You like classic alien abduction flicks as much as I do? Well the recently released ‘Dark Encounter’ brings to mind movies like ‘Communion’, ‘Fire in the Sky’, ‘Close Encounters’ but also brings some new dramatic plot points to the traditional alien abduction story. Basically we’ve got a small town scenario here where a family’s 8 year old daughter suddenly goes missing one sunny afternoon while home alone. A year passes, with no clues of her whereabouts and the family, along with some close friends gather at their home for a memorial, still trying to come to terms with what happened to her. As the night descends upon their gathering so does a seemingly sinister alien force. Mysterious lights in the sky are seen and soon members of the family begin to go missing in the woods that surrounds the house. It’s not long before the strange lights fill the home and the remaining must try to survive the night while piecing together the very mystery for which they gathered.
It all takes place in the 1980’s and much of it’s imagery is clearly influenced by those classics like ‘E.T’. & ‘Close Encounters’ but it still manages to set those similarities apart by going in unexpected directions. It starts off as the classic extraterrestrial abduction story but ends up with revelations far more disturbing to the family dynamic set up earlier. It looks great too, beautifully shot with plenty of tense scenes set out in the woods while strange colors shine through the trees. They capture a sense of a looming alien presence that’s purely unsettling and mysterious creating some great scenes of raw tension. There’s some great acting here as well, everyone’s quite convincing in their roles which lends tremendously to the mystery of it. As far as those little green men though, people waiting for alien mayhem might walk away a bit disappointed from Dark Encounter. While I ultimately appreciated the movie at it’s end for different reasons I was of course hoping things were going to climax with some human vs E.T. action. I still think someone needs to churn out a bonkers gray alien vs human abduction flick, I know it was attempted by ‘The Vicious Brothers’ with their 2014 film ‘Extraterrestrial’ and again with “Dark Skies” but somehow in my opinion just missed the mark.
That all being said I think Dark Encounter is most definitely worth watching for fans of the “Alien Abduction” film genre. It’s got an intriguing mystery at it’s core and goes in some surprising directions that also land it firmly into the family drama category as well. Hey if I’m going to watch a family drama this is the kind of move I want to do so with. It will leave you with a bittersweet feeling but it’s definitely an interesting encounter with visitors not of this Earth.
We all know that H.P. Lovecraft stories can be hard to translate to the big screen, but when I heard Richard Stanley was making his cinematic return with ‘Color Out of Space’ I was pretty damn excited to say the least. Stanley may not have the longest resume when it come to feature film but what he has done is pretty damn amazing. Both Hardware (1990) & DustDevil (1992) are lesser known horror gems & with ‘Color Out of Space’ it’s a complete and total return to form. Stanley also brings Nicolas Cage along for the ride, which after his fan fave performance in ‘Mandy’ has kinda given Cage his second coming as an even more beloved cinematic presence. Much like ‘Mandy’ there’s plenty of bizarre psychedelic imagery here to go around and a ton of visceral horror sequences that I guarantee will shock you.
Stanley seems to love a slow burn horror story and brings that approach once again, leaving us all with a twisted but beautiful spectacle to behold by the film’s final act. The story here is simple, one quiet evening an eerie glowing meteorite lands in the front yard of Nathan Gardner and his family’s Alpaca farm. They soon find themselves baffled by it’s effect on the plants & wildlife on property as well as their own suddenly strange behaviors. Soon it’s clear, a mutant extraterrestrial organism that infects their minds and bodies is roaming the woods at night & transforms their quiet rural life into the ultimate technicolor nightmare. Continue reading
I’ve had this discussion several times over the past year with fellow Star Trek fans, what most seem to fear is Quentin Tarantino getting his dirty mitts on the franchise! But like it or not, it seems Tarantino might actually be taking the reigns on the next movie, which has also been rumored to be his last film ever in the director’s chair. Most seem to fear he’s going to totally ruin Star Trek, planting over the top violence & F-bombs around every damn corner of the movie & if it’s ‘Rated R’ like he’s proposing, there’ll surely be some of that. It makes me wonder does Star Trek need to be rated R? Probably not, but if it is I’m pretty curious just what that would look like exactly. That all being said, I really don’t think he’d turn Star Trek suddenly into ‘Kill Bill’. I feel like Quentin just might actually be the right person for the job, especially if you’re longing for a classic Trek adventure ala The Original Series, The Next Generation or classic movies like ‘The Wrath of Khan’.
