So today we finally got the first trailer to Star Wars Episode IX: The Rise of Skywalker, yeah…that’s seriously the name of it. Has anyone else noticed that the “Rise of” phrase in big Hollywood blockbusters franchises is just maybe a TAD overused these days?!! Terminator: ‘Rise of the Machines’, Gi Joe: ‘Rise of Corbra’, ‘Rise of the Guardians’, ‘Rise of the Planet of the Apes’, Terminator Genisys: Rise of the Resistance, Fantastic Four: ‘Rise of the Silver Surfer’, 300: ‘Rise of an Empire’, Underworld: ‘Rise of the Lycans”, Transformers: ‘Rise of the Dark Spark’, ‘The Dark Knight Rises’…..need I go on?! I mean I guess everything in Hollywood is fucking “rising” these days huh?! Good for them I suppose! So aside from Episode IX’s embarrassing title, check out this trailer if for some reason you haven’t already:
So after, what to me was the most disappointing sequel in movie history, ‘The Last Jedi’, we are now eagerly(?) awaiting the conclusion to this messy trilogy. JJ Abrams is back again folks, finishing what he started and as much of a fan as I was of ‘The Force Awakens’ when it debuted, I’m gonna admit, it was by no means great, inspiring story telling. Instead it was yet another rather bland Hollywood reboot/remake disguised as a sequel that managed to tug my nostalgic heart strings at all the right moments. So in that aspect story wise at least, it fits perfectly with it’s even messier, more uninspired story telling of it’s sequel. So this latest ‘Rise of Skywalker’ trailer seems to be trying it’s best to rope fans wallet’s back into the franchise, who after the last movie, found themselves a bit underwhelmed with the direction of things. Overall I think the trailer does a decent job at accomplishing it’s goal, I’m not going to sit this one out at the theater like some have threatened to do, but I still won’t be rushing out to stand in line for it opening night either. At least not yet. At the very least I’m intrigued at how this trilogy is going to try and find some sort of originality in the third and final chapter. AAfter two movies I’m not very invested in any of the new characters, but at least they throw us some Lando, Chewy, Leia and C3P0 in this. I’m not being an old grumpy original trilogy purist either, I was fully down and ready to fall in love with the new characters.
However, these new Star Wars movies are now feeling less like an epic event and more like another attempted cash grab reboot of a once beloved 80’s franchise we’re continuously spoon fed by Hollywood. I do I think that the laugh of Palpatine at the end of the trailer is a good sign that JJ devised a plan that he thinks will rope in any straying disgruntled Star Wars fan. I’m admitting I’m curious what’s going on here, I hope it somehow feels cohesive with what came before, as it’s started talk of Palpatine’s possible return in the flesh for the final installment. I’m giving this trailer a solid ‘B’. It didn’t blow my mind but it has gotten the wheels turning in my brain again pondering how this Star Wars “Saga” will end and more so if they can unite divided fans. As long as it NOT mirroring ‘Return of the Jedi’ I think it’s got a chance because at this point literally anything in my opinion will be better than the last installment….
With the recent announcement of ‘American Horror Story: 1984’ looking to cash in on success of 80’s throwback series like ‘Stranger Things’ and Stephen King’s reboot of ‘IT’ I thought it’d be nice to give a shout out to a great flick from 1983 called ‘The House on Sorority Row’ I watched a couple days ago. ‘American Horror Story: 1984’ is going to be fully immersed in the 1980’s slasher genre. That being said here’s a pitch perfect Slasher flick I recommend they watch before releasing the new season, they likely’ll need all the help they can get by trying to convincingly tackle the genre. This mysterious little flick from 1983 deserves a helluva lot more praise than it’s gotten throughout the years. Director Mark Rosman brings one of the best to the genre!
The House on Sorority Row’s filled with a pretty tightly knit little mystery that’s full of fairly unpredictable twists and turns that never lag in it’s execution. Hitting all the slasher tropes in a pretty unique way, considering it was released back in 1983. First off we’ve got a full cast of great characters, almost entirely female as well and rather than giving us a troop of the usual moronic teenagers for the killer to prey upon, we get ones who you just might care about getting off’d. Our gang of sorority sisters here are a pleasure to see onscreen and most definitely take the plot into some fascinating territory. There’s the old seemingly mentally unstable sorority house mother who desperately wants the girls out of the house for the summer. However determined to throw one final grand graduation bash at the house, the sorority sisters get into a heated argument with her that quickly escalates to uncomfortable levels. They devise a plan to play a wicked prank on her, and in doing so set into motion a night of terror as they try and cover up their actions from the public. Deciding the show must go on they reluctantly continue with the big bash and soon find them being stalked by a ruthless slasher out to put the kebosh on their festivities.
