Most of the big cinema Hollywood horror movies churned out these days are pretty damn forgettable but every so often we get a shiny gem thrown in our direction, this is most certainly the case with “A Quiet Place”. Yep, this one delivers on all levels, it’s an awesome tale of survival, a freaky creature feature and a totally tense original thriller all wrapped into one sweet package. John Krasinski, Emily Blunt, Noah Jupe & Millicent Simmonds are a family trying to survive in total isolation in a house in countryside. In the surrounding forest the wrath of big blind alien creatures that hunt by sound look for their next meal. Get ready for the extremes between complete silence and jarring monster attacks to jolt you right the fuck out of your theater seat. Most of the movie is completely serene except for some of the score that creeps in and out from time to time and that’s what will keep you on your toes. I’d love to see a version of the movie that takes out the score completely as that’d certainly add even more tension to the sonic experiment at play here.
It’s really quite a great concept for a big cinema flick and if you’re chomping on popcorn and candy during the movie you’re likely to be heard by all around, the movie’s so quiet at times it can be a bit unsettling in a large theater full of people. This of course brings the audience directly into the tension and it’s done quite well cuz when the shit hits the fan from time to time it makes the tense action sequences that much more powerful. It also features the most awkward sequence of being stalked by a monster, one where Emily Blunt tries to escape being killed by one of these creatures while simultaneously going into labor! Damn-could it get an worse-yes it surely does..
The small cast also adds to the feeling of dread and isolation as danger lurks behind every noise presented on screen. The setting as well is lush and beautiful as most of it takes place on and around the old farm and a creepy ass cornfield, the perfect place for monsters to creep all about. Speaking of the monsters, we don’t really get any solid explanation about where they came from or why they’re here, maybe upon a second viewing it’d be easier to piece it all together from various newspaper clippings that are shown here and there. It’s been said this movie was also, in it’s early stages given the possibility to have a connection to Cloverfield, which also would have worked quite nicely. Continue reading
So this September we’re getting a brand new sequel to the ‘Predator’ franchise and it’s been stated that this new installment directed by Shane Black (who also starred in the original) would be a direct sequel to the first two. This lead people to believe we might be seeing Arnold Schwarzenneger return to his iconic role once more as cigar chompin’ Dutch.
What we were then told was that he was indeed approached by Shane Black and even met with him about returning. However it was quickly revealed the meeting went south and Arnold simply didn’t like the script, as he was featured in just a small cameo therefore declining to be in the movie altogether. I was a bit surprised to hear that, as Arnold hasn’t really been in anything that was a “hit” since he returned to acting after his time as Governor. In fact I my guts been telling me we’re indeed going to see Dutch return, I think the whole “passing because of the script” thing is just a well planned diversion.
Today we’ve learned there are reshoots taking place right now for ‘The Predator’ and my gut feeling is that these just may indeed be Dutch’s scenes. I highly doubt Arnie would turn down even a cameo and having him in the Predator series again would be very similar to Mark Hamill returning recently to the Star Wars franchise. If Dutch does indeed return it’d be a gift to all the Predator fans and I highly doubt Shane Black is oblivious to this. It’d be quite a twist if he did appear to help kick some Predator butt, especially because of his statements about turning down the role in the new movie. We also have to mention though ‘The Predator’ did receive some mixed reviews to test screenings saying the heavy handed humor was tonally off so perhaps they’re just reshooting some scene’s to level out the comedy? Hmmm….
Regardless I’m hoping to see Dutch return AND how awesome would it be if Danny Glover from ‘Predator 2’ returned as well to help out? That’d be just too good to be true, interestingly enough though, the new movie has a direct link to ‘Predator 2’ as Jake Busy is actually returning as Gary Busey’s Predator 2’s characters son. Soooooo anything is possible. I don’t imagine anyone would pass up the opportunity to at least feature Dutch again one more time in the franchise, let’s face it Arnold is getting old and isn’t going to be around forever…
Well, well, well, it seems that us Star Trek fans may really finally be boldly going where no one has gone before. The apparent news is that Quentin Tarantino has got an interesting story to pitch for the U.S.S. Enterprise and if all things work out the way he’d like them to he’ll be sitting in the director’s chair. Also interesting is that he’s demanding the movie be rated R. Just what the hell would a Star Trek movie of this caliber actually look like? I’ve never even considered a Star Trek movie would ever be able trek into the ‘R’ rated zones of the galaxy!
To me this is an exciting step in possibly the right direction for Star Trek, sure the last theatrical movie was a decent enough time for what it was, but it also just felt a little too “typical bloated cranked out for the masses Hollywood action” to really feel like an authentic Trek adventure. So with Tarantino involved we just might get a cerebral science fiction adventure a bit more akin to the original series and then some. We might also be getting a darker vision of the crew’s space exploration. An ‘R’ rating opens up the possibilities for the crew to face some truly horrifying aliens and sinister villains as well as some creepy as fuck planets to check out. This is something I really hopes comes to fruition, I’d like a different direction for the Star Trek movie universe and different is exactly what we’re likely to get here if it happens.
