‘Tenement’ AKA ‘Game of Survival’ is the third movie from Roberta Findlay I’ve seen and so far she definitely knows how to serve up the grimy goods in true grindhouse flavor. Yeah, Roberta understood how to make a truly sleazy horror flick that’s for sure. Even though Tenement might be considered more of a low budget action/thriller, it’s got plenty of horror and gore to go around. Findlay surely didn’t give a damn if she offended anyone, even though this came out in ’85 it’s jam packed with scenes that you’d likely not see put to screen in 2019.
Playing off a bit like John Carpenter’s ‘Assault on Precinct 13’ except in a run down inner city apartment building, Tenement features a pretty diverse cast of characters who face off in a violent battle of life or death. The bad apples in this one look like they stepped right out of ‘The Warriors’ and are just about the meanest most over the top street gang put to film. These drugged out leather clad assholes are ready kill nearly anything in sight, and when one of the tenants of the apartment complex tires of them hanging around in the basement he calls the cops, all hell breaks loose. Just when the residents decide to throw a party in celebration of the gang’s arrest, they’re let loose into the night by police. Hellbent on revenge they head back to the “tenement” to get bloody revenge on each and everyone who lives within it’s sweaty spray painted walls.
The film moves at a brisk pace and it’s not afraid to get ugly quick. There’s a shocking brutal scene of rape, beatings, drug overdoses, guttings and that’s just the damn start. As crazy as this sounds at the same time the production quality is pretty low, the acting often pretty flimsy/over the top and it’s all sorta hard to actually take seriously. That all being said, for a female film maker back in the 80’s (and especially today) it’s got more bite than most films of this genre made by men. The action and gore is pretty ambitious and luckily the blood here, looking basically like red paint, tames some of the it’s sheer brutality making it a bit more consumable for genre newbies. I really dug a lot of the characters as well, though some may seem a bit stereotyped but the protagonist, a grumpy loner bad ass hero named ‘Washington’ (a cool add to black horror heroes) gets the job done once the gang begins to wreck havoc on his turf, the tenement. It’s quite glorious actually once the surviving apartment tenants decide to band together and fight back, revenge is well served here for sure and it’s quite worth sitting through the earlier nastiness for some sweet revenge. Also never ever underestimate a pregnant woman in danger!
One of the best things about this mean little movie is the actual setting itself. The run down apartment building is a dirty gritty mess of a place. The perfect place for an inner city showdown to occur, with no help of course from the local police. A lot of Roberta Findlay’s movies, at least what I’ve seen so far, have this totally sleezy city vibe going on and it she works that angle quite well. When people bring up grindhouse films this one is actually the perfect example of the genre and for what it is this one’s easily one of the best out there. Her movies feel like they were made a decade earlier as well and have much more of of 70’s feel to them in look and style. A dark yet entertaining action packed urban battle that might not be the most digestible piece of cinema in 2019, but it’s surely something you likely won’t forget anytime soon!
I finally after years of searching, got a copy of the highly elusive, lost Hong Kong Horror / Sci-fi flick from 1991! If you’ve ever seen the director’s previous movie ‘Riki-Oh: The Story of Riki’ then you’ve got a decent idea of what you’re in for here. Lam Ngai Kai, the cult director at the helm here ended his wild and truly weird film making run with this crazy gem and then completely disappeared, likely completely satisfied with the truly bonkers back catalog of films he left behind.
‘The Cat’ is the perfect finale to his cult legacy as well, the only problem is, it’s a damn hard one to track down unless you search it down on Youtube and can find decent a version with subtitles, I’m not a big fan of the film quality that turns up there for many of these “lost” movies. But sometimes it’s the only way to check these rare flicks out. Filmed back to back with ‘Riki-Oh’, this one again is a short, sweet briskly paced, frenetic adventure with a runtime just under 80 minutes.
