Ok it’s summer time and I’m gonna admit, I’ve been slackin’ on the blog lately! I’m sure you all’ve missed me sooooo much right?! Well anyway I’m throwing down some mini reviews of some of the movies I’ve checked out recently this last coupla’ weeks! So with out further adieu!
Once Upon a Time in Hollywood (2019)
I really enjoy when a new Tarantino movie drops at the theater, let’s face it, he’s really one of the only big filmmakers that puts out interesting often risky movies to the mainstream these days, love him or hate him. Most bigger Hollywood movies are far too safe and generally feel like their plots have been drawn up by researching what’s been trending on Twitter. Well ‘Once Upon a ‘Time in Hollywood’ doesn’t follow the rules and it’s super refreshing for that simple reason alone. This one feels like a slice of life in a long gone era of movie stars with a very loose plot that ties up in a bloody bow by it’s stunning finale. It’s filled with colorful unique characters and some familiar faces from Hollywood’s past. The Bruce Lee scene has a lot of controversy around it, mainly concerning his portrayal not being accurate to real life. But hey, c’mon it’s a Tarantino movie, does anyone really think it’s going to be a damn biopic?!! Tarantino hit’s another home run more or less in my opinion with a movie that’s truly a breath of fresh air in a barrage of mindless, soul-less Hollywood cash grabs!
Slaughterhouse Rulez (2018)
This is the latest Simon Pegg / Nick Frost horror comedy if that means anything to anyone anymore in 2019? Well surprisingly this neat little creature feature was actually a pretty sweet little spur of the moment rental from Redbox. Basically a kid heads off to a snooty private school out in the middle of nowhere England. There he finds that a fracking company is digging deep in the nearby forest looking for natural gas and accidentally frees a gang of hungry monsters from the earth’s crust. Nick Frost plays a hippie activist guy who’s looking to shut down the frackers and Pegg plays a pathetic teacher at the school obsessed with his ex co-worker Margo Robbie, with whom he had a brief fling with. The movie’s got some neat practical creature fx, good action sequences & pretty decent humor as well. Not nearly quite as awesome as their previous team up flicks but most definitely worth a watch for monster movie fans.
Beyond the Seventh Door (1987)
Here’s a pretty sweet 80’s movie that’s def worth a watch with a gang of rowdy cinefiles and a case of beer! Starring Lazar Rockwood(what a name!), who somehow manages to capture that same moronic charm as The Room’s Tommy Wiseau! Yep, Lazar is quite a guy to say the least and this movie’s a long lost gem of a bad movie. Basically Rockwood is an ex criminal who’s looking for a big time heist teaming up with his ex girlfriend and plans to bust into a nearby mansion to get the ultimate goods! There he and his “girlfriend” face “seven deadly curses” each…behind a door together masterminded by an evil billionaire in a wheel chair! James Wan clearly used this as the template for the damn ‘Saw’ franchise-I just know it! Anyway there’s some truly idiotic stuff going on here, and Lazar is in the thick of these dangerouschallenges! He’s the hero you never knew you needed and he’s clearly got the most sex appeal to seduce a woman in the most awkward of moments. Check this out if you dig movies that are truly so damn bad that they’re awesome!
Holy shit, I finally checked this out and as a BIG fan of the comic books and the del Toro movies (even though they aren’t comic accurate) I’ve gotta say, this was one of the worst movies I’ve seen in maybe the last two decades. Going into this I was actually half expecting to like it for the possible campy-ness I’d heard about it. Nope!! This was just a downright powerfully painful experience, It was so bad I couldn’t make it past the hour mark. It’s been a while since I’ve actually turned off a movie because it was truly legit terrible. Sometimes I do it if it’s boring, but this was next level horse shit for sure. Absolutely wretched plot, terrible pacing, fully unlikable characters (trying to be edgy with F-words galore) & beyond shitty CGI fx that look like they were pulled from a bad third rate 90’s horror movie. I just can’t believe Neil Marshall who helmed two of the best horror movies of the last 2 decades (Dog Soldiers & The Descent) fucked this thing up so, so, so damn bad. I was so pumped to hear he was doing the movie and really saddened that he single handedly ruined Hellboy for the big screen for who know how long. This was a fully pathetic attempt at movie making and to be honest I thought David Harbour sucked in the role!!
