So for a while there was a lot of talk about the anthology “A Star Wars Story” movies that were potentially in the works, that was until ‘SOLO’ bombed at the box office. An Obi Wan movie, a Boba Fett and even talk of a Lando solo adventure. However the one that interested me the most was the idea of a Yoda movie, where we follow the adventures of a younger Yoda. This for a while seemed like an actual possibility but besides Solo’s failure in theaters, Frank Oz had stated a Yoda movie would simply be too difficult to articulate the puppet for a feature length movie and would likely need to be fully CGI. I think it could be done, utilizing both old school puppetry blended with CGI. The more I’ve thought about it all the better the idea seems to me, that Yoda should indeed get his own movie though.
So in response to Frank Oz, I think doing incredible puppetry in 2018 with the Disney budget doesn’t seem all that impossible, especially with green screens, CGI being able to erase wires, strings & actors who’re controlling it’s actions. I think utilizing CGI as well to bring Yoda to life in full body shots / lightsaber duels is indeed a must but using puppetry for close ups is also a must. It would be the perfect mixture of both to make everyone’s green Jedi really come to life in an epic full length adventure. Doing it the way they did back in 70’s though? Yeah, I’m certain that’d be quite a headache, though in the 80’s they pulled it off beautifully in the ambitious Dark Crystal.
Which leads me to the next point, imagine a Yoda movie that was more of a modern mix of The Dark Crystal and Star Wars. A spin-off Star Wars Story that maximized the use of real Puppets, exotic locations/sets and a stronger blend of old school fx blended with todays modern tech. It’d definitely be something different for a Star Wars movie especially in this day and age of total overuse of CG in blockbusters. I imagine someone like Guillermo del Toro at the helm, or at least someone who truly loves practical fx work, epic fantasy and incredible monsters. Just the hype of the movie featuring heavy puppetry alone I think would bring something truly unique to the table for today’s young and old fans of the franchise. They could even add some animatronic modifications to the Yoda puppet, giving him more complex facial expressions & get help from The Jim Henson Company to bring it all to life. I bet you’d have a hit on your hands at the box office. Continue reading
I’m always totally down to see a killer new Sasquatch flick, the trouble is there’s been a LOT of pretty crappy ones made over the years with maybe just a few exceptions like Eduardo Sanchez’s ‘Exists’, ‘Abominable’ from 2006 and of course the classic ‘Harry and The Hendersons’. For some reason people have a tuff time bringing a believable Bigfoot to the big screen. Go figure. That leaves me believe people seem to think all they need is a tall dude to don an ape suit and they’ve got a worthy horror on their hands. The best ones though always put most of their money into their ‘Squatch creature fx and bring something truly believable to screen. Let’s face it, so many out there are faking Bigfoot videos on Youtube with rubber ape suits, believing what you’re seeing on screen is real is the first point of brilliance in a movie like this. Luckily “Primal Rage” is directed by fx wizard Patrick Magee (Jurassic Park 3/Progeny/AVP) and he put some serious effort into the crazed creature’s appearance in this movie. The best thing about this one is clearly the beast and that’s a damn good thing in this case.
Primal Rage’s actors aren’t trying to (or maybe even able to) win awards here and it’s got more in common at it’s core with a 70’s or 80’s killer creature flick than it does with something like Jurassic Park. The script is here might be a bit on the flimsy side but that makes way for tons of crazy Bigfoot action to go down. The premise is simple, an ex-con is just released from prison and picked up there by his girlfriend, as they drive through the mountains of Pacific Northwest (en route back home) they get side tracked when a mangled man stumbles into the road and is hit by their car. When they get out to investigate they almost immediately come under attack from large rocks being hurled at them, ex-con guy gets knocked off a cliff into a river and his lover jumps down to save him from drowning. This begins a fight for their lives in the woods are they’re pursued by “Oh-Mah” a pissed off native american mythical cryptid, AKA Sasquatch.
The interesting thing here is that “Oh-Mah” is actually an intelligent, brutal hunter who wears a bark mask and uses a bevy of handcrafted weapons to attack his prey. He also fucks shit up with his bare hands any chance he gets. He’s brutal as hell in this one, firing arrows and ripping people to shreds who’re dumb enough to hanging around in his stompin’ grounds. Bigfoot’s a calculated cold blooded killer here and there’s plenty of people for him to rip into, especially as there’s conveniently a gang of backwoods weirdos ala Deliverance who’re in desperate need of an ass-kickin shooting the shit in the vicinity. Bigfoot pulls no punches either, Magee pulls out some crazy ass sequences of practical gore a’plenty and his Bigfoot, “Oh-Mah” looks fantastic. He’s huge and it’s clear they put plenty of work into his animatronic face to make him a convincing and memorable movie monster.