The story of course is yet another truly weird one: an amorphous blob of tentacled evil, is set loose from somewhere in deep space down to the streets of Hong Kong. Meanwhile mild mannered adventure novelist Wisely, is given an odd tip from a friend who suspects something strange afoot at his normally quiet apartment complex, discovering his next door neighbors are a trio aliens from another planet being lead by their “pet” cat named ‘The General’. Stranded on Earth they’re intent on completing a mysterious secret mission. Soon Wisley’s stuck in a mind bending web of utter mayhem when he tracks down & befriends the alien trio, embarking on a horror drenched adventure to stop the evil alien blob from continuing it’s path of destruction.
The Cat’s got a lot going for it, especially if you’re a fan of gooey, fast moving horror movies like Evil Dead II & stuff like The Terminator and The Thing. It’s got sweet 80’s style special FX galore, “Cat vs Dog” fist fights, over the top gun play & a down right bizarre train wreck of a plot. I mean that in the best way possible and some of the way it comes off is likely do to the crude translation of the dialogue via subtitles. It’s got a few scenes that kinda just have to be seen to be believed, not nearly anywhere as gory as Riki-Oh, but surely a unlike anything I’ve ever seen in a movie before. Particularly a sequence where the intelligent alien cat “General” is pursued by Hong Kong’s most dangerous canine, a hulking mastiff, who’s been sent by Wisely to hunt him down. Dog & cat duke it out in a creepy junkyard while the ‘General’ the cat displays some incredible human fighting techniques and even sports an unbelievable wresting move right out of the WWF to end the whole damn confrontation!
There’s tons of colorful, gooey practical fx to marvel over as well, puppets, gore, stunts & that classic 80’s electricity used to pure perfection. Director Lam Ngai Kai truly revels in the absurdity of it all and clearly used his stunning fx spectacles as the center pieces for his films. Turning your mind off and simply enjoying the eye candy is the best approach to his movies. I’m stunned most only know his movie Riki-Oh, which is now a bonafide cult classic, when he’s got a trove of incredible movies that all rival it. Do yourself a favor and check out ‘The Seventh Curse’ & ‘The Ghost Snatchers’ from 1986, ‘The Peacock King’ from 1989 as well as ‘The Cat’ & ‘Riki Oh’ 9if you haven’t seen that one yet). All of these movies deserve a remastered official blu ray release dammit!! Until then I’ve got some extra boot VHS copies of the movie If you’re interested!!
Here’s a pretty neat little modern throwback horror movie I took a chance on recently that turned out be quite a bit of fun. ‘Book of Monsters‘ is a low budget British creature feature that clearly makes it’s best attempt to harken back to the gory glory days of 80’s horror flicks like ‘Evil Dead 2’ & ‘Night of the Creeps’. It takes place on the main character, Sophie’s 18th birthday, when she reluctantly decides to throw a birthday party at her house. Her and her two friends are hardly the cool kids in school and aren’t even sure anyone will actually show up. To their surprise the birthday bash attracts a whole crew of unruly teens and even a few of the school bullies. Well it doesn’t take long before some weird supernatural shit goes down due to meddling with a necronomicon type of book. A full on bloodbath occurs when some creatures emerge from another dimension, invade her house and begin to slaughter the rowdy party guests. Sophie and her pals must band together to fend off the attack and protect their classmates from monster carnage.
It’s a simple story to follow and with a short run time of 84 minutes it’s a perfect party movie (literally) to watch on a Saturday nite with a gang of old school horror fans. One of it’s strongest parts is the protagonist Sophie, who’s a totally likable heroine who struggles with self esteem, teenage sexuality and the strange events of her past which tie into the supernatural events that occur. She’s also one of the only gay horror hero’s I can really recall seeing and they present this aspect of her character in a way that doesn’t feel fully forced into the narrative. Sure we got some bigoted bullies and typical teen jerks but those were always prevalent in the 80’s teen horror movies that likely inspired this one.
