The latest episode of Movie Melt is here, where we head deep into the jungle’s of Uganda to cover their very first and greatest action film! You better believe it, ‘Who Killed Captain Alex?’ is a truly special film that really goes the damn distance. This wild and totally unpredictable little production from 2010 comes with a true story behind it that’s maybe even better than the actual film itself!
Director Nabwana I.G.G. has a real love and passion for action flicks of yesteryear and against all the odds set out to make his dream come true-create Uganda’s first over the top bonafide bad ass action movie, complete with the craziest CGI “explosions” & helicopter battles you’ve ever seen! It so ridiculously ambitious and manic while being set in the beauty of Uganda just makes the whole experience that much more intriguing.
It will make your brain melt. But It’s also got some pretty impressive top notch martial arts, wildly over the top villains and instead of the the normal audio track (which was accidentally erased forever by the director) we’ve got a dude named “V.J. Emmie” from Uganda doing a rip roaring “must hear it to believe it” commentary track to spice thing way up.
Think Mystery Science Theater by way of Africa-with this bizarre version of the film being the only version in existence. It’s a real bonkers movie experience and the lengths the director went to make this movie a reality are a real charm-we get into all the incredible details of one of the most ambitious low budget cinematic gems out there. But this is only the beginning for Uganda’s intense string of films from director I.G.G.. We also do “battle of the bands” and dicuss all the weird movie mayhem going on today as well as chat about some must see rare forgotten gems in one of the most intriguing episodes of the show! Check this shit out RIGHT HERE!
Oh and if you wanna watch it before we take the deep dive it’s free to watch on Youtube. However I highly recommend supporting Nabwana’s future endeavors in Ugandan action at his website right HERE!! Also pleeez call our answering machine and leave us a message dial (724) 246-4669 and let us know what you think of the show or tell us about any crazy cinematic shit you’re lil’ heart desires!!
There’s been some weirdo horror films out there that feature home appliances that go crazy-movies like ‘The Refrigerator’, ‘Death Bed’ and ‘Pulse’ to name a few but I’ve never seen anything quite like the Japanese creature feature BATTLE HEATER from 1989….
I’d never heard a peep about this until about a week ago, but this little slice of late 80s oddball cinema is essentially a monster movie, with some pretty clever comedy, punk rock and a cast of memorable eccentric characters that keep the party raging until it’s crazy finale. Right from the opening it’s clear you’re in for something quite special, the movie’s title appears onscreen as some sort of UFO/meteorite crashing to the ground and knocking a bad ass samurai style “Ghostbuster” straight into space.
That’s just the start as the story then follows two kooky electronics repairmen who grab a possessed “kotatsu”, a low wooden table frame, underneath is a heat source, built into the table itself. Yes, the table is an evil force to be reckoned with (a possessed appliance!) and one of the repairmen takes it home with him to his super stylin’, spooky apartment complex. The setting is most definitely one of my favorite things about this one, without the creature aspect the building itself looks like one giant haunted maze-with some really interesting decor in it’s lobby and dark hallways that really add to the film’s general uncanny tone.
Here things begin to go off the rails as our hero’s neighbors are all quite mysterious characters in their own right. On one side of his apartment he’s got a murderous couple, who’re trying dispose of the body parts of one of their most recent kills and on the other a wild rockabilly punk rock band with a serious attitude problem to contend with. Slowly this “possessed” heater begins to develop a mind of his own and a serious appetite. It begins to resemble something straight out of 1982’s ‘The Thing’ as it develops tentacles and slimy jaws of death and begins to venture out into the apartment building to feast on unsuspecting victims. The practical fx here are really quite well done and by the finale it’s a gooey visual feast on the eyes. The whole thing is quite as ambitious as it ludicrous.
I really like this era of film, the late 80’s have just the right touch (great monster effects devoid of CGI) and seeing this bizzaro horror comedy’s wild plot unfold onscreen is a real treat. It isn’t all a total farce either, though there’s a few obvious call backs to classic horror films, ‘Battle Heater’ has some great memorable and equally likable characters, even some romance and a madcap plot that’s truly unlike anything I’ve seen before.
As a HUGE fan of monster movies I’d say this is easily one of my favorite recent discoveries-it hits all the right beats for me with enough quirky charm, 80s Japanese fashion, manic energy and a final act that ramps up the craziness in the most unexpected and glorious ways. Things take some pretty ridiculous twists and turns as the table heater grows in size and our bumbling electronics repairmen have to rise to the occasion to survive the monster as well as their creepy neighbors.
