‘Tenement’ AKA ‘Game of Survival’ is the third movie from Roberta Findlay I’ve seen and so far she definitely knows how to serve up the grimy goods in true grindhouse flavor. Yeah, Roberta understood how to make a truly sleazy horror flick that’s for sure. Even though Tenement might be considered more of a low budget action/thriller, it’s got plenty of horror and gore to go around. Findlay surely didn’t give a damn if she offended anyone, even though this came out in ’85 it’s jam packed with scenes that you’d likely not see put to screen in 2019.
Playing off a bit like John Carpenter’s ‘Assault on Precinct 13’ except in a run down inner city apartment building, Tenement features a pretty diverse cast of characters who face off in a violent battle of life or death. The bad apples in this one look like they stepped right out of ‘The Warriors’ and are just about the meanest most over the top street gang put to film. These drugged out leather clad assholes are ready kill nearly anything in sight, and when one of the tenants of the apartment complex tires of them hanging around in the basement he calls the cops, all hell breaks loose. Just when the residents decide to throw a party in celebration of the gang’s arrest, they’re let loose into the night by police. Hellbent on revenge they head back to the “tenement” to get bloody revenge on each and everyone who lives within it’s sweaty spray painted walls.
The film moves at a brisk pace and it’s not afraid to get ugly quick. There’s a shocking brutal scene of rape, beatings, drug overdoses, guttings and that’s just the damn start. As crazy as this sounds at the same time the production quality is pretty low, the acting often pretty flimsy/over the top and it’s all sorta hard to actually take seriously. That all being said, for a female film maker back in the 80’s (and especially today) it’s got more bite than most films of this genre made by men. The action and gore is pretty ambitious and luckily the blood here, looking basically like red paint, tames some of the it’s sheer brutality making it a bit more consumable for genre newbies. I really dug a lot of the characters as well, though some may seem a bit stereotyped but the protagonist, a grumpy loner bad ass hero named ‘Washington’ (a cool add to black horror heroes) gets the job done once the gang begins to wreck havoc on his turf, the tenement. It’s quite glorious actually once the surviving apartment tenants decide to band together and fight back, revenge is well served here for sure and it’s quite worth sitting through the earlier nastiness for some sweet revenge. Also never ever underestimate a pregnant woman in danger!
One of the best things about this mean little movie is the actual setting itself. The run down apartment building is a dirty gritty mess of a place. The perfect place for an inner city showdown to occur, with no help of course from the local police. A lot of Roberta Findlay’s movies, at least what I’ve seen so far, have this totally sleezy city vibe going on and it she works that angle quite well. When people bring up grindhouse films this one is actually the perfect example of the genre and for what it is this one’s easily one of the best out there. Her movies feel like they were made a decade earlier as well and have much more of of 70’s feel to them in look and style. A dark yet entertaining action packed urban battle that might not be the most digestible piece of cinema in 2019, but it’s surely something you likely won’t forget anytime soon!
I’d never seen a Roberta Findlay movie before up until a few days ago, but I’m pretty damn stoked to check out more of her work in the horror genre for sure! ‘The Oracle’ is a sweet yet nasty little horror film from 1985 that took me pleasantly by surprise. It really looks more like it was filmed in the late 70’s, even the clothing styles and general quality of the film has a gritty and dirty grindhouse vibe to it that certainly amplifies the charm. Taking place in the seedy areas of NYC during Christmas time (yeah a new holiday horror flick for the books) Jennifer & her asinine hubby move to a new apartment once occupied by an elderly psychic woman and soon stumble upon her creepy ass ouija board ‘The Oracle’ that she often used to communicate with the spirit world.
Jennifer, hyped on her new place, throws a swingin’ housewarming bash and with everyone witnessing, uses “the oracle” to contact a angry spirit of murdered man who demands bloody revenge upon his killers. From that point on the ghostly presence relentlessly terrorizes her & tries to manipulate her into avenging his death. Eventually she complies, but soon the murderers (the dead dude’s ex-wife & greedy biz partner) become suspicious of her snooping, and they re-hire the psycho who’d carried out the vicious killing before to try and track down Jennifer.
There’s a lot to love here with this mean ass supernatural horror romp. it’s got some truly unique characters, a cool female heroine & the killer is equally interesting being a trans/lesbian villain who’s as nasty as they come for horror movie standard of the day back then. The movie doesn’t go out of it’s way to get the point across, but in today’s landscape I doubt that you could present the character at all in the light portrayed in The Oracle. Still it was interesting deviation from the evil traditionally male killers of the 70’s & 80’s. For the obviously low budget it has it makes great use of it’s big city locales & it’s charming, ambitious special fx work. Interestingly enough this film came out a full year before 80’s cult classic ‘WITCHBOARD’.
These two actually have very similar plots and while Witchboard remains the winner here as far as quality horror there’s definitely something awesome about Findlay’s attempt. It’s nastier and carries a sort of sleezy quality that genre fans of B-movies might actually appreciate more when all is said and done. There’s plenty of subpar acting going on here and decent amount of fairly impressive gore to be found. The end of course tries to go the distance with it’s limited FX budget and in my opinion delivers the goods via a sweet little supernatural encounter.
I’m quite curious to check out more of Findlay’s movies, from what I’ve read it seems she dabbled in directing “X-rated” stuff in the 1960’s, 70’s & 80’s before tackling the horror genre with this movie in ’85. I’m curious about her string of movies through the 80’s, her most popular being Tenement. If you’re a fan of trashy 80’s horror you just might dig The Oracle & now you’ve got an excuse to give this underrated gem a whirl during the holiday season too!