Ok, so I’m not going to go into full deep detail here on Jordan Peele’s latest horror outing ‘US’, as there’s easily enough online analyzing with the buzz and huge hype surrounding it. I’m gonna just give a few quick thoughts on it now that I’ve had a couple days to let it sink into my brain and let you know an unbiased opinion, the good and the bad, as a huge horror hound and a big fan of his first film ‘Get Out’. Most already know the plot of this one but if not here’s a quick refresher:
Married Couple Gabe and Adelaide Wilson take their two children to their long time family beach home expecting to relax and hang with with friends at the beach. But as night falls upon them, their vacation quickly turns to terror and utter chaos when dopplegangers of themselves violently raid their home. It turns into a evening of terror as they play a deadly game of cat & mouse with insane mirror images of themselves.
So Jordan Peele has undeniably crafted a damn good mainstream horror movie once again that feels like a high budget, more violent episode of The Twilight Zone. That’s a great thing, as I’m always down for an intelligent, thought provoking horror flick and this one leaves you with a lot to think about. ‘Us’ fully delivers the frantic action, legit scares as well as some stunning violence and grooves along at near perfect pace never losing a beat. Right from the start Peele gives us a clue as to what influences he’s drawing from here, I liked the 1980’s opening with the ‘C.H.U.D.’ vhs in plain sight as well as ‘The Man With Two Brains’ and ‘Goonies’ next to the old TV which also is broadcasting something that should be paid close attention to. There’s a lot of clues sprinkled about here throughout and it’s a fun thrill ride.
The acting of course by everyone on board was pitch perfect and the sense of dread and despair Peele drums up shows he fully understands the genre in all the best ways. The evil family that arrives upon the scene are likely to become modern horror icons, scary as ever and their perplexing motives for even being there at all is easily one of the best parts of the entire movie. I’ve always thought the doppleganger concept was a frightening one, meeting an “off” version of yourself in a dark alley is something of nightmares. Peele take this concept, puts it on steroids and leaves you thinking just how you might really react being put in a similar situation.
Now with all that being said, as a big horror fan, I found many of the brilliant tense scenes a bit undermined by attempts at comedy, much of which admittedly landed pretty well but felt out of place. For me though as funny as Peele makes the dialogue at these moments, (I feel) perhaps this trend of following scenes of tension with a joke a bit tired at this point. It takes me out of the movie in a big way, I understand the masses dig that type of thing, but it’s kinda something I feel so many try to replicate due to the success of the Marvel movies. It felt tonally off & I personally can do without, unless I’m watching something like ‘Ash vs Evil Dead’. I also found that within the first 20 minutes or so the major twist was so blatantly obvious I’d actually put it to the back of my mind as being not a likely possibility. However when the end roared forward it was indeed revealed to be exactly what I’d expected. Maybe I’ve seen too many of these horror flicks? So possibly a minor spoiler to some, I’d actually wondered if Jordan Peele had seen the 2015 movie ‘A Christmas Horror Story’ as there’s a story in the X-mas horror anthology that features a black family that well, let’s just say experience the same thing basically. Coincidence? Maybe.
By the very end it was clear that there’s a social commentary going on again here as in ‘Get Out’, perhaps a good one but the insertion of it this time around I think kinda derailed the horror mystery that came before it. It feels more like a fable by the time the end credits hit, one that introduces new plot info to seemingly prove some kind of lesson. The explanation for the madness that erupted before feels slightly forced, just doesn’t make much sense and ultimately in my opinion changes the dynamic of the whole movie altogether. I’d actually rather be given no real explanation for what occurred than be given some sort of societal lesson at the end of the movie. It all comes pretty much out of left field, reaching a more sci fi inspired explanation that requires some serious suspension of disbelief and a much more surreal dream like approach that feels a bit out of place here ultimately. I guess it’s much more of a symbolic presentation, at least towards the end and perhaps I just wasn’t expecting it to move fully into that mode.
In a way I guess I can compare it to M. Knight Shyamalan’s movies, where sometimes his twist ending undoes some of the brilliantly crafted terror that came before it by trying to prove some deeper “meaningful” point. However, that’s just my opinion as I know many love those movies that tie into real world issues. That all being said, I highly recommend ‘Us’ as it’s still a shit load of fun and miles above the crappy ass normal Hollywood B.S. that you’re likely to see at a big cinema. Surely one of the best horror movies of 2019, Check it out and let me know if you think I’m way off here with some of my criticisms?