The whole thing looks beautiful too, filmed with impressive spooky foggy atmosphere, great creepy detailed sets and some sweet Japanese punk numbers to liven things things up. It’s a straight up horror comedy but also has some stakes as well a few frightening sequences- director George lida has crafted some other unique horror films of note, the likes of Cyclops (1987), Spiral (1998) & Another Heaven (2000). ‘Battle Heater’ however really delivers the spectacle in that classic late 80’s vibe and makes me so damn curious about just what other gems from Japan are still awaiting for me to discover? In the meantime I highly recommend this largely forgotten piece of truly 1980s horror. I got the copy pictured above from Far East Flix-most definitely a fun website to browse!
Bill Sienkiewicz just NEVER disappoints (I dare you to try to prove me wrong!) and today here’s the real proof of that-especially if you’re a true fan of 1980s nostalgia. The character of ‘Dazzler’ alone is one of the ultimate superheroes of the era- that’s for sure. She’s always had such cool style & wild fashion so when she was given her own series, Bill Sienkiewicz made sure to give you some of his best freakin’ cover art of his career. Issue #33 from 1984 has just got to be the most totally 80s jam of the decade, a play on Michael Jackson’s ‘Thriller’, this one’s a true masterpiece, ‘Chiller’ features a Dazzler story for comic and pop fanatics alike – check it! I NEED this as a poster on my damn wall!
Well the wait is finally over, we finally got the sequel we’ve ALL been waiting for over 15 years right?! The ultimate redemption from the Kingdom of the Crystal Skull? The exhilarating final chapter in the Indiana Jones saga FINALLY done like a real Indiana Jones classic….unfortunately it isn’t the fifth installment, The Dial of Destiny. I don’t want to waste too much time here as everyone and their mom has got an opinion on this BIG summer blockbuster. It’s not the greatest Indy sequel as a lot of people out there are claiming and it’s certainly not the “worst movie of the year” as many professional Disney hating man-babies seem to be obsessed with proclaiming. Nope it’s just a very servicable, mediocre end to an epic iconic 80s franchise. It’s definitely a step above Kingdom of the Crystal skull, not by much, but it manages to feel a bit more organic in some ways at least. Based just on the story IMO Kingdom of the Crystal Skull remains the better Indy adventure at least on paper, but how poorly it was executed onscreen left even the most die hard Indy fans scratching their heads in disbelief.
Well the latest installment tries its best(?) to make up for the wrongs of the previous movie. However it starts off feeling a bit too much like its predecessor with a de-aged CGI faced Harrison Ford in a far too long opening sequence jam-packed with tons of wonky CGI and green screen backdrops. This attempt at bringing a younger Indiana Jones to life really felt like an AI imitation at best. I’m still baffled that they didn’t choose to hire Anthony Ingruber for the sequence, whose uncanny resemblance to real life Harrison Ford in ‘Age of Adeline’ left fans clamoring for him to be cast as young Han Solo. Instead in true Disney fashion they choose to use some weird looking digital de-aging technique to try and capture the old magic. In my opinion they end up with something that feels a somewhat soul-less Chat GPT written imitation Indiana Jones opening action sequences.
From that point the movie slightly improves and we get taken on an adventure teaming up Indiana Jones randomly with his God daughter Helena, nicknamed “Wombat”. This character right now is being trashed by the people obsessed with “woke Hollywood”, I personally don’t see that angle here with her. All in all the character of Helena is just fine and never rises much anywhere above that. In many ways she’s essentially “the new Mutt Williams”, who was conveniently killed off, offscreen to make way for the new female sidekick who resembles his son far too much in attitude. I personally would’ve rather they stuck with the landing and just brought Mutt back rather trying to now set up & sell us Indiana Jones’s long lost God daughter, whose father was a “one off” character we’ve never seen before except in the first 20 minute CG heavy opening. I just didn’t feel the connection.
Also they do sort of pull a “Force Awakens” Hans Solo style treatment to Indiana Jones as he’s now separated from new wife Marion Ravenwood (who he just married at the finale of the last film) over the death of their son. We basically are forced to spend time in this installment erasing everything that came before in KOTCS and frankly to me it’s a little bit redundant. From there they embark on a globe-trotting adventure in a race against a group of modern day Nazi’s. They also team up with what I assume to be an attempt bring us a new “Short Round” in the character of Teddy. Unfortunately those shoes are just too damn hard to fill, and Teddy doesn’t quite have the charisma, that being said he’s an ok addition to the cast. The big problem here, everything is just sorta “okay” like a vanilla soft serve ice cream from McDonald’s. It’s totally fine if you’re jonesin’ for a cool treat and there’s nothing else around.
