Anyone have those oh so fond memories of ‘The HULK’ magazine from the 70s/80s?! They were larger than your average comic cover and had insanely epic covers & also featured a BONUS Moon Knight story in every issue. There was also ‘The Rampaging Hulk’ which was another larger comic version with amazing hand painted colors. THIS issue #23 from 1980 features the icon, Walt Simonson (as seen with his unmistakable signature) with his Banner/Hulk “rainbow of rage”.
An amazing colorful piece of gamma charged work that makes me again wish that Walt had spent more time drawing The Hulk!
One of the most unique comic book covers the Jade Giant ever received has got to be from The Incredible Hulk #294, way back in April of 1983. I love the covers from this period, as you never quite knew what to expect, sometimes covers would be hand painted, or sometimes even photographs. It was all quite unpredictable in the best way possible. Today the slick artwork done completely via computer can be initially quite stunning but can also have a sterile feel to it and the weird glossy “paper(?)” they’re printed on doesn’t help give them any extra charm. Issue #294 though is what comic book covers are all about, painted brilliantly by Ken Steacy. This issue also features the wild moment, of Bruce transforming into The Incredible Hulk COMPLETELY naked while lathering up in the shower! Check that out right HERE! This is all just a couple more reasons why I miss the 1980’s so damn much…
I for some damn reason checked out this shoddy sequel to the 1990 horror flick ‘Mirror Mirror’ the other night & the one surprise greater than anything this film could muster up was Mark “Incredible Hulk” Ruffalo in his first “real” movie appearance! So ‘Mirror Mirror 2: Raven Dance’ came out in 1994, though it really feels much more like a mid 80’s movie with it’s special fx work/plot. It starts off pretty strong actually, showing a lot of cheezy promise, that is if you’re a fan of low budget 80’s horror stuff. We’ve got creepy nuns in a convent along with a “terrifying” giant vintage mirror that’s some sort of portal to another dimension of evil. It emits that 80’s style energy electricity fx I love so much, all over the damn place turning a bunch of nuns into piles of burnt ash, it’s admittedly a pretty sweet opening making me for a second think I’d unearthed some sort of forgotten gem of a horror flick!
Well we then switch to “present day” 1994 where we meet a bad ass alternative rock band on tour, who seem to be channeling the Red Hot Chili Peppers and for some reason they’re rehearsing for a gig in town at the old church. There’s a random teenage girl there hanging out with them, who ends up being the main focus of the movie and of course the douchey band members can’t resist uncovering the giant haunted mirror & are sadly destroyed all too soon by the evil mirror’s supernatural energy blasts. I was hoping these idiots would be present most of the movie but alas…Anyway Roddy Mcdowell also stars in one of his most boring roles and the movie slogs along at a snail’s pace until Mark Rufflo emerges as some sort of “mysterious” character who might be evil but it also some sort of “sexy” love interest. That actually was pretty unexpected!
Throw in a weird crazed handyman, a useless subplot with a greedy stepsister trying to extort some big money from the main character and eventually about 30 seconds of a pretty cool monster, more energy bursts from the mirror and well….ah…ok…who gives a shit, let’s not waste anymore time trying to explain this crappy ass mess, so here’s Mark Ruffalo’s first movie appearance in this boring pile of shit waste of time horror flick!!
Ahhh yes I can still remember how stoked I was as a kid waaaay back in 1985 when John Byrne took over writing and drawing The Incredible Hulk for a far too short of a run. I was only 11 years old, but I seriously adored John Byrne, he was hands down my favorite comic book artist and The Hulk was my favorite comic book character. Byrne had been writing and drawing Alpha Flight, which of course I was a die hard fan of too, when he switched to full on Hulk mode with issue #314. I was thrilled!
I must have read that issue a hundred times and the cover itself couldn’t have been more awesome as it featured the Jade Giant in all of his Byrne-esque glory along with a gang of his deadliest villains behind him ready to start some shit. The Leader, Modok, The Rhino, Abomination & The Juggernaut! Byrne’s highly detailed artwork pushed The Hulk to new levels of awesomeness, the character was more massive than he’d ever been too. Though the villains on the cover end up being just part of Hulk’s over active imagination, the Byrne run fully made up for that with making Hulk-centric character Doc Samson one of, if not the main character of his short run. From that point in in Hulk history Doc Samson quickly became one of my favorite Marvel characters, the series also improved upon Doc’s costume, giving him a new one, ditching his classic but sorta awful lightning bolt suit he’d worn previously.
