I just watched what I consider to be a true bonafide lost 1980s gem, at least to me this movie was something I’d only found and watched by sheer chance. I frequent thrift stores quite often and upon discovering director Paul Lynch’s ‘Bullies’ a 1986 Canadian genre mash up of horror, thriller, action and revenge on VHS, I was most certainly intrigued, while realistically not getting my hopes up too damn high.
I’m pleased to report that ‘Bullies’ delivered the damn goods and then some in nearly every way I’d been hoping! Like I said in the title, this movie is essentially a mixture of The Karate Kid and Deliverance. I guess we’d categorize it as “Hicksploitation”. Sorry all you lovable hillbillies out there, but it’s kinda like if The Karate Kid’s Cobra Kai were evil messed up psycho mountain men! And when I say evil I mean evil with a capital E!
We follow the simple story of a teenage boy who moves with his mom and stepfather to a cozy little mountain town smack dab in the middle of the woods to run a family business. The only problem is some of the locals are restless and don’t particularly like the new arrivals in town…at all. A wicked gang of family hicks are on the prowl to fuck with anyone they please and no one seems to give a damn, not even the cops- imagine that huh?!
Luckily our teenage equivalent to Daniel Laruso befriends a cool local Native American man, who he establishes a strong bond with and like Mr. Miagi he teaches him some serious life lessons, survival and even a few nifty combat techniques. Something his stepfather whom he somewhat loathes and views as a useless coward doesn’t seem to have ANY interest in being part of. Of course he meets the beautiful Olivia D’Abo, and of course crushes out hard. I mean what are the chances he meets a babe like her in this po-dunk town? Lucky guy! Or is he?
As it just happens to turn out that she’s the sister of one of the insane maniac hillbillies who who threaten the town folk on any whim. But that’s not gonna stop the teen romance though as the two are immediately lovestruck. So the pissed off hillbillies up the ante with their evil shenanigans and the boy’s step dad is too chicken to stand up to them. These guys not only terrorize the teenagers but also go on the war path against the parents too, leading to a truly shocking rape scene that ups the stakes to deadly proportions and drastically shifts the tone. Be warned! ‘Bullies’ takes some dark twists and turns but by the final act you’ll be rooting for revenge with all of your damn heart. Even though it does go to some dark places it oddly has a lingering light feeling to it somehow, an 80s charm of something like The Karate Kid or My Bodyguard. Most importantly are how, for the most part, endearing the characters are in this grimy little banger. It makes the journey one worth taking.
I’d say this is the perfect coming of age revenge flick, filled with genuine heart, romance, comedy and some pretty wild and crazy action sequences. You also get served some gory kills and some intense explosions that put this one in a league of its own as a intriguing lost 80s gem. Bullies exists on VHS only and is just begging to be cleaned up and released on a slick blu ray. It really deserves far more attention from cult movie fanatics, if you get a chance check this one out, but beware, these “Bullies” are playing for keeps!!
So for New Years this year I rewatched 1999’s ‘The Last Ghost Standing’. A totally bonkers Hong-Kong horror movie that takes place on New Year’s Eve. If you ever get the chance to check it out I highly recommend it, especially if you like movies like Evil Dead 2, it will not disappoint! Once again I had to freeze frame it and officially document this bizarre subtitle!! This easily makes the list of the craziest subtitles of all time..
So can you believe it?Halloween is finally here and if you’re like me you’re probably planning on watching something frightfully awesome tonite that will get the party PUMPIN’! Let’s face it, this decision is a BIG one, most people decide to go with one of the classics they’ve seen countless times cuz you don’t want to chance it all on some shitty clunker. One movie that gets a lot of rotation during the Halloween season Is ‘Night of the Demons’ from 1988. But a lot of people (me included) seem to have missed over the years it’s incredible 1994 sequel, a movie that I dare to say is just as good if not actually BETTER than the original!!
Yes I said it. This week I re-watched ‘Night of the Demons’ again and also viewed part 2 for the very first time, really not expecting much at all. What I got from Aussie director Brian Trenchard-Smith (also responsible for the likes of ‘Dead End Drive In’ & ‘Leprechaun 4: In Space’) far surpassed what I’ve been secretly hoping for. So again we get the perfect setting and time for the sequel, Halloween night baby! We also see the return of horror icon “Angela” from the very first movie in all of her horrific glory. But the two things I think make this stand out above the original is the even more wildly imaginative special fx and especially the charming cast of characters this time around. We really get a gang we can get behind and root for in the sequel.