To make a loooooong story short ‘The Dial of Destiny’ is just too damn long, its “comedy” never fully lands, it’s action sequences (which mainly revolve around long car chases) aren’t particularly interesting and the whole thing just feels very unnecessary. Especially when it feels like it really doesn’t build upon what had come directly before it. That being said though, like the previous at least it didn’t spend its time trying to be a “best of/call back” adventure movie. It again at least has its own identity. Though it again did employ its fair share of CGI it was convincing enough to not pull us into the realm of another emabarrassing Crystal Skull experience. As a big fan I think there needed to be a few key things to really consider for a home run smash hit to a modern Indiana Jones finale: No CGI, film it ALL practical. No de-aging for his young opening, cast a REAL person. Bring back key characters that we care about to go on the adventure. Finish it off with at least a good George Lucas original story idea-just to keep it authentic. I spent some time years ago coming up with what I though might be a compelling way to craft part 5 –I posted that veryidea HERE.
I’m really not exactly sure what the point of this last installment truly was, It actually just sort of brings things full circle back to the end of Crystal Skull. It features an aging adventurer who’s seen better days and had so many more exhilarating adventures than what they decided again to bring onto the big screen so many years later. I guess this really just might’ve been trying to set up a new franchise for Helena & Teddy? Sitting in the theater, I couldn’t help but think how incredible this movie could’ve been had they chosen to employ Ke Huy Kuan again as Short Round & for some of the movie at least utilizing Marion Ravenwood and maybe even his son Mutt. Moving things forward rather than course correcting. The fact that they didn’t choose to at the very least bring back Short Round is bewildering to me. Making me realize just how seriously out of touch big Hollywood is with what fans would find as a truly heartfelt send off for Indiana Jones’s final adventure.
My final thoughts- I guess I can say this last installment was a lot better than i’d initially expected it to be. However it really made me realize just how badly I truly want them to stop making unnecessary “sequels” to my favorite 80s movies. Whatever filmmaking magic they were able to conjure up back then today feels like an impossibility. Again another missed opportunity to bring back the true heart and soul of indiana Jones one last time. For me the fitting end was The Last Crusade, but today I witnessed the most mediocre finale to likely my favorite film series of all time….
Here’s a true classic comic that’s always been a favorite of mine since I was just a kid-I’ve always adored the cover too, it shows one of The Incredible Hulk’s fiercest villains as a major threat to ol’ Jade Jaws.
The Incredible Hulk #209 has got another perfect cover from Ed Hannigan & Frank Giacoia, featuring Crusher Creel dwarfing The Hulk as he puts him in a stranglehold. It makes me miss those old Hulk stories in a big way and the issue features the two in one of their best battles.
Sometimes I miss the simplicity of comic books from the 70’s & 80s, maybe it’s just nostalgia because I took this comic book with me everywhere I went, like it was an action figure or something. The Absorbing Man is most definitely one of my favorite bad guys in Hulk’s rogue gallery and this was my first intro to the character, the inside drawn by all time BEST Hulk artist Sal Buscema proves once again just why he was the man for the job for soooo many years.
This issue way back from 1977 will always hold a special place in my heart! It’s cover in particular is a potent look at one of the coolest villains of the green goliath….
Moronic demons vs. Moronic humans! Who will win this epic battle you might wonder? Well if you check out 2004’s ‘Demons at the Door’ you’re gonna find out that answer real quickly while also likely lowering your IQ level from severe brain damage by simply observing this incredibly WTF movie. That’s not to say it’s not a damn good time though- It’s just gotta be seen to be believed. I was lucky to watch it for an impressive bad movie nite-paired it up with an equally trashy ridiculous heavy metal infused thriller from 2001 we reviewed here a while back called ‘Turbulence 3: Heavy Metal‘. Highly recommend the duo for a real night of mental cinematic destruction!
‘Demons at the Door’ is really a product of this time filmed in 2001 and later released in 2004, you can see all of the influences worn pretty openly on its sleeves. Director Roy Knyrim, an effects artist who worked on movies like the Abyss, Toxic Avenger II, A Nightmare on Elm Street 3, Auntie Lee’s Meat Pies- really goes the distance here. With the gooey practical effects in full force but also paired with some of the shittiest, pathetic visual special effects I’ve seen maybe….ever? Somehow though it adds to the general charm of the movie making it easily one of the most mind numbing pieces of enjoyable trash I’ve seen in quite some time. That’s a compliment too-this one’s bad to the damn BONE but perfect for a midnight movie.
I knew after seeing his 2006 film ‘Cemetery Gates‘ (starring none other than Reggie Banister of ‘Phantasm’ fame) I knew I just had to give another movie of his a shot and I’m certainly glad I did. I found this weirdo monster movie on an ultra cheapo bargain bin DVD collection I’d had for a while of ten Z-grade horror films called ‘Urban Chillz’ and connected the dots. Now I’ve got to be honest, I’m quite curious about what other ridiculous gems might also be lurking on that 2 disc collection?
The premise: a group of military archeologist bone-heads in the deserts of the Middle East become trapped inside their lab after an incredibly idiotic encounter with an extremist (obviously post 911 paranoia) triggers a gate from hell to open outside, leaving, you guessed it demons at the damn door! The demons are after some ancient amulet or something and really amped up on hurling the crassest insults at anyone they come into contact with. Unfortunately for them they’re not the brightest bulbs in the depths of Hell.
From this opening “action” scene it’s quite clear you’re in for some really absurdly executed fight sequences as well as full on numb-nut characters. Both the humans and demon alike are the ultimate low IQ adversaries and for the most trying to play it all pretty straight aside from some clearly dated one liners-equally spouted by both parties. The demons at one point declare they’ve “fucked the Blair Witch” so we know they’re real clever guys and up on the current trends of the time.
The cast is made up of quite a motley crew, a couple of meathead ripped commandos, a hot badass archeologist along with her super smart doctor dad and an angel who looks like Lou Ferrigno’s brother who dresses in leather S&M gear. They square off with these seriously dicey demons and their truly foul mouths. These demons try their damndest to get under the crew’s skin in the vein of Linda Blair in The Exorcist except 1000 times more annoying and unconvincing. These demons are racist, sexist, homophobic and also complete dipshits that are in desperate need a good ass kicking’ in the worst way.
They’re created by way of some pretty impressive (yet stupid looking rubber suits/puppetry) old school practical effects and there’s a lot on display here to enjoy for creature fanatics. They’re big, gross and full of green slime that’s just waiting to ooze and spurt geysers of blood. One of the demons is even portrayed by Richard Elfman and is one of the most annoying movie monsters put to film-you’ll seriously wanna bust his chops as soon as his mouth starts a flappin’.
Spoiler alert-there’s plenty of demon ball busting to bring down the house and the whole affair is quite a spectacle to behold. With a quick run time of just over 80 minutes it’s a short and sweet little creature feature/demon romp that’s also got quite the soundtrack-it’s jam packed with Insane Clown Posse tunes, spilling with “Juggalo juice” some might even say! Apparently the director also directed an ICP video as well as their 2006 horror anthology film ‘Chronicles of the Dark Carnival’.
Lastly I’ve just gotta report that the final act of this film is one of the biggest WTF finales I’ve ever seen-you WILL lose brain cells after viewing it-and I’m NOT trying to be funny. I think you’ve just got to see it for yourself to really believe it. I’m now a bit of a Roy Knyrim fan and just got to track down his other films in hopes they’re as entertaining as Demon’s at the Door and Cemetery Gates-it’s quite a tall order indeed. This one is destined to be a cult favorite, the whole thing is currently on Youtube or you can track down that weird ass Urban Chills dvd! Be ready for some of the worst CGI ever put to film and one of the most idiotically entertaining horror movies of the early 2000s…..someone clean this up for a sweet blu ray pleeez!
Here’s a funny IMDB review, it features one of the actors who played a demon in the film check out his insight: “Forgive Me, for I knew not what I did. Yup, thats me under tons of rubber and goo. Shot on one long day in North Hollywood in front of a green screen, I played, the Demon, at The door. Thats my Blair Witch line, uttered with as much emotion as I could, fed to Me by the director himself. Under that 10 pound rubber mask, I huffed and I puffed and howled, because the contact lenses of the original make up design were unwearable. I got paid nothing, so I’m still proud of what was done. You get what Your paid for here. I did a favor for a friend and never heard from said friend again. Hope He’s O.K. What a shock to see it at a Highland Park Blockbuster several years later, actually release on the unsuspecting public. Sheeeesh!!!”