In the past we’d seen Samson tangle with the Hulk but never quite like this. I absolutely love how Byrne’s Hulk completely dwarf’s Samson in size like never before, yet he proves just how much of a bad ass the character really is with not only his brawn but also his brains. This issue is essentially one big fight between the two and begins with a more mindless version of the Hulk who’d been missing in another dimension called The Crossroads, exiled by Doctor Strange for over a year (those were great issues too!). Samson cleverly defeats The Hulk and makes Hulk history using his genius scientific intellect to actually separate Bruce Banner from The Hulk as two living breathing entities.
This was a great era of Hulk history and let’s face it John Byrne was easily one of the best comic book writers and artists of the 70’s & 80’s if not of all time. During this run he pumped out 8 issues, one being an awesome Marvel Fanfare where’s Byrne’s stunning artwork proved he was easily one of the best of all time when it came to drawing the jade giant. Another was The Hulk annual #14 which he wrote but master Hulk artist Sal Buscema drew. I love the Byrne era Hulk and apparently he’d had big plans for the series but was thwarted, there’s actually a great story about what went down here with the Byrne Hulk run for all of you Hulk-a-maniancs. Also check out ‘Incredible Hulk: Visionaries #1‘ Trade Paperback which features the whole output of Byrne 80’s Hulk. Ahhh those were the good ol’ days….
Damn do I miss me some old school Hulk adventures! The Hulk comics will never quite be the same it seems and I don’t expect them to be I mean it’s goddamn 2017 and we’ve now got “Totally Awesome Hulk” instead. That’s fine, but long gone are the days of the crazy old school sci-fi superhero adventures of the Jade Giant. I just love the look of these old vintage covers and Incredible Hulk #213 from 1977 capture exactly the vibe I’m referring to. I mean, hell, how awesome is The Quintronic Man?! What a classic weirdo Hulk villain. I love this era of Hulk comics where you’d just be super stoked to see the Hulk’s next big brawl as some super powered mad scientists pester him into a total rage. A total classic cover by Rich Buckler and Ernie Chan! Oh those were the days!!
Here’s the second installment of the all time greatest one shot comics, featuring small self contained stories that begin & end all within the span of one single issue! Today we’ve got an excellent story from 2001 in The Incredible Hulk #26 (vol. 2) written by Sean Mckeever and drawn by one of my personal favorites, the amazing Kyle Hotz. I immediately had a soft spot for this issue as it takes place in Wausau, Wisconsin (and even features ‘Eagle River’ on a highway sign, a place where my family’s had a cottage for ages) a state that we don’t normally see superhero adventures taking place. I had a feeling that Mckeever must’ve been a Wisconsin native to include such random small towns in this story and I was right as his Wiki page states he’s from Appleton (I used to live there!).
Anyway the story features The Hulk as he wanders aimlessly through the night on a lonely highway being drawn to a nearby city’s lights in the distance. The Hulk appears to be at peace in the quiet night, but hey we all know for the jade giant tranquility never lasts long. The cool thing about this particular issue is that Hulk kinda takes a back seat as the story really follows the exploits of b-lister down on his luck supervillain ‘The Killer Shrike’ and his wife Nadine who’re traveling the country aimlessly in his beat up van. I love what this one brings to the table as we’re able to see Simon Maddicks (The Killer Shrike) life as a real person. We witness the struggle of a woman who’s stuck by her mate as he’s chosen a life as a superhuman criminal constantly on the run from the law. She’s tired and ready to live a normal boring life. Shrike’s promising her soon he’ll be ready and willing to give up the life of crime and pulls into Wausau claiming that it could be the city for both of them to settle down in.
