We all know that H.P. Lovecraft stories can be hard to translate to the big screen, but when I heard Richard Stanley was making his cinematic return with ‘Color Out of Space’ I was pretty damn excited to say the least. Stanley may not have the longest resume when it come to feature film but what he has done is pretty damn amazing. Both Hardware (1990) & DustDevil (1992) are lesser known horror gems & with ‘Color Out of Space’ it’s a complete and total return to form. Stanley also brings Nicolas Cage along for the ride, which after his fan fave performance in ‘Mandy’ has kinda given Cage his second coming as an even more beloved cinematic presence. Much like ‘Mandy’ there’s plenty of bizarre psychedelic imagery here to go around and a ton of visceral horror sequences that I guarantee will shock you.
Stanley seems to love a slow burn horror story and brings that approach once again, leaving us all with a twisted but beautiful spectacle to behold by the film’s final act. The story here is simple, one quiet evening an eerie glowing meteorite lands in the front yard of Nathan Gardner and his family’s Alpaca farm. They soon find themselves baffled by it’s effect on the plants & wildlife on property as well as their own suddenly strange behaviors. Soon it’s clear, a mutant extraterrestrial organism that infects their minds and bodies is roaming the woods at night & transforms their quiet rural life into the ultimate technicolor nightmare. Continue reading
I recently found a copy of the rare horror movie ‘The Keep’ from 1983 and finally checked it out for the first time last night. I’ve wanted to see this one for a long time, mainly because of how damn awesome the movie’s cover/poster artwork is, the it’s VHS cover always stuck with from when I was a kid hanging around in the horror sections of the videos stores while my parents were distracted.
The Keep was directed by Michael Mann, who I’ve always loved for his 1986 movie Manhunter, which was the first big screen appearance of Hannibal Lecter. So it seems this particular movie has been kinda shoved under the rug as Mann has admitted that he’s not a big fan of it. At least not a fan of the cut that was theatrically released. Apparently his version of the movie was originally 210 minutes long! Whoah! Supposedly Paramount told him to edit it down to just two hours, that version still didn’t sit well with test audiences so they edited the movie down even further to a mere 96 minutes. Of course that’s one of the main reasons why the movie is admittedly pretty hard to make any real sense of. It’s a slow burn, but I knew that from the start, and knew it wasn’t really your typical horror movie. Instead I viewed it for what it really is, a surreal, dream like horror fantasy and it really works well as exactly that.
It’s based around a group of Nazis who are sent to guard an huge, old, mysterious fortress in a Romanian mountain pass. One of them releases an powerful force trapped within the walls while thinking they’ll discover some sort of treasure behind them. A weird stranger senses this from his home back in Greece and travels to the keep to try and destroy the sinister force. As Nazi soldiers are eliminated, a Jewish father / daughter duo who both have information on the secrets of the bizarre stronghold arrive on the scene to make sense of the ghostly happenings. It’s a cool set up, but it’s a bit hard to comprehend as it’s filled with plot holes and many unanswered questions, likely that’d been explored in the mega extended version.
It’s also more of an art film really than a horror flick at the end of the day. It’s filled with ripe, hazy dream like atmosphere from start to finish, it’s a visual treat with a mostly quiet pace to it. When the creature though arrives on the scene from the walls of the keep it does get pretty intense and the finale is filled with a ton of great sequences that surely must’ve influenced a modern film maker like Panos Cosmatos (Mandy, Beyond the Black Rainbow). There are some amazing set pieces here, most filled with creepy fog, a pretty impressive hulk of a monster and some really excellent special fx work to behold as well. It certainly excels in it’s creation of a portal from another dimension spilling into our reality.
The cast also is pretty awesome as well, Scott Glenn, Gabriel Byrne and a much younger Ian Mckellan make this whole experience that much more enjoyable. Byrne plays a crazy Nazi and Mckellan shines as a sort of hero of the movie, being forced to work alongside the Nazis. Yeah folks, Ian was at one time “young” even though he’s still oddly kinda old even way back in 1983! I also have to mention the totally epic score from soundtrack legends Tangerine Dream, I gotta track the soundtrack down. The Keep was a delight to finally see after all these years, this movie desperately needs a re-release on blu-ray/dvd this time with the full 210 minutes of Mann’s vision!!
