I just checked out VFW, the latest from director Joe Begos (Almost Human, The Mind’s Eye) who returns with, in my opinion his best film yet! This sweet little gritty love letter to John Carpenter, which calls back to his classic ‘Assault on Precinct 13’ in big way, is also a blood soaked love letter to some older actors/action stars of yesteryear. We’ve got icons Fred Williamson, William Sadler, Stephen Lang, Martin Kove & even George Wendt from ‘Cheers’ to make this bar room brawl even more authentic!
The story kicks off on a special birthday night for VFW bar owner “Fred” and his tight knit gang of bad ass war veterans. The evening quickly turns into wild all-out battle for their lives when a teen punk rock girl crashes their party with a sack full of ‘hype’. This new drug basically turns people into demented maniacs, with a hunger for more hype at any cost. The evil punk drug dealer, desperate to get his valuable stash back, sends his gang of gnarly addicts on a rampage to get it back. When these mutant punks on a rampage storm the bar looking for the teen, the old vets along with a younger soldier get to relive the gory glory years of war one more time. They unleash their pent of rage and fury using every weapon they can get their hands on to protect the girl and try annihilate the horde of drug addled maniacs. However these messed up punks have hype running through their veins and want more, risking anything to their grimy paws on it.
If you’re a fan of old school action flicks from the 70’s & 80’s you’re going to really get a kick out of VFW. The gore is pretty over the top, done in a such a cartoony way that people literally explode on screen. As a fan of practical fx Begos always delivers the goods with some wild splatter, he also keeps the vibe placed firmly in the golden days of the action era, with not a cell phone in sight. It also feels like an 80’s flick, with stunning neon lit sets within the walls of the cool old dank dive bar.
The real highlight of this is the cast of old codgers who do the majority of the ass kickin’. It’s absolutely delightful to see the likes of Fred Williamson & The Karate Kid’s Martin “Sensei” Kove in full on action mode as well as Stephen Lang, William Sadler and the younger soldier played by Tom Williamson. They’re all great here and give this film the cred it deserves proving age is just a number when it comes to cinematic butt kicking. I really enjoyed VFW, it’s the perfect modern midnite movie and gets so much praise for bringing in some old icons into the mix of onscreen mayhem. Check this out if you’re a fan of 70’s/80’s cult action horror flicks- And here’s to hoping VFW gets a sequel bringing even more of the bar’s patrons into the fold, hand picking some more old nearly forgotten bad asses to do some damage one last time!
Well the quarantine rages one! So naturally I’m taking advantage of the situation by watching as many cool movies as I can get my hands on! I checked out some pretty excellent Japanese movies from the late 80’s/early 90’s the other night and I won the jackpot as somehow BOTH movies delivered the damn goods! I mean that rarely ever happens when blindly grabbing two oddball movies I’ve never heard anything about.
First up was was 1988’s “Cyber Ninja”, which obviously by the title showed some true promise! This wild sci-fi action film tells the story of a cyborg ninja who’s battling an evil empire that uses giant dinosaur like robots along with a gang of robotic ninja’s of their own to wreak havoc upon a kingdom of samurai warriors. Yeah basically that’s the story, nothing fancy here just a bunch of wild action and robot ass kicking for a lean 80 minutes. There’s some cool martial arts as well and really sweet robot designs at play here that mix feudal japanese elements into their look. There’s these giants mechs in particular that have a sort of Japanese tree house melded as the control center, kinda of like a play on a Star Wars ATST walker. There’s also a ton of that ultra colorful hand painted laser/electricity/energy blasts fx that accompany the martial arts mayhem. It’s a ton of fun and it seems this was perhaps an inspiration for the Mighty Morphin Power Rangers? The movie was release by Namco, which later merged with Bandai, both famous for their video games. Cyber Ninja is must watch if you dig weird, 80’s action and fantasy stuff & was great little viewing surprise that doesn’t require your attention span to be in full swing either.