I’m a big fan of horror anthologies and was pretty excited to check this one out as it’s got a great VHS cover. Well as a lot of 80’s horror anthologies go, most aren’t much to write home about. Nightmares almost falls into that category, like many of these movies they usually deliver one good chapter at least. For Nightmares that one’s the second installment, starring Emilio Estevez who plays a video game obsessed teenager who hangs out in arcades all day blaring punk rock tapes on his walkman. He literally battles an arcade game one night when he breaks into the local arcade late one night. I mean that the video game comes to life and he fights the graphics in real life. It’s a pretty cool little segment that oozes with the 1980’s in the best way. The rest of the stories however are pretty standard made for tv type of stuff 9as that is apparently what this thing was supposed to be, a made for ABC tv Twilight Zone type series that didn’t make it to prime time). The last story’s about an “evil” killer rat and features such a fully terrible finale it’s almost worth the uneventful wait. Talk about the worst evil killer monster rat FX of all time! This one’s got it FOR SURE! Anyway if you just can’t get enuff of 80’s horror anthologies you might wanna check it out at least for the video game segment but Creepshow this one is NOT!
So it’s no secret that the summer blockbusters of 2019 have been underperforming at the box office this year, unless you’re a Marvel movie there’s a good chance you just ain’t makin’ the boatloads of easy cash off of eager hungry consumers like you used to!! So far we’ve had some big flops and under performers in theaters this summer, Hellboy, X-men: Dark Phoenix, Men In Black International, Godzilla: King of The Monsters, Shaft and I’m sure a few more flops to come.
It almost seems that after the extravaganza of ‘Avengers: Endgame’ people just ain’t that impressed with what Hollywood’s a pushin’! So what the heck gives here? I’ve got 5 reasons why I think people just ain’t buyin’ what big ol’ Hollywood’s selling!
Bland, Soulless, Predictable & Safe Storytelling
One thing I’ve noticed over the recent years is that these big ass summer blockbusters don’t bring much new to the table, instead of setting trends they now play off of what’s trending on social media etc to try and ensure they make maximum profit. It’s clear to audiences that they’re being marketed to and a lot of the themes we see in current movies feel a bit forced into the narrative. The plot lines feel predictable & safe, being very careful not to push the boundaries. However, nobody likes to feel pandered to, especially just to make a quick buck. Today Hollywood blockbusters feel a bit too calculated, like a Mcdonald’s happy meal version of a movie. It tastes good for a moment but doesn’t provide much real nourishment. These huge movies need to set trends again and take more risks. Most of these stories being told on the big screen now follow a rigid formula, it’s time to shake things up a bit and develop some compelling content that will blow audiences minds & keep them thinking long after they leave the theater.
Cinematic Politics & Social Media Movie Battles
Sure social media can be a cool way to connect with friends all over the world but it’s also caused a major political rift in movie fans, especially online. Everyone has a damn platform and everyone’s ready to state their opinion for the whole world to hear. The landscape of politics (here in the USA at least) is a gigantic mess, people are more than ready to call each other names and insult each others political beliefs any chance they can and then some. If you’ve noticed now there’re Youtube channels whose main focus is to tear down movies that they feel promote left leaning agendas and vice versa. Now we’ve got boycotts & petitions galore that are raging against movies from angry fans who think they’re promoting a threatening political views. We’ve got Hollywood directors & industry people arguing with angry fans on twitter about their movies and political leanings. When a movie’s released people immediately jump in to examine what side of the political spectrum it falls upon & then get bent out of shape about it on their social media platforms. Most claim they want to go to the movies to escape from the worries of today’s society, but people are so divided (and making good profit off that anger on their platforms) these days and I’m not seeing this trend dying down any time soon. At least until we get a new damn President!