So there’s a damn big ‘split’ (no pun intended!) in movie goer’s opinions on M. Night Shyamalan’s latest movie ‘Glass’. The long awaited sequel to both ‘Unbreakable’ and ‘Split’ has caused a ton of debate online, some think it’s the perfect end cap to Shyamalan’s “Eastrail 177” trilogy other’s think it’s a boring waste of two hours. For me I found it to be a compelling end to the saga, in fact I saw the critics bashing this movie so hard that I was truly expecting the worst going in. I mean Shyamalan’s let me down before in big ways (The Happening, The Last Airbender anyone?) so I was fully prepared to begin my next phase of “hatin’ on the guy” once again. Luckily he stuck to his guns and in my opinion delivered a smart, tense & mysterious movie that feels right in line with ‘Unbreakable’ & ‘Split’. He definitely subverted my expectations, not in the same way Rian Johnson did with ‘The Last Jedi’ but in a way which I’ve come to appreciate early on in M. Night’s career. I was hoping that it would avoid trying to be a “Marvel” movie, something it seems all big Hollywood productions are desperately trying to replicate using a somewhat, imo, tired film making style, mixing their usual “witty banter comedy” with gigantic bloated CGI battles, that at this point makes me begin to nod off in theaters.
Instead he creates smaller scale action sequences that feel real, tense and important when they occur. I’ve grown pretty damn bored with the modern superhero movies and their predictable tropes and overuse of green screens & rubbery cartoony CGI action sequences. Glass feels like it could actually happen in the real world and I was pretty scared Night was going to try and tap into that Marvel-esque money making formula that’s all the rage. Thankfully it feels like a natural progression to what came before it, more like a Christopher Nolan style superhero film than ‘Infinity War’ or ‘Aquaman’. That being said I can see how modern audiences conditioned to the ultra fast paced video gamey CGI action stuff would find plenty of reasons to be pissed off at this one. Its a dramatic supernatural thriller with slight elements of the superhero genre sprinkled about, I think ‘Glass’ will surely satisfy fans of the the two previous installments.
That all being said the movie does have plot points I found a bit disappointing. Not because they were bad moves, but because it didn’t go the way I ENVISIONED it to. The movie sets up the audience for things that might not occur at all and this all works as it feels like the real world as opposed to ‘The Last Jedi’ which is based in 100% fantasy in an established universe spanning back to the 1970’s. Shyamalan’s decisions left me disappointed and heart broken, but not in a way that destroyed the film’s appeal to me. It made me want to go back and watch all three in order and the films third act subverts expectations in ways I never saw coming. It feels like Shyamalan wasn’t merely looking to cash in on his new “superhero universe” but rather had a complete story he was willing to start and end. It was bizarre seeing a movie that didn’t feel like it was trying to tease the next installment. It brought back familiar faces from Unbreakable and Split as well and all of them were wonderful in the roles, I’ve got to admit though the characters didn’t do what I’d originally imagined they’d do. Again, I kinda appreciate that.
A few things that bothered me? Wanting more of Bruce Willis and Sam Jackson interacting, but I guess we got a heap of that way back in Unbreakable and there’s some clear problems with how Jame’s Mcavoy’s character was kept imprisoned in the mental ward where the three of them were locked up in. Minor qualms really, my major being one of the key events that occurred at the end left me perplexed and actually quite saddened. Again never expecting they’d go there and go that direction. So all in all ‘Glass’ is one I highly recommend, I give it an ‘A minus’ as it left me thinking about it a couple days later and left me wanting a second viewing now that my expectations aren’t there. Night delivers a beautiful, tense, realistic superhero character piece that fully enhances what came before it. Check it out, but don’t expect your usual superhero flick!
I checked out a perplexing VHS tape last night, ‘The Caller’, a “thriller” from 1987 starring Malcolm Mcdowell & Madolyn Smith. Now even though I’d been told this flick had a twist ending and even on the cover it boasts “a surprise ending”, somehow I’d just had no way of predicting what was gonna go down no matter how hard I tried during. That’s a pretty difficult task especially in this day and age. M Night Shyamalan eat your heart out. Warning, this one’s got a ton o’ dialogue and then some, oh boy and then some. At it’s beginning something is most definitely off with our two main characters and immediately my mind began racing to try to figure out just what the hell it could be. Basically it’s just two actors the entire movie and is a simple story about a woman who resides in an cabin out in the woods, who one dark night has a strange creeping man, Mcdowell, appear at her front door, claiming his car broke down and needs to use a phone.
From that point on both of these characters act in truly bizarre ways, they talk to each other about how they’d get away with murdering one another and at times actually get quite physical while doing so. There’s a ton of tense talk here and overacting a ‘plenty to behold from them both. The premise though startlingly simplistic and a bit absurd does a decent enough job of keeping you curious about where the fuck this one’s going to end up. It’s not the average “stalker” movie that the cover makes it out to be either, think more of an extended episode of The Twilight Zone instead. I’ve gotta admit the interesting thing about this one is that about an hour in I was getting a bit frustrated and had some serious doubts that things were going anywhere remotely interesting. There’s a lot of weird motive flip flopping amongst the two leads & at one point it almost seemed as if it might sharply go the erotic thriller route.