The next question is what version of ‘Star Trek’ is Tarantino looking to helm? Would he be using the all of the actors from the more recent movie trilogy? Will he go Next Generation? Interesting is that today I saw that Patrick Stewart has opened the doors to Quentin, stating he’s open to reprising his role of Picard. Who knows we might even get some William Shatner action in Tarantino’s version, at this point I think anything is possible.
I think it’d be cool to keep it simple and continue the current rebooted crew putting them into a more complex, dangerous, mind bending sci-fi epic. I think Quentin really understands Star Trek and more importantly truly understands the characters of TOS. I’d love to hear some of his classic banter infused with the Star Trek crew, it could really work in ways we haven’t seen since the TOS movies of the late 1970’s-90’s. I think this could be the throwback style we’ve been waiting for mixed with a totally new vision. It’s an experiment I hope comes to light, I’ve got my fingers crossed…How about you?
I checked out a perplexing VHS tape last night, ‘The Caller’, a “thriller” from 1987 starring Malcolm Mcdowell & Madolyn Smith. Now even though I’d been told this flick had a twist ending and even on the cover it boasts “a surprise ending”, somehow I’d just had no way of predicting what was gonna go down no matter how hard I tried during. That’s a pretty difficult task especially in this day and age. M Night Shyamalan eat your heart out. Warning, this one’s got a ton o’ dialogue and then some, oh boy and then some. At it’s beginning something is most definitely off with our two main characters and immediately my mind began racing to try to figure out just what the hell it could be. Basically it’s just two actors the entire movie and is a simple story about a woman who resides in an cabin out in the woods, who one dark night has a strange creeping man, Mcdowell, appear at her front door, claiming his car broke down and needs to use a phone.
From that point on both of these characters act in truly bizarre ways, they talk to each other about how they’d get away with murdering one another and at times actually get quite physical while doing so. There’s a ton of tense talk here and overacting a ‘plenty to behold from them both. The premise though startlingly simplistic and a bit absurd does a decent enough job of keeping you curious about where the fuck this one’s going to end up. It’s not the average “stalker” movie that the cover makes it out to be either, think more of an extended episode of The Twilight Zone instead. I’ve gotta admit the interesting thing about this one is that about an hour in I was getting a bit frustrated and had some serious doubts that things were going anywhere remotely interesting. There’s a lot of weird motive flip flopping amongst the two leads & at one point it almost seemed as if it might sharply go the erotic thriller route.
The odd banter at times can become quite tiresome but as the movie ended, I appreciated it and actually consider the lengthy chatty-ness of it all to make the finale that much more effective. Being a bit of a sleuth at the movie’s beginning I’d noticed a couple things that reinforced my will to stick it through to the end the first being the legendary horror b-movie bandit Charles Band was an executive producer, Richard Band did the music and also fx wizard John Carl Beuchler who’s know for his work on Friday The 13th Part 7: The New Blood (which is one of my faves), Nightmare on Elm St. 4: The Dream Master & Re-Animator was behind the fx work. These three things should give you enough of a reason to check this one out, if in fact the names mean anything to you. Definitely a hidden gem, that most definitely worth one solid viewing!! It also may deserve a quick re-watch to see if there perhaps are some clues amidst all the dialogue that may have really foreshadowed the movies bizarre ending. A neat-o 80’s low budget mind bender~
I couldn’t find a trailer for this one but here’s the whole damn movie if you’re feeling frisky!
Damn do I miss me some old school Hulk adventures! The Hulk comics will never quite be the same it seems and I don’t expect them to be I mean it’s goddamn 2017 and we’ve now got “Totally Awesome Hulk” instead. That’s fine, but long gone are the days of the crazy old school sci-fi superhero adventures of the Jade Giant. I just love the look of these old vintage covers and Incredible Hulk #213 from 1977 capture exactly the vibe I’m referring to. I mean, hell, how awesome is The Quintronic Man?! What a classic weirdo Hulk villain. I love this era of Hulk comics where you’d just be super stoked to see the Hulk’s next big brawl as some super powered mad scientists pester him into a total rage. A total classic cover by Rich Buckler and Ernie Chan! Oh those were the days!!
‘Alien: Covenant’ finally dropped at theaters yesterday, and after all the hype the smoke finally cleared as I sat back for a late night viewing of the “prequel” for the legendary horror franchise. Ridley Scott returns again after the lackluster ‘Prometheus’ for purely passable installment that is Alien: Covenant. I wasn’t a huge fan of Prometheus, it’s one of those movies I can’t say I ever care about seeing again and same is the case also with ‘Covenant’. It does though fit quite nicely alongside the current trend of forgettable sequels to once amazing movie franchises of the 80’s that are cranked out these days. It’s like the ‘Indiana Jones and the Crystal Skull’ of the Alien series, making the third and fourth installments of the Alien franchise suddenly feel more legit.
