I never thought I’d go back and give 2019’s ‘Butt Boy’ a damn re-watch, butt here I am back on the damn ‘Movie Melt‘ podcast where I was invited to give my two cents worth on the weird ass movie I review right HERE! Yeah for some reason ‘Butt Boy’ was nominated to be the feature presentation on the podcast, probably because of it’s totally bizarre premise that really has to be seen to be believed.
That being said, this flick is most definitely not for everyone imo and I’ve stated here before I’m still not quite sure if I liked the damn thing myself. Even so I’ll state again if you don’t know what the hell I’m even talking about with this movie, that I suggest just going into it completely cold and letting things unfold. It’s an interesting experience to say the least. If you’re a fan of the movie we’ve got more info on the film and the director than anywhere else on the net.
So check out the ‘Butt Boy’ or just listen to Movie Melt where we all discuss movies you should be checking out, do some wild cinematic trivia and of course talk about one of the most perplexing movies of the last decade, Butt Boy in all of it’s glory…
Most of the big cinema Hollywood horror movies churned out these days are pretty damn forgettable but every so often we get a shiny gem thrown in our direction, this is most certainly the case with “A Quiet Place”. Yep, this one delivers on all levels, it’s an awesome tale of survival, a freaky creature feature and a totally tense original thriller all wrapped into one sweet package. John Krasinski, Emily Blunt, Noah Jupe & Millicent Simmonds are a family trying to survive in total isolation in a house in countryside. In the surrounding forest the wrath of big blind alien creatures that hunt by sound look for their next meal. Get ready for the extremes between complete silence and jarring monster attacks to jolt you right the fuck out of your theater seat. Most of the movie is completely serene except for some of the score that creeps in and out from time to time and that’s what will keep you on your toes. I’d love to see a version of the movie that takes out the score completely as that’d certainly add even more tension to the sonic experiment at play here.
It’s really quite a great concept for a big cinema flick and if you’re chomping on popcorn and candy during the movie you’re likely to be heard by all around, the movie’s so quiet at times it can be a bit unsettling in a large theater full of people. This of course brings the audience directly into the tension and it’s done quite well cuz when the shit hits the fan from time to time it makes the tense action sequences that much more powerful. It also features the most awkward sequence of being stalked by a monster, one where Emily Blunt tries to escape being killed by one of these creatures while simultaneously going into labor! Damn-could it get an worse-yes it surely does..
The small cast also adds to the feeling of dread and isolation as danger lurks behind every noise presented on screen. The setting as well is lush and beautiful as most of it takes place on and around the old farm and a creepy ass cornfield, the perfect place for monsters to creep all about. Speaking of the monsters, we don’t really get any solid explanation about where they came from or why they’re here, maybe upon a second viewing it’d be easier to piece it all together from various newspaper clippings that are shown here and there. It’s been said this movie was also, in it’s early stages given the possibility to have a connection to Cloverfield, which also would have worked quite nicely. Continue reading
I’ve been questioning some of the ways comic book artists are doing their “artwork” these days. Lets face it art has changed quite a bit from back when comic books were printed on newsprint and cost a mere sixty cents. Today our comic books cost four bucks and are full of computerized gloss. Hell I’m not even sure what they are printed on is actually real paper. But it got me thinking a lot on just how comic book art is produced these days for the bigger companies out there. It turns out a lot of artist out there are phototracing, meaning gathering photos online, shot from a digital camera or even other artists actual artwork, uploading them onto the computer or light box and tracing them, adding costumes different hair etc.
It seems this trend has a small debate forming on what exactly is real art in comic books these days? Is it real art when Alex Maleev uses a light box to do all of his city back grounds or David Mack tracing pictures of his characters? Or when an artist simply takes some celebrity photos and traces over them giving the characters their likeness? To me I’m a little disappointed to hear that this trend is becoming even more popular these days. I guess you don’t have to spend much time with perspective if you’re merely tracing a photo.
I guess the “Artist” these days has maybe actually become the inker? Don’t get me wrong there’s still good degree of skill and talent needed to make a trace job look real good. People have been photo referencing for years but tracing to me just doesn’t really make the cut. I love for a comic book to look good, heck if the comic has shitty generic artwork (as most do these days is seems) I flat out just won’t buy it.
Art is very important to me when dropping 4 bones a pop on a comic book these days the art and story better be top notch. What do you think? Do you care how the artwork was made in your comic book? Here’s a great video from IFanboy on the great debate of phototracing!