The odd banter at times can become quite tiresome but as the movie ended, I appreciated it and actually consider the lengthy chatty-ness of it all to make the finale that much more effective. Being a bit of a sleuth at the movie’s beginning I’d noticed a couple things that reinforced my will to stick it through to the end the first being the legendary horror b-movie bandit Charles Band was an executive producer, Richard Band did the music and also fx wizard John Carl Beuchler who’s know for his work on Friday The 13th Part 7: The New Blood (which is one of my faves), Nightmare on Elm St. 4: The Dream Master & Re-Animator was behind the fx work. These three things should give you enough of a reason to check this one out, if in fact the names mean anything to you. Definitely a hidden gem, that most definitely worth one solid viewing!! It also may deserve a quick re-watch to see if there perhaps are some clues amidst all the dialogue that may have really foreshadowed the movies bizarre ending. A neat-o 80’s low budget mind bender~
I couldn’t find a trailer for this one but here’s the whole damn movie if you’re feeling frisky!
I just read issue #156 of the Walking Dead last night and it seems Kirkman did a mighty fine job of pulling off an “M. Night Shyamalan”, at least on me. Beware of SPOILERS ahead. I’ve been having a pretty good time recently with The Walking Dead, which is somewhat of a surprise as I’d gotten a bit bored with the title over time. Heck though issue #156 was definitely an interesting read. We got a full issue of the escaped Negan who was up to his old crazy antics once again. The way this issue read having him as the main focal point however almost felt like it had been written by The Farrelly Brothers. It felt a bit like a raunchy slapstick comedy as this guy tried in his own messed up way to “fit in” with his new crew. We got Negan hanging out with Alpha and The Whisperers, the latest gang of human scum that is threatening Rick and his gang. It felt awkward at times watching Negan interact with them all, like the dude was a foul mouthed Jim Carey. I would be lying if I didn’t say how much I thought the Whisperers in reality would have offed him within five minutes of meeting him- he’s so god damn irritating!
Ok I guess the guy is somewhat amusing but still as a main character it’s hard to take the story seriously at times. Anyway we’ve got yet another shocking act of violence that stains the issue by it’s end. Just as I thought I kinda had Negan figured out he goes and does something completely insane. I guess I should have seen it coming by now huh? Well this time as he’s trying to prove his worth to The Whisperers and impress their female leader Alpha he goes for the shocking twist ending. Negan appears concerned here about doing “the right thing” as he witnesses a woman being sexually assaulted. He tries to convince Alpha that it’s wrong not to interfere and later has a long discussion with her about how though he’s done some fucked up shit in his time, it’s always been to protect people.
I was starting to suspect he was up to something funny, in fact I highly suspected that he was pulling a full on fast one on Alpha. He even got her to open up to him and cry. What happened next though was pretty out of the blue as he went into psycho mode slitting her throat and then continuing to decapitate her. As we see him hold her head up it appears he’s under the impression that good ol’ Ricky boy is gonna be tickled pink at his latest kill. So I wonder just what Rick IS going to think?
Issue #156 is pretty interesting and it’s likely to generate a lot of controversy as Negan kills a seemingly powerful female villain named Alpha. Not the most PC thing to do at this point in 2016 but of course a ballsy move by Robert. We’ll see what happens as The Walking Dead has peaked my interest once again…what did you think?
I really love the the first few M. Night Shyamalan movies, heck I even liked The Village and yes Lady in the Water!! Get over it people, Lady in the Water was corny but a ton of fun! I think the order in which his movies were made go from best to worst, which is kinda interesting. Once one of the most well respected directors in Hollywood, Night now rarely even gets his name mentioned in ads for his most recent movies. The Happening, The Last Airbender and After Earth were three big time stinkers that most people just want to forget they wasted their time watching. I’ll even admit I’ve serious doubts that the guy can craft another hit or something as intriguing as his first couple films! Yet recently it has been reported that Night wrapped up a top secret micro budget film called “Sundowning”. It has a super small cast and sounds like a possible return to form for him. All we really know about it is that it involves a single mother with two kids visiting their grandparents out in the country during winter when things go terribly wrong. Sounds interesting to me and I’ve always thought Night was a master of mood & atmosphere.
I’ve always hoped he’d give us a full on horror movie, you know without all the preachy-ness he he somehow always seems to insert into the endings be it relgious or philosophical. Now a micro budget is where a lot of these big time directors should be spending their time. What I wouldn’t give to have someone like Peter Jackson or Sam Raimi return to a small budget flick and be forced to make something truly incredible again So this could be Night’s chance to amaze people once again, far away from the flashy effects and overblown plots.
I don’t want to get my hopes up, but I think there’s a good chance he could blow some minds with this one. If it’s rating is revealed to be an R, there’s a good chance otherwise we could be getting his tame family friendly recent styles. However the term “Sundowning” reveals some truly spooky possibilities, this is it’s definition: “a psychological phenomenon associated with increased confusion and restlessness in patients with some form of dementia. Most commonly associated with Alzheimer’s disease, but also found in those with mixed dementia, the term “sundowning” was coined due to the timing of the patient’s confusion.” This sounds to me like it could be a truly creepy endeavor. How about you? Are you willing to give Shyamalan one more try?