Wow, my mind has officially been blown by Panos Cosmatos’ second feature film ‘Mandy’! I was lucky enough to catch it this crazy ass flick last Sunday evening at Cinema 21 here in Portland with a rowdy packed theater. I’m damn glad I decided to make a run to the cinema rather than renting this online ‘cuz in my opinion that’s the absolute best way to see this one for the first time. After watching the steaming pile of crap that was ‘The Predator’ at a matinee Friday, a movie like Mandy was a complete and total breath of fresh air. I guess the best thing to say here is this movie may not be for everyone, but if you’re ready to take one of the craziest mind bending cinematic journeys of the last couple decades then you’re gonna fucking love it. Hell even the poster is awesome!
Mandy is a completely insane revenge flick set in the early 80’s and it’s unlike anything I’ve ever witnessed before. I’m so used to seeing big crappy Hollywood blockbusters in the theater, so this was a bit of of a welcome shock to my noggin. The whole movie plays out like an uncomfortable fever dream, with Nicholas Cage as a logger named “Red” who lives out in the Pacific Northwest with his beautiful but eerily mesmerizing girlfriend Mandy. They live a quiet, serene life in an incredibly strange home in the middle of the woods, with large glass walls that bring to mind elements of a real life fairy tale. Everything’s dark yet overly drenched in vibrant hues of reds, purples & thick lush colors creating a surreal landscape that feels like a dream put right on the screen in front of you. It’s a spectacle to behold and it’s clear from the start that Red & Mandy have been through a lot together, sharing a truly special bond in their secluded life. Mandy works at a nearby convenience store, wears cool heavy metal tees and loses herself in fantasy novels while Red spends his time chopping down trees with his chainsaw. The two of them are pictured intently watching 80’s horror flicks together (NIGHTBEAST!), chatting about what their favorite planets are, showing they’re living a rather sweet, simple and innocent life together at this point.
Well shit majorly hits the fan when a crazy van full of uber religious cult members roll into the area and their leader spots the oddly beautiful Mandy walking on the road one day. The cult leader is seemingly hypnotized by her and quickly declares that he must have her for his own. The first hour of the movie is pretty slow moving but in the best way possible, though we don’t get much backstory, we do get a clear picture of the love Mandy & Red share for each other, which makes what follows all that more intensely heartbreaking. I don’t want to spoil anything here, but let’s just say this cult goes the full distance to send Nicholas Cage into a fully batshit crazy journey that’s part Evil Dead, part Hellraiser and part LSD drenched revenge fantasy. I know people have a sort of ironic love for Nicholas Cage these days but seriously Cage fully shines here in easily one of his best performances of his career. He’s awesome and not in some ridiculous sort of way. The movie goes to some truly bizarre places, the violence plentiful and there are a ton of oddball surprises all along the way.
The movie even has a sense of humor as well, though it feels like an unsettling waking nightmare most of it’s run time, there’s something truly comforting about having Nic Cage there with you as your guide through the mayhem of it all. It gives you a sense of hope that just maybe you’ll make it out of it all alive somehow. There’s also a strong heavy metal vibe to film, not just in it’s imagery but also in the score, which is completely breathtaking in it’s thunderous doom metal delivery through the hellish otherworldly landscapes. The music here is incredible and liley half of the charm of why Mandy works so damn well honestly.
There’s also cool hand drawn animated interludes that bring to mind the 1981 cult classic “Heavy Metal” in the best ways possible. Add in amazing practical fx work, crazy gore, epic weapon crafting, chainsaws, Goblin Mac & Cheese (just wait and see), drugs galore, demonic cenobite like bikers and a sweet ass cameo from Predator’s Bill Duke and you’ve got yourself one truly freaky epic horror masterpiece unlike anything you’ve like ever seen before. I can’t say enuff good things about this movie, it’s still floating around in my head four days after viewing it. I can though easily say that Mandy thus far is my favorite movie of 2018!