There’s also a sweet supernatural sub-plot going on with the local Native American sheriff who’s out for Oh-Mah’s hide (this dude should have been the main character) and a crazy wood witch who looks like she stepped right out of Ridley Scott’s “Legend”. Magee does a fine job here creating a ton of cool action sequences and an explosive ‘final boss’ battle. Bigfoot does have a questionable scene where he forces himself upon a female captive that I could have done without, but luckily it’s a brief, more implied scene. Otherwise this one’s a ton of gory fun that’s not to be taken too seriously. It’s a good mix of Predator, Pumpkinhead & Deliverance with some ‘Squatch making it it one of the best of it’s genre. A must see addition to Bigfoot’s horror legacy!
Here’s another pretty neat little creature feature from 1991 I’ve been wanting to see for a while now, well luckily I scored a cool VHS copy of the movie at thrift shop. As I’ve said before my favorite type of horror flick’s a monster movie and that’s exactly what this here is nothing more nothing less. Though released in ’91 it feels like a full on ’80’s movie, with tons of neon, cheezy dialogue and a big savage man in suit Bigfoot type of creature running around the city offing people. Yeah and it also features one of the bad guy henchmen from ‘Die Hard’, Alexander Godunov, who’s the heroic handsome Nordic godly clockmaker monster hunter.
Anyway we’ve got a bunch of fun plot points as a mystic runestone is found in a coal mine in Pennsylvania and transported to NYC, where we all know, the excitement always seems to happen. Soon the runestone displays it’s magic powers and an archeologist becomes possessed by an evil ancient Norse spirit. Of course the dude transforms into a crazed sasquatch called Fenrir that goes on killing spree throughout New York and ends up frequenting art exhibits where over the top yuppies seem to think he’s someone’s hip new art installment. Of course he gets pissed off and wreaks “havoc” in the art community. The creature actually looks kinda cool (some decent animatronics/make up) all things considered and that’s clearly the main draw here with this one. He’s got a sweet no BS attitude and does his best to fuck shit up as much as he can. Way to rep the monsters in the 90’s dude!
That being said, there’s relatively little gore splattered about and the movie spends probably an extra 20 minutes or so too long trying to create “compelling” character development. Most of the while I just was wondering what the goddamn cranky ass creature was doing? Let’s get back to what he’s up to cuz he’s likely pissed off and freaking people out somewhere in the city! I’d have also loved a bit more of the “Die Hard” dude as well, but sadly he’s not given as much screen time as he deserves until the finale, but damn if the guy doesn’t look like a bad ass when he shows up. I dig the final act as well as the characters face off against the creature briefly entering a different dimension. This one’s often confused with Julian Sands movie ‘Warlock’ from 1989 and feeling surprisingly similar at times it’s understandable why.
There’s plenty of fun to be had here if you’re not expecting a helluva lot from ‘The Runestone’ and you dig low budget late 80’s early 90’s creature cheez. This one’s a prime example of an old school horror movie that if edited down to about 85 minutes would be a total crowd pleaser/cult fave. There’s a ton of total gems out there from the 80’s & 90’s that tried to fill their run time to a more “respectable length” adding too much filler, this one for example at 105 minutes does indeed have areas that drag somewhat, some day perhaps I’ll try and edit a few of these down. Either way there’s definitely some fun to be had regardless and it’s most definitely worth a watch if you’re down for some early 90’s monster business!
Damn! I’ve been scoring some excellent VHS tapes lately and even better is the fact that they’re movies I’ve never heard of before. Being a huge fan of 80’s creature features I was delighted to run across this total gem of a flick. Not to be confused with ‘Metamorphosis’ by George Eastman which also came out in 1990, ‘Metamorphosis: The Alien Factor’ is an inspiring special fx laden monster movie for fans of movies like The 80’s ‘Blob’, ‘The Thing’ & of course ‘The Deadly Spawn’. This movie is actually the unofficial sequel to 1983’s ‘The Deadly Spawn’ being produced by Ted Bohus who was responsible for both movies. Turns out he produced two home run horror movies as Metamorphosis is just as good if not in some ways even better than The Deadly Spawn.