Next was 1991’s Mikadroid, also known as “Mikadroid: Robokill Beneath Disoclub Layla”. With a title like that you know you’re at the least in for something quite unusual and yeah it brings quite an intriguing little tale of terror to the screen. It’s super lean run time of 73 minutes also makes it much less of a commitment and the perfect companion to Cyber Ninja in more than one way. I’d say at it’s core, it’s really more of a horror movie, and go as far to even call it a “proto-slasher”. It follows a World War II soldier who was experimented on along with two others for a super soldier program.
However they went a step further in a secret underground bunker to transform him into a cyborg/droid and ends up looking like something straight out of a Hellboy comic. We flash forward to 1991 to a discoclub that was built on top the hidden bunker where some electrical issues awaken the WWII super solder robot from his long slumber (I guess a real Captain America kind of thing going on here more than I originally realized). The droid heads up into the parking garage where he conducts his killing spree on the oh so stylin’ Japanese party animals after their wild nights of drinkin’ and dancing the night away.
This movie’s certainly a unique slice early 90’s cinema. It’s quite beautifully shot as well as having a pretty kick ass looking robot and some really stunning underground locations. I was hoping for a bit more from some of the kills but the strange story is the true highlight. Enough so that this little oddity by it’s end unfolds into something truly unique for it’s time and relative obscurity. Released by Toho, it was originally intended to be a full on horror film for the straight to video Japanese Market. Originally set to be a a zombie horror film having the WWII soldier an undead killer instead of a robot . The day before filming began a child murderer was arrested, who had an open passion for horror films, and it resulted in almost all horror movies being essentially blacklisted from production at the time. The film’s plot was frantically reworked into a “sci-fi” film while still keeping the basic premise intact. That all being said, the changes made I think likely added to the movie’s bizarre but ambitious plot. If you go into the movie with few expectations you’ll find a truly charming little feature that firmly lands it in a league of it’s own for the time.
One of the true all time greats as far as comic book artists go is most definitely Bill Sienkiewicz! His style is like none other and as far as comic book covers go, he is one the BEST! Anytime you’d get a cover from Bill you knew you were in for something several notches above what was normally brought to the table. Here are 5 covers he did for the Marvel 1983 adaptation of Return of the Jedi, a bit different from his normal output in being they’re much more simplistic than what he’s normally known for. However his final painting for the trade paperback (the last image) showcases his epic classic style, this all brings me back to a time when Star Wars had limitless potential. Oh what could have been…..
This week’s comic book cover hits home here as the planet faces the Coronavirus head on. Well back in 1981 The Thing was affected heavily by a deadly one himself called “Virus X”!! Created by the evil giant headed mastermind MODOK it was designed to be hyper-contagious and deadly to the population.
Virus X was so damn deadly, in Marvel Two-in-One #82 the story’s called “The Fatal Effects of Virus X!” MODOK first tested it on group of homeless people he snatched from the streets, and soon set his sights on The Thing to see exactly what it’s effects would be on a superhuman being. As if the Thing hadn’t been through enough already dealing with his monstrous appearance MODOK’S virus mutated him even further! The Thing almost loses his life but luckily his friends Goliath & Captain America are there to give him comfort and kick MODOK’s tiny little ass located on the back of his head!!
I’ve seen some heated arguments out there lately about the upcoming SHE-HULK “Disney+” series, something I’d never have expected to be an issue a few years ago even. However it’s now 2020 and everything seems to quickly escalate into some sort of major online argument or politicized debate, yes even She-Hulk has become a goddamn hot-topic! The big issue at hand is what version if the character we’ll see in MCU?! For most of her existence in the Marvel comics, She-Hulk was known for being well, let’s not beat around the bush…NOT particularly ugly. She was, for me as a kid growing up in the 1980’s one of my very first crushes. The Hulk was and still is my favorite superhero and when I saw She-Hulk for the first time I was admittedly an instant fan! Yeah slightly embarrassing…I guess? Or what the hell, maybe not!
