Category: Horror Whore

Movie Review: the Good and the Bad of Jordan Peele’s ‘US’!

Ok, so I’m not going to go into full deep detail here on Jordan Peele’s latest horror outing ‘US’, as there’s easily enough online analyzing with the buzz and huge hype surrounding it. I’m gonna just give a few quick thoughts on it now that I’ve had a couple days to let it sink into my brain and let you know an unbiased opinion, the good and the bad, as a huge horror hound and a big fan of his first film ‘Get Out’. Most already know the plot of this one but if not here’s a quick refresher:

Married Couple Gabe and Adelaide Wilson take their two children to their long time family beach home expecting to relax and hang with with friends at the beach. But as night falls upon them, their vacation quickly turns to terror and utter chaos when dopplegangers of themselves violently raid their home. It turns into a evening of terror as they play a deadly game of cat & mouse with insane mirror images of themselves.

So Jordan Peele has undeniably crafted a damn good mainstream horror movie once again that feels like a high budget, more violent episode of The Twilight Zone. That’s a great thing, as I’m always down for an intelligent, thought provoking horror flick and this one leaves you with a lot to think about. ‘Us’ fully delivers the frantic action, legit scares as well as some stunning violence and grooves along at near perfect pace never losing a beat. Right from the start Peele gives us a clue as to what influences he’s drawing from here, I liked the 1980’s opening with the ‘C.H.U.D.’ vhs in plain sight as well as ‘The Man With Two Brains’ and ‘Goonies’ next to the old TV which also is broadcasting something that should be paid close attention to. There’s a lot of clues sprinkled about here throughout and it’s a fun thrill ride.   

The acting of course by everyone on board was pitch perfect and the sense of dread and despair Peele drums up shows he fully understands the genre in all the best ways. The evil family that arrives upon the scene are likely to become modern horror icons, scary as ever and their perplexing motives for even being there at all is easily one of the best parts of the entire movie. I’ve always thought the doppleganger concept was a frightening one, meeting an “off” version of yourself in a dark alley is something of nightmares. Peele take this concept, puts it on steroids and leaves you thinking just how you might really react being put in a similar situation.

Now with all that being said, as a big horror fan, I found many of the brilliant tense scenes a bit undermined by attempts at comedy, much of which admittedly landed pretty well but felt out of place. For me though as funny as Peele makes the dialogue at these moments, (I feel) perhaps this trend of following scenes of tension with a joke a bit tired at this point. It takes me out of the movie in a big way, I understand the masses dig that type of thing, but it’s kinda something I feel so many try to replicate due to the success of the Marvel movies. It felt tonally off & I personally can do without, unless I’m watching something like ‘Ash vs Evil Dead’. I also found that within the first 20 minutes or so the major twist was so blatantly obvious I’d actually put it to the back of my mind as being not a likely possibility. However when the end roared forward it was indeed revealed to be exactly what I’d expected. Maybe I’ve seen too many of these horror flicks? So possibly a minor spoiler to some, I’d actually wondered if Jordan Peele had seen the 2015 movie ‘A Christmas Horror Story’ as there’s a story in the X-mas horror anthology that features a black family that well, let’s just say experience the same thing basically. Coincidence? Maybe. 

By the very end it was clear that there’s a social commentary going on again here as in ‘Get Out’, perhaps a good one but the insertion of it this time around I think kinda derailed the horror mystery that came before it. It feels more like a fable by the time the end credits hit, one that introduces new plot info to seemingly prove some kind of lesson. The explanation for the madness that erupted before feels slightly forced, just doesn’t make much sense and ultimately in my opinion changes the dynamic of the whole movie altogether. I’d actually rather be given no real explanation for what occurred than be given some sort of societal lesson at the end of the movie. It all comes pretty much out of left field, reaching a more sci fi inspired explanation that requires some serious suspension of disbelief and a much more surreal dream like approach that feels a bit out of place here ultimately. I guess it’s much more of a symbolic presentation, at least towards the end and perhaps I just wasn’t expecting it to move fully into that mode.

In a way I guess I can compare it to M. Knight Shyamalan’s movies, where sometimes his twist ending undoes some of the brilliantly crafted terror that came before it by trying to prove some deeper “meaningful” point. However, that’s just my opinion as I know many love those movies that tie into real world issues. That all being said, I highly recommend ‘Us’ as it’s still a shit load of fun and miles above the crappy ass normal Hollywood B.S. that you’re likely to see at a big cinema. Surely one of the best horror movies of 2019, Check it out and let me know if you think I’m way off here with some of my criticisms? 