Now onto the horror aspect of things, though I liked the movie, I’ve got to admit I’m a bit tired of the ‘evil book/necronomicon’ angle of things, it feels pretty played out and I kind of wish they’d have used a different reasoning for the summoning of the monsters. Hardly a complaint really as once things get going here it’s pretty fun & action packed. The monster & gore effects are pretty ambitious for the most part. For the budget they had to work with they deliver a fair share of cool practical fx work avoiding for the most part cgi entirely (if my memory serves me correctly). The monster designs are pretty good too, one looks a bit like it was ripped out of M. Knight Shyamalan’s the village, one’s like a standard slasher dude and the other is kind of like a “Natasha Henstridge” Species/cenobite type-o creature. They all do a decent amount of gory, goopy damage too & it’s all executed in a fairly cartoonish way so it could easily be digested by the light weight horror fans. Oh yeah some evil garden gnomes are thrown in as well, that with a little more budget could have been far more crowd pleasing- but still an “A” for effort. There’s lots of chainsaws and general ass kicking done by the three female leads and even though most Hollywood blockbusters are trying to currently shoehorn girl power into movies ‘Book of Monsters’ does it in a tasteful way that doesn’t feel like it’s blatantly pushing some agenda for brownie points.
If ‘Book of Monsters‘ had been released in 1987 it’d have been a bonafide cult classic, it’s a nice switch from all the shoddy CGI & digital blood of modern horror movies. It leaves the door open for a sequel and I think if it gets one with more cash behind it, there’s a possibility the second installment could very well end up as a modern day cult classic. For the meantime though I think the best crowd for ‘Book of Monsters’ are those who miss the glory days of 1980’s schlock, goofy gore & teen horror flicks!
So yesterday I checked out the new Halloween (H40, I’ll call it) movie everyone has been ranting and raving about, as a long time fan of the franchise I can say it was a pretty damn well done sequel. It did in a way bring back memories of eagerly heading into the theater 20 years ago for basically the same event, Jamie Lee Curtis as Laurie Strode facing off against her long time nemesis Michael Myers for ‘Halloween H20: Twenty Years Later’. I remember how excited I was back in 1998 seeing this legendary face off happen on the big screen and it left me pondering yesterday, which was a better film?
So first off Jamie Lee Curtis coming back AGAIN was a very special treat! Hell yeah, she did a great job as Laurie Strode and the nostalgia was super high once again seeing her as the iconic final girl. She truly brought firey emotion to film and completely sold her desperation and paranoia in awaiting the return of the Michael Myers. She also was essentially a total Sarah Connors type character, a full on badass waiting for the chance now to finally destroy her nemesis, equipped with guns galore and a crazy ass fortress filled with traps as her home. ‘Halloween: T2’. You could really feel the final battle brewing and the thick tension in the air from the get go. Quite a different character than in H20, here she’s eagerly awaiting the chance to kill Myers rather than hide from him.
Rather than a son this time around she had her daughter, who’d she spent most of her childhood training to use guns and survive an inevitable confrontation with Michael she was certain would someday occur. Her daughter now resentful of her intense upbringing has a daughter of her own, Laurie’s granddaughter, whom she’d really like to distance from her supposedly wacko overreacting final girl of a mom. Meanwhile Michael who’s been locked up for 40 years escapes and goes on a killing rampage. So there you have it in a nutshell story wise at least..
It also had a stunning new score from the master who started it all, John Carpenter. That definitely gave it the feel of nostalgia and set the mood quite well for the most part. It did however make me wonder a few times though, why not just have Carpenter get in the director’s chair as well? David Gordon Green did a decent job directing but his resume is a bit perplexing, ‘Pineapple Express’ being his most notable amongst a trove of weird unpopular rom coms. H20’s director Steve Miner directed genre favorites ‘Friday The 13th’ Parts 2&3, ‘House’ from 1986, Warlock (1989) and was even second unit director on the cult classic ‘Night of the Creeps’. Though H40 was a pretty solid effort overall there’s still a part of me that thinks just maybe H20 may have been a better end to the saga? Am I crazy?! I thought the 2018 version was darker in tone, for the most part, except when there’s Danny Mcbride comedy oddly inserted throughout which seemed a little off most of the time. I do remember H20 had some of odd comedy as well with LL COOL J wisecrackin’ and a general sort of a Scream-esque style to the whole experience. I thought the kill scenes here were pretty decent, most being done off screen, only seeing the end result mostly and one cgi knife kill that did indeed kinda bother me. I’d say in the inventive kill department though Halloween 2018 didn’t bring a lot new to the table. Continue reading
It’s about time right? The Puppet Master franchise is officially back! The official trailer has dropped for Puppet Master: The Littlest Reich, the new reboot of the classic series that became a cult classic way back in 1989. It features a screenplay from S. Craig Zahler (director of Bone Tomahawk and Brawl in Cell Block 99), features some crazy new puppets. Shit hits the fan when a supernatural force animates a collection of puppets up for auction at an antique convention, setting them on a blood drenched killing spree that’s put into motion by an ancient evil. It stars Michael Paré, Thomas Lennon, Charlyne Yi, Udo Kier, Nelson Franklin, Matthias Hues, Jenny Pellicer, and Barbara Crampton. The movie is directed by Sonny Laguna (Wither) & Tommy Wiklund.