She-Hulk in the 1980’s was also one of the most fun loving characters in all of the Marvel Universe, seeming fully confident in her green skin. Jennifer Walters really embraced her inner “Hulk”, unlike her cousin Bruce. She dealt with plenty of sexism in the pages of the classic comics, but many today are accusing the many of the male writers/artists of the past for blatantly exploiting and sexualizing her character. She-Hulk in the 1980’s was indeed a bit of sex symbol in the comics as were plenty of the ultra sculpted male characters but let’s be fair here, She-Hulk was indeed through the years given some of the most ridiculously cringeworthy scantily clad moments by artists. That being said, the classic third wall breaking John Byrne run of She-Hulk in 1989, was a truly unique approach even though it obvious he was truly delighted drawing her every curve.
I need to re-read those to see how it holds up today and see just how offensive it might be in 2020? Up until recently, I’d thought 80’s She-Hulk would be a great basis for a new series but times have changed right? Now She-Hulk, in the current comics is basically a female version of The Incredible Hulk, she’s essentially rejected her more feminine, “sexy” side & has serious regrets about her past looks and behavior. So an MCU Disney Plus She-Hulk series faces the issue, should She-Hulk be a more serious crime drama in the age of #metoo or a comedic, third wall breaking courtroom comedy?
Should the show be a more politicized statement on current affairs in the age of a sexist chump like Donald Trump? A wild female Jekyl & Hyde monster thriller? Or a sort of “Curb Your Enthusiasm” self aware NYC comedy? My idea is how about we combine ALL the approaches into one. The best of all worlds? Start the show off as Jennifer Walters navigates through the current landscape of things, as ridiculous as things are in the Trump era combined with how over the top PC things have sometimes become at the same time? Perhaps Jennifer’s Hulk out starts off as more of a comedic creature feature, and she quickly figures out how to tame her inner Hulk thanks to Ruffalo’s Banner Hulk.
Whatever they decide the real issue remains, should She-Hulk reject her “sexy” side and go full monster? How should she appear? In 2020 it might be frowned upon for her to keep that 1980s, 90s & 2000s look and instead embrace the more ultra muscular modern “Hulk” look. I think I’d be happy with either, but my final thought is a blend of the two is what would work best. They way I’ve seen her depicted at times has bothered me a bit, like when she essentially looks like a ridiculous green skinned porn star with no muscle tone. Here’s the best look in my opinion of what the MCU She-Hulk should probably look like, the more powerful amazonian look:
What do you think?!
I absolutely love seeing lost gems from the 1980’s, which is hands down my favorite era of cinema. So my excitement level upon seeing 1983’s ‘Rock and Rule’ was through the roof. I’m surprised honestly it took this damn long for it to materialize on my tv screen, being a big fan of hand drawn animation, it was a breath of fresh air in the CGI heavy era of today. Rock and Rule feels like the perfect companion piece to the cult classic ‘Heavy Metal’. It’s full of amazing music, the likes of Debbie Harry, Lou Reed, Cheap Trick, Iggy Pop & Earth Wind and Fire provide the soundtrack here, but more so are also the providing the songs that the characters perform in the movie.
This Canadian post apocalyptic tale of rock and roll adventure, follows the exploits of an evil & powerful rockstar named “Mok” who’s looking to unleash a demonic force from another dimension to aid him in ruling the entire planet. In order to do so though he needs to find the perfect voice that can hit the that special pitch, to enable the magical portal to open. The heroes of the movie are a band of human/animal hybrid mutants who perform in struggling rock band at dive bars all over the city. When Mok is out on the town one evening he witnesses a performance by them and sets his sights on the female vocalist of the band named “Angel”. Her jealous bandmate/co-vocalist Omar feels betrayed when the evil rocker invites her to his mansion on the outskirts of town. Soon it’s evident Mok has sinister plans for Angel, which sends Omar, along with the rest of his band on a fantastic journey to try and rescue her from his evil clutches. However it may be Omar & the band who actually end up needing to be saved.
