• I know I’ve talked some shit here in the past about how The Walking Dead comic book had become a bit boring and that the whole dang thing has become a bit of a stale read. But now I’m starting to actually kind of dig the current direction of the book slowly but surely. We’re at a point now where things are beginning to become interesting again….I hope. In the previous issue, we had Carl losing his virginity to a weird girl who’s part of the clan who wears zombie skin on their bodies to go undetected by the undead. What things are looking like lately is that Carl actually just might be able to carry this book on his own someday replacing Rick. I really am enjoying this version of him filled with a bunch of teen angst and rage.

    Issue 139 also shows the return of Michonne finally, and we learn what she’s been up to all this time and much more. We see the return of Ezekiel and see Rick’s crew venture to the coast where as you can see on the cover,   people are indeed out venturing on boats. We also get an emotional long overdue conversation between Rick and Michonne and most interesting we see Carl’s raging hormones/teenage emotions brewing some serious trouble for everyone, whether they like it or not.

    I’ve been with this book from issue #1 and it’s been quite a wild ride, some of it I have loved and some of it hasn’t been too inspiring. I see a light at the end of this tunnel and for the first time in a while I can say I’m looking forward to the next issue. Let’s hope things get totally out of hand here and Kirkman moves the book into some new directions, my fingers are crossed…don’t blow it Kirkman! 

  • Word came out in the last day finally from Steve Thompson, the man responsible for mixing Metallica’s classic 1988 masterpiece “And Justice for All”. Finally addressing the elephant in the room- the fact that the album has no bass in it’s final mix! For years us Metallica fans were downright perplexed as to why it sounded as if Jason Newsted was absent from the record.

    Was it a hazing he got for replacing legendary bassmaster Cliff Burton? Or was it just a bad decision by the mixer himself? Well the man had this to say about Lars Ulrich:

    “We had to get the drum sound up the way he(Lars) had it,” Thompson says. “I wasn’t a fan of it. So now he goes, ‘See the bass guitar?’ and I said, ‘Yeah, great part, man. He killed it.’ He said, ‘I want you to bring down the bass where you can barely, audibly hear it in the mix.’ I said, ‘You’re kidding. Right?’ He said, ‘No. Bring it down.’ I bring it down to that level and he says, ‘Now drop it down another 5 dB.’ I turned around and looked at [Metallica guitarist James] Hetfield and said, ‘He’s serious?’ It just blew me away.”

    “My only regret is that we didn’t have enough time to at least mix it the way we heard it,” he says. “I wanted to take Master Of Puppets and blow that away. That was my sonic direction for … And Justice For All. It was all there but I think they were looking for more garagey-type sound without bass. And the bass was great; it was perfect.”

    Damn that Lars, always fucking some shit up, My question is why not re-release the album today with a new mix and remastering? They must have all the tracks still, it’s one of the most legendary metal album of all time. They’d make a ton of money and the fans would eat it up. Officially remix this shit! In the meantime there’s an awesome video on youtube where Newsted’s bass IS actually enhanced check this shit out, it give the album a whole new vibe!

     

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    I recently scored this cool flick from 1991 on VHS- “Highway to Hell” is a ton of fun! This is a great, totally forgotten flick with an incredibly ridiculous plot to keep the party going. It stars Chad Lowe, you guessed it Rob Lowe’s lesser known younger brother as the teenage hero who must rescue his girlfriend Kristy “original Buffy the Vampire Slayer” Swanson from an evil demonic cop who kidnaps her. Where does he take her you may ask? The Highway to Hell duh! Check out the movie poster which for some reason Kristy Swanson decided not to be featured on?! 

    Chad Lowe quickly manages to get a rad old classic car from a weird ass gas station owner who just happens to know the the story of the creepy cop and the Highway to Hell-how convenient! He sends him off down the mythic highway in a scene which seriously calls to mind Marty Mcfly in the DeLorean in Back to the Future. Soon Lowe is transported to another dimension where he must venture to find his lost lover and encounter some familiar faces from the early 90’s, most notably Ben Stiller as a crazy diner cook and the sexy vixen rocker Lita Ford! Yeeeeah!

    This one’s a cooky adventure filled with a ton of lovably stupid characters, cameos and early 90’s fashion. And some of the best damn hand cuffs in the history of all cinema! Add a goofy climax race scene against the demon cop arranged by Beezlebub himself and you’ve got a sure fire hit for lovers of bad cinema. Don’t take this one too seriously but do watch it with a bunch of friends and plenty of booze!

     

     

  • No matter what you though about the controversial cancelled Bat Girl variant cover you can’t deny it’s got people talking about what they think is appropriate in 2015 for the two big major comic book companies! Well here we another pic that’s generating some buzz by Ray Dillon it’s Superman being terrorized by Doomsday, the very villain who at one time killed him! What do you think he’s trying to say about the topic?

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    I Just read the brand new first issue of Frankenstein Underground that just came out today by Mike Mignola & Ben Stenbeck. This isn’t the first time we’ve seen Frankenstein’s monster in a Mignola story, nope he originally appeared in the Hellboy story “House of the Living Dead” back in 2011. A great little story where Hellboy has a short career in Mexico wrestling monsters and yeah Frankenstein’s Monster is one of his opponents/buddies.

     

    That’s what I enjoyed so much about this first issue, it really ties in with a few stories from the ever expanding Mignolaverse. Don’t worry though this story is a simple one so far, it follows The legendary monster into the 1950’s where he’s helped by a witch and hunted by a familiar face from a classic BPRD adventure. It also appears that the title of this book should be taken quite literally as it’s clear the  creatures adventure is headed far below-perhaps to hell?

    This is a nice weird ass first issue with a great cover by Mike himself. Let’s face it how can you turn down a solo Frankenstein story written by Mignola that takes place in the 1950’s? I’ll be there for issue two because these days I’d rather spend my time in the unique world of the Mignolaverse than the generic confines of the Marvel Universe….

  • First let it be known, I’m not a dedicated reader of the latest Bat Girl series, but I’ve obviously read “The Killing Joke”, arguably the greatest Batman story ever. In that classic graphic novel The Joker became one of the most frightening villains in all of comic book history. We saw a Joker that was far more dangerous, insane and sick than anything we ever witnessed before and this all involved what he did to Barbara Gordon (Bat Girl). The Joker kidnaps her, shoots her, strips her naked and then photographs her for her father to later see. This was a chilling sequence in the original comic book, and it left you wondering just what else the Joker may have done to her that was not shown but rather implied by a few of the panels.

    Flash forward to present time and we have a newer Bat Girl series, with a lighter tone and delivering a positive message of empowerment to women. Then along comes this very different feeling variant cover by Raphael Albuquerque….

    It was meant as a throwback cover to The Killing Joke and has caused loads of controversy. DC has received threats of violence and harassment for the image. People have deemed the cover as too inappropriate because of it’s clearly dark imagery a frightened, crying and bleeding Bat Girl with the Joker’s arm wrapped around her, gun in hand. It’s a variant cover so it really doesn’t need to have anything to do with the story inside the comic and most often these covers are meant for die hard collectors. I’m thinking a few things as I view it, first it’s an incredibly creepy cover, mostly if you know exactly what happened to Barbara Gordon back in The Killing Joke. Second it’s clearly a awesome piece of artwork portraying an excellent clearly insane Clown Prince of Crime. Third it’s maybe one of the most powerful comic book covers I’ve seen in years, it clearly strikes a nerve and leaves you with a feeling of utter dread.

     

    I don’t think the cover is so offensive that it should be cancelled, but it may be tonally wrong for the series at the current moment in time. People in an uproar however also need to realize that this is fiction, not every story is going to an uplifting experience, some of the best stories do at times involve tragedy, in fact that’s what makes The Killing Joke so powerful in the first place. I agree, this cover may just be too disturbing for the current Bat Girl series, it does show a Bat Girl in a state of pure fright, some may view it as a women portrayed as weak, it brings back some those bad vibes of the Alan Moore tale but I also can say as a fan of The Killing Joke, if this was the cover to an actual Bat Girl story that was related to 1988 classic, DC would’ve have me picking up Bat Girl on a regular basis for the first time in my life…

     

  • Let’s take a second to look at some cool action figures way back from the 1960’s! The Outer Space Men by Colorforms!! You may know Colorforms better as those little plastic stickers of your fav cartoon characters you’d stick on and peel off the backgrounds way back when. But Colorforms also put out these totally radical bendy alien action figures as well!

    They had kick ass names too like Commander Comet, Xodiac, Colossus Rex, Electron+, Astro-Nautilus, Alpha 7 & Orbitron. They wasn’t much to their backstory just a gang of groovy aliens you could collect and play with all day, unfortunately I wasn’t born yet when the hit the stands and the chances of finding one in good shape of the original series is pretty slim. Also the bendy figures with the wire inside them had a limit to their lives normally, you’d often break the wires and get a bunch of limp wristed bad asses- not a good combo!

     

  • I’ve been questioning some of the ways comic book artists are doing their “artwork” these days. Lets face it art has changed quite a bit from back when comic books were printed on newsprint and cost a mere sixty cents. Today our comic books cost four bucks and are full of computerized gloss. Hell I’m not even sure what they are printed on is actually real paper. But it got me thinking a lot on just how comic book art is produced these days for the bigger companies out there. It turns out a lot of artist out there are phototracing, meaning gathering photos online, shot from a digital camera or even other artists actual artwork, uploading them onto the computer or light box and tracing them, adding costumes different hair etc.

    It seems this trend has a small debate forming on what exactly is real art in comic books these days? Is it real art when Alex Maleev uses a light box to do all of his city back grounds or David Mack tracing pictures of his characters? Or when an artist simply takes some celebrity photos and traces over them giving the characters their likeness? To me I’m a little disappointed to hear that this trend is becoming even more popular these days. I guess you don’t have to spend much time with perspective if you’re merely tracing a photo.

    I guess the “Artist” these days has maybe actually become the inker? Don’t get me wrong there’s still good degree of skill and talent needed to make a trace job look real good. People have been photo referencing for years but tracing to me just doesn’t really make the cut. I love for a comic book to look good, heck if the comic has shitty generic artwork (as most do these days is seems) I flat out just won’t buy it.

    Art is very important to me when dropping 4 bones a pop on a comic book these days the art and story better be top notch. What do you think? Do you care how the artwork was made in your comic book? Here’s a great video from IFanboy on the great debate of phototracing!

     

  • I just finished reading issue #1 of the new four issue limited series from Image called “Big Man Plans” and it’s quite a debut! This one is a full on mean and dirty little story about a little guy named ‘Big Man’ who’s lived his entire life being made fun of, beat up and bullied. When Big Man finally hits his breaking point he goes bat shit crazy bringing revenge to those who’ve wronged him. Kinda like a smaller version of Michael Douglas in Falling Down. We get an in depth look at just what has pushed Big Man over the edge and it really ain’t pretty. He’s like a dog that’s been teased it’s entire life, all he knows the world to be is a rotten place and now he pissed.

    Big Man has had quite a life, spending time unofficially working for the United Stated Army in Vietnam as special type of solider who can fit in to places no other can and get the dirty work done in the dark. He’s been to prison, kicked the shit out white supremacists, punched out cocky kids and even had the time to be a bit of a ladies man. He’s quite a guy, an angry little bastard who’s got clearly quite a story ahead of him. Issue #1 is said to be the tamest of them all and if that’s true the next few issues are going to be quite wild ride.

     

    Fellow Portlander Tim Wiesch and Eric “The Goon” Powell have done a great job building the intrigue here for this new character. Powell as usual shines as the artist on this title, bringing the grit and dirt in every panel. I’m curious to see where this little mystery is headed and hope that ‘Big Man’ at the end of issue number four can find a little happiness in his thus far miserable existence. Check this one out if you’re looking for something that’s bound to pull out some serious shocks! Get the full scoop with a great interview with the creators of the series right here

  • I love those weird ass moments in comic book history that catch you by surprise (especially as a kid) and kinda make you chuckle! Today I wanted to add an odd moment from The Incredible Hulk #294, this was back when the Banner could “control” the Hulk and he dressed like banner and even combed his hair the same way. The most nerdy version of the green goliath off all time for sure. I love it. Well this Banner Hulk didn’t last long soon he would lose total control again only to be banished to a different dimension by Doctor Strange. But I digress, well in this issue they are doing some gamma tests on an injured dog and at first the testing appears to have some nice results. After Banner decides to take a nice hot shower, only problem is he’s been having some intense nightmares lately. The over tired Banner starts having a waking nightmare and well, in mid shower transforms into a very naked but squeaky clean Hulk!! Good thing for well placed shower steam! Right after this happens he squares off against Boomerang, a truly classic story line well worth revisiting and of course wonderfully drawn by perhaps the best Hulk artist of all time Sal Buscema!!

    Sorry Ladies & Gay men all over the planet you’ll have to keep on wondering about the Hulk’s other incredible big green asset!