Poorly Planned Franchise Reboots & Sequels
There’s a lot of bad, uninspired franchise sequels and reboots out there these days making their way into theaters. Hollywood is trying their hardest to capitalize off of nostalgia these days. It seems they think that if they simply slap say ‘Star Wars’ brand on a movie that it’s gonna mean butts in seats at the cinema. Not the case, people are clearly smarter these days when it comes to their choice of entertainment. Lots of franchises attempting to reboot with younger “hip” stars and leaving the old actors in the dust. I mean what really is ‘Men in Black’ without Will Smith? How about Star Wars with crusty old grumpy Luke Skywalker that barely lifts a finger in the movie? Or the Ghostbusters without any of the original characters starring in it to properly pass the torch? Hollywood is a bit clueless when it comes to how to execute these sequels, fans want to see a respectful portrayal of classic older characters who’re set to pass the torch to younger generation. Some of these reboots/sequels actually seem downright disrespectful to the original characters, sweeping them under the rug as quickly as possible to usher in the new characters. There needs to be a class taught to all of these clueless Hollywood executives on how to successfully pass the torch in a franchise. If you take a crap on a beloved franchise the fans of it will roast your ass on social media. The fans today have more power than ever and it’s a new angle that’s got Hollywood baffled.
Spectacle over Story
It’s kinda crazy now, almost every blockbuster movie franchise has been trying to set up a cinematic universe because they think they can reap the same benefits as the MCU does. However what most of these franchises get wrong is that they simply haven’t spent the time worldbuilding building the way Marvel has over the the last 10 plus years. Most of these failing franchises spend their movie’s runtime trying to set up the next sequels rather than telling a compelling story with top notch character development. Instead they simply litter the movie with a bunch of shiny, glossy CGI & flashy explosions convinced that lone is enough to entice movie goers to get all amped up for their planned spinoffs. Well listen up Hollywood, going to the theaters is expensive and people just aren’t as dumb as you seem to think they are, yeah we got options these days with all the streaming content out there. Movies better step it with their storytelling otherwise we’re gonna stay home! So many of these franchise are dumbed down to a level that just won’t entice the masses like they used to. We want original stories, not rehashed plots from previous movies in the franchise. Sure the spectacle can be fun, but there’s a certain over saturation of mind numbing movies out there now and yours better be more than just fluff. Stop trying to predict what the masses are going to eat up and spend some time writing stories we haven’t already heard. Most of the movies feel like they’ve been looking at what’s trending on twitter and writing a story around that. I’ll say it again, Hollywood needs to set the trends again rather than blindly trying to follow them.
Star Power Ain’t What it Used to Be
Back in the 1980’s blockbusters were a just as big a deal but they usually had one thing going for them that’s missing today-star power. People would rush to the movies just to see Stallone or Schwarzennegar do their thing. It was an event. Not so much today, the days of larger than life celebs has somehow died, putting one of the stars of say the Avengers franchise in one doesn’t automatically equally box office gold. I’m not sure what changed over the years but people are far less starstruck than ever before. This means Hollywood has got try even harder to put something out that feels fresh and original, a good cast is still important but it’s clearly NOT a deal breaker anymore.
Ok, I went from insanely excited about a reboot of Hellboy to now wishing that Guillermo del Toro and Ron Perlman were back again instead for a third installment. I loved the del Toro Hellboy movies but also recognized that they really didn’t capture the true tone of Mike Mignola’s visionary comic book series. Visually they were damn near perfect but I’d always hoped for a darker version of Hellboy to appear onscreen as a fan of the source material. I was positive that latest director Neil Marshall was finally gonna deliver the goods. I’m a huge fan of his debut werewolf flick ‘Dog Soldiers’ and his companion piece ‘The Descent’ was just as damn good. From the start, Marshall made many claims that this new version of Hellboy was going to have the feel of the comic books, much darker, gothic and less comedic than del Toro’s lighter take on the series. Well now after seeing both trailers for the movie at this point it seems the new incarnation of Hellboy is more or less the same take on the character we got from the previous films. At least from what the trailers reveal.
The only thing that feels different is the dropping of the ‘F-word’ and some shoddy CGI blood sprinkled about in the trailer. Heck it even seems as if David Harbour is doing a full on Ron Perlman impersonation and the wacky comedy seems just as prevalent (if not more so) here in the two trailers as it was in the del Toro movies. Why even replace Ron at this point if you’re just gonna do the same take on the character? Sure Harbour’s version appears to be not quite as cute visually but it still feels basically just like Ron. The trailer’s got a cheaper production quality as well in my opinion, dare I say a more generic vibe to it as well when you compare it del Toro’s perfect gothic style.
I was also a bit surprised to see just how CG heavy this footage was, Neil Marshall had originally boasted the movie was going to largely utilize practical effects over digital to give it a more real world feel. Instead I’m seeing a lot of truly subpar standard Hollywood digital effects at play here and it’s making me miss del Toro’s vision all the more. I’m gonna call it here, a prediction that Hellboy is going to flop. The one thing the first two movies had going for it were that they really stood out from the crowd, while this so far looks sadly like another bland Hollywood blockbuster.
