I watched the new Netflix Texas Chainsaw Massacre movie a few nights ago and was surprisingly entertained with what ol’ Leatherface, (who must be pushin’ seventy by now?) served me up. That’s not to say this movie was perfect, In fact none of the sequels to the original Texas Chainsaw Massacre are anywhere near perfection. That doesn’t mean though some of them aren’t a damn good time. The 2022 sequel is clearly trying to mimic the same playbook as Halloween 2018, Bringing back the 1974 film’s “final girl” Sally for It’s big return. Sadly the original actor, Marilyn Burns died but they did bring back her character which was kinda cool… However I think they should bring back another classic character….
This got me thinking about where this franchise could be headed if they were looking to truly please fans. I think the perfect direction would be to piggyback off of 1990’s ‘Texas Chainsaw Massacre 3: Leatherface’. I recently revisited that one and had a fucking great time with it & fair to say it’s imo easily the best of the sequels. One of the biggest reasons for me that it holds up so well was the addition of horror icon Ken “Dawn of the Dead” Foree to the mix.
It’s a real treat to see him in the 1990 sequel, an actual black character who doesn’t get picked off and killed senselessly. Most important, Ken is just a damn great actor & horror legend with a ton of onscreen charisma, Spoiler alert he survives the entire gruesome encounter of the third installment. As I’m sure you’ve probably already realized…
I’ve heard that this new “time line” of Texas Chainsaw Massacre (2022) is actually disregarding all the sequels in the same way that ‘Halloween’ 2018 did. Bad move, especially when you could bring back Ken’s iconic bad ass character ‘Benny’ into the sequel for the next installment. I could easily see him finally going to settle the score with Leatherface once he hears the news of the masked psychopath’s re-emergence in rural Texas. Maybe Benny decides to hire a team of experts to aid him in taking them down?
Or maybe he gives ‘final girl’ Kate Hodge aka Michelle a call to head off and hunt the bastard down for some sweet long overdue payback.
Incorporating a living legend like Ken would give this new timeline some much needed credibility and adding Hodge would be the icing on the cake. To help out Leatherface they could even rope in Viggo Mortensen, as he appeared as a cannibalistic killer in the 3rd installment as well. I know a lot of people have forgotten about that little tidbit over the years.
Of course they would have to at least recognize part III in the franchise as actual cannon in this time line and why the hell not? Imagine the hunter being hunted this time, Leatherface on the run basically from a cast of characters dead set on ridding Texas of the elusive maniac. Pay attention Netflix and give Ken a call ASAP!
Well the quarantine rages one! So naturally I’m taking advantage of the situation by watching as many cool movies as I can get my hands on! I checked out some pretty excellent Japanese movies from the late 80’s/early 90’s the other night and I won the jackpot as somehow BOTH movies delivered the damn goods! I mean that rarely ever happens when blindly grabbing two oddball movies I’ve never heard anything about.
First up was was 1988’s “Cyber Ninja”, which obviously by the title showed some true promise! This wild sci-fi action film tells the story of a cyborg ninja who’s battling an evil empire that uses giant dinosaur like robots along with a gang of robotic ninja’s of their own to wreak havoc upon a kingdom of samurai warriors. Yeah basically that’s the story, nothing fancy here just a bunch of wild action and robot ass kicking for a lean 80 minutes. There’s some cool martial arts as well and really sweet robot designs at play here that mix feudal japanese elements into their look. There’s these giants mechs in particular that have a sort of Japanese tree house melded as the control center, kinda of like a play on a Star Wars ATST walker. There’s also a ton of that ultra colorful hand painted laser/electricity/energy blasts fx that accompany the martial arts mayhem. It’s a ton of fun and it seems this was perhaps an inspiration for the Mighty Morphin Power Rangers? The movie was release by Namco, which later merged with Bandai, both famous for their video games. Cyber Ninja is must watch if you dig weird, 80’s action and fantasy stuff & was great little viewing surprise that doesn’t require your attention span to be in full swing either.
Next was 1991’s Mikadroid, also known as “Mikadroid: Robokill Beneath Disoclub Layla”. With a title like that you know you’re at the least in for something quite unusual and yeah it brings quite an intriguing little tale of terror to the screen. It’s super lean run time of 73 minutes also makes it much less of a commitment and the perfect companion to Cyber Ninja in more than one way. I’d say at it’s core, it’s really more of a horror movie, and go as far to even call it a “proto-slasher”. It follows a World War II soldier who was experimented on along with two others for a super soldier program.