This doesn’t mean I hated the movie, it just means that I’m quickly growing tired of the trend of sequels that I once endlessly pined for. It pains me to see Ridley Scott now for a second time bringing us such uninspired pieces of cinema. The movies large cast of characters hasn’t got anyone in it you’re likely to give a damn about and spends it’s time focusing on the android “twin btother” characters played by Michael Fassbender instead. ‘Covenant’ simply feels like Ridley has run out of ideas and decided to start lifting major plot points from ‘Bladerunner’ simultaneously trying to re-create a “best of” compilation of scary scenarios from his first Alien movie.
So while no one from the cast gets much time to develop into much more than alien prey you might think that at the very least we’d get quite possibly the best most bad ass version of the legendary ‘Alien’ creature now that it’s 2017 and they’ve more than got the budget to do so. Quite the contrary, ‘Alien: Covenant’ can’t even get that right for fans. For a movie that’s been boasting impressive practical fx work from day one you’re likely to be disappointed by it’s incredibly cartoony looking aliens littered about the movie frantically. Heck the fx work in this movie makes the two ‘AVP’ flicks suddenly feel kinda legit as well and that’s a damn hard thing to do. Long gone is the suspense & stylized horror of the old movies, instead you’ll be treated to the same old CGI schlock you’re used to from all the huge summer blockbusters. The Alien franchise officially lost it’s heart & soul quite a long time ago and even bringing Scott aboard hasn’t resulted in finding it. Right down to final battle, this movie simply fails, proving that we ALL really miss Sigourney Weaver in a BIG way. Ridley has now truly mastered mediocrity as I honestly may’ve actually enjoyed Prometheus more than this, because at least with that one I wasn’t expecting much there from the start.
At least one thing Ridley got right were the locations & sets he used in filming this movie. It’s visually stunning in that respect. However I’m realizing I was actually quite fine with NOT knowing the backstory of the Alien and honestly liked it when we knew nothing about it’s origins when it was little more than a monstrous stow away. The mystery is gone and instead what we end up with plot wise begins to feel a bit absurd and a tad cliche. This is a classic case of “they just don’t make em’ like they used to”. It’s a bit sad but I realize not everyone can make a ‘Mad Max: Fury Road’ and sometimes attaching the original directors to these sequels clearly doesn’t always equal movie magic. That being said, after seeing this last night my excitement level for the upcoming sequels to Bladerunner & Predator has severely lowered. I’d say if you’re a casual fan of the Alien franchise you’ll likely have a good time at the movies with this one but if you’re looking for the magic of the first two (or heck even the third & fourth) you’re bound to feel a bit empty as you exit the theater. At least now I’ve developed a new urge to revisit the ‘AVP’ movies, I mean damn, I was way too hard on those I think…
Here’s a cool new comic book from ‘Black Mask’ that packs a visually stunning slice of dirty raw color to the space pirate genre. From page one I’ll admit for this one it really didn’t matter how solid the plot would be for ‘Space Riders: Galaxy of Brutality’, the first page showcases some awesome artwork that’s a breath of fresh air in the current comics spectrum. Black Mask has been putting out some pretty impressive shit for quite some time now. Space Riders #1 continues that trend with a solid debut that could possibly be more fun to look at than read. This is apparently a sequel series, but it’s new to me and I’ll have to take a moment to hunt down the first trade. So if you’re late to the party like myself, I don’t think it really matters all that much. We’re given a cast of outrageous characters from the get go, some crazy space bikers, weaving through the stars, wreaking havok on a refugee ship full of aliens. It doesn’t take long for the giant floating skull space craft, with our main characters aboard to vaporize the scavengers dead in their tracks. This sets the tone for the type of crazy shit visually and plot wise that’s on the horizon.
I totally dig it, it’s a straight forward story so far filled with some insanely colorful characters that harken back to classic vintage style space voyage that would’ve fit nicely in the pages of ‘Heavy Metal’ magazine. We’ve got the gruff wise guy Captain Peligro, a tuff guy baboon human hyrid co-pilot, cyborg babes, bat people, marauding space bikers, galactic maidens and cool space vagina portals. It’s a damn fun first issue that’s jam packed with eye candy galore and just a ton of weirdo oddball landscapes & evil aliens. I like these kind of stories sometimes that don’t rely too much on paying attention to crazy details and more so on just having a good old fashion ruff around the collar space adventure. This is the perfect book to roll a joint, kick & absorb the madness of it all.
Now the problem here I gotta say is that Space Riders takes about five minutes to read. I’m not exaggerating either it’s filled with a ton of huge panels and splash pages. While those can all be cool to look at I’ve said before comic books these days need to make some changes for readers who’re expected to throw down four bucks per issue for five minutes of story. Too many books out there don’t seem to give us enough bang for our buck. What do you think? Can you afford the rising prices of comic books? Well if you can I recommend Space Riders #1 it’s got a unique look and it bound to go to some pretty cool ass places…