The movie’s plot is quite simple, a scientist is researching some strange mutant creatures from another planet in lab and accidentally stabs one of them in the head with a syringe. The pissed off mutant bites his hand, escapes, the scientist quickly begins to metamorphosize into a slimy mass of grotesque flesh & eventually mutates into a huge creature that kills a security guard. Well it’s not long before the security guard’s two daughters and one of their geeky horny boyfriends are all up on the scene to figure out just what happened to their dear ol’ dad. They sneak into the research facility and crazy monster mayhem ensues. This one’s a ton of fun, sure it’s got some pretty bad acting, unintentionally goofy dialogue and may have about 15 minutes too much of bland character development but the whole thing is littered with crazy creatures and plenty o’ gooey gore.
The monsters are the main attraction here and they’re beautifully created via puppetry, animatronics and even a hefty dose of stop motion animation. It really is a great sequel to The Deadly Spawn and the main monster does indeed share an even enough similarity to the creatures of it’s predecessor. These two movies would make a great double feature especially for those who’re looking for an underrated gem of a monster movie and plenty of gross out schlocky gore.
The last 30 minutes of the movie definitely amps up the monster mayhem to eleven and though some of the first two acts can begin to only slightly drag with perhaps trying a bit too hard at crafting a “compelling” story once the shit truly hits the fan it’s totally worth the wait. Like ‘The Deadly Spawn’ this also one has quite a gigantic closing sequence that firmly cements ‘Metamorphosis: The Alien Factor’ into the list of the the best monster movies of the late 80’s/90s. Check it out!
Most of the big cinema Hollywood horror movies churned out these days are pretty damn forgettable but every so often we get a shiny gem thrown in our direction, this is most certainly the case with “A Quiet Place”. Yep, this one delivers on all levels, it’s an awesome tale of survival, a freaky creature feature and a totally tense original thriller all wrapped into one sweet package. John Krasinski, Emily Blunt, Noah Jupe & Millicent Simmonds are a family trying to survive in total isolation in a house in countryside. In the surrounding forest the wrath of big blind alien creatures that hunt by sound look for their next meal. Get ready for the extremes between complete silence and jarring monster attacks to jolt you right the fuck out of your theater seat. Most of the movie is completely serene except for some of the score that creeps in and out from time to time and that’s what will keep you on your toes. I’d love to see a version of the movie that takes out the score completely as that’d certainly add even more tension to the sonic experiment at play here.
It’s really quite a great concept for a big cinema flick and if you’re chomping on popcorn and candy during the movie you’re likely to be heard by all around, the movie’s so quiet at times it can be a bit unsettling in a large theater full of people. This of course brings the audience directly into the tension and it’s done quite well cuz when the shit hits the fan from time to time it makes the tense action sequences that much more powerful. It also features the most awkward sequence of being stalked by a monster, one where Emily Blunt tries to escape being killed by one of these creatures while simultaneously going into labor! Damn-could it get an worse-yes it surely does..
The small cast also adds to the feeling of dread and isolation as danger lurks behind every noise presented on screen. The setting as well is lush and beautiful as most of it takes place on and around the old farm and a creepy ass cornfield, the perfect place for monsters to creep all about. Speaking of the monsters, we don’t really get any solid explanation about where they came from or why they’re here, maybe upon a second viewing it’d be easier to piece it all together from various newspaper clippings that are shown here and there. It’s been said this movie was also, in it’s early stages given the possibility to have a connection to Cloverfield, which also would have worked quite nicely. Continue reading
Stranger Things Season 2 finally dropped this Halloween and damn was it good! So much fun and such a total and complete trip down memory lane. The show plays off of the wonder filled nostalgia of the 80’s and almost perfectly captures the magic of movies like Poltergeist, E.T., The Goonies and The Lost Boys to name a few.
This show couldn’t possibly get any better at delivering the ever so sweet 1980’s cinematic magic could it? Well I say it could do the job way better, after watching the second season it was apparent once again that this show could really up it’s game by ditching a lot of the shoddy CGI effects it uses for it’s monsters.
The show sure looks and feels like an 80’s Amblin flick, that is until they introduce us to the other worldly monsters. Then it quickly becomes very apparent it’s 2017 and that some questionable CG has entered my 80’s fantasy! So for season 3 of the show, I think they could do better, to really recreate that magic of old, it’s time for the show to incorporate practical creature effects! Puppetry, makeup, animatronics!