However they went a step further in a secret underground bunker to transform him into a cyborg/droid and ends up looking like something straight out of a Hellboy comic. We flash forward to 1991 to a discoclub that was built on top the hidden bunker where some electrical issues awaken the WWII super solder robot from his long slumber (I guess a real Captain America kind of thing going on here more than I originally realized). The droid heads up into the parking garage where he conducts his killing spree on the oh so stylin’ Japanese party animals after their wild nights of drinkin’ and dancing the night away.
This movie’s certainly a unique slice early 90’s cinema. It’s quite beautifully shot as well as having a pretty kick ass looking robot and some really stunning underground locations. I was hoping for a bit more from some of the kills but the strange story is the true highlight. Enough so that this little oddity by it’s end unfolds into something truly unique for it’s time and relative obscurity. Released by Toho, it was originally intended to be a full on horror film for the straight to video Japanese Market. Originally set to be a a zombie horror film having the WWII soldier an undead killer instead of a robot . The day before filming began a child murderer was arrested, who had an open passion for horror films, and it resulted in almost all horror movies being essentially blacklisted from production at the time. The film’s plot was frantically reworked into a “sci-fi” film while still keeping the basic premise intact. That all being said, the changes made I think likely added to the movie’s bizarre but ambitious plot. If you go into the movie with few expectations you’ll find a truly charming little feature that firmly lands it in a league of it’s own for the time.
With the recent announcement of ‘American Horror Story: 1984’ looking to cash in on success of 80’s throwback series like ‘Stranger Things’ and Stephen King’s reboot of ‘IT’ I thought it’d be nice to give a shout out to a great flick from 1983 called ‘The House on Sorority Row’ I watched a couple days ago. ‘American Horror Story: 1984’ is going to be fully immersed in the 1980’s slasher genre. That being said here’s a pitch perfect Slasher flick I recommend they watch before releasing the new season, they likely’ll need all the help they can get by trying to convincingly tackle the genre. This mysterious little flick from 1983 deserves a helluva lot more praise than it’s gotten throughout the years. Director Mark Rosman brings one of the best to the genre!
The House on Sorority Row’s filled with a pretty tightly knit little mystery that’s full of fairly unpredictable twists and turns that never lag in it’s execution. Hitting all the slasher tropes in a pretty unique way, considering it was released back in 1983. First off we’ve got a full cast of great characters, almost entirely female as well and rather than giving us a troop of the usual moronic teenagers for the killer to prey upon, we get ones who you just might care about getting off’d. Our gang of sorority sisters here are a pleasure to see onscreen and most definitely take the plot into some fascinating territory. There’s the old seemingly mentally unstable sorority house mother who desperately wants the girls out of the house for the summer. However determined to throw one final grand graduation bash at the house, the sorority sisters get into a heated argument with her that quickly escalates to uncomfortable levels. They devise a plan to play a wicked prank on her, and in doing so set into motion a night of terror as they try and cover up their actions from the public. Deciding the show must go on they reluctantly continue with the big bash and soon find them being stalked by a ruthless slasher out to put the kebosh on their festivities.
Sounds simple enough, but there’s a lot more going on here than meets the eye, the set up to this one is pretty awesome as the girls quickly prove they can be just as nasty and cunning as any 80’s frat boy. The acting for the most part is rock solid here too, but don’t fret, as there’s still plenty of 80’s cheez to go around. One of the highlights being the grad party and it’s totally rad live power pop band ‘4 Out of 5 Doctors’ who perform there that boost the level of fun up a few notches alone. It’s the kind of party that makes you wanna jump into a time machine to attend & get down in the 1980’s. We’ve also got a great final girl here that’s totally worth rooting for as she slowly throughout the evening puts the pieces of the bizarre mystery together while her & her friends are stalked on the spooky campus. It feels a bit like a demented Scooby Doo mystery that takes itself fully seriously in the best way possible.
It’s also not afraid to get nasty with it’s gore fx there’s plenty of inventive kills scattered about to revel in as well. The finale really ramps things up and keeps you for the most part guessing til the end about what the fuck is actually going one here. The killer is pretty awesome too and the last 5 minutes (which I wish would’ve lasted longer actually) are filled with tension, thoroughly impressive camera work & the reveal of the maniac in the flesh is pretty iconic in it’s own right. This one’s really got it all as far as slashers go, a stunning orchestral score from Richard Band, great spooky sets, sweet fx, excellent characters, a cool mystery and a pretty sweet ass slasher villain. If you’ve never seen this one and are a fan of the genre this one hits a home run!