So with all of the talking hype around the Falcon and the Winter Soldier series on Disney Plus, I thought it would be a good idea to post the cover from Captain America # 312, from 1985!
Here we get a good look at the original vision of the Flag Smasher, who now I guess represents some sort of terrorist organization instead of a all-out supervillain. This issue was actually a favorite of mine as a kid and of course I always love some Paul Neary artwork! I can’t lie, part of me really wishes that this guy would have been the one appearing on the new show!
Hey horror hounds! I’m willing to bet top dollar that you have probably never heard of or seen 1989’s bonker’s horror comedy ‘The Laughing Dead’?! I reviewed it right here not too long ago but enjoyed this weird wild cinematic journey so much I chose it as the feature presentation to cover for the latest episode of the Movie Melt Podcast!
So if you dig 80’s horror flicks like Evil Dead II, Re-animator or Terrorvision and haven’t got the scoop on this one you should check out the podcast for sure. With FX legend John Carl Buechler (A Nightmare on Elm Street 4, Friday the 13th VII, Troll ) bringing the gooey gore & monsters to life along with the offbeat horror story set in Oaxaca, Mexico, it’s a shame this movie never saw an official release here in the USA.
Written & directed by Splatterpunk cult horror novelist/composer S.P. Somtow, makes it a guaranteed treat for 80’s horror fanatics. Check out the episode RIGHT HERE for the scoop on ‘The Laughing Dead’ as well as a whole heap of crazy shenanigans and useless movie info! Here’s the trailer for the movie…
First let’s get this out of the way-HAPPY DAMN NEW YEAR! Let’s hope 2021 is leaps and bounds better than 2020, I mean things can’t get worse can they? Well back in 1973 Batman had one shitty ass New Years in issue #247. He and Robin had their hands full trying to stop a weirdo in a holiday sweater who’s planted canisters of nerve gas all around Gotham! Phew I’m glad I’m only suffering from a hangover and not doing THAT today. Check out this blast from the Caped Crusader’s troubled holiday past with this sweet classic cover drawn by Dick Giordano & Gaspar Saladino!
I’m all for 80’s throwback nostalgia, it was the decade where I spent most of my damn childhood for cryin’ out loud. That being said HBO’s “home pandemic theater” holiday release ‘Wonder Woman 1984’ should have really been a dream come true for me. Literally tailor made for someone just like me who still often longs for the good old days and full on nostalgia of the 1980s. However ‘Wonder Woman 1984’ somehow completely misses the mark and simply seems to try an make a checklist of what Hollywood thinks we want to see from that era, it’s the DCEU’s version of 2016’s ‘X-Men: Age of Apocalypse’, which in my opinion supremely failed at what should have been a sure-fire nostalgic hit with the awesome source material they had in their hands.
The funny thing is I’m not quite sure how to pin point just exactly what doesn’t work for me with Wonder Woman 1984. On paper it sounded like a wonder-ful idea to have Diana Prince hangin’ out in that particularly colorful fun filled era of cinema. It just made sense. There seems like so many totally radical scenarios to put her and the supporting characters in, but as the movie slogged by with it’s flimsy plot it was quite clear to me: This was not the 1980s I remember sooooo fondly. I guess the main problem is the plot’s pointlessly random approach to almost everything that occurs in it 2 hour and 30 minute run time. Dressing it all up in wild neon 80s fashion and the whole “fish out of water” approach just doesn’t save this one from being a bit of a stinker. I know Patty Jenkins was attempting to recreate the magic of Richard Donner’s Superman and and in the first 20 minutes it seemed like she was on track. It was soon apparent though it had more in common with say, George Lucas’ ‘Howard the Duck’ than ‘Superman II’.
Something this time around about Gal Gadot’s Wonder Woman just didn’t resonate with me in the way it did in the charming first installment. Sure we got the ‘Mandalorian’ himself Pedro Pascal as the greedy “Lex Luthor” type villain who apparently has spent his entire life searching for some ancient magic crystal that grants wishes-why? Who knows and I guess who really cares right? Then you have Kristen Wiig playing the frumpy coworker of Diana’s at the Smithsonian Institute, who’s also set on becoming the next Iconic villain for Wonder Woman. Far from it. Of course Pedro Pascal or ‘Max Lord’ conveniently figures out that the two of them are in possession of and studying his most coveted crystal treasure. Things from there increase to get incredibly uninteresting, the pace slows way down and lets you enjoy the most boring aspects of the 1980s. Oh but wait, we just cannot forget Diana’s ex-lover, Chris Pine shows up, resurrected from the dead and randomly in the body of another man for some reason that I guess is connected to the magic crystal’s wish granting power.