Part 2 plays out a bit more like ‘Mean Girls’ meets ‘Evil Dead 2’, the setting here is a Catholic boarding school filled to the brim with horny ass teenagers who’re ready for a goddamn rager on Halloween night. Two of the standout characters, a teenage boy obsessed with exorcisms and demonic possessions, as well as a bad-ass ruler wielding nun, hell bent on making sure these teenagers have a kosher evening that only Jesus would find entertaining.
But alas, we all of course know nothing can stop the raging hormones of teenagers in the 1990s! Similar to the first movie, this gang heads out to the same abandoned house from the first installment to get down to some risky bizness and then once again encounter the demonically filthy Angela! She’s ready to have a party of her own filled with blood-and-guts a’ plenty.
If you’ve never seen this before I definitely don’t want to spoil any of it. There’s just too much damn fun to be had as well as a few “twists”. The special effects are gloriously gooey, and this chapter offers legit frights by upping the ante on some monster mayhem via some spectacular practical effects work that caught me by surprise. For a movie made in 1994 it bleeds of the eighties in all the best ways. With a plentiful amount of TNA and a perfect blend of comedy mixed with some genuine scares. In my opinion it’s the perfect Halloween party movie that’s bound to have people cheering.
I can’t believe that it took me this long to finally check it out. The first movie is such a beloved Halloween horror classic that I figured there’s no way in hell it could live up to its predecessor.
So if you’re looking for something totally bad-ass to watch tonight and are a fan of the original You can really do no wrong with Night of the Demons 2! I’ll say it again it’s better than the first. Deal with it! Now I’m even more curious if lightning can strike 3 times? I’m gonna have to check out part 3 next. In the meantime you can find this one streaming and rental on most of the major platforms.. So grab your booze, blaze up the ganja and grab your closest cinemaniacs for a night of 90s horror gold!
I wanted to take a moment here to mention a couple brand spankin’ new blu ray releases coming out this month just in time for Halloween that I’m absolutely stoked for! If you’re looking for 2 amazing horror films plucked right from the golden age of the eighties and early nineties then these two will NOT disappoint! Both of these flicks are filled with just the right amount of gory practical effects ridden horror and the perfect doses of comedy from their uniquely charming casts. So without further ado here are 2 blu rays you need this Halloween that are coming out this month! You can pre-order them now!
The Laughing Dead (1989)
I actually just did my last blog post about the director of The Laughing Dead’s new movie ‘The Maestro: Symphony of Terror’. But this long lost eighties slice of a horror is a must see for anyone who’s a big fan of stuff like Evil Dead 2 or Re-animator. It never got an official release here in the United States so this one’s kinda special. It’s jam packed with monsters, zombies, gooey gore and plenty of absurd comedy as well as some genuine frights! Don’t let the title fool you, This is most definitely NOT your average run of the mill eighties zombie flick! You can preorder this thing right now via Vinegar Syndrome!
Hiruko the Goblin (1990)
Hot damn! I’m so pumped on this one too, Hiruko the Goblin is being released by Mondo Macabro. This one would be a perfect double feature with The Laughing Dead as well, It’s jam packed with amazing practical effects and super awesome monsters! It’s also got some heart as well, as it features a family affair, with a teenager who teams up with his eccentric oddball demon hunting uncle to face the forces of evil in an abandoned Is boarding school. From the director of Tetsuo: The Iron Man! This is perfect for the Halloween season! Keep in mind none of these trailers are the new 4K transfers, Hopefully they’ll release those soon!
I’m a big fan of the 1989 cult horror flick ‘The Laughing Dead’, If you’ve never heard of it and are a1980’s gore horror fiend, well I’ve a feeling that it’s gonna be your new favorite “lost” 80s gem. Rumor has it that it just might be getting a fancy blu ray release?! I hope that’s true! Well it’s director/cult horror novelist/composer extraordinaire S.P. Somtow is back after a long hiatus starring in and writing the latest creepy outing all the way from Thailand with ‘The Maestro: Symphony of Terror’.