VHS Verdict: 1994’s ‘Mirror Mirror 2: Raven Dance’ Introduces MARK RUFFALO?!

I  for some damn reason checked out this shoddy sequel to the 1990 horror flick ‘Mirror Mirror’ the other night & the one surprise greater than anything this film could muster up was Mark “Incredible Hulk” Ruffalo in his first “real” movie appearance! So ‘Mirror Mirror 2: Raven Dance’ came out in 1994, though it really feels much more like a mid 80’s movie with it’s special fx work/plot. It starts off pretty strong actually, showing a lot of cheezy promise, that is if you’re a fan of low budget 80’s horror stuff. We’ve got creepy nuns in a convent along with a “terrifying” giant vintage mirror that’s some sort of portal to another dimension of evil. It emits that 80’s style energy electricity fx I love so much, all over the damn place turning a bunch of nuns into piles of burnt ash, it’s admittedly a pretty sweet opening making me for a second think I’d unearthed some sort of forgotten gem of a horror flick!

Well we then switch to “present day” 1994 where we meet a bad ass alternative rock band on tour, who seem to be channeling the Red Hot Chili Peppers and for some reason they’re rehearsing for a gig in town at the old church. There’s a random teenage girl there hanging out with them, who ends up being the main focus of the movie and of course the douchey band members can’t resist uncovering the giant haunted mirror & are sadly destroyed all too soon by the evil mirror’s supernatural energy blasts. I was hoping these idiots would be present most of the movie but alas…Anyway Roddy Mcdowell also stars in one of his most boring roles and the movie slogs along at a snail’s pace until Mark Rufflo emerges as some sort of “mysterious” character who might be evil but it also some sort of “sexy” love interest. That actually was pretty unexpected!

Throw in a weird crazed handyman, a useless subplot with a greedy stepsister trying to extort some big money from the main character and eventually about 30 seconds of a pretty cool monster, more energy bursts from the mirror and well….ah…ok…who gives a shit, let’s not waste anymore time trying to explain this crappy ass mess, so here’s Mark Ruffalo’s first movie appearance in this boring pile of shit waste of time horror flick!! 

 

Weird Ass Action Figures of the 1980’s: The Super Naturals!

One thing I love are those weird ass toys of the 70’s & 80’s many of them long forgotten by most. Today I was thinking about a strange action figure line called ‘The Supernaturals’. This bizarre gang of monster toys from 1987 had a gimmick, a spooky 3-D hologram sticker attached to their bodies, often times the heads and torso that really created an incredibly creepy unmistakable look for these action figures. These dudes were pretty damn awesome, each one came with a mini comic book that explained origins of the ghosty heroes and villains.

They also had glow in the dark hands and weapons just to make them even spookier when the lights went out as well as spooktacular vehicles they used in battle. I had a few of these as a kid, they were truly bizarre and that’s one of the main reasons why this toy line was so short lived. Luckily someone was kind enough to upload these old commercials of them so they can truly live on forever!!!

  

RIP John Carl Buechler: Remembering His Amazing Movie Monsters!!

Yesterday we heard the news of master special effects artist / director John Carl Buechler’s passing & it reminded me once again of just how amazing his work in the industry was and just how many of the movies he was involved with have been a huge part of growing up. From cult classics like Troll, Dolls & The Dungeonmaster to arguably the best installment of Friday The 13th, Part VII: The New Blood to Indiana Jones: The Last Crusade, his work has brought me soooo much joy throughout my life as a movie maniac.

As one of the biggest fans of monster movies, he brought some of the best to the big and small screen. It led me to comb Youtube for some choice clips of his that feature some of my favorite creations of his. They just don’t make em’ like this anymore, Mr. Buechler you will be missed but your incredible creatures will live on forever, that is for sure…

 

 

 

The New HELLBOY Trailer Fails Again to Capture the True HELLBOY Vibe!!

Ok, I went from insanely excited about a reboot of Hellboy to now wishing that Guillermo del Toro and Ron Perlman were back again instead for a third installment. I loved the del Toro Hellboy movies but also recognized that they really didn’t capture the true tone of Mike Mignola’s visionary comic book series. Visually they were damn near perfect but I’d always hoped for a darker version of Hellboy to appear onscreen as a fan of the source material. I was positive that latest director Neil Marshall was finally gonna deliver the goods. I’m a huge fan of his debut werewolf flick ‘Dog Soldiers’ and his companion piece ‘The Descent’ was just as damn good. From the start, Marshall made many claims that this new version of Hellboy was going to have the feel of the comic books, much darker, gothic and less comedic than del Toro’s lighter take on the series. Well now after seeing both trailers for the movie at this point it seems the new incarnation of Hellboy is more or less the same take on the character we got from the previous films. At least from what the trailers reveal.