I’d also heard that Mike Mignola, (the creator of the character/legendary artist), stated early on that this movie was much more in line with his vision of the character that the previous installments. I’m not sure as he’d stated that quite some time ago, if perhaps the production somewhat switched gears and now we’re getting a more standard “what you’d expect” from a big Hollywood production. The comic books are are truly incredible and anyone who’s only familiar with the movies might be quite surprised at how different the tone of them are from movies. I’m hoping I’m wrong and that there’s a real Hellboy movie here that hasn’t been presented in these two trailers. I’m still going to see it, but man am I disappointed with what I’ve seen so far. Any other fans of the comic book out there feel the same way or disagree? Let me know!
I’d have thought by now that we might have already gotten a teaser trailer for the upcoming Hellboy reboot film set to drop next year. However it’s now been moved back another 3 months for an April 12th, 2019 release date. But, we did just get this brand new Hellboy poster that seems to feature David Harbour as the legendary character, though it’s a bit hard to tell if this is indeed an actually photograph or perhaps a CGI enhanced image. Whatever the case it does indeed show some true promise and perhaps a closer adaptation to the comic book than what we saw with the lighter hearted more comedic take of Guillermo Del Toro.
Clearly Harbour like Ron Perlman is covered heavily with prosthetics and likely a muscle suit, which is far better than CG-ing the character. Interesting as well here is the portrayal of Hellboy with his full set of horns rather than the sawed off look. Word is also that this movie will be based on an actual Hellboy tale from the comics called ‘The Wild Hunt‘. I’m really liking what I’ve seen and heard so far with the reboot, I’m especially excited to see what they do with the BPRD members it will feature. Having Neil Marshall on board as well is super exciting, as he did a couple of the best, imo, 2000’s horror movies ‘Dog Soldiers’ and ‘The Descent’. I’m hoping for a teaser trailer soon, so we can really get the feel of what tone this one’s really aiming for.
Wow! So yesterday Mike Mignola made a stunning announcement that Hellboy will be returning to the big screen! BUT and there’s a big BUT here, without Ron Perlman & Guillermo del Toro’s involvement. This is a bit shocking to many as we’ve been waiting the third and final installment that’s been teased for years. I wish they’d have done it and I feel a bit bad for Ron Perlman as he gave the role his all and has been fighting for the fans for so long to complete the trilogy. With that being said, David Harbour, the cop from ‘Stranger Things’ will be stepping into the role of the big devil himself and he seems like an amazing choice for the role. I can already easily picture him as Hellboy just on his looks alone and the guy is a decent actor as well. So I think they’re off to a great start in terms of casting. I’m hoping that they’ll create Hellboy in the same way they did with Ron Perlman. His and the rest of the BPRD’s make up was incredible in del Toro’s movies and I’m hoping that they’re not going to simply CG Hellboy and the gang. One thing Guillermo did extremely well was the creation of incredible monsters using mainly practical fx and incorporating CGI only when truly necessary.
Also announced was director Neil Marshall, who I was immediately thrilled about, for the simple fact that he’s made easily two of the best horror movies of the last twenty years, Dog Soldiers & The Descent. Both of these movies are mind blowing-ly awesome and they’re 100% rock solid proof that this director just might bring us the best Hellboy movie possible. Heck, I go as far to put ‘Dog Soldiers’ right up there with ‘An American Werewolf in London’ and ‘The Howling’. As excited as I am at the possibility here I realized that ‘The Descent’ was released all the way back in 2005 and it got me thinking just what the hell has Neil Marshall really been up to the last twelve years? Lets find out as it may give us a better idea of exactly what we’re in store for with this new Hellboy flick.
After ‘The Descent’ Marshall went on to direct the lackluster ‘Mad Max’ influenced movie ‘Doomsday’ in 2008. The movie was a bit of a box office bomb and to me didn’t bring anything new or exciting to the table honestly in the post apocalyptic adventure genre. I guess I give him an ‘A’ for effort for giving it an honest shot but the movie was just too bland to make any real waves and has been largely forgotten for the most part.