The tale of a musical genius haunted by his past and pushed into a state of pure insanity, The Maestro tells the story of a mentally unstable man named Arun (S.P. Somtow), a dedicated composer who attempted a run for fame in Europe but ultimately finds himself deeply depressed, back in Thailand teaching rich kids music at a local shopping mall. Behind the scenes though, he’s been secretly planning a wildly dark magnum opus called ‘The Tongues of Angels’, his ultimate goal: premiering it to the entire world on a livestream during the Covid 19 pandemic. His wildly demented ambition however may induce a lot more than musical madness but also death to those who threaten his journey.
So yeah I’ve been quite excited to check this out, but also had hoped Somtow would be at the mantle as director on the project. I really enjoyed his campy approach on ‘The Laughing Dead’ and the comedic elements incorporated with the heavy effects work of legend John Carl Buechler made it a total blast. That all being said ‘The Maestro’ does definitely deliver some of Somtow’s signature tones, but perhaps with a more artistic approach. Director Paul Spurrier does a decent job behind the camera, giving the movie at times a more slick approach then what I’d ultimately prefered. It combines lighter elements of horror with tense hypnotic dark classical music but also has a few more deeply disturbing psychological aspects at hand here as well that at times made me a bit uncomfortable. The lush locales of Thailand combined with Somtow’s intensely creepy musical compositions sonically assault in a truly unique way.
To be quite honest, his beautifully dark score is probably the biggest star of the entire movie. I’d been expecting something quite a bit different, with more old school fx leaning in on much more on the horror side of things. Instead this one plays out more a psychological thriller and is the first movie I’ve seen that takes place actually during the Covid 19 era. We finally see people on screen irritated with and fussing with their masks as well as trying to navigate life through these current bizarre times. But that doesn’t stop the shamed Maestro from seeking out his pawns, a crew of young musicians gathered from his mall class and the even from the streets.
Most of the madness takes place at a stunningly creepy decrepit mansion In the countryside where the symphony of horror begins to take shape. The Maestro has one thing on his mind: his music and will let nothing get in his way of composing the ultimate dark symphony.
This one’s definitely worth a watch, it’s got a great cast of young actors and Somtow shines again as the villain in a similar way he did back in ‘The Laughing Dead’.
I’m glad that S.P. has again returned to his horror roots, overall I think this is a pretty solid return to form. Going forward I’d like to encourage him to get back behind the camera again, I think he’s got the chops that the people thirst for today with the 80s cult camp fanatics. If anything ‘The Maestro: Symphony of Terror’ must be watched for it’s incredible musical finale, which blew me away. I’ll be hunting down the soundtrack for sure!!
I just checked out VFW, the latest from director Joe Begos (Almost Human, The Mind’s Eye) who returns with, in my opinion his best film yet! This sweet little gritty love letter to John Carpenter, which calls back to his classic ‘Assault on Precinct 13’ in big way, is also a blood soaked love letter to some older actors/action stars of yesteryear. We’ve got icons Fred Williamson, William Sadler, Stephen Lang, Martin Kove & even George Wendt from ‘Cheers’ to make this bar room brawl even more authentic!
The story kicks off on a special birthday night for VFW bar owner “Fred” and his tight knit gang of bad ass war veterans. The evening quickly turns into wild all-out battle for their lives when a teen punk rock girl crashes their party with a sack full of ‘hype’. This new drug basically turns people into demented maniacs, with a hunger for more hype at any cost. The evil punk drug dealer, desperate to get his valuable stash back, sends his gang of gnarly addicts on a rampage to get it back. When these mutant punks on a rampage storm the bar looking for the teen, the old vets along with a younger soldier get to relive the gory glory years of war one more time. They unleash their pent of rage and fury using every weapon they can get their hands on to protect the girl and try annihilate the horde of drug addled maniacs. However these messed up punks have hype running through their veins and want more, risking anything to their grimy paws on it.
If you’re a fan of old school action flicks from the 70’s & 80’s you’re going to really get a kick out of VFW. The gore is pretty over the top, done in a such a cartoony way that people literally explode on screen. As a fan of practical fx Begos always delivers the goods with some wild splatter, he also keeps the vibe placed firmly in the golden days of the action era, with not a cell phone in sight. It also feels like an 80’s flick, with stunning neon lit sets within the walls of the cool old dank dive bar.