The only thing that feels different is the dropping of the ‘F-word’ and some shoddy CGI blood sprinkled about in the trailer. Heck it even seems as if David Harbour is doing a full on Ron Perlman impersonation and the wacky comedy seems just as prevalent (if not more so) here in the two trailers as it was in the del Toro movies. Why even replace Ron at this point if you’re just gonna do the same take on the character? Sure Harbour’s version appears to be not quite as cute visually but it still feels basically just like Ron. The trailer’s got a cheaper production quality as well in my opinion, dare I say a more generic vibe to it as well when you compare it del Toro’s perfect gothic style. 

I was also a bit surprised to see just how CG heavy this footage was, Neil Marshall had originally boasted the movie was going to largely utilize practical effects over digital to give it a more real world feel. Instead I’m seeing a lot of truly subpar standard Hollywood  digital effects at play here and it’s making me miss del Toro’s vision all the more. I’m gonna call it here, a prediction that Hellboy is going to flop. The one thing the first two movies had going for it were that they really stood out from the crowd, while this so far looks sadly like another bland Hollywood blockbuster.

I’d also heard that Mike Mignola, (the creator of the character/legendary artist), stated early on that this movie was much more in line with his vision of the character that the previous installments. I’m not sure as he’d stated that quite some time ago, if perhaps the production somewhat switched gears and now we’re getting a more standard “what you’d expect” from a big Hollywood production. The comic books are are truly incredible and anyone who’s only familiar with the movies might be quite surprised at how different the tone of them are from movies. I’m hoping I’m wrong and that there’s a real Hellboy movie here that hasn’t been presented in these two trailers. I’m still going to see it, but man am I disappointed with what I’ve seen so far. Any other fans of the comic book out there feel the same way or disagree? Let me know!      

 

VHS Verdict: ‘The White Buffalo’ is a Western ‘JAWS’ with Charles Bronson!

I never even knew a movie existed where Charles Bronson and Will Sampson (Chief Bromden from ‘One Flew Over the Cuckoo’s Nest’) teamed up to battle a giant albino monster buffalo up until a couple weeks ago. But yeah ‘The White Buffalo’ is just that, a wild west adventure flick that channels ‘Jaws’ in obvious ways but alsogives a lot more to ponder upon later. This 1977 action flick features Bronson as Wild Bill Hickock who’s haunted by nightmares of a vicious monster buffalo, so much so that he’s developed a bad habit of grabbin’ his pistols during the dreams and randomly firing it in real life while he’s in a deep slumber.

The visions intensify and soon Bronson’s on a cross country quest to track down this pesky monster. There’s some great action in between of course where Bronson kicks a ton of ass and gets into some crazy saloon shootouts, cuz let’s not forget what he’s best known for, over the top ass kickin’ action. Meanwhile the awesome Will Sampson plays the legendary Crazy Horse, who’s daughter happens to be slaughtered by the giant buffalo in a bloody massacre on his settlement and it inspires a quest of revenge against the beast.

I really dig this forgotten gem, from the cool sets to the atmospheric gothic journey when Bronson heads off on into the mountains in a stage coach, to the drama between Hickock and Crazy Horse as they try to come to terms with the white man’s dominance in the world. Of course my favorite part of this 70’s horror/action hybrid is the threat of the giant beast looming in the mountians, which I read was inspired by the success of ‘Jaws’. The creature appears within an almost dream like landscape, even when outside of Bronson’s nightmares.

The giant beast is actually pretty well done I think, considering the times, using animatronics and puppetry and well placed camera angles. there’s some pretty bloody and intense scenes later as well when the duo finally confronts the albino behemoth. Considering the movie had a PG rating back then at least it gets nice and dirty when it needs to. We all know those 70’s “PG” rated flicks can feel a lot more like an R rated movie in modern times. The movie definitely works best showcasing the unlikely alliance between Bronson & Sampson and does it’s best to show what sort of bonds and trust can develop against a greater threat. I had a blast with this one and it’s easily become one of my favorite Bronson movies! Track this one down, it’s a unique little largely forgotten monster flick! 