Let’s face the facts folks, the JJ Abrams ‘Star Trek’ stuff was fun (at least the first and third movies in the trilogy), but it felt way more like ‘The Fast & The Furious’ than an actual Trek adventure. The classic Star Trek/Next Generation stuff had a much different vibe than these fluffy, bloated CGI spectacles we’ve been recently served up. The classic stuff most often explored a more cerebral side of science fiction story telling. Sure even in ‘The Original Series’ there was great humor and a certain degree of spectacle, but the stories almost always had something interesting to say and often times left you thinking. This side of the Star Trek storytelling, in my opinion, has been seriously missing in these modern attempts. So hear me out, think of what era of film Tarantino truly loves beyond anything else, it’s all of the stuff from the 60’s & 70s. I’m certain he spent some serious time neck deep in those original Star Trek episodes and absolutely adored the banter between Kirk, Spock, Bones and the crew. Their witty conversations on the original series actually remind me in many ways of the dialogue Tarantino serves up in his own films. I can easily picture his influence on Chris Pine’s Kirk, Zachary Quinto’s Spock & Karl Urban’s McCoy fitting perfectly in spirit with the original series in a way we’ve yet to see for this latest cast.
Tarantino thrives in the vintage era of filmmaking that Star Trek was first introduced in, he gets it and it’s obvious that it’s all a huge influence on pretty much everything he’s ever done. Almost all of his movies are a callback to that exact era when Star Trek was first originally thriving. The grindhouse movies and tv of the 60’s and 70’s is exactly what fuels Quentin’s entire soul. It’s why I think just maybe people are wrong to fear Tarantino taking on Star Trek. If you’re a fan of the classic stuff, then there’s honestly probably not a better person to be grabbing the ‘Trek’ bull by the horns and putting it back on course to it’s true roots. Quentin would likely serve us up a more compelling, thought provoking science fiction story to digest as well. He never delivers the predictable Hollywood fare. I don’t see his film making style at all being just a giant CGI spectacle. He’s never been into that. I trust he’s not going to work with a flimsy script either, especially if it is indeed planned to be his final movie. His films have always had more dimensions to them than the average generic summer blockbuster.
I think he’s got the wit, the understanding of what made the original material great & the vision to blend it all into a package that feels classic while at the same time something Trekkies have never quite seen before in a Star Trek film. To me “Tarantino Star Trek” really makes sense. I’m just not interested in seeing another mindless, bloated blockbuster of a Star Trek film again. Let’s go back to what made the series stand out from the herd. In order to do that it really needs someone who understands the franchise and isn’t just trying to make a boat load of quick cash off the masses. Star Trek needs a different style of film maker this time around, that’s certainly clear and I think taking a chance on Quentin is as good a bet as any to give the franchise a bold boost into new territory…
I love all those real life robot videos out there from Boston Dynamics, they are simply a marvel to behold. The technology these days involved in robotics is stunning and even a bit creepy but one thing is for certain these robots aren’t going away anytime soon!
One thing that that I always found funny are the videos where the humans are fucking with the robots to test their durability and balance, pushing them over and just basically making them look like complete fools. Here’s a real life example of what I’m talking about:
Well this latest video from the Youtube channel “Corridor” sure does hit the spot when we get a glimpse of a robot who’s just plain had enuff!! The VFX wizards behind this video have got people out there seeing the rise of robots in our modern culture in a whole new way- check this amazing shit out!!