After that he did ‘Centurion’ in 2010, with Michael Fassbender starring. It was a an ok attempt at a historical hack and slash war movie about the disappearance of the Roman empire’s ninth legion. This was also a bit of a bomb at the box office and largely went under the radar of movie goers. Once again this movie didn’t bring anything to the table that hadn’t really already been done before. One thing though I’ll say are that his movies look great and even Doomsday visually was at least effective in that area. Still ‘Centurion’ is one time viewing and it doesn’t have much to differentiate it from anything else that was being cranked out in the genre at the time.
After that Marshall disappeared from the movie scene directing 2 excellent episodes of ‘Game of Thrones’ as well as episodes of ‘Black Sails’, ‘Constantine’, ‘Hannibal’, ‘Timeless’ & ‘Westworld’. In 2015 he was one of the directors in the horror anthology movie ‘Tales of Halloween’ and directed the excellent installment “Bad Seed” about the killer GMO pumpkin! Loved it…
So what we’ve got here for Marshall is a big return to the silver screen on a big budget flick. I don’t have any reason to believe that he’s going to fuck it up, in fact with a great script which I’m certain Mignola will be part of and the supposed “R” rating the movie’s rumored to get we just might see a more true to the comic version of the character. I think it’ll be much darker, bloody and quite possibly a much bigger hit this time around. I’ve always thought cinematic Hellboy was ahead of it’s time and that the strange Mignola-verse would fare far better in today’s landscape than that of 2008 to movie goers. Hellboy & The BPRD are easily my favorites of the current comic book franchises out there, so this next movie means a lot to me.
If they lift the amazing feel of the del Toro movies and add a bit darker tone (don’t lose all the comedy though) we’ll be in for one helluva Hellboy flick. I’m also hoping that the movie might make a role for Ron Perlman, Doug Jones & Selma Blair (perhaps as villains?) because we all know how badly they wanted a third film. How cool would Ron & Doug be starring as some crazy creatures? Let’s let Neil Marshall return to his true roots and give the Hellboy movies the lethal does of horror they need today. The guy is super talented and his two incredible horror movies he made are proof that Marshall is exactly where he needs to be. I’m hoping this will begin many more Mignola-verse based movies or a BPRD tv series dammit!! So don’t fret I think Hellboy’s indeed in good hands…
Oh man, how many damn times do we have to go back an forth about ‘Hellboy 3’? The news came out recently that Guillermo del Toro was having a sit down with Mike Mignola, Ron Perlman and Co. about the serious possibility of finally getting started on the third and final chapter of the Hellboy movie franchise. I’ve gotta admit I was pretty excited. I really enjoyed the two Hellboy movies, not as much as I love the comic books as they’ve got two very different tones but still they were a totally solid attempt at bringing the Mignola-verse to life. Apparently though the general public wasn’t as taken with the movies, perhaps because of the truly bizarre nature of the characters or the occult horror undertones of a “superhero” movie. Whatever the case I’ve stated before that I simply think the movies were a bit ahead of their time and if released in the current climate they’d have fared far better.
Well it seems the whole ‘Hellboy 3’ thing fell completely apart in the last few days with Guillermo del Toro tweeting “Hellboy 3 Sorry to report: Spoke w all parties. Must report that 100% the sequel will not happen. And that is to be the final thing about it”. Damn. That’s pretty harsh coming from the usually jovial Guillermo. Soon after Ron Perlman tweeted “Superhero seeks employment. Likes, pizza, cats, and the Marx bros.” Sounds like a tragic end to the whole debacle doesn’t it? It makes me really wonder just what the hell (no pun intended) happened in this “meeting” and what led to such a dramatic end to the film’s future? Well amidst my disappointment on the whole thing I found Hellboy creator Mike Mignola’s response extremely interesting as he tweeted “No GDT Hellboy 3 does not mean there is no future to the Hellboy franchise…” Continue reading
Punching Nazis is all the rage these days! It’s never been a more popular thing than right now and while I really don’t want to condone punching anyone, I’ll admit that I’m not particularly saddened when I find out that it happens! This whole punching Nazis thing is nothing new, especially in comic books. So here’s some great images to satisfy that urge to kick some Racist Nazi booty! Take a scroll down and get it out of your system for the moment! Again I don’t condone violence, but hey what’s not to love about seeing a good nazi knock out in the comics?! Yeeehaw lets go!
