Part 3: Urban Harvest’ is now one of my favorite sequel horror flicks! This movie’s a ton of seriously fun horror schlock. It’s premise is awesome too, we’ve got a couple weird-ass ‘Children of the Corn’ who get adopted and move from the bloody cornfields of Nebraska to the urban streets of Chicago. Their new parents are a couple of yuppies who’re stoked to have two new amish kids of their own. But little do they know one of them has some weird ass supernatural abilities and a one track mind for planting a new crop of corn right there in the city. Things quickly get awesome as their sent off on their ‘first day’ of class at a diverse inner city school and have to fend for themselves as everyone makes fun of their weird clothes and equally odd mannerisms.
Well the new setting seems to be a good one for one of the ‘Corn kids’, soon the older of the two is dressing like he’s the coolest new dude on the block and quickly discovering he’s got a fav new interest that quickly replaces corn: girls!! This new style doesn’t sit well with the younger ‘corn obsessed’ brother and soon he goes on a mission to find a vacant lot to plant some new evil corn, hell his yuppie stepdad even tries to get in on the corn action too. He find’s his stepson’s new utterly incredibly delicious crop of corn flourishing in some shitty soil in a vacant lot between two crumbling warehouses and immediately sees dollar signs! Yeah, he eagerly talks to his new kid about selling out his new breed of corn to a big corporation so it can be eaten all over the world. Naturally the evil kid’s elated and then moves on to convince the local gang bangers and school bullies to start listening to his crazy corn sermons! Soon their all hooked on his schtick and it’s up to his older, newly hipper, formerly amish brother to put and end to his evil plan.
This one never lags, it’s pretty much non stop fun and is chock full of stupid dialogue and some seriously awesome old school horror. I was totally surprised to at how bad ass the special effects are here too, come to find out Screaming Mad George (Predator/The Abyss/Curse II: The Bite) is responsible for the onscreen awesomeness. There’s a bunch of super unique kills, living killer corn, evil scarecrows, corn zombies & even an awesome giant monster at the end!! I was certain being it was ’95 we’d likely have some shitty ass CGI in the mix but instead we get George’s incredible practical fx work. Even the giant monster is a blend of animatronics and stop motion animation and the movie never stops charming the pants off of an old school horror hound. I love these surprisingly well done sequels that are many times completely overlooked by most. The ‘Urban Harvest’ is super action packed, fun filled horror flick, the kind most these days continuously try and replicate. I like how this one appears to be totally trying to play it’s ridiculous plot totally straight, It’s a true gem that’s been lost in the corn field for far too long!! Check this shit out!!
I checked out a perplexing VHS tape last night, ‘The Caller’, a “thriller” from 1987 starring Malcolm Mcdowell & Madolyn Smith. Now even though I’d been told this flick had a twist ending and even on the cover it boasts “a surprise ending”, somehow I’d just had no way of predicting what was gonna go down no matter how hard I tried during. That’s a pretty difficult task especially in this day and age. M Night Shyamalan eat your heart out. Warning, this one’s got a ton o’ dialogue and then some, oh boy and then some. At it’s beginning something is most definitely off with our two main characters and immediately my mind began racing to try to figure out just what the hell it could be. Basically it’s just two actors the entire movie and is a simple story about a woman who resides in an cabin out in the woods, who one dark night has a strange creeping man, Mcdowell, appear at her front door, claiming his car broke down and needs to use a phone.
From that point on both of these characters act in truly bizarre ways, they talk to each other about how they’d get away with murdering one another and at times actually get quite physical while doing so. There’s a ton of tense talk here and overacting a ‘plenty to behold from them both. The premise though startlingly simplistic and a bit absurd does a decent enough job of keeping you curious about where the fuck this one’s going to end up. It’s not the average “stalker” movie that the cover makes it out to be either, think more of an extended episode of The Twilight Zone instead. I’ve gotta admit the interesting thing about this one is that about an hour in I was getting a bit frustrated and had some serious doubts that things were going anywhere remotely interesting. There’s a lot of weird motive flip flopping amongst the two leads & at one point it almost seemed as if it might sharply go the erotic thriller route.
The odd banter at times can become quite tiresome but as the movie ended, I appreciated it and actually consider the lengthy chatty-ness of it all to make the finale that much more effective. Being a bit of a sleuth at the movie’s beginning I’d noticed a couple things that reinforced my will to stick it through to the end the first being the legendary horror b-movie bandit Charles Band was an executive producer, Richard Band did the music and also fx wizard John Carl Beuchler who’s know for his work on Friday The 13th Part 7: The New Blood (which is one of my faves), Nightmare on Elm St. 4: The Dream Master & Re-Animator was behind the fx work. These three things should give you enough of a reason to check this one out, if in fact the names mean anything to you. Definitely a hidden gem, that most definitely worth one solid viewing!! It also may deserve a quick re-watch to see if there perhaps are some clues amidst all the dialogue that may have really foreshadowed the movies bizarre ending. A neat-o 80’s low budget mind bender~
I couldn’t find a trailer for this one but here’s the whole damn movie if you’re feeling frisky!