Most of the big cinema Hollywood horror movies churned out these days are pretty damn forgettable but every so often we get a shiny gem thrown in our direction, this is most certainly the case with “A Quiet Place”. Yep, this one delivers on all levels, it’s an awesome tale of survival, a freaky creature feature and a totally tense original thriller all wrapped into one sweet package. John Krasinski, Emily Blunt, Noah Jupe & Millicent Simmonds are a family trying to survive in total isolation in a house in countryside. In the surrounding forest the wrath of big blind alien creatures that hunt by sound look for their next meal. Get ready for the extremes between complete silence and jarring monster attacks to jolt you right the fuck out of your theater seat. Most of the movie is completely serene except for some of the score that creeps in and out from time to time and that’s what will keep you on your toes. I’d love to see a version of the movie that takes out the score completely as that’d certainly add even more tension to the sonic experiment at play here.
It’s really quite a great concept for a big cinema flick and if you’re chomping on popcorn and candy during the movie you’re likely to be heard by all around, the movie’s so quiet at times it can be a bit unsettling in a large theater full of people. This of course brings the audience directly into the tension and it’s done quite well cuz when the shit hits the fan from time to time it makes the tense action sequences that much more powerful. It also features the most awkward sequence of being stalked by a monster, one where Emily Blunt tries to escape being killed by one of these creatures while simultaneously going into labor! Damn-could it get an worse-yes it surely does..
The small cast also adds to the feeling of dread and isolation as danger lurks behind every noise presented on screen. The setting as well is lush and beautiful as most of it takes place on and around the old farm and a creepy ass cornfield, the perfect place for monsters to creep all about. Speaking of the monsters, we don’t really get any solid explanation about where they came from or why they’re here, maybe upon a second viewing it’d be easier to piece it all together from various newspaper clippings that are shown here and there. It’s been said this movie was also, in it’s early stages given the possibility to have a connection to Cloverfield, which also would have worked quite nicely. Continue reading
So this September we’re getting a brand new sequel to the ‘Predator’ franchise and it’s been stated that this new installment directed by Shane Black (who also starred in the original) would be a direct sequel to the first two. This lead people to believe we might be seeing Arnold Schwarzenneger return to his iconic role once more as cigar chompin’ Dutch.
What we were then told was that he was indeed approached by Shane Black and even met with him about returning. However it was quickly revealed the meeting went south and Arnold simply didn’t like the script, as he was featured in just a small cameo therefore declining to be in the movie altogether. I was a bit surprised to hear that, as Arnold hasn’t really been in anything that was a “hit” since he returned to acting after his time as Governor. In fact I my guts been telling me we’re indeed going to see Dutch return, I think the whole “passing because of the script” thing is just a well planned diversion.
Today we’ve learned there are reshoots taking place right now for ‘The Predator’ and my gut feeling is that these just may indeed be Dutch’s scenes. I highly doubt Arnie would turn down even a cameo and having him in the Predator series again would be very similar to Mark Hamill returning recently to the Star Wars franchise. If Dutch does indeed return it’d be a gift to all the Predator fans and I highly doubt Shane Black is oblivious to this. It’d be quite a twist if he did appear to help kick some Predator butt, especially because of his statements about turning down the role in the new movie. We also have to mention though ‘The Predator’ did receive some mixed reviews to test screenings saying the heavy handed humor was tonally off so perhaps they’re just reshooting some scene’s to level out the comedy? Hmmm….
Regardless I’m hoping to see Dutch return AND how awesome would it be if Danny Glover from ‘Predator 2’ returned as well to help out? That’d be just too good to be true, interestingly enough though, the new movie has a direct link to ‘Predator 2’ as Jake Busy is actually returning as Gary Busey’s Predator 2’s characters son. Soooooo anything is possible. I don’t imagine anyone would pass up the opportunity to at least feature Dutch again one more time in the franchise, let’s face it Arnold is getting old and isn’t going to be around forever…
Well, well, well, it seems that us Star Trek fans may really finally be boldly going where no one has gone before. The apparent news is that Quentin Tarantino has got an interesting story to pitch for the U.S.S. Enterprise and if all things work out the way he’d like them to he’ll be sitting in the director’s chair. Also interesting is that he’s demanding the movie be rated R. Just what the hell would a Star Trek movie of this caliber actually look like? I’ve never even considered a Star Trek movie would ever be able trek into the ‘R’ rated zones of the galaxy!