Imagine the creatures on the show if they had the feel of E.T., The Gremlins or Pumpkinhead?! The CG takes me out of the moment, the realism fades quickly and I imagine how much more effective the experience would really be if it just gave this tweak to say 75% of it’s fx work. That alone would give us the ultimate nostalgia trip, let’s face it, fans would go nuts for this and especially those who are real fans of the genre the show’s replicating. So help me spread this idea #strangerthings80sfx & Let’s demand that 80’s special effects magic be utilized for the next season!!! They’ve come a long way with practical fx work and blending with CG or using CG to eliminate wires & puppeteers would take the show to a whole next level of 1980’s love….
Happpppy HALLOWEEN boys, ghouls and all freaks of nature!! It’s finally here that special day where all things creepy and spooky are considered the norm amongst all other average humans!! Well today we’re going the distance and going to take a look at one of my favorite topics of all time: MONSTERS!! Duh!
So today many will be transforming themselves into creepy creatures of the night and I want to compile the top ten movie “human to monster” transformations of all time!!! Let’s get on with this shit, in no particular order, it’s time to get gross people, because who doesn’t love seeing humans morph into creepy creatures especially on Halloween!!
10. The Howling (1981)
I just NEVER get sick of this awesome werewolf transformation in the Howling! It’s one of the best human to monster transitions of all time, I just love the fact that Dee Wallace watches the whole damn thing instead of getting the fuck outta dodge!! One of the best!
9. The Beast Within (1982)
Check this shit out, one of the best most bizarre transformations for sure! This time though we witness a troubled teenage transform into some sort of bug/human hybrid! Nasty for sure!! Goddamn do I love some good practical fx!!
7. Jack Brooks: Monster Slayer (2007)
What a damn fine movie, I just can’t get enuff of this one, it’s got awesome practical old school monster fx and even features Robert Englund in one of his best (maybe the best?!) post Freddy movie roles. Better yet Englund transforms into a big ass monster that look’s like Chet’s brother from “Weird Science”!!
6. The Curse 2: The Bite (1989)
Damn I love this flick, it’s a sequel only in name to the ‘Will Wheaton’ movie “The Curse” from a couple years before. It’s a fun movie with some superb extra special fx and a finale that’s worth the wait of the often meandering story. If you’ve never seen this one maybe skip watching this here and just seek out the full movie, this sequence is most of it’s awesome finale…
5. Tales From The Dark Side: The Movie (1990)
The finale story to ‘Tales from the Dark Side: The Movie’ anthology is super awesome and features a totally memorable monster movie transformation! I still feel bad for the dude who didn’t keep his promise, things were just going so damn well in their relationship! Oh well no amount of counseling could have fixed this deep inner relationship issue! It had to come out at some point!
4. The Company of Wolves (1984)
This rad and totally bizarre, sometimes forgotten gem of a werewolf movie, has several awesome transformations in it. However this one is my favorite. The snout out of the mouth is an awesome totally disgusting effect that still awes me every time. I’ve got to re-watch this one again SOON! This freaked me the fuck out as a kid…
3. The Thing (1982)
Here’s a classic! The Norris transformation sequence in The Thing is one of the best most iconic moments in monster movie history! Like it needs any real introduction-here it is again in all it’s gory glory!
2. Black Sheep (2006)
I love this horror comedy and Weta Workshop did an incredible job giving us a totally memorable transformation sequence! The movie is filled with awesome practical fx work and I love the whole “weresheep angle”, if you’ve never seen this indie gem you better check it out asap-it delivers the goods and then some!!
1.An American Werewolf in London (1981)
Considered by most to be the greatest man to monster movie transformation of all time obviously this one needed to be on the list, so here it is one last time for any of you who’ve been living in a damn cave for the majority of your life! Ohhh the pain of it all!!!
Still haven’t had enuff? Me neither-here’s a few more I totally dig!!
Oh and Luke Skywalker as he transforms into a bug in the shitty “Guyver”…still damn cool tho!
Oh and Drew Barrymore’s crazy transformation in the underrated “Doppleganger”!!
God bless Youtube, Here’s a cool one from The Spookies from 1986~!
Cool one from Waxwork II: Lost in Time!
A great one from the criminally underrated 1987 monster extravaganza ‘The Kindred’!!
….and of course this WHOLE damn movie!!