Sounds simple enough, but there’s a lot more going on here than meets the eye, the set up to this one is pretty awesome as the girls quickly prove they can be just as nasty and cunning as any 80’s frat boy. The acting for the most part is rock solid here too, but don’t fret, as there’s still plenty of 80’s cheez to go around. One of the highlights being the grad party and it’s totally rad live power pop band ‘4 Out of 5 Doctors’ who perform there that boost the level of fun up a few notches alone. It’s the kind of party that makes you wanna jump into a time machine to attend & get down in the 1980’s. We’ve also got a great final girl here that’s totally worth rooting for as she slowly throughout the evening puts the pieces of the bizarre mystery together while her & her friends are stalked on the spooky campus. It feels a bit like a demented Scooby Doo mystery that takes itself fully seriously in the best way possible.
It’s also not afraid to get nasty with it’s gore fx there’s plenty of inventive kills scattered about to revel in as well. The finale really ramps things up and keeps you for the most part guessing til the end about what the fuck is actually going one here. The killer is pretty awesome too and the last 5 minutes (which I wish would’ve lasted longer actually) are filled with tension, thoroughly impressive camera work & the reveal of the maniac in the flesh is pretty iconic in it’s own right. This one’s really got it all as far as slashers go, a stunning orchestral score from Richard Band, great spooky sets, sweet fx, excellent characters, a cool mystery and a pretty sweet ass slasher villain. If you’ve never seen this one and are a fan of the genre this one hits a home run!
Ok so this is some weird news for sure that’s certainly caught fans of the ‘Child’s Play’ franchise by total surprise, Mark Hamill will be voicing Chucky in the upcoming ‘Child’s Play’ remake! WTF? Well as much as I wasn’t particularly excited for another cheap ass Hollywood remake of an 80’s horror classic I gotta admit that the trailer for this remake wasn’t nearly as bad as I’d initially anticipated. It actually slightly raised my curiosity in it altogether.
Being a big fan of the original franchise I think the latest ‘Chucky’ movies have been pretty damn good and I’ve remained excited for the next installment after the ‘Cult of Chucky’. I’ll admit, there will really only be one Chucky for me, Brad Dourif, but suddenly I’m finding myself conflicted by the news that Mark Hamill himself will indeed be the voice of the killer doll in the remake! What the hell am I supposed to do now? I of course LOVE Mark Hamill and I find some sort of new excitement welling inside for this damn remake!! DAMN!!!
So I guess I’m all in now, at least to give it a fair chance, Mark’s an amazing talent and has some experience in the horror genre already under his belt having appeared in some sloppy B-movie cult classics, the likes of ‘Sleepwalkers’, ‘Body Bags’, ‘Midnight Ride’ and a personal favorite of mine ‘Watchers Reborn’. It certainly seems like Mark is pumped for the job as his tweet about it on Twitter was hash tagged #luckytobechucky. So yeah there you have it at least ONE reason to get pumped for the new Child’s Play remake!!!
Ok, so I’m not going to go into full deep detail here on Jordan Peele’s latest horror outing ‘US’, as there’s easily enough online analyzing with the buzz and huge hype surrounding it. I’m gonna just give a few quick thoughts on it now that I’ve had a couple days to let it sink into my brain and let you know an unbiased opinion, the good and the bad, as a huge horror hound and a big fan of his first film ‘Get Out’. Most already know the plot of this one but if not here’s a quick refresher:
Married Couple Gabe and Adelaide Wilson take their two children to their long time family beach home expecting to relax and hang with with friends at the beach. But as night falls upon them, their vacation quickly turns to terror and utter chaos when dopplegangers of themselves violently raid their home. It turns into a evening of terror as they play a deadly game of cat & mouse with insane mirror images of themselves.