This one’s just a ton of dazzling fun to watch, the story might be a bit flimsy but the musical numbers & the spectacular animated sequences more than provide enough enticing eye candy to keep the pace swiftly moving. The songs are a treat as well and were crafted especially for the movie, in fact some of the lyrics written actually influenced it’s plot. It’s quite interesting to see the passion some of the people like Lou Reed & Iggy Pop had going into this project as well as how much work different animators put into the different characters giving them their own unique look and movement. The color bursts off the screen with that iconic 80’s neon and the action sequences and animated band performances are truly epic to behold. The movie ignites a true nostalgia for simpler times bringing the tail end of the 1970’s on a collision course with classic 80’s movie magic. I can only dream of how much fun this must have been to see in a theater in 1983. Continue reading
Hello everyone from the land of self quarantine! Damn!! I really hope all of you out there are staying safe safe, staying home and keeping your damn sanity. With all that being said, I guess some good can indeed come out of all this isolation? On the bright side there’s now plenty of time to watch as many movies, tv shows & read as many comic books as humanly imaginable. But let’s face it, the hard part is finding the quality entertainment to pass the time. So my question to you all: what should I be watching to take my mind off of all of this damn craziness? One can only watch so much of the depressing anxiety inducing news! So please let me know in the comments what the hell I might be missing out on!
I’d say the best thing that I’ve seen since this stinkin’ self quarantine began was a movie called “Good Boys” from 2019. It’s easily one of the best damn comedies of the last 5 years, no doubt about that. It follows the adventures of three tween boys as they go on a “desperate” mission to recover a lost drone they used to spy on their teenage neighbor in hopes of learning how to kiss for an upcoming “kissing party”. Of course along the way they get into a shitload o’ mischief and meet more than their fair share of ridiculously shady characters. It kind of reminds me of ‘Superbad’ with 12 year olds. Make no mistake, this by no means is a kids movie though, but the kids in it are full on comic geniuses. One of my new faves for sure. So check it out if you’re looking for something that’s likely to put a smile on your face in the times of pandemic. It won’t disappoint!
Otherwise the movie pickins have been pretty slim to be honest. I checked out a couple horror movies from the 80s that were filmed in my home state of Wisconsin, both of which ended up being interesting for that reason to me but easily could cause drowsiness to the average movie fanatic. Oddly, both I believe were released by Troma films at some point in time. First was ‘Blood Hook’, a semi-promising 80’s fishing slasher flick and second was the super snoozer ‘The Capture of Bigfoot.’
Both appeared, from their cool VHS covers to be epic horror flicks, but I quickly found myself nearly nodding off or having those wicked thoughts of god damn Corona weaseling it’s way back into my mind. Not a good sign. I am though, very intrigued with movies that were filmed in Wisconsin, especially horror movies which there really aren’t many of in the land of cheese.
The Midwest was not exactly the epicenter of groundbreaking filmmaking especially in the 80s. But if you’re from “America’s Dairyland” both of these are definitely worth a peek for that fact at least I suppose?
I did though check out a cool movie from 1989 called ‘Vampire Buster'(AKA Ninja Vampire Busters), a sweet Hong Kong horror comedy. It follows an haunted urn containing a wicked demon that mysteriously ends up in Hong Kong after being auctioned off to a rich Tycoon. Of course things go off the rails when the evil is accidentally released from it and wastes no time to begin possessing innocent people. Luckily the owner of the urn, “The Vampire Buster” is hot on its tracks, arriving in Hong Kong with his supernatural abilities and smooth ass martial arts moves in full effect.
Lots of cool 80s visual-effects going on here and some genuinely creepy moments, along with a hefty dose of well landing comedy make ‘Vampire Buster’ one of the standouts in my recent binge of Hong Kong horror viewing. Much of how entertaining it is largely relies on Kent Cheung’s (who stars as the magical demon buster) charisma and highly impressive martial arts skills. For a man of his stature he surely has some truly impressive feats of agility, bringing to mind the legendary Sammo Hung. Track down ‘Vampire Buster’ and I even advise watching it with the English dub track as it’s pretty well done and the voices for once I feel actually enhance the movie’s charm. That being said there was not one damn vampire to be seen in ‘Vampire Buster’….Ok now what have YOU seen that’s worth a watch during the pandemic?