The action scenes are decent, the acting isn’t half-bad and the 80s backdrop was for the most part handled fairly well. But this movie’s bland overly random plot points combined with it’s stereotypically boring supporting characters (mainly two uninteresting villains with ridiculous motivations) had me checking the time counting down the minutes tell it’d finally be over.
We do of course get to see Wonder Woman in a fully CGI final battle against a (for some reason fully CG) generated Kristin Wiig “Cheetah” that harkens back to that terrible final fight underground train sequence in the Black Panther! Yeeehaw! Trust me as someone who grew up in the 80s I can assure you they were much more totally radical than this. As a fan of the first outing this one, as we said in the 80’s this one gagged me with a spoon….I’ll gladly take THIS instead any day!
Times are crazy, amidst the pandemic something even more sinister has certainly arisen, a true tragedy involving once again United States law enforcement. It seems the cops are being exposed again as true corrupt enemies of the people and more importantly the poor and African Americans seem to be those most hurt by them. Here are a few old VHS covers featuring horrific COPS that today certainly seem once again relevant. The cops must now learn, that their actions are under the microscope of the citizens of America. The police will be policed…Derek Chauvin remains far worse than any horror film villain could ever be.
Happy Valentine’s Day everyone! There’s love in the air today so we’re going to have to go way back to the 1990’s, particularly 1997, which admittedly was an era where I wasn’t religiously reading comics books like I was in the 80’s and early 90’s. Here though is an actual Valentine’s Day special from Marvel that I thought was particularly interesting for the choice for one particular couple featured on the cover..,,Titania & The Absorbing Man!! They strangely feature poor Daredevil and Venus all by themselves, we of course get the obvious couples of Spidey and M.J. & Cyclops and Phoenix. But the inclusion of the powerhouse duo of Absorbing Man & Titania is pretty unexpected, even though they were (are still?) a true match made in heaven. They met all the way back in ’84’s classic ‘Secret Wars’, eventually ended up getting married and continued to kick ass all over the place together. I’ll admit I’ve never read this one, but my interest is peaked as I’m pretty curious if the two of them actually get a little story of their own!
The Thing was always one of my favorite superheroes, I just couldn’t get enough of this damn character. He was so freakin’ cool that besides being one of the mainstays in the Fantastic Four comics he also was the main character of ‘Marvel Two in One’ series (that started in the 70’s) and teamed up with pretty much every superhero to ever appear in the comics. There were some really really obscure team ups I’ve got to mention someday in another post. Well in 1983 I was beyond stoked as kid when John Byrne decided to give Ben Grim his very own solo series, it was one of my favorite things EVER (no pun intended)! Well issue #6 was always one of my favorite covers just ‘The Thing’ in all of his rocky glory in a simple black background. This issue itself utilized the blackness in quite an interesting way as well as he faced off against the Puppetmaster, this one drawn by the legend Ron Wilson and Brent Anderson is a true classic and shows that sometimes the best covers are sometimes the most simple!
Here’s the second installment of the all time greatest one shot comics, featuring small self contained stories that begin & end all within the span of one single issue! Today we’ve got an excellent story from 2001 in The Incredible Hulk #26 (vol. 2) written by Sean Mckeever and drawn by one of my personal favorites, the amazing Kyle Hotz. I immediately had a soft spot for this issue as it takes place in Wausau, Wisconsin (and even features ‘Eagle River’ on a highway sign, a place where my family’s had a cottage for ages) a state that we don’t normally see superhero adventures taking place. I had a feeling that Mckeever must’ve been a Wisconsin native to include such random small towns in this story and I was right as his Wiki page states he’s from Appleton (I used to live there!).
Anyway the story features The Hulk as he wanders aimlessly through the night on a lonely highway being drawn to a nearby city’s lights in the distance. The Hulk appears to be at peace in the quiet night, but hey we all know for the jade giant tranquility never lasts long. The cool thing about this particular issue is that Hulk kinda takes a back seat as the story really follows the exploits of b-lister down on his luck supervillain ‘The Killer Shrike’ and his wife Nadine who’re traveling the country aimlessly in his beat up van. I love what this one brings to the table as we’re able to see Simon Maddicks (The Killer Shrike) life as a real person. We witness the struggle of a woman who’s stuck by her mate as he’s chosen a life as a superhuman criminal constantly on the run from the law. She’s tired and ready to live a normal boring life. Shrike’s promising her soon he’ll be ready and willing to give up the life of crime and pulls into Wausau claiming that it could be the city for both of them to settle down in.
It doesn’t take long for her to realize Simon’s lying through his teeth as he eyes up a convenience store and tells her he’s got a new plan. Rather than looking for the big score like he has for years he’s gonna hit small towns hard where there’s no superhuman resistance. We get a real glimpse in to what life might really be like for a supervillain who at his core is just a regular small time crook. There haven’t been too many comics that have covered this topic so intimately and really given us a look at the starving supervillain’s daily life. It’s too bad The Killer Shrike doesn’t realize this small city’s also harboring the most powerful brute force on the planet-The Hulk. We get a compelling introspective into just what makes The Hulk tick and where his thoughts wander to when he’s in a state of peace with his surroundings. There’s a lot of great dialogue packed into this little story and Hotz’s unique artwork really brings this tale to life
The Killer Shrike suits up in his van and hit’s the convenience store with an easy small time score, or so he thinks. On his way out with the cash he nearly runs head on into you guessed it…good ol’ green jeans himself. The Shrike in sheer panic attacks The Hulk, who really just wants to be left alone. He’s doesn’t let up either as he’s convinced he can take down The Hulk himself, he keeps on striking until he levels an entire building upon the jade giant. The Killer Shrike however quickly realizes that very building also crushed his getaway van with his lover, Nadine inside. As things often go wrong when puny humans decide to pester the Hulk, this issue delivers a heartfelt punch to the gut as we witness one fateful night in the life of Simon Maddicks. I wish Marvel could capture this type of depth in their characters and villains more often as The Incredible Hulk #26 would be great issue to present to Marvel executives today as they ponder upon why their comic book sales have declined so much recently. Check this issue out next time you’re at the comic shop roaming through the back issue boxes, it’s a damn fine little slice of storytelling! P.S. here’s an old Marvel Universe profile for the Killer Shrike!
Have you noticed the overload of retro style throwback movies that have been coming out over the last ten years or so? You surely seen all those retro style movie posters that seem to to borrow so heavily from those cult flicks of yesteryear. Well here I’m going to start a weekly post where I’m going to give you some of my personal favorite VHS box covers of all time. Most of these are ones as a kid in the 80’s I’d see when visiting the video store, some of those incredible covers will oddly always bring back great memories of being a kid. So for the first installment I picked one of the coolest from a bizarre werewolf movie from 1984 called “A Company of Wolves”. Seeing this one at Bricco’s Video Vault (I think that’s what it was called) back in Neenah Wisconsin back in the 80’s kinda freaked the shit out of me! It makes me wanna revisit this movie as it’s been a long time since I’ve seen it. But here it is in all of it’s crazy glory….
I can’t begin to tell you just how much I love this particular comic book cover and how much as a child I loved this particular issue of ‘What If?’!! It really make sense as we get one of the greatest comic book artists ever responsible for this masterpiece, Bill Sienkiewicz doing an unforgettable rendition of the jade giant on issue #45. ‘What If?’ was an incredibly fun comic book back in the classic Marvel days and this issue from 1984 was one as a kid I carried with me everywhere. This one retells the classic origin story but in this reality Banner fails to save Rick Jones from the gamma blast and while Rick doesn’t die the Army ends up killing him-Sending the Hulk into a crazy rage. The Hulk freaks out and takes down the Fantastic Four and Iron Man killing several them in the process. It’s a great, surprisingly violent issue and in the end The Hulk’s rage costs him his own life. Anyway this cover will always remain one of my faves, Sienkiewicz never fails when doing comic book covers, with the pencil and ink in his hands you always knew you were going to get something truly special!