It doesn’t take long for her to realize Simon’s lying through his teeth as he eyes up a convenience store and tells her he’s got a new plan. Rather than looking for the big score like he has for years he’s gonna hit small towns hard where there’s no superhuman resistance. We get a real glimpse in to what life might really be like for a supervillain who at his core is just a regular small time crook. There haven’t been too many comics that have covered this topic so intimately and really given us a look at the starving supervillain’s daily life. It’s too bad The Killer Shrike doesn’t realize this small city’s also harboring the most powerful brute force on the planet-The Hulk. We get a compelling introspective into just what makes The Hulk tick and where his thoughts wander to when he’s in a state of peace with his surroundings. There’s a lot of great dialogue packed into this little story and Hotz’s unique artwork really brings this tale to life
The Killer Shrike suits up in his van and hit’s the convenience store with an easy small time score, or so he thinks. On his way out with the cash he nearly runs head on into you guessed it…good ol’ green jeans himself. The Shrike in sheer panic attacks The Hulk, who really just wants to be left alone. He’s doesn’t let up either as he’s convinced he can take down The Hulk himself, he keeps on striking until he levels an entire building upon the jade giant. The Killer Shrike however quickly realizes that very building also crushed his getaway van with his lover, Nadine inside. As things often go wrong when puny humans decide to pester the Hulk, this issue delivers a heartfelt punch to the gut as we witness one fateful night in the life of Simon Maddicks. I wish Marvel could capture this type of depth in their characters and villains more often as The Incredible Hulk #26 would be great issue to present to Marvel executives today as they ponder upon why their comic book sales have declined so much recently. Check this issue out next time you’re at the comic shop roaming through the back issue boxes, it’s a damn fine little slice of storytelling! P.S. here’s an old Marvel Universe profile for the Killer Shrike!
I’ve been seeing an increase of stories recently online & on social media about Marvel Comics and it’s continuing sales slump. Most of the articles bring up the hot topic of diversity, some say that Marvel’s record low sales of their comics books are simply because of rising cover prices & lack of fresh new ideas for their characters. Others say that it’s directly due to it’s attempt at diversifying it’s star characters by changing their race, gender & sexual orientation. Most of their popular character’s titles have had a bit of a revamp lately, for instance Wolverine is now female, so is Thor, so is Iron Man, Cap is black, the Hulk is now Korean-American etc. etc. You get the point. Could these changes really be the reason why sales are down? Do people just simply hate diversity in the Marvel Comics titles?
I really doubt that it’s really that simple, though rising cover prices and lack of fresh ideas definitely doesn’t help their low sales. What I see personally happening is a bit of a trend within Marvel Comics that feels a bit insincere. I honestly don’t really mind that the traditional characters have been replaced but I do feel Marvel’s move to make all these changes to their most popular titles feels as if they’ve been exploiting diversity to make a quick buck. What I’m saying is that it feels like Marvel is just trying way too hard to be current on these topics rather than crafting interesting stories. I don’t believe you can simply take all of your money maker superhero titles, simply change their identities and expect them all to suddenly bring you boatloads of cash because you finally decided to make them more diverse. It’s just not that simple folks. Continue reading
Here’s a personal favorite cover of mine way back from 1983! This particular issue was one I must have read 100 times as a kid and I just loved the imagery of the Hulk being attacked by a cluster of The Leader’s pink rubbery silly putty style humanoids. It got me thinking of how much I miss those old classic Hulk story lines and how today we don’t even have Banner or the original classic Hulk anywhere to be found. I realize the old days of the Hulk are likely gone as comic books today are a bit more of a real life social statement. I’m missing those days of the jade giant and Banner fighting monsters, the military and all the cool sci-fi adventures they embarked on. Times have truly changed but they can never take away those classic comics of yesteryear….
I love those weird ass moments in comic book history that catch you by surprise (especially as a kid) and kinda make you chuckle! Today I wanted to add an odd moment from The Incredible Hulk #294, this was back when the Banner could “control” the Hulk and he dressed like banner and even combed his hair the same way. The most nerdy version of the green goliath off all time for sure. I love it. Well this Banner Hulk didn’t last long soon he would lose total control again only to be banished to a different dimension by Doctor Strange. But I digress, well in this issue they are doing some gamma tests on an injured dog and at first the testing appears to have some nice results. After Banner decides to take a nice hot shower, only problem is he’s been having some intense nightmares lately. The over tired Banner starts having a waking nightmare and well, in mid shower transforms into a very naked but squeaky clean Hulk!! Good thing for well placed shower steam! Right after this happens he squares off against Boomerang, a truly classic story line well worth revisiting and of course wonderfully drawn by perhaps the best Hulk artist of all time Sal Buscema!!
I had to share this rad little clip from College Humor being a huge Hulk fan i totally dug this one-Great little comedy on Bruce Banner’s frustrating sex life!! Check it out!!!