So who knew Molly Ringwald starred in a full on supernatural slasher film in the year 2000? Not me-until recently I discovered the clever Australian Y2K horror movie ‘CUT’ that’s actually a pretty sweet nasty lil’ forgotten gem. Taking a few cues from ‘Scream’ but adding it’s own unique flair by joining the ranks of the ghostly “cursed movie” horror sub genre ‘Cut’ brings plenty of action and chills to the party.
Molly Ringwald was the biggest selling point here for me, even though I went into it expecting a total stinker, I was pleasantly surprised how much fun ‘Cut’ actually turns out to be. I’d also expected her role to be more of a cameo, but to my surprise Molly co-stars and looks just as cute as she did somehow way back in The Breakfast Club. But we also get a sweet cameo from pop icon Kylie Minogue to kick off the movie’s opening in a sort of “Drew Barrymore ala Scream” style sequence.
It starts off in the late 80s with Ringwald starring as a teen in a B-horror flick who’s slasher goes on a real life offscreen killing spree, halting production on the film altogether. The movie gets a reputation of being “cursed” and over a decade later a group of college film students attempt to finish the film when they come across the original unfinished footage. Of course they reach out to Ringwald to re-join the cast and against her better judgement she reluctantly agrees.
She flies all the way over to Australiaand gives it a go while almost immediately, strange things begin to happen on set. Most notably the original film’s killer gets busy murdering once again behind the scenes off set and soon the whole cast begins to suspect something sinister is brewing. The villain here has got a somewhat generic but still solidly effective creepy look, lifting heavily from Carpenter’s Halloween.
I’d have preferred something a bit more ambitious appearance-wise but even so the slasher here is nasty enough to rise to above into his own and really gets the bloody juices flowing with some pretty gnarly kills. The whole affair looks great on film and the Director Kimble Rendall (who was part of iconic 80s alt rock band Hoodoo Gurus) brings a ton of charm to it all with a cast of pretty likable characters as well as some genuinely well crafted horror scenarios to munch on.
The film also wins big points with me when it inserts a supernatural twist with the cursed film stock which can be used in interesting ways to combat the ghostly killer. Ringwald goes the distance too and is clearly having a good time as she squares off with her “movie nemesis” in a game of cat and mouse with a little help from the Aussie film students. This one’s a real treat, especially if you’re an 80’s John Hughes fan-it’s so strange to see Molly in this type of essentially forgotten, oddball Australian horror production as well as Kylie Minogue in a brief but sweet appearance.
Even stranger yet is how ambitious ‘Cut’ turns out to be, filled with cool practical effects & a creepy little fast paced story filled with some campy twists and turns. I’m curious if this one was a minor hit in Australia? The VHS copy of CUT doesn’t sell the film very well with it’s (imo) poorly constructed cover art, if I hadn’t seen Ringwald’s name on the cover I’d have never even bothered. I enjoyed this enough that I quickly upgraded to the blu ray (from Umbrella) which does have better looking packaging as well a slick looking print of the film-‘Cut’ really was a nice little spooky surprise that I’m certain fans of classic 80’s and 90’s slashers (and Molly Ringwald!) will likely enjoy. It’s got some good scares, babes, hunks and the right killer supernatural moves to quench the thirst of lovers of the genre. It’s definitely a top notch Y2K slasher that is in desperate need of a bigger cult following outside of the land down under….
After all these years I never knew that Full Houses’ John Stamos was actually an underrated 1980’s action star?! The proof is in the pudding with 1986’s incredible over the top action extravaganza ‘Never Too Young To Die’. This is one of those rare movies that really left me perplexed, just how it slipped through the cracks all these years? But that makes it even more fun to view for the very first time in modern times!
So not only does this movie feature John Stamos and all of his hunky glory but also features the mega hot pop star Vanity AND hard rockin’ tongue flingin’ Gene Simmons of KISS as one of the most bizarre cinematic villains. Aside from an incredible cast of colorful characters we also get a heavy dose of wild 80’s explosive action sequences as well as a pretty unforgettable sex scene that just needs to be seen to be believed. Yeah the steamy sex scene is one of the best I’ve ever seen put to film and easily one of the funniest, involving Vanity at her hottest, Stamos at his most ridiculously stubborn and an…….apple?!
Whoever came up with the whole sequence deserves an award and just in general this movie is an absolute blast that deserves a bigger cult audience. After a highly skilled secret agent is murdered, his son, who’s a hotshot high-school gymnast, teams up with his father’s super sexy female partner to stop a psychopathic trans-cult leader who had him murdered.
Gene Simmons tears it up in the role as the vicious villain who plans a major terrorist attack on the country’s water supply. Equipped with a killer middle finger nail, his signature gross tongue and some truly over the top outfits, Simmons fully commits to the role too. He steals the show as big baddie “Velvet Von Ragnor” and even performs a “cool” little musical number in the process. I forgot he played the villain a couple other times in the 80’s, the Tom Selleck sci-fi actioner ‘Runaways’ and again in the Rutger Hauer killer thriller ‘Wanted Dead or Alive’.
‘Never to Young To Die’ is easily his wildest role and who’d have ever thought we’d see Stamos and Simmons square off in an 80’s flick?! Also included in a minor role is Robert “Freddy Kruger” Englund who was a pleasant surprise to the cast. I’d say one of the film’s highlights are the villains in general-Simmons’ cult of evil post apocalyptic punks are a pure joy to behold.
They’re so damn over the top in fashion and attitude, making the movie’s mayhem that much more awesome with every little outrageous twist and turn. Stamos also shines using his “skills” as a gymnast as a “Gymkata light” style teenage action hero who teams up with his wacky roommate, a hi-IQ inventor of weird weapons to take on the villains. Then of course there’s Vanity in maybe my favorite movie role, a bad ass assassin who Stamos has a major boner for. Filled with everything that’s totally awesome about the 1980’s ‘Too Young To Die’ is a major winner in every way. Thankfully Shout Factory put out a super sweet blu ray that’s a must for retro action fans of the era!
Yowza!! There’s been a surge of Alien/UFO related stories in the news lately, the big one right now is the whistleblower who claims the US Government is in possession of 13 alien crafts. Not to be an asshole or anything but we have basically known this for years, since Roswell-however people thought it was all “tinfoil hat” talk. It’s all a big conspiracy theory claims the mainstream media. But how long can a secret like this all really be kept from humanity?
I’ve been wondering just when the aliens are finally going to reveal themselves to the citizens of planet Earth and that may have just happened a couple days ago?! Certainly this is quite an interesting story, some think the events are purely coincidence but I’m hoping there’s something more extraordinary at hand here. Check out this news story from yesterday and let me know what YOU think is going on here:
I’m really liking the sound of things, 8-10 feet tall beings?! Sounds right up my alley, though I guess it’s easy to say if they’re not right outside my window in my back yard. Still, I can’t help but wonder why no one in this family grabbed their phone and filmed the gigantic beings?! I mean people film their breakfast, lunch and dinner and post it online so why would no one film the aliens and their vehicle that crashed in the back yard? Seems a bit suspect? I was hoping for a “Signs” momentcaptured on film here-but still, the story on it’s own is pretty intriguing I must admit. I’m keeping my eyes peeled in the skies and we’ll see just how courageous I am if I encounter some 10 foot tall creatures in the dead of night right? Well then there’s this story if you missed it:
What is with all of this alien/UFO/UAP talk the last few years? A bigger Gov’t agenda or the whole truth finally coming out? There’s been a lot of interesting ideas around as well these days about regular humans can actually contact and communicate with extraterrestrials, one of the most interesting practices is the CE5 protocol which uses meditation to make direct contact. I’ve tried it and though I wasn’t successful it sure was a fun thing to do on a camping trip.
I’m hoping in my lifetime we’ll make a breakthrough as humans and connect with another species of beings from another world. It’s time for the planet to get a serious wake up call-and I think that the reveal of a new more intelligent life form could possibly put humans on a more interestingpath than scrolling on Instagram or Tik Tok for most of out waking hours. Let’s look to the sky and take a break from our phone addiction-we may be missing the bigger picture unfolding right in front of us…
Bill Sienkiewicz did it again! Yes this time likely in 5 minutes or less! I’m going to be honest, I’ve never seen this comic book cover until a few days ago but now my curiosity level is through the roof on this 3-part Spidey adventure way back from 1987. Sienkiewicz never disappoints and these three covers are proof- the first one here really does seem like it was likely something he threw together in a few minutes, and it’s still fucking brilliant! Check out the first two covers, it looks like he spent more time on those obviously. This story took place inside of the Kingpin’s insane asylum-and Bill conveys the madness with pure perfection…
Universal Dork 