The real highlight of this is the cast of old codgers who do the majority of the ass kickin’. It’s absolutely delightful to see the likes of Fred Williamson & The Karate Kid’s Martin “Sensei” Kove in full on action mode as well as Stephen Lang, William Sadler and the younger soldier played by Tom Williamson. They’re all great here and give this film the cred it deserves proving age is just a number when it comes to cinematic butt kicking. I really enjoyed VFW, it’s the perfect modern midnite movie and gets so much praise for bringing in some old icons into the mix of onscreen mayhem. Check this out if you’re a fan of 70’s/80’s cult action horror flicks- And here’s to hoping VFW gets a sequel bringing even more of the bar’s patrons into the fold, hand picking some more old nearly forgotten bad asses to do some damage one last time!
‘Tenement’ AKA ‘Game of Survival’ is the third movie from Roberta Findlay I’ve seen and so far she definitely knows how to serve up the grimy goods in true grindhouse flavor. Yeah, Roberta understood how to make a truly sleazy horror flick that’s for sure. Even though Tenement might be considered more of a low budget action/thriller, it’s got plenty of horror and gore to go around. Findlay surely didn’t give a damn if she offended anyone, even though this came out in ’85 it’s jam packed with scenes that you’d likely not see put to screen in 2019.
Playing off a bit like John Carpenter’s ‘Assault on Precinct 13’ except in a run down inner city apartment building, Tenement features a pretty diverse cast of characters who face off in a violent battle of life or death. The bad apples in this one look like they stepped right out of ‘The Warriors’ and are just about the meanest most over the top street gang put to film. These drugged out leather clad assholes are ready kill nearly anything in sight, and when one of the tenants of the apartment complex tires of them hanging around in the basement he calls the cops, all hell breaks loose. Just when the residents decide to throw a party in celebration of the gang’s arrest, they’re let loose into the night by police. Hellbent on revenge they head back to the “tenement” to get bloody revenge on each and everyone who lives within it’s sweaty spray painted walls.
The film moves at a brisk pace and it’s not afraid to get ugly quick. There’s a shocking brutal scene of rape, beatings, drug overdoses, guttings and that’s just the damn start. As crazy as this sounds at the same time the production quality is pretty low, the acting often pretty flimsy/over the top and it’s all sorta hard to actually take seriously. That all being said, for a female film maker back in the 80’s (and especially today) it’s got more bite than most films of this genre made by men. The action and gore is pretty ambitious and luckily the blood here, looking basically like red paint, tames some of the it’s sheer brutality making it a bit more consumable for genre newbies. I really dug a lot of the characters as well, though some may seem a bit stereotyped but the protagonist, a grumpy loner bad ass hero named ‘Washington’ (a cool add to black horror heroes) gets the job done once the gang begins to wreck havoc on his turf, the tenement. It’s quite glorious actually once the surviving apartment tenants decide to band together and fight back, revenge is well served here for sure and it’s quite worth sitting through the earlier nastiness for some sweet revenge. Also never ever underestimate a pregnant woman in danger!
One of the best things about this mean little movie is the actual setting itself. The run down apartment building is a dirty gritty mess of a place. The perfect place for an inner city showdown to occur, with no help of course from the local police. A lot of Roberta Findlay’s movies, at least what I’ve seen so far, have this totally sleezy city vibe going on and it she works that angle quite well. When people bring up grindhouse films this one is actually the perfect example of the genre and for what it is this one’s easily one of the best out there. Her movies feel like they were made a decade earlier as well and have much more of of 70’s feel to them in look and style. A dark yet entertaining action packed urban battle that might not be the most digestible piece of cinema in 2019, but it’s surely something you likely won’t forget anytime soon!
I finally after years of searching, got a copy of the highly elusive, lost Hong Kong Horror / Sci-fi flick from 1991! If you’ve ever seen the director’s previous movie ‘Riki-Oh: The Story of Riki’ then you’ve got a decent idea of what you’re in for here. Lam Ngai Kai, the cult director at the helm here ended his wild and truly weird film making run with this crazy gem and then completely disappeared, likely completely satisfied with the truly bonkers back catalog of films he left behind.
‘The Cat’ is the perfect finale to his cult legacy as well, the only problem is, it’s a damn hard one to track down unless you search it down on Youtube and can find decent a version with subtitles, I’m not a big fan of the film quality that turns up there for many of these “lost” movies. But sometimes it’s the only way to check these rare flicks out. Filmed back to back with ‘Riki-Oh’, this one again is a short, sweet briskly paced, frenetic adventure with a runtime just under 80 minutes.