So Jordan Peele has undeniably crafted a damn good mainstream horror movie once again that feels like a high budget, more violent episode of The Twilight Zone. That’s a great thing, as I’m always down for an intelligent, thought provoking horror flick and this one leaves you with a lot to think about. ‘Us’ fully delivers the frantic action, legit scares as well as some stunning violence and grooves along at near perfect pace never losing a beat. Right from the start Peele gives us a clue as to what influences he’s drawing from here, I liked the 1980’s opening with the ‘C.H.U.D.’ vhs in plain sight as well as ‘The Man With Two Brains’ and ‘Goonies’ next to the old TV which also is broadcasting something that should be paid close attention to. There’s a lot of clues sprinkled about here throughout and it’s a fun thrill ride.
The acting of course by everyone on board was pitch perfect and the sense of dread and despair Peele drums up shows he fully understands the genre in all the best ways. The evil family that arrives upon the scene are likely to become modern horror icons, scary as ever and their perplexing motives for even being there at all is easily one of the best parts of the entire movie. I’ve always thought the doppleganger concept was a frightening one, meeting an “off” version of yourself in a dark alley is something of nightmares. Peele take this concept, puts it on steroids and leaves you thinking just how you might really react being put in a similar situation.
Now with all that being said, as a big horror fan, I found many of the brilliant tense scenes a bit undermined by attempts at comedy, much of which admittedly landed pretty well but felt out of place. For me though as funny as Peele makes the dialogue at these moments, (I feel) perhaps this trend of following scenes of tension with a joke a bit tired at this point. It takes me out of the movie in a big way, I understand the masses dig that type of thing, but it’s kinda something I feel so many try to replicate due to the success of the Marvel movies. It felt tonally off & I personally can do without, unless I’m watching something like ‘Ash vs Evil Dead’. I also found that within the first 20 minutes or so the major twist was so blatantly obvious I’d actually put it to the back of my mind as being not a likely possibility. However when the end roared forward it was indeed revealed to be exactly what I’d expected. Maybe I’ve seen too many of these horror flicks? So possibly a minor spoiler to some, I’d actually wondered if Jordan Peele had seen the 2015 movie ‘A Christmas Horror Story’ as there’s a story in the X-mas horror anthology that features a black family that well, let’s just say experience the same thing basically. Coincidence? Maybe.
By the very end it was clear that there’s a social commentary going on again here as in ‘Get Out’, perhaps a good one but the insertion of it this time around I think kinda derailed the horror mystery that came before it. It feels more like a fable by the time the end credits hit, one that introduces new plot info to seemingly prove some kind of lesson. The explanation for the madness that erupted before feels slightly forced, just doesn’t make much sense and ultimately in my opinion changes the dynamic of the whole movie altogether. I’d actually rather be given no real explanation for what occurred than be given some sort of societal lesson at the end of the movie. It all comes pretty much out of left field, reaching a more sci fi inspired explanation that requires some serious suspension of disbelief and a much more surreal dream like approach that feels a bit out of place here ultimately. I guess it’s much more of a symbolic presentation, at least towards the end and perhaps I just wasn’t expecting it to move fully into that mode.
In a way I guess I can compare it to M. Knight Shyamalan’s movies, where sometimes his twist ending undoes some of the brilliantly crafted terror that came before it by trying to prove some deeper “meaningful” point. However, that’s just my opinion as I know many love those movies that tie into real world issues. That all being said, I highly recommend ‘Us’ as it’s still a shit load of fun and miles above the crappy ass normal Hollywood B.S. that you’re likely to see at a big cinema. Surely one of the best horror movies of 2019, Check it out and let me know if you think I’m way off here with some of my criticisms?
One thing I love are those weird ass toys of the 70’s & 80’s many of them long forgotten by most. Today I was thinking about a strange action figure line called ‘The Supernaturals’. This bizarre gang of monster toys from 1987 had a gimmick, a spooky 3-D hologram sticker attached to their bodies, often times the heads and torso that really created an incredibly creepy unmistakable look for these action figures. These dudes were pretty damn awesome, each one came with a mini comic book that explained origins of the ghosty heroes and villains.
They also had glow in the dark hands and weapons just to make them even spookier when the lights went out as well as spooktacular vehicles they used in battle. I had a few of these as a kid, they were truly bizarre and that’s one of the main reasons why this toy line was so short lived. Luckily someone was kind enough to upload these old commercials of them so they can truly live on forever!!!