Rise of the Back Flame #1 is another totally solid debut straight from the Mignolaverse. This one traces the origins of the legendary villain, The black Flame from the pages of Hellboy/BPRD and gives us an excellent set up for an intriguing jungle horror adventure that I’m sure Indiana Jones would most certainly sign up for. The setting is Burma and there’s been a series of disappearances of young girls that the locals believe to be the devilish work of a near by cult.
On the case are two Brittish detectives who’re on the case searching for clues, quickly meet Sarah Jewell and Marie-Therese Lafleur who tell them they’ve got an expedition set up to find the Temple of the Black Flame. Sarah Jewell goes on to tell them of some of her incredible supernatural adventures she’s shared with The Witchfinder himself Sir Edward Grey. I’m getting the feeling we’ll be seeing much more of these characters in the future of the Mignolaverse….if they can survive this expedition that is.
Here we have again everything I love about reading comics, grand adventure set in exotic locales with a supernatural mystery brewing. Like I’ve said before Mignola’s books to me are the best on the scene, whether it be Hellboy, BPRD, Witchfinder or Lobster Johnson. They’re always a helluva great time to read and are all connected by a deep lore that’s been running strong for decades. So here we have the opening of another chapter in the saga and a true prequel for fans of the villain of the BPRD’s ‘Hell on Earth’. I’m certainly going to be back for issue #2 as it’s bound to be filled with some excellent storytelling and some creepy jungle adventure, for a good time check out this debut!
I read a cool little debut issue for Dark Horse’s new series Black Hammer by Jeff Lemire & Dean Ormstom. This comes at a good time for me personally as I’ve been seriously missing a good solid superhero comic book to read. I’ve more or less given up on the Marvel & DC universes at least for the time being as it feels a little too fan calculated these days. So here on the shelves was a new series featuring a weird story about a team of retired superheroes who for ten years have been forced to live in rural small town somewhere presumably in the USA (though they may be somewhere else entirely). The team disappeared and have been thought dead since their victory in a giant battle to save the planet.
So here they sit all reacting differently to their predicament as they share a house as a “family” on a farm. Some enjoy the quiet life while others are obviously feeling trapped. The interesting thing about the first issue is the mystery of where exactly they are, how they got there and why they for some reason are unable to leave. I highly doubt this quiet life will continue on this way for too long.
For the time being though this first issue delivers the intrigue as we realize one the children of the superheroes, working as a reporter, seems to be getting ready to try to figure out just what happened to them all. The comic is a solid first issue that brings along with it enough gusto to inspire me to drop another 4 bones on the second.
Artist Dean Ormstom also brings some serious character with his unique art that would fit in perfectly in books like Hellboy & BPRD. So if you’re looking for something different than what the “big two” are churning out these days this is a great first issue worth your hard earned cash.
Mike Mignola rarely lets me down, in fact I’d go as far to say that these days the Mignola-verse is where I really like to spend most of my comic book time. So yesterday it was a no-brainer that I’d have to pick up issue #1 of Joe Golem: Occult Detective. The series is based on characters from the ‘Joe Golem & The Drowning City’ Novel by Mike Mignola & Chris Golden, but the comic is meant to be a stand alone story (actually outside of the Mignola BPRD / Hellboy world) so you don’t need to read the novel first. However this first issue has peaked my interest in the book so I’ll probably check that out soon as well.
Well as you can guess by the title, this one is a bit of a pulp style supernatural thriller and takes place in severely flooded New York City in 1965. There in waters that fill the streets children are disappearing, being abducted by vicious creatures that roam below. We’ve got Joe Golem on the case though trying to figure out just what the hell is really going on here, we also get a bit of background into the cities past and some strange flashbacks or nightmares that will somehow tie into the dangerous waters of New York City.
We also meet Golem’s partner Simon Church a mysterious old man who seems to keep himself alive with strange magic, he also keeps a golem like clay monster in is house that’s likely to play a major role in this story. The artwork by Patric Reynolds is also excellent giving us a great look and feel of the gloom of the dark flooded waterways of mid century Manhattan.
The story is titled “The Rat Catcher” and I’m most definitely on board for the rest of the 5 issues (though inside it states there’s only 3 parts to this story? hmm….) and some spooky tales of adventure & mystery that Mike Mignola has become a legend for telling!