The story of course is yet another truly weird one: an amorphous blob of tentacled evil, is set loose from somewhere in deep space down to the streets of Hong Kong. Meanwhile mild mannered adventure novelist Wisely, is given an odd tip from a friend who suspects something strange afoot at his normally quiet apartment complex, discovering his next door neighbors are a trio aliens from another planet being lead by their “pet” cat named ‘The General’. Stranded on Earth they’re intent on completing a mysterious secret mission. Soon Wisley’s stuck in a mind bending web of utter mayhem when he tracks down & befriends the alien trio, embarking on a horror drenched adventure to stop the evil alien blob from continuing it’s path of destruction.
The Cat’s got a lot going for it, especially if you’re a fan of gooey, fast moving horror movies like Evil Dead II & stuff like The Terminator and The Thing. It’s got sweet 80’s style special FX galore, “Cat vs Dog” fist fights, over the top gun play & a down right bizarre train wreck of a plot. I mean that in the best way possible and some of the way it comes off is likely do to the crude translation of the dialogue via subtitles. It’s got a few scenes that kinda just have to be seen to be believed, not nearly anywhere as gory as Riki-Oh, but surely a unlike anything I’ve ever seen in a movie before. Particularly a sequence where the intelligent alien cat “General” is pursued by Hong Kong’s most dangerous canine, a hulking mastiff, who’s been sent by Wisely to hunt him down. Dog & cat duke it out in a creepy junkyard while the ‘General’ the cat displays some incredible human fighting techniques and even sports an unbelievable wresting move right out of the WWF to end the whole damn confrontation!
There’s tons of colorful, gooey practical fx to marvel over as well, puppets, gore, stunts & that classic 80’s electricity used to pure perfection. Director Lam Ngai Kai truly revels in the absurdity of it all and clearly used his stunning fx spectacles as the center pieces for his films. Turning your mind off and simply enjoying the eye candy is the best approach to his movies. I’m stunned most only know his movie Riki-Oh, which is now a bonafide cult classic, when he’s got a trove of incredible movies that all rival it. Do yourself a favor and check out ‘The Seventh Curse’ & ‘The Ghost Snatchers’ from 1986, ‘The Peacock King’ from 1989 as well as ‘The Cat’ & ‘Riki Oh’ 9if you haven’t seen that one yet). All of these movies deserve a remastered official blu ray release dammit!! Until then I’ve got some extra boot VHS copies of the movie If you’re interested!!
Here’s a pretty neat little modern throwback horror movie I took a chance on recently that turned out be quite a bit of fun. ‘Book of Monsters‘ is a low budget British creature feature that clearly makes it’s best attempt to harken back to the gory glory days of 80’s horror flicks like ‘Evil Dead 2’ & ‘Night of the Creeps’. It takes place on the main character, Sophie’s 18th birthday, when she reluctantly decides to throw a birthday party at her house. Her and her two friends are hardly the cool kids in school and aren’t even sure anyone will actually show up. To their surprise the birthday bash attracts a whole crew of unruly teens and even a few of the school bullies. Well it doesn’t take long before some weird supernatural shit goes down due to meddling with a necronomicon type of book. A full on bloodbath occurs when some creatures emerge from another dimension, invade her house and begin to slaughter the rowdy party guests. Sophie and her pals must band together to fend off the attack and protect their classmates from monster carnage.
It’s a simple story to follow and with a short run time of 84 minutes it’s a perfect party movie (literally) to watch on a Saturday nite with a gang of old school horror fans. One of it’s strongest parts is the protagonist Sophie, who’s a totally likable heroine who struggles with self esteem, teenage sexuality and the strange events of her past which tie into the supernatural events that occur. She’s also one of the only gay horror hero’s I can really recall seeing and they present this aspect of her character in a way that doesn’t feel fully forced into the narrative. Sure we got some bigoted bullies and typical teen jerks but those were always prevalent in the 80’s teen horror movies that likely inspired this one.
Now onto the horror aspect of things, though I liked the movie, I’ve got to admit I’m a bit tired of the ‘evil book/necronomicon’ angle of things, it feels pretty played out and I kind of wish they’d have used a different reasoning for the summoning of the monsters. Hardly a complaint really as once things get going here it’s pretty fun & action packed. The monster & gore effects are pretty ambitious for the most part. For the budget they had to work with they deliver a fair share of cool practical fx work avoiding for the most part cgi entirely (if my memory serves me correctly). The monster designs are pretty good too, one looks a bit like it was ripped out of M. Knight Shyamalan’s the village, one’s like a standard slasher dude and the other is kind of like a “Natasha Henstridge” Species/cenobite type-o creature. They all do a decent amount of gory, goopy damage too & it’s all executed in a fairly cartoonish way so it could easily be digested by the light weight horror fans. Oh yeah some evil garden gnomes are thrown in as well, that with a little more budget could have been far more crowd pleasing- but still an “A” for effort. There’s lots of chainsaws and general ass kicking done by the three female leads and even though most Hollywood blockbusters are trying to currently shoehorn girl power into movies ‘Book of Monsters’ does it in a tasteful way that doesn’t feel like it’s blatantly pushing some agenda for brownie points.
If ‘Book of Monsters‘ had been released in 1987 it’d have been a bonafide cult classic, it’s a nice switch from all the shoddy CGI & digital blood of modern horror movies. It leaves the door open for a sequel and I think if it gets one with more cash behind it, there’s a possibility the second installment could very well end up as a modern day cult classic. For the meantime though I think the best crowd for ‘Book of Monsters’ are those who miss the glory days of 1980’s schlock, goofy gore & teen horror flicks!
So yesterday I checked out the new Halloween (H40, I’ll call it) movie everyone has been ranting and raving about, as a long time fan of the franchise I can say it was a pretty damn well done sequel. It did in a way bring back memories of eagerly heading into the theater 20 years ago for basically the same event, Jamie Lee Curtis as Laurie Strode facing off against her long time nemesis Michael Myers for ‘Halloween H20: Twenty Years Later’. I remember how excited I was back in 1998 seeing this legendary face off happen on the big screen and it left me pondering yesterday, which was a better film?
So first off Jamie Lee Curtis coming back AGAIN was a very special treat! Hell yeah, she did a great job as Laurie Strode and the nostalgia was super high once again seeing her as the iconic final girl. She truly brought firey emotion to film and completely sold her desperation and paranoia in awaiting the return of the Michael Myers. She also was essentially a total Sarah Connors type character, a full on badass waiting for the chance now to finally destroy her nemesis, equipped with guns galore and a crazy ass fortress filled with traps as her home. ‘Halloween: T2’. You could really feel the final battle brewing and the thick tension in the air from the get go. Quite a different character than in H20, here she’s eagerly awaiting the chance to kill Myers rather than hide from him.
Rather than a son this time around she had her daughter, who’d she spent most of her childhood training to use guns and survive an inevitable confrontation with Michael she was certain would someday occur. Her daughter now resentful of her intense upbringing has a daughter of her own, Laurie’s granddaughter, whom she’d really like to distance from her supposedly wacko overreacting final girl of a mom. Meanwhile Michael who’s been locked up for 40 years escapes and goes on a killing rampage. So there you have it in a nutshell story wise at least..
It also had a stunning new score from the master who started it all, John Carpenter. That definitely gave it the feel of nostalgia and set the mood quite well for the most part. It did however make me wonder a few times though, why not just have Carpenter get in the director’s chair as well? David Gordon Green did a decent job directing but his resume is a bit perplexing, ‘Pineapple Express’ being his most notable amongst a trove of weird unpopular rom coms. H20’s director Steve Miner directed genre favorites ‘Friday The 13th’ Parts 2&3, ‘House’ from 1986, Warlock (1989) and was even second unit director on the cult classic ‘Night of the Creeps’. Though H40 was a pretty solid effort overall there’s still a part of me that thinks just maybe H20 may have been a better end to the saga? Am I crazy?! I thought the 2018 version was darker in tone, for the most part, except when there’s Danny Mcbride comedy oddly inserted throughout which seemed a little off most of the time. I do remember H20 had some of odd comedy as well with LL COOL J wisecrackin’ and a general sort of a Scream-esque style to the whole experience. I thought the kill scenes here were pretty decent, most being done off screen, only seeing the end result mostly and one cgi knife kill that did indeed kinda bother me. I’d say in the inventive kill department though Halloween 2018 didn’t bring a lot new to the table. Continue reading