To me this is an exciting step in possibly the right direction for Star Trek, sure the last theatrical movie was a decent enough time for what it was, but it also just felt a little too “typical bloated cranked out for the masses Hollywood action” to really feel like an authentic Trek adventure. So with Tarantino involved we just might get a cerebral science fiction adventure a bit more akin to the original series and then some. We might also be getting a darker vision of the crew’s space exploration. An ‘R’ rating opens up the possibilities for the crew to face some truly horrifying aliens and sinister villains as well as some creepy as fuck planets to check out. This is something I really hopes comes to fruition, I’d like a different direction for the Star Trek movie universe and different is exactly what we’re likely to get here if it happens.
The next question is what version of ‘Star Trek’ is Tarantino looking to helm? Would he be using the all of the actors from the more recent movie trilogy? Will he go Next Generation? Interesting is that today I saw that Patrick Stewart has opened the doors to Quentin, stating he’s open to reprising his role of Picard. Who knows we might even get some William Shatner action in Tarantino’s version, at this point I think anything is possible.
I think it’d be cool to keep it simple and continue the current rebooted crew putting them into a more complex, dangerous, mind bending sci-fi epic. I think Quentin really understands Star Trek and more importantly truly understands the characters of TOS. I’d love to hear some of his classic banter infused with the Star Trek crew, it could really work in ways we haven’t seen since the TOS movies of the late 1970’s-90’s. I think this could be the throwback style we’ve been waiting for mixed with a totally new vision. It’s an experiment I hope comes to light, I’ve got my fingers crossed…How about you?
I checked out a perplexing VHS tape last night, ‘The Caller’, a “thriller” from 1987 starring Malcolm Mcdowell & Madolyn Smith. Now even though I’d been told this flick had a twist ending and even on the cover it boasts “a surprise ending”, somehow I’d just had no way of predicting what was gonna go down no matter how hard I tried during. That’s a pretty difficult task especially in this day and age. M Night Shyamalan eat your heart out. Warning, this one’s got a ton o’ dialogue and then some, oh boy and then some. At it’s beginning something is most definitely off with our two main characters and immediately my mind began racing to try to figure out just what the hell it could be. Basically it’s just two actors the entire movie and is a simple story about a woman who resides in an cabin out in the woods, who one dark night has a strange creeping man, Mcdowell, appear at her front door, claiming his car broke down and needs to use a phone.
From that point on both of these characters act in truly bizarre ways, they talk to each other about how they’d get away with murdering one another and at times actually get quite physical while doing so. There’s a ton of tense talk here and overacting a ‘plenty to behold from them both. The premise though startlingly simplistic and a bit absurd does a decent enough job of keeping you curious about where the fuck this one’s going to end up. It’s not the average “stalker” movie that the cover makes it out to be either, think more of an extended episode of The Twilight Zone instead. I’ve gotta admit the interesting thing about this one is that about an hour in I was getting a bit frustrated and had some serious doubts that things were going anywhere remotely interesting. There’s a lot of weird motive flip flopping amongst the two leads & at one point it almost seemed as if it might sharply go the erotic thriller route.
The odd banter at times can become quite tiresome but as the movie ended, I appreciated it and actually consider the lengthy chatty-ness of it all to make the finale that much more effective. Being a bit of a sleuth at the movie’s beginning I’d noticed a couple things that reinforced my will to stick it through to the end the first being the legendary horror b-movie bandit Charles Band was an executive producer, Richard Band did the music and also fx wizard John Carl Beuchler who’s know for his work on Friday The 13th Part 7: The New Blood (which is one of my faves), Nightmare on Elm St. 4: The Dream Master & Re-Animator was behind the fx work. These three things should give you enough of a reason to check this one out, if in fact the names mean anything to you. Definitely a hidden gem, that most definitely worth one solid viewing!! It also may deserve a quick re-watch to see if there perhaps are some clues amidst all the dialogue that may have really foreshadowed the movies bizarre ending. A neat-o 80’s low budget mind bender~
I couldn’t find a trailer for this one but here’s the whole damn movie if you’re feeling frisky!
Damn do I miss me some old school Hulk adventures! The Hulk comics will never quite be the same it seems and I don’t expect them to be I mean it’s goddamn 2017 and we’ve now got “Totally Awesome Hulk” instead. That’s fine, but long gone are the days of the crazy old school sci-fi superhero adventures of the Jade Giant. I just love the look of these old vintage covers and Incredible Hulk #213 from 1977 capture exactly the vibe I’m referring to. I mean, hell, how awesome is The Quintronic Man?! What a classic weirdo Hulk villain. I love this era of Hulk comics where you’d just be super stoked to see the Hulk’s next big brawl as some super powered mad scientists pester him into a total rage. A total classic cover by Rich Buckler and Ernie Chan! Oh those were the days!!
‘Alien: Covenant’ finally dropped at theaters yesterday, and after all the hype the smoke finally cleared as I sat back for a late night viewing of the “prequel” for the legendary horror franchise. Ridley Scott returns again after the lackluster ‘Prometheus’ for purely passable installment that is Alien: Covenant. I wasn’t a huge fan of Prometheus, it’s one of those movies I can’t say I ever care about seeing again and same is the case also with ‘Covenant’. It does though fit quite nicely alongside the current trend of forgettable sequels to once amazing movie franchises of the 80’s that are cranked out these days. It’s like the ‘Indiana Jones and the Crystal Skull’ of the Alien series, making the third and fourth installments of the Alien franchise suddenly feel more legit.
This doesn’t mean I hated the movie, it just means that I’m quickly growing tired of the trend of sequels that I once endlessly pined for. It pains me to see Ridley Scott now for a second time bringing us such uninspired pieces of cinema. The movies large cast of characters hasn’t got anyone in it you’re likely to give a damn about and spends it’s time focusing on the android “twin btother” characters played by Michael Fassbender instead. ‘Covenant’ simply feels like Ridley has run out of ideas and decided to start lifting major plot points from ‘Bladerunner’ simultaneously trying to re-create a “best of” compilation of scary scenarios from his first Alien movie.
So while no one from the cast gets much time to develop into much more than alien prey you might think that at the very least we’d get quite possibly the best most bad ass version of the legendary ‘Alien’ creature now that it’s 2017 and they’ve more than got the budget to do so. Quite the contrary, ‘Alien: Covenant’ can’t even get that right for fans. For a movie that’s been boasting impressive practical fx work from day one you’re likely to be disappointed by it’s incredibly cartoony looking aliens littered about the movie frantically. Heck the fx work in this movie makes the two ‘AVP’ flicks suddenly feel kinda legit as well and that’s a damn hard thing to do. Long gone is the suspense & stylized horror of the old movies, instead you’ll be treated to the same old CGI schlock you’re used to from all the huge summer blockbusters. The Alien franchise officially lost it’s heart & soul quite a long time ago and even bringing Scott aboard hasn’t resulted in finding it. Right down to final battle, this movie simply fails, proving that we ALL really miss Sigourney Weaver in a BIG way. Ridley has now truly mastered mediocrity as I honestly may’ve actually enjoyed Prometheus more than this, because at least with that one I wasn’t expecting much there from the start.
At least one thing Ridley got right were the locations & sets he used in filming this movie. It’s visually stunning in that respect. However I’m realizing I was actually quite fine with NOT knowing the backstory of the Alien and honestly liked it when we knew nothing about it’s origins when it was little more than a monstrous stow away. The mystery is gone and instead what we end up with plot wise begins to feel a bit absurd and a tad cliche. This is a classic case of “they just don’t make em’ like they used to”. It’s a bit sad but I realize not everyone can make a ‘Mad Max: Fury Road’ and sometimes attaching the original directors to these sequels clearly doesn’t always equal movie magic. That being said, after seeing this last night my excitement level for the upcoming sequels to Bladerunner & Predator has severely lowered. I’d say if you’re a casual fan of the Alien franchise you’ll likely have a good time at the movies with this one but if you’re looking for the magic of the first two (or heck even the third & fourth) you’re bound to feel a bit empty as you exit the theater. At least now I’ve developed a new urge to revisit the ‘AVP’ movies, I mean damn, I was way too hard on those I think…