Impostor CHUCKY Alert: The ‘Child’s Play’ Remake Trailer Arrives!

Well it’s definitely a real thing, now that the trailer has officially dropped for the Child’s Play remake and I’m not quite sure just how to take it. I mean, I think the most recent “Curse of Chucky” and “Cult of Chucky” were actually pretty damn good, returning to the more serious horror elements of the first couple movies while still keeping all of the movies cannon. Fans of the horror franchise were pleasantly surprised and after “Cult” it was clear the story wasn’t over and was even headed into unfamiliar territory. Now there’s concrete plans of Don Mancini’s current “Chucky” franchise being continued into a tv series for the SyFy channel AND this new trailer that fully starts the story over again.

This time Chucky though seems to be some sort of interactive doll with artificial intelligence. The just over a minute trailer doesn’t look entirely bad more so than it feel simply unnecessary. I mean we’ve tried this remake business all before with Halloween, Friday the 13th, Texas Chainsaw Massacre, A Nightmare on Elm Street and even the damn Leprechaun franchise. None have stuck and all of them are pretty much forgotten by horror hounds. I’ve got a feeling we’re in familiar territory here with the Child’s Play remake, the original is a perfect horror film in my opinion and I’m not seeing fans wanting a new Chucky, especially since Brad Dourif is still down to play the classic character. Another thing is the main kid character here in the trailer, to me seems a little too old maybe to believably be hanging around with a “Good Guy” doll or in this case a “Buddi” Doll. What do you think though? Is this new remake going to strike box office gold or just be another flimsy Hollywood remake to be forgotten a year or so later? Let me know!

 

‘Ghostbusters 3’ Desperately Needs the Original Cast!!

I was super duper pumped about the recent news of ‘Ghostbusters 3’, that’s being directed By Ivan Reitman’s son Jason. It’s going to be a direct sequel to the 80’s franchise and after literally decades of talk about a third movie it finally seems like things are back on track. We got a new Ghostbusters reboot in 2016, which to me turned out to be another forgettable remake. The 2016 version to me was about as memorable as recent remakes, the likes of Poltergeist, The Thing, Fright Night, Total Recall & The Karate Kid etc. etc. So now we’re lead to believe we’re getting a true sequel, however as more info is being released it’s starting to feel more and more like soft reboot territory.

 

What we’ve been told so far is that it’s going to focus on four teenagers, two boys and two girls who’re set to become…..the new Ghostbusters. The movie is again being called “a passing of the torch” by many. Now I get that Hollywood wants to restart the franchise with young actors so they can make a bunch more sequels and make a big cash, however there’s good way to do this and another more risky way, which Hollywood seems to be unable to resist trying over and over. I’m gonna be honest and straight forward here, fans want the third Ghostbusters film to focus on the remaining living cast from the 80’s. I fear Hollywood just doesn’t understand this and is on it’s way to make the same mistake that the latest Star Wars trilogy has made.

 

 

 ‘Ghostbusters 3′ can go the way of “passing the torch”, I’m all for that. But this third film really needs to center around the characters people have been waiting since 1989 to see. Plain and simple. We need Bill, Ernie and Dan back for one last adventure. This should indeed pass the torch to a younger team, those new characters in this installment should start out as supporting ones and by the movies end, get in on the action to help the old cast defeat whatever spooky threat has materialized. I think the latest Disney Star Wars made a big mistake by not focusing more heavily on the iconic characters from the original trilogy, rather they put them as secondary characters, pushed to the background, getting very little screen time. It’s almost like they were completely clueless about how much the fans wanted more of those classic characters just one last time. We all wanted more Leia, more Han, more Chewy, more Luke hell we wanted more of some damn R2 & C3P0 too! I think by ‘Star Wars: Episode IX’ the newer characters could’ve become much more beloved by fans had they slowly worked their way into the plot rather than feel forced upon us. Continue reading

Movie Review: Thankfully ‘GLASS’ is the Opposite of a Marvel Movie!

