I’m always totally down to see a killer new Sasquatch flick, the trouble is there’s been a LOT of pretty crappy ones made over the years with maybe just a few exceptions like Eduardo Sanchez’s ‘Exists’, ‘Abominable’ from 2006 and of course the classic ‘Harry and The Hendersons’. For some reason people have a tuff time bringing a believable Bigfoot to the big screen. Go figure. That leaves me believe people seem to think all they need is a tall dude to don an ape suit and they’ve got a worthy horror on their hands. The best ones though always put most of their money into their ‘Squatch creature fx and bring something truly believable to screen. Let’s face it, so many out there are faking Bigfoot videos on Youtube with rubber ape suits, believing what you’re seeing on screen is real is the first point of brilliance in a movie like this. Luckily “Primal Rage” is directed by fx wizard Patrick Magee (Jurassic Park 3/Progeny/AVP) and he put some serious effort into the crazed creature’s appearance in this movie. The best thing about this one is clearly the beast and that’s a damn good thing in this case.
Primal Rage’s actors aren’t trying to (or maybe even able to) win awards here and it’s got more in common at it’s core with a 70’s or 80’s killer creature flick than it does with something like Jurassic Park. The script is here might be a bit on the flimsy side but that makes way for tons of crazy Bigfoot action to go down. The premise is simple, an ex-con is just released from prison and picked up there by his girlfriend, as they drive through the mountains of Pacific Northwest (en route back home) they get side tracked when a mangled man stumbles into the road and is hit by their car. When they get out to investigate they almost immediately come under attack from large rocks being hurled at them, ex-con guy gets knocked off a cliff into a river and his lover jumps down to save him from drowning. This begins a fight for their lives in the woods are they’re pursued by “Oh-Mah” a pissed off native american mythical cryptid, AKA Sasquatch.
The interesting thing here is that “Oh-Mah” is actually an intelligent, brutal hunter who wears a bark mask and uses a bevy of handcrafted weapons to attack his prey. He also fucks shit up with his bare hands any chance he gets. He’s brutal as hell in this one, firing arrows and ripping people to shreds who’re dumb enough to hanging around in his stompin’ grounds. Bigfoot’s a calculated cold blooded killer here and there’s plenty of people for him to rip into, especially as there’s conveniently a gang of backwoods weirdos ala Deliverance who’re in desperate need of an ass-kickin shooting the shit in the vicinity. Bigfoot pulls no punches either, Magee pulls out some crazy ass sequences of practical gore a’plenty and his Bigfoot, “Oh-Mah” looks fantastic. He’s huge and it’s clear they put plenty of work into his animatronic face to make him a convincing and memorable movie monster.
There’s also a sweet supernatural sub-plot going on with the local Native American sheriff who’s out for Oh-Mah’s hide (this dude should have been the main character) and a crazy wood witch who looks like she stepped right out of Ridley Scott’s “Legend”. Magee does a fine job here creating a ton of cool action sequences and an explosive ‘final boss’ battle. Bigfoot does have a questionable scene where he forces himself upon a female captive that I could have done without, but luckily it’s a brief, more implied scene. Otherwise this one’s a ton of gory fun that’s not to be taken too seriously. It’s a good mix of Predator, Pumpkinhead & Deliverance with some ‘Squatch making it it one of the best of it’s genre. A must see addition to Bigfoot’s horror legacy!
I’ve noticed a bit of a trend lately in Hollywood that gives me some hope for the future of sci-fi movies, a slight return to intelligent and engaging genre stories have been slowly materializing on the big screen again. Recent movies like Arrival, Get Out and especially Blade Runner: 2049 have seriously made going to the movies a bit of a different experience in the best way possible. A return to cerebral science fiction mysteries is something I’ve been hoping for for quite some time and the trend continues on with the latest, ‘Annihilation’ in a big way.
Annihilation is quite a mind bender indeed that explores a bizarre alien atmosphere that suddenly yet quietly appears down in the Florida Everglades near a lighthouse on the coast. Referred to in the movie as ‘the shimmer’, this truly strange, rapidly growing area creates a surreal glistening layer to the landscape it encompasses. It’s up to a team of scientists/mercenaries to enter inside it to figure out just what the hell is going on and what happened to the previous team that never returned. A great cast heads this one as well, led by Natalie Portman, Jennifer Jason Leigh (it’s nice to see her back!), Gina Rodriguez, Tessa Thompson, Tuva Novotny and also Oscar “Poe Dameron” Isaac in a chilling supporting role.
I liked the dynamic of having a fully female team of researchers that enter within the shimmer, as once inside, the movie quickly becomes a full on dream like journey into a beautifully bizarre landscape where it’s uncertain exactly what lies ahead. One of the best things about it is indeed the atmosphere and setting of the Everglades as the shimmer has transformed much of it into an eerie colorful creepy spectacle to behold. It really does feel like you’ve entered into an onscreen fever dream that’s peacefully quiet but at the same time incredibly unsettling.
Of course there’s plenty of danger inside and it doesn’t take too long before shit gets crazy, as quiet and introspective as this movie at first seems it also has some pretty intense scenes that cross fully over into the horror genre. It’s horror elements reminding me a bit at times of ‘Event Horizon’ & ‘The Thing’, there’s plenty to behold inside the shimmer. some unexpected gore and even some genuinely frightening monsters enter the equation. In fact there’s one unforgettably frightening creature that pretty much steals the show and is something born of nightmares. So yeah that’s always a plus for me.
Annihilation leaves a lot of room for discussion once the credits begin to role as it’s finale is so strange it’s likely to leave many leaving the theater scratching their heads. That though I feel is the appeal of a movie like this, it’s got a real story to tell that requires you to pay close attention to detail something a lot of science fiction movies used to do way back when. It seems however that the masses today have a hard time digesting movies like this, most everything today is edited so quickly and largely requires our brains to be turned off almost entirely. Movies these days largely feel as if they’re made for our mega short attention span culture so it certainly feels quite special to enter the theater and be pleasantly surprised by a totally different experience all together. Annihilation like Blade Runner:2049 likely won’t do great at the box office, but if you long for those classic stories of cerebral science fiction they way that I often do, you definitely won’t be disappointed with Annihilation.
I stumbled upon a cool little gem of a movie a few days ago called “Arachnid” back from 2001 and was quite happy to see a cool classic style creature feature done the right way! Yeah Arachnid was made during a time when pretty much anything of the monster movie genre was rendered in super shitty digital effects.
However Arachnid somehow went against the grain at the time and pulled off some damn inspiring practical monster effects by way of animatronics, stop motion and puppetry. It also doesn’t hurt that the movie was directed by Jack Sholder (Nightmare on Elm St. 2, The Hidden, Wishmaster) either. It’s clear he loves the genre and likely pushed for the old school 80’s style monster mash with Arachnid.
The movie takes us to an exotic island that’s infested with monster spiders and even a big spider snake hybrid. It’s basically a fight for survival as a group of people become trapped on the island after their plane crashes. It’s pretty light on plot but once the movie kicks into gear it really does feel like a campy 80’s creature feature.
This one is a cool little forgotten flick that over the years I ignored largely because I figured the effects were going to be a weaker version of the questionable CG of Eight Legged Freaks, which hasn’t aged well. Arachnid though will deliver to anyone who’s a fan of the way monster movies were done back in the 70’s & 80’s! Track this one down, it’s available through Netflix on dvd too!