So far this looks like a pretty sweet little reboot that’s definitely not holding back on killer puppet practical fx mayhem. Count me in here, as a huge fan of the original movie this one looks like it’s been re-booted the right way! This one’s set to release August 17th 2018.
Now here’s a new crazy looking monster movie that looks pretty damn sweet and totally ready to quench my thirst for those gooey creature features of the 80’s! There’s something about most modern monster movies that just doesn’t cut the cake for me, I’m rarely convinced these days that a CGI creation is much of a threat on screen, as they don’t really look like they’re actually there in the flesh. Rather floating around on a separate computerized layer. So as much as I loved “A Quiet Place” the monsters were probably my least favorite thing about the movie. Give me an 80’s classic like ‘The Thing’, ‘The Blob’, ‘Gremlins’ or even something like “Neon Maniacs” any day of the damn week!
Judging by the new trailer for “Book of Monsters” I might’ve just found the kind of movie I’m looking for. It looks like a long lost 80’s creature feature in the best way possible. The premise sounds like a fun time as well, besides the whole “evil book” thing which might be considered a bit played out at this point, it still looks like a ton of gory fun filled with a lots of old school practical fx monster mayhem.
“Sophie’s 18th birthday party becomes a total bloodbath when six horrific monsters descend upon her home, intent on devouring the party guests and killing anyone who tries to escape their clutches. As her school friends are ripped to shreds and eaten, Sophie must rally a band of misfits and take up arms to send their party crashers back to the depths of hell. To survive the night, Sophie will face her destiny; monsters are real – and she’s the only one who can stop them.”
Check out the trailer, this one’s set to drop on August 25th..
There was a time when zombies were fucking awesome & not like how they are “awesome” today. That time was way back in the 70’s & 80’s before everyone and their mom and dad were watching ‘The Walking Dead’. Today the zombie craze has brought us countless shitty zombie movies, comic books & merch but back in the 80’s all of the zombie mayhem was quite a bit more underground. I was watching Frank Henenlotter’s ‘Brain Damage’ last night with a group of people and noticed someone in the movie was reading ‘Deadworld’. I was surprised that no one in the group had ever even heard of the comic book. I’ve blogged several times in the past about the book which still remains my favorite zombie comic of all time (at least the first 12 issues or so). Deadworld is punk as fuck and featured some truly stunning undead art from the gore master Vincent Locke who’s done artwork for bands like Cannibal Corpse. The 1986 book featured a prominent villain simply referred to as ‘King Zombie’ and his gang of undead who’ve developed intelligence while still lusting for flesh. He was a total badass who cruised around on his motorcycle and terrorized a gang of teens who’s bus broke down on a desolate highway. The books a treasure trove of totally amazing, legit zombie tattoo designs by the way. There’s been a collection done pretty recently of all of the old issues and they even tried to reboot it a some years back. I suggest hunting those down, they’re a unique read and embody the dirty grit of grindhouse 80’s style zombie flick to perfection. This was the issue featured in ‘Brain Damage’ it remains today one of my favorite pieces of zombie art to date!
And of course here’s ‘King Zombie’…..