So there’s a damn big ‘split’ (no pun intended!) in movie goer’s opinions on M. Night Shyamalan’s latest movie ‘Glass’. The long awaited sequel to both ‘Unbreakable’ and ‘Split’ has caused a ton of debate online, some think it’s the perfect end cap to Shyamalan’s “Eastrail 177” trilogy other’s think it’s a boring waste of two hours. For me I found it to be a compelling end to the saga, in fact I saw the critics bashing this movie so hard that I was truly expecting the worst going in. I mean Shyamalan’s let me down before in big ways (The Happening, The Last Airbender anyone?) so I was fully prepared to begin my next phase of “hatin’ on the guy” once again. Luckily he stuck to his guns and in my opinion delivered a smart, tense & mysterious movie that feels right in line with ‘Unbreakable’ & ‘Split’. He definitely subverted my expectations, not in the same way Rian Johnson did with ‘The Last Jedi’ but in a way which I’ve come to appreciate early on in M. Night’s career. I was hoping that it would avoid trying to be a “Marvel” movie, something it seems all big Hollywood productions are desperately trying to replicate using a somewhat, imo, tired film making style, mixing their usual “witty banter comedy” with gigantic bloated CGI battles, that at this point makes me begin to nod off in theaters.

Instead he creates smaller scale action sequences that feel real, tense and important when they occur. I’ve grown pretty damn bored with the modern superhero movies and their predictable tropes and overuse of green screens & rubbery cartoony CGI action sequences. Glass feels like it could actually happen in the real world and I was pretty scared Night was going to try and tap into that Marvel-esque money making formula that’s all the rage. Thankfully it feels like a natural progression to what came before it, more like a Christopher Nolan style superhero film than ‘Infinity War’ or ‘Aquaman’. That being said I can see how modern audiences conditioned to the ultra fast paced video gamey CGI action stuff would find plenty of reasons to be pissed off at this one. Its a dramatic supernatural thriller with slight elements of the superhero genre sprinkled about, I think ‘Glass’ will surely satisfy fans of the the two previous installments.

That all being said the movie does have plot points I found a bit disappointing. Not because they were bad moves, but because it didn’t go the way I ENVISIONED it to. The movie sets up the audience for things that might not occur at all and this all works as it feels like the real world as opposed to ‘The Last Jedi’ which is based in 100% fantasy in an established universe spanning back to the 1970’s. Shyamalan’s decisions left me disappointed and heart broken, but not in a way that destroyed the film’s appeal to me. It made me want to go back and watch all three in order and the films third act subverts expectations in ways I never saw coming. It feels like Shyamalan wasn’t merely looking to cash in on his new “superhero universe” but rather had a complete story he was willing to start and end. It was bizarre seeing a movie that didn’t feel like it was trying to tease the next installment. It brought back familiar faces from Unbreakable and Split as well and all of them were wonderful in the roles, I’ve got to admit though the characters didn’t do what I’d originally imagined they’d do. Again, I kinda appreciate that.

A few things that bothered me? Wanting more of Bruce Willis and Sam Jackson interacting, but I guess we got a heap of that way back in Unbreakable and there’s some clear problems with how Jame’s Mcavoy’s character was kept imprisoned in the mental ward where the three of them were locked up in. Minor qualms really, my major being one of the key events that occurred at the end left me perplexed and actually quite saddened. Again never expecting they’d go there and go that direction. So all in all ‘Glass’ is one I highly recommend, I give it an ‘A minus’ as it left me thinking about it a couple days later and left me wanting a second viewing now that my expectations aren’t there. Night delivers a beautiful, tense, realistic superhero character piece that fully enhances what came before it. Check it out, but don’t expect your usual superhero flick!

Let’s Get Ready to Rumble: Sam Elliot vs Sasquatch?!!

I’m going to make a prediction here, that the upcoming horror drama adventure movie ‘The Man Who Killed Hitler and then the Bigfoot’ is going to be one of my favorite movies of 2019. This one looks like a ton of fun and it stars Sam Elliot in what appears to be one heckuva oddball adventure. Besides I’m willing to give most any movie that’s got the big hairy ape in it a fair shot. First check out this bad ass poster:

Check out the synopsis:

“The story follows a legendary American war veteran named Calvin Barr (Elliott / Turner) who, decades after serving in WWII and assassinating Adolf Hitler, must now hunt down the fabled Bigfoot. Living a peaceful life in New England, the former veteran is contacted by the FBI and the Royal Canadian Mounted Police to lead the charge as the creature is carrying a deadly plague and is hidden deep inside the Canadian wilderness.”

This sounds right up my alley and although we didn’t get a glimpse of Bigfoot himself I’m hoping we get a fair amount of the hairy guy and a decent game of cat and mouse between him and Elliot. After doing a little poking around the rumor is the movie is much more of a character piece than a campy throw down with Sasquatch, that’s good to know ahead of time for me at least. This one comes out on Feb 8th 2019, check out the trailer: