So for the time being I’ve taken a break from buying comic books weekly as they are pretty damn pricey these days and honestly there really weren’t too many titles that really grabbed and made it worth the weekly cash drop. As a huge fan of The Incredible Hulk ever since I was a little kid, I’ve got to admit I do miss reading about the adventures of the “Jade Giant” and really couldn’t get into the whole “Totally Awesome Hulk” stuff. The Banner Hulk was killed off a couple years back and it seemed perhaps that the original green goliath was gone for good (or at least for the time being as no one is ever really dead in Marvel Universe). Well now there’s a new HULK book out called The Immortal Hulk and my curiosity has been sparked as the first issue dropped in June and it’s been referred to as a return to form for the Banner Hulk. I’ll probably wait for the trade but I’ve gotta say this Variant cover by Sal Buscema sure does give me the goosebumps longing for a nostalgic old school Hulk adventure!!!
Here’s a cool new comic book from ‘Black Mask’ that packs a visually stunning slice of dirty raw color to the space pirate genre. From page one I’ll admit for this one it really didn’t matter how solid the plot would be for ‘Space Riders: Galaxy of Brutality’, the first page showcases some awesome artwork that’s a breath of fresh air in the current comics spectrum. Black Mask has been putting out some pretty impressive shit for quite some time now. Space Riders #1 continues that trend with a solid debut that could possibly be more fun to look at than read. This is apparently a sequel series, but it’s new to me and I’ll have to take a moment to hunt down the first trade. So if you’re late to the party like myself, I don’t think it really matters all that much. We’re given a cast of outrageous characters from the get go, some crazy space bikers, weaving through the stars, wreaking havok on a refugee ship full of aliens. It doesn’t take long for the giant floating skull space craft, with our main characters aboard to vaporize the scavengers dead in their tracks. This sets the tone for the type of crazy shit visually and plot wise that’s on the horizon.
I totally dig it, it’s a straight forward story so far filled with some insanely colorful characters that harken back to classic vintage style space voyage that would’ve fit nicely in the pages of ‘Heavy Metal’ magazine. We’ve got the gruff wise guy Captain Peligro, a tuff guy baboon human hyrid co-pilot, cyborg babes, bat people, marauding space bikers, galactic maidens and cool space vagina portals. It’s a damn fun first issue that’s jam packed with eye candy galore and just a ton of weirdo oddball landscapes & evil aliens. I like these kind of stories sometimes that don’t rely too much on paying attention to crazy details and more so on just having a good old fashion ruff around the collar space adventure. This is the perfect book to roll a joint, kick & absorb the madness of it all.
Now the problem here I gotta say is that Space Riders takes about five minutes to read. I’m not exaggerating either it’s filled with a ton of huge panels and splash pages. While those can all be cool to look at I’ve said before comic books these days need to make some changes for readers who’re expected to throw down four bucks per issue for five minutes of story. Too many books out there don’t seem to give us enough bang for our buck. What do you think? Can you afford the rising prices of comic books? Well if you can I recommend Space Riders #1 it’s got a unique look and it bound to go to some pretty cool ass places…
Mike Mignola rarely lets me down, in fact I’d go as far to say that these days the Mignola-verse is where I really like to spend most of my comic book time. So yesterday it was a no-brainer that I’d have to pick up issue #1 of Joe Golem: Occult Detective. The series is based on characters from the ‘Joe Golem & The Drowning City’ Novel by Mike Mignola & Chris Golden, but the comic is meant to be a stand alone story (actually outside of the Mignola BPRD / Hellboy world) so you don’t need to read the novel first. However this first issue has peaked my interest in the book so I’ll probably check that out soon as well.
Well as you can guess by the title, this one is a bit of a pulp style supernatural thriller and takes place in severely flooded New York City in 1965. There in waters that fill the streets children are disappearing, being abducted by vicious creatures that roam below. We’ve got Joe Golem on the case though trying to figure out just what the hell is really going on here, we also get a bit of background into the cities past and some strange flashbacks or nightmares that will somehow tie into the dangerous waters of New York City.
We also meet Golem’s partner Simon Church a mysterious old man who seems to keep himself alive with strange magic, he also keeps a golem like clay monster in is house that’s likely to play a major role in this story. The artwork by Patric Reynolds is also excellent giving us a great look and feel of the gloom of the dark flooded waterways of mid century Manhattan.
The story is titled “The Rat Catcher” and I’m most definitely on board for the rest of the 5 issues (though inside it states there’s only 3 parts to this story? hmm….) and some spooky tales of adventure & mystery that Mike Mignola has become a legend for telling!