Yesterday we heard the news of master special effects artist / director John Carl Buechler’s passing & it reminded me once again of just how amazing his work in the industry was and just how many of the movies he was involved with have been a huge part of growing up. From cult classics like Troll, Dolls & The Dungeonmaster to arguably the best installment of Friday The 13th, Part VII: The New Blood to Indiana Jones: The Last Crusade, his work has brought me soooo much joy throughout my life as a movie maniac.
As one of the biggest fans of monster movies, he brought some of the best to the big and small screen. It led me to comb Youtube for some choice clips of his that feature some of my favorite creations of his. They just don’t make em’ like this anymore, Mr. Buechler you will be missed but your incredible creatures will live on forever, that is for sure…
There’s been all sorts of controversy about Brie Larson lately on the internet in regards to the upcoming Captain Marvel movie. Some people are fully up in arms about her recent statements regarding white males as film critics, not wanting to be interviewed by ‘white dudes”, wanting fewer white males on her Captain Marvel press tour and just wanting more diversity in general. I understand her concerns, but It’s clear that her approach to the topic has clearly triggered some fans. She could have stated her issues in a much smoother way that’d likely have spoke to fans of the comic books, who have ironically been throughout the years mainly white males. Will all of her recent statements about calling hard for diversity in the film biz affect the box office numbers for the Marvel blockbuster? We’ll have to wait and see but one thing I’ve been perplexed about from the initial announcement of Captain Marvel the REAL controversy: the decision to base the character on a white female, “Carol Danvers” and cast Brie Larson at all. I’m ok with the decision but would’ve much rather my era Captain Marvel been given a chance. The one who came before the “Carol Danvers” character way back in the early 80’s. Growing up, my Captain Marvel was first and foremost, Monica Rambeau.
Yep, Monica was the first female Captain Marvel, appearing in The Amazing Spider-Man annual #16 and eventually went on to become the leader of The Avengers in the 80’s. She’s a total badass who harnesses a multitude of energy forms, irradiated with energy blasts from different dimensions that also gave her the ability to move at light speed. Besides being the leader of The Avengers she was also the first black superhero to join the ranks of the team. In my opinion she’s also a much more interesting character in general. Monica was a New Orleans native and worked for the harbor patrol there operating as an ACTUAL captain of ship. At one point she caught wind of a wicked plot to create of a dangerous supernatural energy weapon, Rambeau took it upon herself to try to stop the threat and in turn was exposed to a powerful extra-dimensional energy.
She gained the ability to convert her body to pure raw energy. Soon, the papers began to refer to her as “Captain Marvel”. It wasn’t long after that she’d run into issues controlling her vast new power and her growing energy abilities almost made her a danger to the public. With the help of Iron Man & Spider-man she was able to successfully release the excess of it safely. She made the decision to utilize her powers to fight for the good of the earth under the name she was given by the media. Using the same name of a pervious male super hero Mar-vell, she’d quickly drawn attention of Earth’s mightiest heroes, The Avengers. Joining the team she worked her way up as one of the greatest members in their ranks and eventually accepted the role of leader of the team. Her story is pretty awesome and as a kid growing up she was one of the main superheroes I’d known as the leader of The Avengers along with Captain America & The Wasp.
To me Monica’s Captain Marvel should have been given the chance to front her own MCU movie. As much as I do agree with what the overall points that Larson has been trying to make about “white dudes”, it appears a bit like she’s been trying to exploit the topic of diversity to gather attention for her movie. With the topic being a big part of her MCU campaign, I’ve been perplexed since I’d first heard many of her comments about diversity, just why Marvel chose her character to be the “Captain Marvel” we see in the first female led superhero MCU movie. As a white woman herself and the FIRST female Captain Marvel being ‘Monica Rambeau’, (a character of color who worked her way to the top roster of the Avengers) isn’t it a bit odd to choose ‘Carol Danvers’ who only first took the Captain Marvel mantle as recently as 2012?
I do think Larson should have addressed this, especially with her campaign for diversity in the film industry recently gathering so much attention. She maybe even could have even suggested the character for the movie be Rambeau, in respect to the iconic character and just diversity in film in general. Whatever the case, it’s good to get the history of the female Captain Marvel character out there for discussion, in my opinion Marvel made a HUGE mis-step in not presenting the true original female Captain Marvel, Monica Rambeau for the upcoming movie.